Note: Contents: v. 1 A-fuzz - v. 2 Gabler-Niewood - v. 3 Nightclubs-Zwingenberger , Includes bibliographical references and discography , Previous ed.: published in 2 v. London : Macmillan, 1988 , Erschienen: Vol. 1-3

Note: Erschienen: 1 - 2

Note: Bd. 1/4 ohne Gesamtt. erschienen

Note: Wechselnde Hrsg. - Später hrsg. von Herbert Ernst Wiegand (1982-2018). - Ab Volume 46 "edited by Jeroen Darquennes and Patience Epps" , Verl.-Name ab 2010: De Gruyter Mouton , Text teilw. dt., teilw. engl., teilw. franz.

Note: Erschienen: 1 - 24

Note: Erschienen: 1 - 24

Note: Free speech, blasphemy, and secular criticism , Religious reason and secular affect : an incommensurable divide? , The sensibility of critique : response to Asad and Mahmood , Reply to Judith Butler , Response to Judith Butler

Note: Includes bibliographical references and index

Note: Includes bibliographical references and index. , Enth.: Durkheimian anthropology and religion : going in and out of each other's bodies. Why religion is nothing special but is central. Truth and sight : generalizing without universalizing. Teknonymy and the evocation of the "social" among the Zafimaniry of Madagascar. Is there religion in Çatalhöyük or just houses?. Types of shared doubt in the flow of a discussion. Toward a cognitive anthropology grounded in field work : the example of "theory of mind". Levi-Strauss as an evolutionary anthropologist.

Note: Titel ist im Rahmen der Initiative Knowledge Unlatched frei zugänglich.

Note: Literaturverz. S. [255] - 272

Note: "The term 'flow' refers to experiences where the musician moves into a consciousness in which time seems to be suspended and perception of reality is blurred by unconscious forces. An essential part of the jazz tradition, which often serves as the foundation of the musician's identity, flow is recognised within the greater jazz community as a critical factor in accomplished musicianship. Flow as a concept is so deeply embedded in the scene that these experiences are not generally discussed. It contributes to the musicians' work motivation, providing a vital level of satisfaction and accomplishment. The power of the experience, consciously or unconsciously, has given rise to the creation of heroic images, in which jazz musicians are seen as being bold, yet vulnerable, strong and masculine, but still capable of expressing emotions. In this discourse, musicians are pictured as people constantly putting themselves on the line, exposing themselves and their hearts to one another as well as to the audience. Heroic profiles are richly constructed within the jazz scene, and their incorporation into narratives of flow suggests that such images are inseparable from jazz. It is thus unclear how far the musicians are simply reporting personal experience as opposed to unconsciously perpetuating a profoundly internalised mythology. Drawing on eighteen interviews conducted with professional jazz musicians from around the world, Elina Hytönen examines the fundamentals of the phenomenon of flow in jazz that has led to this genre's popularity. Furthermore, she draws on how flow experiences are viewed and constructed by jazz musicians, the meanings they attach to it, and the quality of music that it inspires

Note: Includes bibliographical references and index

Note: Includes bibliographical references and index

Note: Includes bibliographical references and index

Note: Originally published: 2012

Note: Includes bibliographical references and index , Hier auch später erschienene, unveränderte Nachdrucke

Note: Literaturangaben

Note: Includes bibliographical references and index

Note: Includes bibliographical references (p. 179-182) and index

Note: Literaturverz. S. (246 - 259

Note: Includes bibliographical references and index. - Introduction leading irreconcilable differences Elisabeth Weber -- Avowing- the impossible "Returns," repentance, and reconciliation Jacques Derrida, translated from the French by Gil Anidjar -- Mal de Sionisme (Zionist Fever) Gil Anidjar -- Forget semitism! Joseph A. Massad -- Beyond tolerance and hospitality Muslims as strangers and minor subjects in Hindu nationalist and Indian nationalist discourse Priya Kumar -- Rights, respect, and the political notes from a conflict zone Raef Zreik -- Responsi/ability, after Derrida Ellen T. Armour -- Contested forgiveness Jankélévitch, Levinas, and Derrida at the Colloque des intellectuels juifs Dana Hollander -- To live, by grace William Robert -- Four or five words in Derrida Kevin Hart -- Mourning and reconciliation Marc Nichanian, translated from the French by Alison Bjerke -- The painter of postmodern life Sherene Seikaly -- Living-with-torture-together Elisabeth Weber -- From Jerusalem to Jerusalem- a dedication Michal Govrin, translated from the Hebrew by Atar Hadari -- How to live together well interrogating the Israel/Palestine conflict Richard Falk

Note: Includes bibliographical references (p. [209]-217) and index

Note: Bibliogr. Ibn Taymiyya und Ibn Qayyim al-Jawziyya und Literaturverz. S. [519] - 572 , Appropriation of Ibn Taymiyya and Ibn Qayyim al-Jawziyya: challenging expectations of ingenuity , Debating the doctrine of jabr (compulsion): Ibn Qayyim al-Jawziyya reads Fakhr al-Din al-Razi , Ibn Qayyim al-Jawziyyaâ's manipulation of sufi terms: fear and hope , Ibn al-Qayyim's Kitab al-ruh: some literary aspects , The relation of Ibn Taymiya and Ibn !ayyim al-Jawziyya to the Hanbali school of law , Screening Siddiq Hasan Khan's (1832-1890) library: the use of Hanbali literature in 19th-century Bhopal , Ibn Qayyim al-Jawziyya in the "Lands below the Winden: an ideological father of radicalism or a popular sufi master? , The poison of philosophy: Ibn Taymiyya's struggle for and against reason , The curse of philosophy: Ibn Taymiyya as a philosopher in contemporary islamic thought , Against islamic universalism: al-Hnabali's 1990 attempt to prove that Ibn Taymiyya and Ibn Qayyim al-Jawziyya affirm the eternity of hell-fire , Law and order according to Ibn Taymiyya and Ibn Qayyim al-Jawziyya: a re-examination of siyasa sharʻiya , Ibn Qayyim al-Jawziyya's attitude toward Christianity in Hidayat al-hayara fi ajwibat al-Yahud wal-Nasara , Ibn Taymiyya and Ibn Qayyim al-Jawziyya as changing Salafi icons , Ibn Taymiyya's worldview and the challenge of modernity: a conflict among the ahl-i ahadith in British India

Note: Includes bibliographical references (pages 216-232) and index , Subalterns and Dalits in Gramsci and Ambedkar : A prologue to a "posthumous" dialogue , Revisiting Interwar Thought : Stigma, Labor, and the Immanence of Caste-Class , The Other Prince : Ambedkar, Constitutional Democracy, and the Agency of the Law , Notes on Q6.32 : Gramsci and the Dalits , Limits of the Organic Intellectual : a Gramscian reading of Ambedkar , Living Subalternity : Antonio Gramsci's Concept of Common Sense , Race, Class, & Religion : Gramsci's Conception of Subalternity , The Risorgimento and its Discontents : Gramsci's Reflections on Conflict and Control in the Aftermath of Italy's Unification , Hegemony and Consciousness-building Processes in Dalit Literature , Consciousness, Agency and Humiliation : Reflections on Dalit Life Writing and Subalternity , Why does religion matter to politics? : Truth and ideology in a Gramscian approach , Intellectuals and Subalterns in the Context of Religion , The Place of "Practical Spirituality" in the Lives of the Dalit Buddhists in Pune , Conclusion : Which Itineraries for Dalits, Subalterns and Intellectuals?

Note: Includes bibliographical references and index

Note: Includes bibliographical references and index

Note: Includes bibliographical references and index

Note: Literaturverzeichnis Seite [247]-270

Note: Forthcoming publication , Previous edition: Upper Saddle River, N.J.: Prentice Hall, 2011. , Includes ebook access.

Note: Includes bibliographical references and index.

Note: Literaturverzeichnis Seite: 179-189 , Englisch edition first published in 2012 by Berg, reprinted by Bloomsbury Academic 2013, ©2012 Bennet and Hodkinson

Note: Literaturverzeichnis: Seite 249-257

Note: Translated from the French.

Note: Includes index

Note: Biogr. Index der Musiker S. 254 - 260. - Diskogr. S. 264 - 265. - Literaturverz. S. 266

Note: Mit einem Vorwort zur Neuauflage 1990

Note: Literatur- und Quellenverz. S. 121 - 130

Note: Includes bibliographical references (pages 225-226) and index

Note: Focusing on a diverse and eclectic scene that is under-documented, this dissertation investigates the historical, social, and cultural aspects of jazz and improvised music in Vienna over the last four decades. Through fieldwork, the author has observed various characteristics and trends regarding the jazz and improvised music scene in Vienna and have subsequently organized the musicians and their recordings into seven fluid "fields": Traditional-U.S. Performance, Post-Tradition, DJ/Hip-Hop, Volk/Ethnic, Cabaret, Unclassified, and Abroad. One of the most striking aspects of the entire scene is the near-absence of a racialized discourse among musicians and critics and of stereotypical markers of "blackness" in performance. Moreover, the absence of an African-descendent population in Austria, due to the country's near-lack of a colonial history, distinguishes it from the U.S.'s jazz context. Even without a colonial history, one of the common threads throughout Austria's history is cultural mixture (Brook-Shepherd 1996) due to its geographic location and its propensity to merge with its neighbors through marriage rather than might. Additionally, Austria's jazz scene had no need to resist a U.S. - model of jazz performance practice, while other jazz scenes in Europe and around the world struggled to "be free of America" (Atkins 2001). Therefore, the construction of jazz and improvised music in Vienna is better seen as a process of cultural layering, rather than the more familiar process of signifying (Gates 1988) in the United States. Finally, most jazz and improvised music is performed without a driving rhythm. I highlight these and other aspects of Vienna's scene by examining recordings by Mathias Ruegg, Franz Koglmann, Wolfgang Mitterer, Clemens Salesny, Franz Hautzinger, and others , Microfilm copy available in Microforms under year and author

Note: Literaturangaben

Note: Literaturverz. S. 259 - 281

Note: Includes bibliographical references and index

Note: Includes bibliographical references (pages 231-244) and index , Lubbock or leave it , Lubbock or leave it , Joan Baez , From Roger and out into dang me/chug a lug , Midnight in Memphis with the wicked Pickett , Jackson C. Frank , What time has told me about Nick Drake's Five leaves left , The voice of the quiet one , That's it , New York Dolls , Warren Zevon , Chasing after vengeance , Steve Forbert, alive on arrival from Meridian to Manhattan , Ready for the house , Rickie Lee Jones , Metallica kills , I know someday you'll have a beautiful life , Leann Rimes blue , Third Eye Blind , Dap-dippin' independent tradition , Pilfering the past or postmodern punks? , Cinematic fantastic sampledic funky found sound sifting , Good time rollers , Joan Baez , From Roger and out into dang me/chug a lug , Midnight in Memphis with the wicked Pickett , Jackson C. Frank , What time has told me about Nick Drake's Five leaves left , The voice of the quiet one , That's it , New York Dolls , Warren Zevon , Chasing after vengeance , Steve Forbert, alive on arrival from Meridian to Manhattan , Ready for the house , Rickie Lee Jones , Metallica kills , I know someday you'll have a beautiful life , Leann Rimes blue , Third Eye Blind , Dap-dippin' independent tradition , Pilfering the past or postmodern punks? , Cinematic fantastic sampledic funky found sound sifting

Note: Includes index