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  • GBV  (10)
  • Cambridge : Cambridge University Press  (10)
  • Musik  (10)
  • Musicology  (10)
Datasource
Material
Language
Years
Author, Corporation
Publisher
Keywords
Subjects(RVK)
  • 1
    Book
    Book
    Music and politics : a critical introduction (2019)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9781107032415 , 9781107681088
    Language: English
    Pages: xiv, 272 Seiten , Illustrationen, Diagramme
    DDC: 306.4842
    RVK:
    LC 87000
    RVK:
    LR 57720
    Keywords: Music Political aspects ; Music Social aspects ; Musik ; Politik ; Musik ; Politik
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    BSZ
    GBV
    HBZ
    MPI-MMG
  • 2
    Book
    Book
    Plague and music in the Renaissance (2017)
    Cambridge : Cambridge University Press
    Details
    ISBN: 1107109256 , 9781107109254
    Language: English
    Pages: ix, 284 Seiten , Illustrationen, Notenbeispiele
    Edition: First published
    DDC: 306.4/842094
    RVK:
    LR 57803
    RVK:
    LR 57813
    RVK:
    LP 19503
    Keywords: Music Social aspects ; History ; Music therapy History ; Plague History ; Pest ; Musik ; Geschichte 1400-1600 ; Pest ; Geschichte 1400-1600
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Book
    Book
    Mary Gladstone and the Victorian salon : music, literature, liberalism (2017)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9781107184800 , 9781316636145
    Language: English
    Pages: xviii, 305 Seiten , Illustrationen , 26 cm
    Series Statement: New perspectives in music history and criticism
    DDC: 941.081092
    RVK:
    LR 57715
    RVK:
    LR 57725
    Keywords: Drew, Mary Gladstone ; Gladstone, W. E Family ; Drew, Mary Gladstone 1847-1927 ; Socialites Biography ; Musicians Biography ; Women Political activity 19th century ; History ; Salons History 19th century ; Music History and criticism 19th century ; Private secretaries Biography ; Music Political aspects ; History ; 19th century ; Great Britain ; Liberalism History ; 19th century ; Great Britain ; Salons History ; 19th century ; England ; London ; Great Britain Intellectual life ; 19th century ; Great Britain Politics and government ; 1837-1901 ; Drew, Mary Gladstone 1847-1927 ; Großbritannien ; Salon ; Musikleben ; Geistesleben ; Geschichte ; Drew, Mary Gladstone 1847-1927 ; Großbritannien ; Salon ; Kultur ; Politik ; Musik ; Geschichte ; Royal College of Music ; Geschichte
    Abstract: "The daughter of one of Britain's longest-serving prime ministers, Mary Gladstone was a notable musician, hostess of one of the most influential political salons in late Victorian London, and probably the first female prime ministerial private secretary in Britain. Pivoting around Mary's initiatives, this intellectual history draws on a trove of unpublished archival material that reveals for the first time the role of music in Victorian liberalism, explores its intersections with literature, recovers what the high Victorian salon was within a wider cultural history, and shows Mary's influence on her father's work. Paying close attention to literary and biographical details, the book also sheds new light on Tennyson's poetry, George Eliot's fiction, the founding of the Royal College of Music, the Gladstone family, and a broad plane of wider British culture, including political liberalism and women, sociability, social theology and aesthetic democracy"--
    Abstract: Machine generated contents note: Part I. Intellectual History: 1. Idealist philosophy, culture and the Gladstones; 2. The passion of liberalism; 3. The Victorian salon; 4. Music and the Gladstone salon; Part II. Musical and Literary Case Studies: 5. Mary Gladstone's diary and the Royal College of Music; 6. '... there ought to be some melody in poetry': Tennyson's salon readings; 7. '... musical, I see!': triangulated criticism and Daniel Deronda; 8. Conclusion
    Note: Literaturverzeichnis: Seite 273-294 , Hier auch später erschienene, unveränderte Nachdrucke
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  • 4
    Online Resource
    Online Resource
    Plague and music in the Renaissance (2017)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9781316271476
    Language: English
    Pages: 1 online resource (ix, 284 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/842094
    RVK:
    LR 57803
    RVK:
    LR 57813
    Keywords: Geschichte 1400-1600 ; Geschichte ; Gesellschaft ; Musik ; Music / Social aspects / History ; Music therapy / History ; Plague / Europe / History ; Musik ; Pest ; Europa ; Aufsatzsammlung ; Aufsatzsammlung ; Pest ; Musik ; Geschichte 1400-1600
    Abstract: Plague, a devastating and recurring affliction throughout the Renaissance, had a major impact on European life. Not only was pestilence a biological problem, but it was also read as a symptom of spiritual degeneracy and it caused widespread social disorder. Assembling a picture of the complex and sometimes contradictory responses to plague from medical, spiritual and civic perspectives, this book uncovers the place of music - whether regarded as an indispensable medicine or a moral poison that exacerbated outbreaks - in the management of the disease. This original musicological approach further reveals how composers responded, in their works, to the discourses and practices surrounding one of the greatest medical crises in the pre-modern age. Addressing topics such as music as therapy, public rituals and performance and music in religion, the volume also provides detailed musical analysis throughout to illustrate how pestilence affected societal attitudes toward music
    Note: Title from publisher's bibliographic system (viewed on 07 Jul 2017)
    DOI: 10.1017/9781316271476
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: https://doi.org/10.1017/9781316271476
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    Online Resource
    München BSB
    BSZ
    GBV
    KOBV
    HeBIS
    BVB
  • 5
    Book
    Book
    Performing civility : international competitions in classical music (2015)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9781107100862 , 9781107498297
    Language: English
    Pages: xii, 287 Seiten , Illustrationen, Diagramme
    Series Statement: Cambridge cultural social studies
    Parallel Title: Erscheint auch als
    DDC: 306.4842
    RVK:
    LR 57230
    Keywords: Gesellschaft ; Musik ; Music / Social aspects ; Music / History and criticism ; Klassische Musik ; Wettbewerb ; Klassische Musik ; Wettbewerb
    Note: Literaturverz. S. 264 - 281 , Paperback edition 2017
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Autorenbiografie
    URL: Verlagsangaben
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Autorenbiografie
    URL: Verlagsangaben
    URL: Inhaltsverzeichnis
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    München BSB
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    BVB
  • 6
    Book
    Book
    Music, sound and space : transformations of public and private experience (2015)
    Cambridge : Cambridge University Press
    Details
    ISBN: 1107504120 , 9780521764247 , 9781107504127
    Language: English
    Pages: xv, 358 Seiten
    Edition: First paperback edition
    DDC: 781.2/3
    RVK:
    LR 56600
    RVK:
    LS 18600
    RVK:
    AP 14900
    RVK:
    LC 87000
    Keywords: Music ; Social aspects ; Sound ; Social aspects ; Aufsatzsammlung ; Aufsatzsammlung ; Musik ; Soziologie
    Abstract: This book focuses on music, sound and space and how they have been employed to transform public and private experience.
    Abstract: Music, Sound and Space is the first collection to integrate research from musicology and sound studies on music and sound as they mediate everyday life. Music and sound exert an inescapable influence on the contemporary world, from the ubiquity of MP3 players to the controversial use of sound as an instrument of torture. In this book, leading scholars explore the spatialisation of music and sound, their capacity to engender modes of publicness and privacy, their constitution of subjectivity, and the politics of sound and space. Chapters discuss music and sound in relation to distinctive genres, technologies and settings, including sound installation art, popular music recordings, offices and hospitals, and music therapy. With international examples, from the Islamic soundscape of the Kenyan coast, to religious music in Europe, to First Nation musical sociability in Canada, this book offers a new global perspective on how music and sound and their spatialising capacities transform the nature of public and private experience.
    Note: First published 2013 , Literaturverzeichnis: Seite 312-342, Discography, Index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 7
    Book
    Book
    French music and jazz in conversation : from Debussy to Brubeck (2014)
    Cambridge : Cambridge University Press
    Details
    ISBN: 1107037530 , 9781107037533
    Language: English
    Pages: XV, 304 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Music since 1900
    DDC: 781.681650944
    RVK:
    LQ 82207
    RVK:
    LS 48100
    Keywords: Geschichte 1900-1965 ; Musik ; Jazz ; Frankreich
    Note: Literaturverzeichnis Seite 272 - 293
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Cover
    URL: Cover
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  • 8
    Online Resource
    Online Resource
    Jewry in Music : Entry to the Profession from the Enlightenment to Richard Wagner (2011)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9781139058483
    Language: English
    Pages: Online-Ressource (1 online resource (356 p.)) , digital, PDF file(s).
    Edition: Online-Ausg.
    Parallel Title: Druckausg. Conway, David, 1950 - Jewry in music
    DDC: 780.89924
    RVK:
    LS 33120
    Keywords: Jews Music ; History and criticism ; Jews in music ; Jews Music ; History and criticism ; Jews ; Music ; History and criticism ; Jews in music ; Jewish musicians ; History ; Jewish composers ; History ; Jews ; Music ; Judentum ; Musik ; Geschichte
    Abstract: David Conway analyses why and how Jews, virtually absent from Western art music until the end of the eighteenth century, came to be represented in all branches of the profession within fifty years as leading figures – not only as composers and performers, but as publishers, impresarios and critics. His study places this process in the context of dynamic economic, political, sociological and technological changes and also of developments in Jewish communities and the Jewish religion itself, in the major cultural centres of Western Europe. Beginning with a review of attitudes to Jews in the arts and an assessment of Jewish music and musical skills, in the age of the Enlightenment, Conway traces the story of growing Jewish involvement with music through the biographies of the famous, the neglected and the forgotten, leading to a new and radical contextualisation of Wagner's infamous 'Judaism in Music'.
    Note: Title from publishers bibliographic system (viewed on 18 Feb 2013)
    DOI: 10.1017/CBO9781139058483
    URL: Volltext  (lizenzpflichtig)
    URL: Inhaltsverzeichnis
    URL: Volltext  (lizenzpflichtig)
    URL: Inhaltsverzeichnis
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  • 9
    Online Resource
    Online Resource
    Music, Culture and Social Reform in the Age of Wagner (2010)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9781139042758
    Language: English
    Pages: Online-Ressource (1 online resource (306 p.)) , digital, PDF file(s).
    Edition: Online-Ausg.
    Parallel Title: Druckausg. Garratt, James, 1974 - Music, culture and social reform in the age of Wagner
    Parallel Title: Print version
    DDC: 306.4/842094309034
    RVK:
    LQ 80300
    RVK:
    LR 57725
    RVK:
    LP 63020
    Keywords: Wagner, Richard ; Music Political aspects ; History ; 19th century ; Germany ; Music Social aspects ; History ; 19th century ; Germany ; Music Social aspects 19th century ; History ; Music Political aspects 19th century ; History ; Music ; Political aspects ; Germany ; History ; 19th century ; Music ; Social aspects ; Germany ; History ; 19th century ; Music ; Germany ; 19th century ; History and criticism ; Socialism and music ; Germany ; History ; 19th century ; Music ; Political aspects ; Germany ; History ; 19th century ; Music ; Social aspects ; Germany ; History ; 19th century ; Deutschland ; Musik ; Gesellschaft ; Geschichte 1815-1870 ; Deutschland ; Musikästhetik ; Politik ; Geschichte 1815-1870 ; Deutschland ; Musik ; Politik ; Geschichte 1800-1900 ; Deutschland ; Musik ; Gesellschaft ; Geschichte 1800-1900
    Abstract: Challenging received views of music in nineteenth-century German thought, culture and society, this 2010 book provides a radical reappraisal of its socio-political meanings and functions. Garratt argues that far from governing the nineteenth-century musical discourse and practice, the concept of artistic autonomy and the aesthetic categories bequeathed by Weimar classicism were persistently challenged by alternative models of music's social role. The book investigates these competing models and the social projects that gave rise to them. It interrogates nineteenth-century musical discourse, discussing a wide range of manifestos championing musical democratization or seeking to make music an engine for the transformation of society. In addition, it explores institutions and movements that attempted to realize these goals, and compositions - by Mendelssohn, Lortzing and Liszt as well as Wagner - in which the relation between aesthetic and social claims is programmatic
    Abstract: Liberalism, autonomy and the social functions of art. Liberal individualism, perfectionism and aesthetic autonomy ; Music and Schillerian autonomy ; Choral music and socialization in the early nineteenth century: Nägeli and Zelter -- Radical and social aesthetics in the Vormärz. The trouble with Tannhäuser: artistic discourse as oppositional politics ; Left Hegelians and the politicization of literature and music ; Socialism in Vormärz literary and musical discourse -- Speaking for the Volk: music, politics and Vormärz festivals. Commemorative festivals and the cult of genius ; Lortzing, Mendelssohn and the Leipzig Gutenberg Festival ; An equal music? Singing festivals as mass and counter-culture ; To the artists (i): Mendelssohn and the German-Flemish singing festival -- Revolutionary voices: blueprints for an aesthetic state. Musical reform and the state ; Wagner, Lortzing and the music of revolution -- Music and the politics of post-revolutionary culture. Between anarchism and socialism: Wagner's Zurich essays ; The politics of progressivism: Liszt and the New German School ; To the artists (ii): Liszt and the Karlsruhe music festival ; Citizen Sachs? A Wagnerian coda -- The song of the workers: idylls and activism. Socialization and self-help: workers' education societies ; Lassalle, Bülow and the end of bourgeois music ; Schiller's heirs: art, Bildung and proletarian identity
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    DOI: 10.1017/CBO9781139042758
    URL: Volltext  (lizenzpflichtig)
    URL: Inhaltsverzeichnis
    URL: Volltext  (lizenzpflichtig)
    URL: Inhaltsverzeichnis
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  • 10
    Online Resource
    Online Resource
    African Polyphony and Polyrhythm : Musical Structure and Methodology (2004)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9780511518317
    Language: English
    Pages: Online-Ressource (1 online resource (700 p.)) , digital, PDF file(s).
    Edition: Online-Ausg.
    Parallel Title: Druckausg. Arom, Simha, 1930 - African polyphony and polyrhythm
    DDC: 781.76
    RVK:
    LS 46000
    Keywords: Music History and criticism ; Africa, Central ; Counterpoint ; Musical meter and rhythm ; Music History and criticism ; Music ; Africa, Central ; History and criticism ; Counterpoint ; Musical meter and rhythm ; African music ; Music++Africa++History and criticism ; Afrika ; Polyfonie ; Musik
    Abstract: In this detailed study Simha Arom takes a new and original approach to the understanding of the complex and sophisticated patterns of polyphony and polyrhythm that characterise African music. Considering in particular the harp, sanza, xylophone and percussion music of Central Africa, Simha Arom develops a rigorous method for the analysis of the music and for the recording and deciphering of the many strands of polyphony and polyrhythm. Through a systematic breakdown of the many layers of apparently improvised rhythm he reveals the essential structure which underlies this rich and complex music. Inspired also by linguistic techniques, Professor Arom regards the music very much as a grammatical system.
    Note: Title from publishers bibliographic system (viewed on 18 Feb 2013)
    DOI: 10.1017/CBO9780511518317
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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