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  • GBV  (6)
  • Online Resource  (6)
  • Greve, Martin  (4)
  • Bennett, Andy
  • Musicology  (6)
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  • 1
    ISBN: 9783956504815
    Language: English
    Pages: 1 Online-Ressource (249 Seiten) , Illustrationen, Notenbeispiele
    Edition: 1. Auflage
    Series Statement: Religion und Politik 19
    Series Statement: Istanbuler Texte und Studien (IST) Band 40
    Series Statement: Istanbuler Texte und Studien
    Parallel Title: Erscheint auch als Diversity and contact among singer-poet traditions in Eastern Anatolia
    RVK:
    Keywords: Twentieth Century ; Asik ; Turkey ; Dengbej ; Musicology ; musicology ; tradition ; Oral History ; Musik ; Kunst ; Diversität ; Geschlechterrollen ; art ; Musikologie ; Sänger-Poet ; diversity ; gender role ; music ; oral history ; singer-poet ; tradition ; Aufsatzsammlung ; Aufsatzsammlung ; Anatolien ; Volksmusik ; Volksliteratur ; Mehrsprachigkeit ; Kulturkontakt ; Anatolien ; Gesang ; Geschichte 1900-2018
    Abstract: In der aktuellen Berichterstattung werden vor allem die Unterschiede zwischen dem christlichen Westen und dem islamischen Osten betont. Bei einem näheren Blick auf die Geschichte der beiden Kulturräume lässt sich jedoch eine ähnliche Entwicklung ausmachen: Als Renaissance wird sowohl eine Phase im Heiligen Römischen Reich unter den Habsburgern als auch im Herrschaftsgebiet der Timuriden bezeichnet.Diese vermeintliche Ähnlichkeit bildet den Ausgangspunkt für eine Untersuchung der beiden Kulturräume in der Zeit um 900/1500. Damals lenkten die Herrscher Maximilian I. und Babur die Geschicke der beiden Dynastien. Ihre Selbstzeugnisse bilden die Grundlage für eine vergleichende Analyse. Die Fragen, die im Rahmen der Arbeit behandelt werden, lauten: Welche signifikanten Ähnlichkeiten zwischen diesen Texten lassen sich ausmachen und woher rühren sie? Lassen sich Unterschiede feststellen, die Hinweise auf eine Auseinanderentwicklung der beiden Kulturräume geben?Die Analyse lässt zahlreiche Gemeinsamkeiten zutage treten. Es zeigt sich, dass der typologische Vergleich literarischer Texte dazu beitragen kann, aktuelle Entwicklungen, in denen die trennenden Elemente zwischen Westen und Osten stark betont werden, historisch präziser einzuordnen. Doch auch der herausgearbeitete Unterschied kann aufschlussreich sein: Er lässt sich als Vorzeichen auf die Auseinanderentwicklung beider Kulturräume im Bereich der Ambiguitätstoleranz deuten.
    Abstract: The current media coverage emphasizes the differences between “Christian West” and “Islamic East”. However, a similarity in development can be found by having a closer look at the history of the Islamic world. For example, a period during the rule of the Timurid dynasty is also known as ‘Renaissance’. It took place at the same time as the ‘Renaissance’ under the rule of the Habsburgs in the Holy Roman Empire.This apparent similarity is used as a starting point for an analysis of the situation of the two cultural regions around 900/1500. The powerful dominions of the Habsburgs and the Timurids were ruled by the emperors Maximilian the First and Babur during that time. They both wrote self-testimonies which have been used for a comparative analysis. The thesis seeks to provide answers to the following questions: Which kind of important similarities can be found in the texts, and where do they originate? Can significant differences be identified which may reveal the starting point of the diverging development of the cultures?The results of the analysis indicate many similarities in the self-presentations. They show that a typological comparison of literary texts can lead to a more precise and historically correct interpretation than that of current trends, which rather promote differences between the cultures of West and East. Even the detected difference can be insightful: it is seen as an early sign of divergence of the two cultures in the area of intolerance of ambiguities.
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 2
    ISBN: 9783956503719
    Language: English
    Pages: 1 Online-Ressource (320 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Istanbuler Texte und Studien Band 39
    Series Statement: Istanbuler Texte und Studien
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Globalisierung ; Weltmusik ; Sanat müziği ; Volksmusik ; Klassische Musik ; Musik ; Türkei ; Türkei ; Musik ; Globalisierung ; Weltmusik ; Volksmusik ; Klassische Musik ; Sanat müziği
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 3
    ISBN: 9783956507038 , 9783956502057
    Language: English
    Pages: 1 Online-Ressource (270 Seiten) , Illustrationen
    Edition: 1. Auflage
    Series Statement: Istanbuler Texte und Studien Band 33
    Series Statement: Istanbuler Texte und Studien (IST) 33
    Series Statement: Nomos eLibrary
    Series Statement: Open Access
    Series Statement: Istanbuler Texte und Studien
    Parallel Title: Erscheint auch als Writing the history of “Ottoman Music”
    RVK:
    Keywords: Osmanisches Reich ; Türkei ; Musikgeschichte ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Osmanisches Reich ; Musik ; Geschichte ; Musikwissenschaft
    Abstract: Martin Greve: Introduction Bülent Aksoy: Preliminary Notes on the Possibility (or Impossibility) of Writing Ottoman Musical History Ralf Martin Jäger: Concepts of Western and Ottoman Music History Ruhi Ayangil: Thoughts and Suggestions on Writing Turkish Music History Ersu Pekin: Neither Dates nor Sources: A Methodological Problem in Writing the History of Ottoman Music Nilgün Dogrusöz: From Anatolian Edvâr (Musical Theory Book) Writers to Abdülbâkî Nâsir Dede: An Evaluation of the History of Ottoman/Turkish Music Theory Walter Feldman: The Musical “Renaissance” of Late Seventeenth Century Ottoman Turkey: Reflections on the Musical Materials of Ali Ufkî Bey (ca. 1610-1675), Hâfiz Post (d. 1694) and the “Marâghî” Repertoire Kyriakos Kalaitzidis: Post-Byzantine Musical Manuscripts as Sources for Oriental Secular Music: The Case of Petros Peloponnesios (1740-1778) and the Music of the Otto-man Court Gönül Paçaci: Changes in the Field of Turkish Music during the Late Ottoman/Early Republican Era Arzu Öztürkmen: The Quest for “National Music”: A Historical-Ethnographic Survey of New Approaches to Folk Music Research Okan Murat Öztürk: An Effective Means for Representing the Unity of Opposites: The Development of Ideology Concerning Folk Music in Turkey in the Context of Nationalism and Ethnic Identity Süley-man Senel: Ottoman Türkü Fikret Karakaya: Do Early Notation Collections Represent the Music of their Times? Sehvar Besiroglu: Demetrius Cantemir and the Music of his Time: The Concept of Authenticity and Types of Performance Andreas Haug: Reconstructing Western “Monophonic” Music Recep Uslu: Is an Echo of Seljuk Music Audible? A Methodological Research
    Note: The articles contained in this volume were originally presented at the confer-ence “Writing the History of ‘Ottoman Music’” / “‘Osmanlı Musikisi’ Tarihini Yazmak”, held at the State Conservatory for Turkish Music (Turk Musikisi Devlet Konservatuvari) of the Technical University Istanbul (ITÜ) in Istanbul, 25-26 November 2011, organized in cooperation with the Orient-Institut Istanbul
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  • 4
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK | Imprint: Palgrave Macmillan
    ISBN: 9781137402042
    Language: English
    Pages: 1 Online-Ressource (X, 206 p)
    Series Statement: Pop Music, Culture and Identity
    Parallel Title: Erscheint auch als
    DDC: 306.01
    RVK:
    Keywords: Culture Study and teaching ; Music ; Historiography ; Emotions ; Interview ; Electronic books
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
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  • 5
    Online Resource
    Online Resource
    Würzburg : Ergon Verlag Würzburg in Kommission | Istanbul : Orient-Institut Istanbul (Max Weber Stiftung) | Halle, Saale : Universitäts- und Landesbibliothek Sachsen-Anhalt
    ISBN: 9783956502057
    Language: English
    Pages: 1 Online-Ressource (270 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Istanbuler Texte und Studien Band 33
    Series Statement: Istanbuler Texte und Studien
    Parallel Title: Erscheint auch als Writing the history of “Ottoman Music”
    DDC: 780.956
    RVK:
    Keywords: Konferenzschrift 25.11.2011-26.11.2011 ; Osmanisches Reich ; Musik ; Geschichte ; Musikwissenschaft
    Note: "The articles contained in this volume were originally presented at the conference "Writing the history of 'Ottoman Music'"/"'Osmanlı Musikisi’ Tarihini Yazmak", held at the State Conservatory for Turkish Music (Turk Musikisi Devlet Konservatuvari) of the Technical University Istanbul (ITÜ) in Istanbul, 25-26 November 2011, organized in cooperation with the Orient-Institut Istanbul." - Einleitung (Seite 11)
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  • 6
    Online Resource
    Online Resource
    London : SAGE Publications
    ISBN: 9781473910997
    Language: English
    Pages: 1 Online-Ressource (665 pages)
    Edition: 1st ed
    Parallel Title: Print version Bennett, Andy The SAGE Handbook of Popular Music
    DDC: 781.64
    RVK:
    RVK:
    Keywords: Music industry ; Music theory ; Popular music History and criticism ; Popular music Handbooks, manuals, etc ; Sound recording industry ; Unterhaltungsmusik
    Abstract: This Handbook represents a timely and important contribution to popular music studies during a significant period of theoretical and empirical growth and innovation in the field
    Abstract: Cover -- Contents -- Acknowledgements -- Notes on the Editors and Contributors -- Introduction -- Part I Theory and Method -- 1 The Many Worlds of Popular Music: Ethnomusicological Approaches -- 2 Notes on Sociological Theory and Popular Music Studies -- 3 Waiting for the Great Leap Forwards: Mixing Pop, Politics and Cultural Studies -- 4 (Re)generations of Popular Musicology -- 5 Archival Research and the Expansion of Popular Music History -- Part II The Business of Popular Music -- 6 Power, Production and the Pop Process -- 7 Intermediaries and Intermediation -- 8 Popular Musical Labor in North America -- 9 Music in Advertising in the US: History and Issues -- Part III Popular Music History -- 10 Grinding Out Hits at the Song Factory -- 11 Popular Music Genres: Aesthetics, Commerce and Identity -- 12 Live Music History -- Part IV The Global and the Local -- 13 African, African American, Middle Eastern and French Hip Hop -- 14 Liminal Being: Electronic Dance Music Cultures, Ritualization and the Case of Psytrance -- 15 Everything Louder than Everyone Else: The Origins and Persistence of Heavy Metal Music and Its Global Cultural Impact -- 16 Punk Rock, Hardcore and Globalization -- Part V The Star System -- 17 Rock Stars as Icons -- 18 Everybody's in Show Biz: Performing Star Identity in Popular Music -- 19 Midnight Ramblers and Material Girls: Gender and Stardom in Rock and Pop -- 20 Dark Cosmos: Making Race, Shaping Stardom -- Part VI Body and Identity -- 21 Blurred Lines, Gender and Popular Music -- 22 Popular Music, Race and Identity -- 23 Dancing the Popular: The Expressive Interface of Bodies, Sound and Motion -- 24 Shaping The Past of Popular Music: Memory, Forgetting and Documenting -- Part VII Media -- 25 In Print and On Screen: The Changing Character of Popular Music Journalism
    Abstract: 26 Sight and Sound in Concert? The Interrelationship Between Music and Television -- 27 Viewing With Your Ears, Listening With Your Eyes: Syncing Popular Music and Cinema -- 28 Beyond Napster: Popular Music and the Normal Internet -- Part VIII Technology -- 29 Phonography and the Recording in Popular Music -- 30 Ghosts of Electricity: Amplification -- 31 Ubiquitous Musics: Technology, Listening and Subjectivity -- Part IX Digital Economies -- 32 Modes of Production: The Value of Modal Analysis for Popular Music Studies -- 33 Music, Copies and Essences -- 34 Authorship, Ownership and Musical Appropriation -- 35 Music Cartels and the Dematerialization of Power -- Index
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