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  • GBV  (5)
  • Online Resource  (5)
  • Dunkel, Mario  (3)
  • Bennett, Andy
  • Musicology  (5)
Datasource
Material
Language
Years
Author, Corporation
Publisher
Keywords
Subjects(RVK)
  • 1
    Online Resource
    Online Resource
    The stories of Jazz : narrating a musical tradition (2021)
    Wien : Hollitzer
    Details
    ISBN: 9783990128954
    Language: English
    Pages: 1 Online-Ressource (406 Seiten)
    Series Statement: Jazzforschung 48 (2016)
    Parallel Title: Erscheint auch als
    RVK:
    LS 48100
    Keywords: Electronic books ; Jazz ; Geschichte
    Note: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    BSZ
    GBV
  • 2
    Online Resource
    Online Resource
    Popular music and public diplomacy : transnational and transdisciplinary perspectives (2019)
    Bielefeld : transcript
    Details
    ISBN: 9783839443583
    Language: English
    Pages: 1 Online-Ressource (328 Seiten)
    Series Statement: Popular music
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als Popular Music and Public Diplomacy (Veranstaltung : 2015 : Dortmund) Popular music and public diplomacy
    RVK:
    LS 48015
    Keywords: International relations and culture ; Music and diplomacy ; Music ; Popular music Political aspects ; history ; Politics ; Music ; Cultural History ; History of the 20th Century ; Popular Culture ; Musicology ; Pop Music ; International Relations ; Diplomacy ; MUSIC / History & Criticism ; Konferenzschrift ; Konferenzschrift ; Unterhaltungsmusik ; Public Diplomacy ; Geschichte ; Musik ; Kulturveranstaltung ; Interdisziplinarität ; Transnationalisierung
    Abstract: In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, punk, reggae, and hip-hop.This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries
    Abstract: Frontmatter -- Table of Contents -- Acknowledgements -- Popular Music and Public Diplomacy / Dunkel, Mario / Nitzsche, Sina A. -- Part I: Competition and Collaboration -- Music in Transnational Transfers and International Competitions / Nathaus, Klaus -- The Paradoxes of Cultural and Music Diplomacy in a Federal Country / Mazzola, Alessandro -- Dervish on the Eurovision Stage / Şahin, Nevin Ş -- Part II: Infiltration and Appropriation -- Between Propaganda and Public Diplomacy / Ritter, Rüdiger -- "Liberated from Serfdom" / Feustle, Maristella -- A Musical Inquisition? / Ignácz, Ádám -- Part III: Education and Promotion -- Dancing in Chains / Bayles, Martha -- Becoming a Blue-Collar Musical Diplomat / Brown, Nicholas Alexander -- Music Trade in the Slipstream of Cultural Diplomacy / Kube, Sven -- National Flamencoism / Díaz, Carlos Sanz / Morales Tamaral, José Manuel -- Part IV: Representation and Participation -- The Ethics and Politics of Empathy in US Hip-Hop Diplomacy / Salois, Kendra -- Popular Musicking and the Politics of Spectatorship at the United Nations / Ball, James R. -- From Sons of Gastarbeita to Songs of Gastarbeiter / Nieden, Gesa zur -- Public Diplomacy and Decision-Making in the Eurovision Song Contest / Vuletic, Dean -- List of Contributors -- Index
    Note: Open Access , Mode of access: Internet via World Wide Web.
    DOI: 10.14361/9783839443583
    URL: Open Access
    URL: kostenfrei
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: Open Access
    URL: kostenfrei
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    BSZ
    GBV
    KOBV
  • 3
    Online Resource
    Online Resource
    Popular Music and Public Diplomacy : Transnational and Transdisciplinary Perspectives (2019)
    Bielefeld : transcript-Verlag | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9783839443583
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Studien zur Popularmusik
    DDC: 780
    RVK:
    LS 48015
    Keywords: Geschichte ; Unterhaltungsmusik ; Public Diplomacy ; Cultural History ; Diplomacy ; History of the 20th Century ; History ; International Relations ; Music ; Musicology ; Politics ; Pop Music ; Popular Culture ; Unterhaltungsmusik ; Public Diplomacy ; MUSIC / History & Criticism ; Electronic books
    Abstract: In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, punk, reggae, and hip-hop.This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 15. Jun 2019)
    DOI: 10.1515/9783839443583
    URL: kostenfrei
    URL: Cover
    URL: kostenfrei registrierungspflichtig
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: De Gruyter, Cover
    URL: EBSCOhost
    URL: https://doi.org/10.14361/9783839443583
    URL: https://openresearchlibrary.org/content/422dabda-0d15-4fb7-847b-a0d3dd102bff
    URL: Biblioboard
    URL: Image
    URL: lizenzpflichtig
    URL: kostenfrei
    URL: kostenfrei
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    BSZ
    GBV
    KOBV
    HeBIS
  • 4
    Online Resource
    Online Resource
    Popular Music Scenes and Cultural Memory (2016)
    London : Palgrave Macmillan UK | Imprint: Palgrave Macmillan
    Details
    ISBN: 9781137402042
    Language: English
    Pages: 1 Online-Ressource (X, 206 p)
    Series Statement: Pop Music, Culture and Identity
    Parallel Title: Erscheint auch als
    DDC: 306.01
    RVK:
    LS 48015
    Keywords: Culture Study and teaching ; Music ; Historiography ; Emotions ; Interview ; Electronic books
    DOI: 10.1057/978-1-137-40204-2
    URL: http://dx.doi.org/10.1057/978-1-137-40204-2
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext
    URL: lizenzpflichtig
    URL: Volltext
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    BSZ
    GBV
    BVB
    HBZ
    MPI Ethno. Forsch.
  • 5
    Online Resource
    Online Resource
    The SAGE Handbook of Popular Music (2015)
    London : SAGE Publications
    Details
    ISBN: 9781473910997
    Language: English
    Pages: 1 Online-Ressource (665 pages)
    Edition: 1st ed
    Parallel Title: Print version Bennett, Andy The SAGE Handbook of Popular Music
    DDC: 781.64
    RVK:
    LP 19000
    RVK:
    LS 48000
    Keywords: Music industry ; Music theory ; Popular music History and criticism ; Popular music Handbooks, manuals, etc ; Sound recording industry ; Unterhaltungsmusik
    Abstract: This Handbook represents a timely and important contribution to popular music studies during a significant period of theoretical and empirical growth and innovation in the field
    Abstract: Cover -- Contents -- Acknowledgements -- Notes on the Editors and Contributors -- Introduction -- Part I Theory and Method -- 1 The Many Worlds of Popular Music: Ethnomusicological Approaches -- 2 Notes on Sociological Theory and Popular Music Studies -- 3 Waiting for the Great Leap Forwards: Mixing Pop, Politics and Cultural Studies -- 4 (Re)generations of Popular Musicology -- 5 Archival Research and the Expansion of Popular Music History -- Part II The Business of Popular Music -- 6 Power, Production and the Pop Process -- 7 Intermediaries and Intermediation -- 8 Popular Musical Labor in North America -- 9 Music in Advertising in the US: History and Issues -- Part III Popular Music History -- 10 Grinding Out Hits at the Song Factory -- 11 Popular Music Genres: Aesthetics, Commerce and Identity -- 12 Live Music History -- Part IV The Global and the Local -- 13 African, African American, Middle Eastern and French Hip Hop -- 14 Liminal Being: Electronic Dance Music Cultures, Ritualization and the Case of Psytrance -- 15 Everything Louder than Everyone Else: The Origins and Persistence of Heavy Metal Music and Its Global Cultural Impact -- 16 Punk Rock, Hardcore and Globalization -- Part V The Star System -- 17 Rock Stars as Icons -- 18 Everybody's in Show Biz: Performing Star Identity in Popular Music -- 19 Midnight Ramblers and Material Girls: Gender and Stardom in Rock and Pop -- 20 Dark Cosmos: Making Race, Shaping Stardom -- Part VI Body and Identity -- 21 Blurred Lines, Gender and Popular Music -- 22 Popular Music, Race and Identity -- 23 Dancing the Popular: The Expressive Interface of Bodies, Sound and Motion -- 24 Shaping The Past of Popular Music: Memory, Forgetting and Documenting -- Part VII Media -- 25 In Print and On Screen: The Changing Character of Popular Music Journalism
    Abstract: 26 Sight and Sound in Concert? The Interrelationship Between Music and Television -- 27 Viewing With Your Ears, Listening With Your Eyes: Syncing Popular Music and Cinema -- 28 Beyond Napster: Popular Music and the Normal Internet -- Part VIII Technology -- 29 Phonography and the Recording in Popular Music -- 30 Ghosts of Electricity: Amplification -- 31 Ubiquitous Musics: Technology, Listening and Subjectivity -- Part IX Digital Economies -- 32 Modes of Production: The Value of Modal Analysis for Popular Music Studies -- 33 Music, Copies and Essences -- 34 Authorship, Ownership and Musical Appropriation -- 35 Music Cartels and the Dematerialization of Power -- Index
    URL: Volltext
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    GBV
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