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  • GBV  (7)
  • Online Resource  (7)
  • English  (7)
  • Bielefeld : transcript
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  • Online Resource  (7)
  • Book  (18)
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  • 1
    Online Resource
    Online Resource
    Bielefeld : transcript
    ISBN: 9783839452943
    Language: English
    Pages: 1 Online-Ressource (215 Seiten) , Illustrationen
    Series Statement: Image volume 180
    Series Statement: Image
    Parallel Title: Erscheint auch als Adusei-Poku, Nana Taking stakes in the unknown
    DDC: 700.411
    RVK:
    Keywords: Art, Black ; Blacks in art ; Blacks--Race identity ; Electronic books ; Bradford, Mark 1961- ; Hewitt, Leslie 1977- ; Thomas, Mickalene 1971- ; Thomas, Hank Willis 1976- ; Metz, Philip 1971- ; Engagierte Kunst ; Schwarze ; Postkolonialismus ; Kunst ; Afroamerikanismus ; Bradford, Mark 1961- ; USA ; Schwarze ; Kunst ; Identität ; Geschichte 2000-2020
    Abstract: Cover -- Contents -- Acknowledgement -- I. Introduction -- II. Destabilizing Meaning -- 1. The Textures of History -- 2. What is the script of your time? -- 2.1 I am everything and now what? -- 3. Economies of the Double-bind -- 3.1 ADS IMITATE ART, ART IMITATES LIFE, and LIFE IMITATES ADS. -- 3.2 The Economy of Blackness in Unbranded -- III. Historical Entanglements of Black Revolutionary Women -- 1. De-Interpellating Interpellation-Visual Disobediences -- 2. How do I look? (Very good, I must say I am amazed!) -- 3. O my Body, will always remain in question!- Reviewing the Fanonian Moment -- 3.1 The Colonial Gaze -- 3.2 Entanglements -- IV. Heterotemporality as a Way of Understanding the Contemporary -- 1. Reclaiming our time -- 2. Riffs on Real Time and the present that is fleeting though captured -- 2.1 Possible Presents -- 3. Rewind Selecta -- 4. Hetero-temporality -- V. Paradox Synchronicities -- 1. Contextualization -- 2. IWHISHIWAS or WISHIWASHI ? -- 2.1 Taking a Closer Look -- 2.2 Disposed Desires -- 2.3 Retrospective Introspectives -- 2.4 Visual and Temporal Polyphonies -- 3. From Leitkultur to Leightkultur -- VI. Abstract Facts -- 1. Enter and Exit the New Negro -- 1.1 Quare-"Built in History" -- 2. Enter and Exit the New Negro-From Invisible Visibilities -- 2.1 (Qu-)hair Politics and Material Connections -- 3. Enter the New Negro -- 3.1 Exit the New Negro -- 4. Ambiguity as Chance-Abstraction as Means of Identity -- 4.1 hidin' like thieves in the night from life, Illusions of osasis makin' you look twice -- 4.2 Norman Lewis-the not quite "invisible man" of abstract expressionism -- 4.3 Playing by the Rules-Turn off the light! -- VII. Post-Post-black -- VIII. Bibliography.
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  • 2
    Online Resource
    Online Resource
    Bielefeld : transcript | Ann Arbor, Michigan : ProQuest
    ISBN: 9783839451892
    Language: English
    Pages: 1 Online-Ressource (283 pages)
    Edition: 1st ed.
    Series Statement: American Culture Studies v.30
    DDC: 303.36
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    Keywords: Geschichte 1800-2020 ; Autorität ; Legitimität ; Vertrauen ; Authority--Social aspects--United States ; Trust--Social aspects--United States ; Social psychology--United States ; USA ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Aufsatzsammlung ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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    URL: Cover
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    URL: Cover
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    URL: Full-text  ((OIS Credentials Required))
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  • 3
    ISBN: 9783839438572
    Language: English
    Pages: 1 Online-Ressource (240 Seiten) , Illustrationen
    Series Statement: Political science volume 43
    Series Statement: Edition Politik 43
    Series Statement: De Gruyter eBook-Paket Geschichte
    Series Statement: Edition Politik
    Parallel Title: Erscheint auch als Meister, Franziska, 1967 - Racism and resistance
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    Keywords: America. ; American History. ; Black Panther Party. ; Black Studies. ; History of the 20th Century. ; History,Black Studies,Media,Black Panther Party,Politics,Racism,America,American History,Political Par. ; History. ; Media. ; Political Parties. ; Political Science. ; Politics. ; Racism. ; POLITICAL SCIENCE / Political Process / Political Parties ; USA ; Rassismus ; Black Panther Party ; USA ; Rassismus ; Black Panther Party
    Abstract: Even a cursory look at U.S. society today reveals that protests against racial discrimination are by no means a thing of the past. What can we learn from past movements in order to understand the workings of racism and resistance? In this book, Franziska Meister revisits the Black Panther Party and offers a new perspective on the Party as a whole and its struggle for racial social justice. She shows how the Panthers were engaged in exposing structural racism in the U.S. and depicts them as uniquely resourceful, imaginative and subversive in the ways they challenged White Supremacy while at the same time revolutionizing both the self-conception and the public image of black people. Meister thus highlights an often marginalized aspect of the Panthers: how they sought to reach a world beyond race - by going through race. A message well worth considering in an age of "color blindness".
    URL: Cover
    URL: Cover
    URL: Cover
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  • 4
    Online Resource
    Online Resource
    Bielefeld : transcript | Berlin : Knowledge Unlatched
    ISBN: 3839434556 , 9783839434550
    Language: English
    Pages: 1 Online-Ressource (215 Seiten)
    Series Statement: American culture studies volume 14
    Series Statement: American studies
    Parallel Title: Erscheint auch als Leyda, Julia American mobilities
    Dissertation note: Dissertation
    DDC: 304.873
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    Keywords: Hochschulschrift ; History ; Hochschulschrift ; Electronic books ; Electronic books ; USA ; Mobilität ; Gruppe ; Film ; Literatur ; USA ; Literatur ; Film ; Mobilität ; Rasse ; Soziale Klasse ; Soziale Mobilität ; Geschichte 1929-1960 ; USA ; Literatur ; Film ; Mobilität ; Rasse ; Soziale Klasse ; Soziale Mobilität ; Geschichte 1929-1960
    Abstract: "American Mobilities investigates representations of mobility--social, economic, geographic--in American film and literature during the Depression, WWII, and the early Cold War. With an emphasis on the dual meaning of 'domestic,' referring to both the family home and the nation, this study traces the important trope of mobility that runs through the 'American' century. Juxtaposing canonical fiction with popular, and low-budget independent films with Classical Hollywood, Leyda brings the analytic tools of American cultural and literary studies to bear on an eclectic array of primary texts as she builds a case for the significance of mobility in the study of the United States."--Back cover
    Abstract: Reading white trash : class, race, and mobility in Faulkner and Le Sueur -- Incorporation and embodiment : gender, race, and space in Hurst and Himes -- Who's got the car keys? : geographic, economic, and social mobility in the magic kingdom of Los Angeles -- Black-audience westerns : race, nation, and mobility in the 1930s -- Space, class, city : imagined geographies of Maud Martha -- Home on the range : space, nation, and mobility in The searchers
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    URL: Volltext  (URL des Erstveröffentlichers)
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    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: Cover
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  • 5
    ISBN: 9783839429150
    Language: English
    Pages: 1 Online-Ressource (445 pages)
    Series Statement: Edition Kulturwissenschaft Volume 55
    Series Statement: Edition Kulturwissenschaft
    Parallel Title: Druckausg. Schmidt, Silke, 1983 - (Re-)Framing the Arab/Muslim
    Dissertation note: Zugl.: Marburg, Univ., Diss., 2012
    DDC: 305.8927073
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    Keywords: Postcolonialism ; Colonies and colonization. Emigration and immigration. International migration ; Allgemeines, Wissenschaft. ; Alternative. ; Araber. ; Arabischer Einwanderer. ; Autobiographie. ; Diskurs. ; Frame. ; Massenmedien. ; Orientalismus. ; Stereotypisierung. ; Orientalism, Framing, Life Writing, Media, 9/11, Postcolonialism, Culture, Postcolonial Studies, Cultural Studies, Media Studies, America ; SOCIAL SCIENCE / Popular Culture ; 9/11 ; America ; Cultural Studies ; Culture ; Framing ; Life Writing ; Media Studies ; Media ; Postcolonial Studies ; Postcolonialism ; Hochschulschrift ; Hochschulschrift ; USA ; Araber ; Massenmedien ; Stereotypisierung ; Orientalismus ; Frame ; Arabischer Einwanderer ; Autobiografie ; Diskurs ; Alternative
    Abstract: Media depictions of Arabs and Muslims continue to be framed by images of camels, belly dancers, and dagger-wearing terrorists. But do only Hollywood movies and TV news have the power to frame public discourse? This interdisciplinary study transfers media framing theory to literary studies to show how life writing (re-)frames Orientalist stereotypes. The innovative analysis of the post-9/11 autobiographies »West of Kabul, East of New York«, »Letters from Cairo«, and »Howling in Mesopotamia« makes a powerful claim to approach literature based on a theory of production and reception, thus enhancing the multi-disciplinary potential of framing theory.
    Description / Table of Contents: Cover (Re-)Framing the Arab/Muslim; Contents; Preface; 1. Introduction; 2. Life Writing Theory: Constructing Life, Claiming Authenticity; 2.1 Reconstructing the Construction of Self: Autobiographical Theory Today; 2.2 Media Framing Theory; 2.3 Framing Lives: A Mediated Theory of Life Writing; 3. The Framed Arab/Muslim: Mediated Orientalism; 3.1 The Ideological Frame: Orientalism; 3.2 The Political Frame: Everlasting War on Terror; 3.3 The Issue Frames: Race, Religion, and Gender; 4. (Re-)Framing the Afghan Fundamentalist in West of Kabul, East of New York
    Description / Table of Contents: 4.1 Journalistic Agency between East and West (V1)4.2 Reframing the Muslim Fundamentalist (V2 and V3); 4.3 Reception: The (Re-)Framed Muslim Fundamentalist and His Audience (V4); 5. (Re-)Framing the Egyptian Belly Dancer in Letters from Cairo; 5.1 Scholarly Agency (V1); 5.2 Reframing the Egyptian Belly Dancer (V2 and V3); 5.3 Reception: The (Re-)Framed Egyptian Belly Dancer and Her Audience (V4); 6. (Re-)Framing the Iraqi Terrorist in Howling in Mesopotamia; 6.1 Legal Agency (V1); 6.2 Reframing the Iraqi Terrorist (V2 and V3)
    Description / Table of Contents: 6.3 Reception: The (Re-)Framed Iraqi Terrorist and His Audience (V4)7. (Re-)Mediating Orientalism; 7.1 The (Re-)Framed Arab/Muslim; 7.2 Mediated Orientalism; 8. Conclusion; Bibliography
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  • 6
    Online Resource
    Online Resource
    Bielefeld : transcript | The Hague : OAPEN Foundation
    ISBN: 9783839429150
    Language: English
    Pages: 1 Online-Ressource (443 Seiten) , Illustrationen
    Dissertation note: Dissertation Philipps-Universität-Marburg 2012
    DDC: 305.8927073
    Keywords: Araber ; Massenmedien ; Stereotypisierung ; Orientalismus ; Frame ; Arabischer Einwanderer ; Autobiografie ; Diskurs ; Alternative ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 7
    ISBN: 9783839426005
    Language: English
    Pages: Online-Ressource (262 S.)
    Edition: 2013
    Series Statement: Edition Kulturwissenschaft 36
    Parallel Title: Druckausg. Laemmerhirt, Iris-Aya Embracing differences
    Parallel Title: Druckausg. Laemmerhirt, Iris-Aya, 1980 - Embracing differences
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    Keywords: Cultural fusion ; Cultural fusion. ; Sozialwissenschaften, Soziologie, Anthropologie. ; Kulturaustausch. ; Transnationalisierung. ; SOCIAL SCIENCE / Popular Culture ; Transnationalism, Culture, Media, Japan, USA, America, Cultural Studies, American Studies, Asia ; Electronic books ; USA ; Japan ; Kulturaustausch ; Transnationalisierung
    Abstract: Biographical note: Iris-Aya Laemmerhirt teaches American Studies and British Studies at TU Dortmund University where she is a post-doctoral candidate. Her research interests are the literature of the 1940s, Transnational Studies, and representations of Hawaii in the media. Currently, she is teaching as a Fulbright SIR at UVA Wise.
    Abstract: The omnipresence and popularity of American consumer products in Japan have triggered an avalanche of writing shedding light on different aspects of this cross-cultural relationship. Cultural interactions are often accompanied by the term cultural imperialism, a concept that on close scrutiny turns out to be a hasty oversimplification given the contemporary cultural interaction between the U.S. and Japan. »Embracing Differences« shows that this assumption of a one-sided transfer is no longer valid. Closely investigating Disney theme parks, sushi, as well as movies, Iris-Aya Laemmerhirt reveals a dialogical exchange between these two nations that has changed the image of Japan in the United States.
    Description / Table of Contents: Cover Embracing DifferencesTransnational Cultural Flows between Japan and the United States; Contents; Acknowledgements; Note on Japanese Terms; Exoticism, Imagination, and the Harajuku Girls; Cultural Imperialism and Globalization; Gazing the Japanese; Transnationalism; Rethinking Japanese-American Cultural Relations; "Here Be Monsters": Early Japanese-American Cultural Exchanges; Japanese Monsters and American Barbarians; Reciprocal Cultural Influences; Yōkoso Mickey Mouse! Disney in Japan; American Fantasyscapes; The Disneyfication of America and the World?; Tokyo Disney Resort
    Description / Table of Contents: Wonderland Re-VisitedA Taste of Difference: Sushi in the United States; Of Rice and Meat: A Short History of Japanese and American Food Relations; Japanese Food in Culinary Texts; Enter the Dragon Roll: Consuming Sushi in the United States; Imagining Sushi Otherwise; Could We Have a Geisha in This Scene? Transnational Depictions of Japan in Contemporary Hollywood Movies; Flashback: Orientalizing Japan in Movies; Subtitles and Subversion: Transnational Cinema; The Last Samurai: A Masculine East; Tokyo Irasshaimase! Two Americans Lost in Translation
    Description / Table of Contents: Letters from Iwo Jima: Japanese Writings - American PicturesPreview: A Transnational Turn in Hollywood; Conclusion; Bibliography; Internet Sources; Movies; Miscellaneous; TV Series; Music; Index
    Note: Description based upon print version of record
    URL: Cover
    URL: Cover
    URL: Cover
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