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  • BSZ  (66)
  • London : Thames and Hudson  (35)
  • Durham : Duke University Press  (31)
  • Kunst  (48)
  • Indien  (22)
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  • 1
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478027508
    Language: English
    Pages: 1 online resource (291 pages)
    Edition: 1st ed.
    Parallel Title: Erscheint auch als Omelsky, Matthew Fugitive time
    RVK:
    Keywords: SOCIAL SCIENCE / Black Studies (Global) ; LITERARY CRITICISM / Semiotics & Theory ; Person of Color ; Kunst ; Zeit
    Abstract: Matthew Omelsky theorizes the embodied experience of time in twentieth- and twenty-first-century black art to outline the distinct utopian desire directed at the moment when pain vanishes from the body and mind, bringing with it a form of being that is free of the violence that has consumed blackness.
    Abstract: Cover -- Contents -- Acknowledgments -- Introduction. Black Beyondness -- 1. Toni Morrison's Anachronic Ease -- 2. Aimé Césaire, Wifredo Lam, and the Aesthetics of Surging Life -- 3. Black Audio's Archival Flight -- 4. Sun Ra, Issa Samb, and the Drapetomaniacal Avant-Garde -- Gallery -- 5. Yvonne Vera, Noviolet Bulawayo, and the Imminence of Dreaming Air -- Coda. Fugitive Ether -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Z.
    Note: Description based on publisher supplied metadata and other sources
    URL: Cover  (lizenzpflichtig)
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  • 2
    Image
    Image
    Durham : Duke University Press
    ISBN: 9781478025382 , 9781478020615
    Language: English
    Pages: xii, 267 Seiten, 8 ungezählte Seiten Tafeln , Illustrationen
    Parallel Title: Erscheint auch als Omelsky, Matthew Fugitive time
    Parallel Title: Erscheint auch als Omelsky, Matthew Fugitive Time
    Parallel Title: Erscheint auch als Omelsky, Matthew Fugitive Time
    RVK:
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    Keywords: Aesthetics, Black ; Time in literature ; Time and art ; Aesthetics in literature ; Literature Black authors ; Artists, Black ; Authors, Black ; Utopias in literature ; SOCIAL SCIENCE / Black Studies (Global) ; LITERARY CRITICISM / Semiotics & Theory ; Schwarze ; Person of Color ; Kunst ; Zeit
    Abstract: "In Fugitive Time, Matthew Omelsky theorizes the embodied experience of time in twentieth- and twenty-first-century black artforms from across the world. Through the lens of time, he charts the sensations and coursing thoughts that accompany desires for freedom as they appear in the work of artists as varied as Toni Morrison, Yvonne Vera, Aimé Césaire, and Issa Samb. "Fugitive time" names a distinct utopian desire directed at the anticipated moment when the body and mind have been unburdened of the violence that has consumed black life globally for centuries, bringing with it a new form of being. Omelsky shows how fugitive time is not about attaining this transcendent release, but instead sustaining the idea of it as an ecstatic social gathering. From the desire for ethereal queer worlds in the Black Audio Film Collective's Twilight City to Sun Ra's transformation of nineteenth-century scientific racism into an insurgent fugitive aesthetic, Omelsky shows how fugitive time evolves and how it remains a dominant form of imagining freedom in global black cultural expression"--
    Description / Table of Contents: Black Beyondness -- Toni Morrison's Anachronic Ease -- Aimé Césaire, Wifredo Lam, and the Aesthetics of Surging Life -- Black Audio's Archival Flight -- Sun Ra, Issa Samb, and the Drapetomaniacal Avant-Garde -- Yvonne Vera, NoViolet Bulawayo, and the Imminence of Dreaming Air -- Fugitive Ether.
    Note: Includes bibliographical references and index
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  • 3
    ISBN: 9781478017028 , 9781478019664
    Language: English
    Pages: xiii, 166 Seiten , Illustrationen
    Series Statement: Theory in forms
    Parallel Title: Erscheint auch als
    DDC: 303.60954
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    Keywords: Nationale Minderheit ; Diskriminierung ; Gewalt ; Indien ; Political violence / India / Religious aspects ; Ethnic conflict / India ; Social conflict / India ; Religion and politics / India ; Muslims / Violence against / India ; Minorities / Violence against / India ; SOCIAL SCIENCE / Anthropology / Cultural & Social ; HISTORY / Asia / South / India ; India / Politics and government ; Indien ; Gewalt ; Nationale Minderheit ; Diskriminierung
    Abstract: "In 2002, armed Hindu mobs attacked Muslims in broad daylight in the west Indian state of Gujarat. The pogrom, which was widely seen over television, left over one thousand dead. In Composing Violence Moyukh Chatterjee examines how highly visible political violence against minorities acts as a catalyst for radical changes in law, public culture, and power. He shows that, far from being quashed through its exposure by activists, media and politicians, state-sanctioned anti-Muslim violence set the stage for transforming India into a Hindu supremacist state. The state and civil society's responses to the violence, Chatterjee contends, reveal the constitutive features of modern democracy in which riots and pogroms are techniques to produce a form of society based on a killable minority and a triumphant majority. Focusing on courtroom procedures, police archives, legal activism, and mainstream media coverage, Chatterjee theorizes violence as a form of governance that creates minority populations. By tracing the composition of anti-Muslim violence and the legal structures that transform that violence into the making of minorities and majorities, Chatterjee demonstrates that violence is intrinsic to liberal democracy"--
    Note: Includes bibliographical references and index , 2303
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  • 4
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478013679 , 9781478014607
    Language: English
    Pages: xi, 236 Seiten , Illustrationen
    Series Statement: A camera obscura book
    Parallel Title: Erscheint auch als Rony, Fatimah Tobing How do we look?
    DDC: 305.409598
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    Keywords: Women in popular culture ; Women Social conditions ; Women in mass media ; Mass media Political aspects ; Biopolitics ; Ethnographic films Social aspects ; Documentary films Social aspects ; SOCIAL SCIENCE / Feminism & Feminist Theory ; PERFORMING ARTS / Film / History & Criticism ; Indonesien ; Film ; Dokumentarfilm ; Kunst ; Frau
    Abstract: Annah la Javanaise -- The still dancer -- Mother Dao -- Nia Dinata.
    Abstract: "Fatimah Tobing Rony draws on the transnational visual images of Indonesian women as a way to theorize what she calls visual biopolitics-the ways visual representation determines which lives are made to matter more than others"--
    Note: Includes bibliographical references and index
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  • 5
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478023098
    Language: English
    Pages: 1 online resource (321 pages)
    Parallel Title: Erscheint auch als Sas, Miryam Feeling media
    DDC: 302.230952
    Keywords: Mass media Philosophy ; Mass media Social aspects 20th century ; History ; Mass media Political aspects 20th century ; History ; Popular culture History 20th century ; Affect (Psychology) Social aspects ; Arts, Japanese 20th century ; Kunst ; Darstellende Kunst ; Kulturindustrie ; Massenkultur ; Künstler ; Berühmte Persönlichkeit ; Kulturleben ; Kritik ; Kunstwissenschaft ; Electronic books ; Japan
    Abstract: Miryam Sas explores the potentialities and limitations of media theory and media art in Japan, showing how artists and theorists reframe ideas about collectivity, community, and connectivity.
    Abstract: The feeling of being in the contemporary age : the rise of intermedia -- Intermedia moments in Japanese experimental animation -- The culture industries and media theory in Japan : transformations in leftist thought -- A feminist phenomenology of media : Ishiuchi Miyako -- From postwar to contemporary art -- Moves like sand : community and collectivity in Japanese contemporary art.
    Abstract: "In Feeling Media, Miryam Sas draws on experimental animation, postwar media theory, photography, and contemporary visual art to explore the potentialities and limitations of media theory and media art in Japan. The book aims to open media studies and affect theory to deeper engagement with works and theorists outside Euro-America by offering a detailed exploration of the critical discourses and artistic practices of both influential as well as lesser-known theorists and artists. Through case studies, Feeling Media proposes an emergent framework of analysis for the humanities that the author terms the "affective scale." The book reads Japanese media theory as working thought, taking into account its complexity and global interconnectedness while resisting reductive linkages to dominant Euro-American theory. The book also performs a historiographic experiment, viewing two key periods of rapid media transformation in relation to one another, while attending to disparities and disjunctures between them"--
    Note: Includes bibliographical references and index , Description based on publisher supplied metadata and other sources
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover  (lizenzpflichtig)
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  • 6
    Image
    Image
    London : Thames and Hudson
    ISBN: 9780500024621 , 0500024626
    Language: English
    Pages: 303 Seiten , 25 cm
    DDC: 700.8996041
    RVK:
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    Keywords: Arts, Black Exhibitions 21st century ; Arts, Black ; History ; Bildband ; Ausstellungskatalog Hayward Gallery 29.06.2022-18.09.2022 ; Bildband ; Ausstellungskatalog Hayward Gallery 29.06.2022-18.09.2022 ; Afrikaner ; Fotografie ; Malerei ; Videokunst ; Plastik ; Mixed media ; Schwarze ; Kunst ; Identität ; Geschichte 2000-2020
    Note: Titelblattrückseite: This book was published on the occasion of the exhibition In the Black Fantastic" at the Hayward Gallery, London (29 June-18 September 2022) , Includes bibliographical references, filmography, discography and index
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  • 7
    ISBN: 9781478016243 , 9781478018889
    Language: English
    Pages: xxi, 254 Seiten , Illustrationen
    Series Statement: Next wave
    Parallel Title: Erscheint auch als Roy, Srila Changing the subject
    DDC: 305.420954
    Keywords: Feminism ; Women in development ; Neoliberalism ; Non-governmental organizations ; Women Economic conditions 21st century ; Gay rights ; Queer theory ; SOCIAL SCIENCE / Women's Studies ; HISTORY / Asia / South / General ; Indien ; Feminismus ; Homosexualität ; Aktivismus
    Abstract: Introduction: Changing the subject of Indian feminism -- Indian feminism in the new millennium : co-option, entanglement, intersection -- Queer activism as governmentality : regulating lesbians, making queer -- Queer self-fashioning : in, out, and beyond the closet -- Feminist governmentality : entangled histories and empowered women -- Subaltern self-government : precarious transformations -- Conclusion: On critique and care.
    Abstract: "Changing the Subject maps a rapidly transforming terrain of gender and sexual rights under conditions of global neoliberalism in India. Srila Roy shows how feminism is itself a form of power, a site of subject-making in its own right. Against concerns about the cooptation of feminism by neoliberalism, Roy provides a detailed ethnographic account of feminism's entanglement in technologies of power and the self. Roy traces the very different trajectories of two Calcutta-based feminist NGOs: Sappho for Equality (SFE), a grassroots queer feminist organization that shifted from a consciousness-raising group to a fully funded NGO by the time of Roy's fieldwork; and Janam, which emerged in the 1990s as a more clearly neoliberal organization focusing on empowerment and development technologies including microfinance. Despite their differences, Roy shows how both SFE and Janam are tied together with India's neoliberal economic restructuring. Further, she explores the ways contemporary "milliennial feminisms" and (queer) feminist activism-NGO-based or otherwise-are haunted by older modes of governing subaltern subjects in the Global South"--
    Note: Includes bibliographical references and index
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  • 8
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478014874 , 9781478013938
    Language: English
    Pages: xiv, 255 Seiten , Illustrationen
    Additional Material: 23 cm
    Parallel Title: Erscheint auch als Radhakrishnan, Smitha, 1978- Making women pay
    DDC: 332.0954
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    Keywords: Finanzielle Inklusion ; Mikrofinanzierung ; Frauen ; Stadtbevölkerung ; Indien ; Microfinance Social aspects ; Women in economic development Government policy ; Discrimination in banking ; Income distribution ; Women Economic conditions 21st century ; SOCIAL SCIENCE / Sociology / General ; HISTORY / Asia / India & South Asia ; Indien ; Mikrofinanzierung
    Abstract: The invisible state of gender and credit -- Men and women of the MFI -- Making women creditworthy -- Social work -- Empowerment, declined -- Distortions of distance -- Impact revisited.
    Abstract: "In Making Women Pay, Smitha Radhakrishnan explores India's microfinance industry, which in the last two decades has come to saturate the everyday lives of women in the name of state-led efforts to promote financial inclusion and women's empowerment. Despite this favorable language, she argues, microfinance in India does not provide a market-oriented development intervention, even though it may appear to help women borrowers. Rather, this commercial industry seeks to extract the maximum value from its customers through exploitative relationships that benefit especially class-privileged men. Through ethnography, interviews, and historical analysis, Radhakrishnan demonstrates how the unpaid and underpaid labor of marginalized women borrowers ensures both profitability and symbolic legitimacy for microfinance institutions, their employees, and their leaders. In doing so, she centralizes gender in the study of microfinance, reveals why most microfinance programs target women, and explores the exploitative implications of this targeting."
    Note: Literaturverzeichnis: Seite 233-243. Index
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  • 9
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478012887 , 1478012889
    Language: English
    Pages: 1 Online-Ressource (364 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 201/.67
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    Keywords: ART / Sculpture & Installation ; Aesthetics Religious aspects ; Art and popular culture ; Art and religion History 21st century ; Commercial art ; Gods in art ; Idols and images in art ; Religion and culture ; Monumentalplastik ; Gott ; Volkskunst ; Ästhetik ; Indien ; Indien ; Volkskunst ; Monumentalplastik ; Gott ; Ästhetik
    Abstract: In 2018 India's prime minister, Narendra Modi, inaugurated the world's tallest statue: a 597-foot figure of nationalist leader Sardar Patel. Twice the height of the Statue of Liberty, it is but one of many massive statues built following India's economic reforms of the 1990s. In Gods in the Time of Democracy Kajri Jain examines how monumental icons emerged as a religious and political form in contemporary India, mobilizing the concept of emergence toward a radical treatment of art historical objects as dynamic assemblages. Drawing on a decade of fieldwork at giant statue sites in India and its diaspora and interviews with sculptors, patrons, and visitors, Jain masterfully describes how public icons materialize the intersections between new image technologies, neospiritual religious movements, Hindu nationalist politics, globalization, and Dalit-Bahujan verifications of equality and presence. Centering the ex-colony in rethinking key concepts of the image, Jain demonstrates how these new aesthetic forms entail a simultaneously religious and political retooling of the "infrastructures of the sensible."
    Note: Bevorzugte Informationsquelle: Landingpage (Duke University Press), da weder Titelblatt noch Impressum vorhanden
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 10
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478012573 , 1478012579
    Language: English
    Pages: 1 Online-Ressource (xiii, 221 pages) , illustrations
    Series Statement: Errantries
    Parallel Title: Erscheint auch als
    DDC: 305.896073
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    Keywords: African Americans / Study and teaching ; African Americans / Social conditions ; Race / Philosophy ; African American feminists ; Cross-cultural studies ; Schwarze ; Musik ; Philosophie ; Kunst ; Rassismus ; Identität ; Schwarze ; Identität ; Rassismus ; Philosophie ; Kunst ; Musik
    Abstract: He Liked to Say That This Love Was the Result of a Clinical Error -- Curiosities (My Heart Makes My Head Swim) -- Footnotes (Books and Papers Scattered about the Floor) -- The Smallest Cell Remembers a Sound -- Consciousness (Feeling like, Feeling like This) -- Something That Exceeds All Efforts to Definitively Pin It Down -- No Place, Unknown, Undetermined -- Notes -- Black Ecologies. Coral Cities. Catch a Wave -- Charmaine's Wire -- Polycarbonate, Aluminum (Gold), and Lacquer -- Black Children -- Telephone Listing -- Failure (My Head Was Full of Misty Fumes of Doubt) -- The Kick Drum Is the Fault -- (Zong) Bad Made Measure -- I Got Life/Rebellion Invention Groove -- (I Entered the Lists) -- Dear Science
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 11
    ISBN: 9780500252444
    Language: English
    Pages: 255 Seiten , Illustrationen , 24 cm
    DDC: 306.7409
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    Keywords: Geschichte 1800 v. Chr.-2019 ; Geschichte 1966-2019 ; Kunst ; Emanzipation ; Motiv ; Erotische Kunst ; Frauenbewegung ; Kurtisane ; Ausbeutung ; Frau ; Prostitution ; Selbstbestimmung ; Zwangsprostitution ; Bordell ; Prostitution ; Geschlechtsverkehr ; Prostitution / History ; Prostitutes / History ; Prostitution / Social aspects ; Prostitutes / Social conditions ; Bildband ; Prostitution ; Zwangsprostitution ; Geschichte 1800 v. Chr.-2019 ; Frau ; Ausbeutung ; Selbstbestimmung ; Geschichte 1800 v. Chr.-2019 ; Frauenbewegung ; Emanzipation ; Geschichte 1966-2019 ; Kunst ; Erotische Kunst ; Geschlechtsverkehr ; Kurtisane ; Bordell ; Prostitution ; Zwangsprostitution ; Motiv ; Geschichte 1800 v. Chr.-2019
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  • 12
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478009696 , 9781478008835
    Language: English
    Pages: viii, 262, 16 Seiten , Illustrationen
    Series Statement: The visual arts of Africa and its diasporas
    Parallel Title: Erscheint auch als Collier, Delinda, 1973 - Media primitivism
    Parallel Title: Erscheint auch als Collier, Delinda, 1973 - Media primitivism
    DDC: 700
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    Keywords: New media art ; Art, African ; Art and technology ; Afrika ; Medienkunst ; Afrika ; Kunst ; Technische Innovation
    Abstract: Film as Light, Film as Indigenous -- Electronic Sound as Trance and Resonance -- The Song as Private Property -- Artificial Blackness: Or, Extraction as Abstraction -- "The Earth and the Substratum are Not Enough" -- The Seed and the Field.
    Abstract: "MEDIA PRIMITIVISM is a major work of media theory centering Africa. In order to redefine ideas of the medium and mediation, Delinda Collier deconstructs terms that have been formative in the conceptualization of African art (in particular, the fetish), rethinking them in light of another abstraction that shaped the media, art, and anthropological theory circulated in the twentieth century: Africa itself. Collier responds to the long preoccupation with Africa as the home of art that is "natural," non-technological, non-philosophical, exploring mediated African artworks that do not fit into these narratives. She argues that ideas about "African media" must be understood in relation to other modes of transfer and transmutation that have significant colonial and postcolonial histories, such as extractive mining and electricity. This new history demonstrates how pivotal artworks transcend the distinctions between the "made" and the "natural," thereby expanding ideas about mediation and about what African art can do. Each chapter considers the substances and concepts of a different technology-light, electricity, metals-to connect old and new media. Chapter 1, for example, provides an elemental reading of the canonical film work of Souleymane Cissé, arguing that his classic film Yeelen (1987) centers light and wind themselves as mediums. Chapter 2's discussion of one of the first pieces of electronic music, Halim El-Dabh's "Ta'abir Al-Zaar" (1944), shows how the role of electricity in African art cannot be understood only in relation to other new media forms that utilize electrified media. Punning on the multiple meanings of "medium" (zaar is a type of all-female spirit possession ceremony), El-Dabh's work brings together the technical and the spiritual. Chapter 4 turns to work by white South African artists to consider the relationship between (settler) colonial extraction and abstraction and the impossibility of standing outside of systems of oppression. Ultimately, Collier's book connects longstanding questions of art to the earliest moments of contact and cosmopolitan Africa"--
    Note: Includes bibliographical references and index
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  • 13
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478008859
    Language: English
    Pages: 1 Online-Ressource (x, 234 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Dávila, Arlene M., 1965 - Latinx art
    DDC: 700.98
    Keywords: Art, Latin American-Political aspects ; Electronic books ; USA ; Hispanos ; Künstler ; Kunst ; Kunstmarkt ; Kunsthandel ; Kulturelle Identität ; Rassismus
    Abstract: Arlene Dávila draws on numerous interviews with artists, dealers, and curators to explore how and why the contemporary international art market continues to overlook, devalue, and marginalize Latinx art and artists.
    URL: Volltext  (lizenzpflichtig)
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  • 14
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478005179 , 9781478007739 , 9781478006787 , 9781478008170
    Language: English
    Pages: xii, 183 Seiten
    Parallel Title: Erscheint auch als Khanna, Neetu, 1980- The visceral logics of decolonization
    DDC: 891.4
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    Keywords: All-India Progressive Writers Association History ; Indic literature History and criticism 20th century ; Politics and literature ; Feminism and literature ; Literary movements History ; Indien ; Literatur ; Feminismus ; Geschichte
    Abstract: "The visceral logics of decolonization offers a question that shapes Khanna's primary decolonial intervention in this book: "What would it mean to undo the visceral lessons of colonialism in the habits of mind and emotive reflex of the postcolonial subject?" For Neetu Khanna the answers to this question are lodged within the artistic renderings of the Progressive Writer's Association, an anti-colonial, anti-orthodox Muslim writer's collective. Drawing on the work of Fanon, as well as queer and feminist theory, Khanna thinks through how affect circulates within anti-colonial struggle. Using the archives of Indian Marxist movements between the 1930s and the 1960s, Khanna theorizes the concept of "the visceral" as an embodied habit and feeling that emerges at the juncture of colonialism and nationalist movement. She argues that this affective corporeality shapes utopic visions of freedom for the gendered, colonial, Indian, citizen subject as they are imagined in the artistic experimentation of Indian progressive political movements. In chapter 1, Khanna begins describing the visceral inquiries of the book to explore the form and phenomenology of nationalist emotion as it emerges in Indian struggles for decolonization. Khanna locates the somatic unconscious in the tensed musculature of the politically agitated revolutionary subject and sets up this framework that is used throughout the rest of the book. Chapter 2 brings into focus the revolutionary promise of "the visceral" within the internationalist imaginary, which makes possible the transformation of feeling and consciousness. The female body comes into focus in chapter 3, highlighting how women's bodies become the focal objects of violent subjection by both colonial and anti-colonial nationalist regimes of discipline. Khanna discusses writer Ahmed Ali and The All-India Progressive Writers Association in chapter 4, and shows how visceral eruptions propel the engine of the national teleology of the progressive novel moving through mourning, grief, nostalgia, melancholy, and lamentation - necessary elements for revolutionary transformation. The book ends with a chapter about Fanon, returning to the anti-colonial theories of the most canonized figure in postcolonial studies and studies of decolonization through the alternative genealogy of the visceral opened up by the Progressive Writers movement. This book will be of interest to scholars in South Asian studies, post-colonial theory, and history"--
    Description / Table of Contents: Introduction: The visceral logics of decolonization -- Agitation -- Irritation -- Compulsion -- Evisceration -- Coda: Explosion.
    Note: Literaturverzeichnis: Seite 161-174 , Im Buch genannte ISBN 978-1-4780-0517-9 ist doppelt vergeben
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  • 15
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478008569 , 9781478009450
    Language: English
    Pages: x, 234 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Dávila, Arlene M., 1965 - Latinx art
    Parallel Title: Erscheint auch als Dávila, Arlene M., 1965 - Latinx Art
    DDC: 700.98
    Keywords: Art, Latin American Political aspects ; Museum exhibits Political aspects ; Hispanic American artists ; Anthropology Political aspects ; Ethnology Political aspects ; Cultural policy ; Hispanos ; Kunst ; Künstler ; Kunstmarkt ; Kunsthandel ; Kulturelle Identität ; Rassismus ; Lateinamerika ; USA
    Abstract: What is Latinx art? Lessons from Chicanx and diasporican artists -- Exhibiting Latinx art : on critics, curators, and going "beyond the formula" -- Nationalism and the currency of categories -- On markets and the need for cheerleaders -- Whitewashing at work, and some ways out.
    Note: Includes bibliographical references and index
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  • 16
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478009016 , 1478009012
    Language: English
    Pages: 1 Online-Ressource (xi, 276 pages) , illustrations
    Series Statement: Sign, storage, transmission
    Parallel Title: Erscheint auch als
    DDC: 333.79241400000001
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    Keywords: Nuclear power plants / Environmental aspects / India ; Nuclear power plants / Social aspects / India ; Cell phone systems / Antennas / Social aspects / India ; Kernkraftwerk ; Medien ; Basisstation ; Film ; Infrastruktur ; Öffentliche Meinung ; Umweltpolitik ; Indien ; Indien ; Infrastruktur ; Medien ; Film ; Umweltpolitik ; Kernkraftwerk ; Basisstation ; Öffentliche Meinung
    Note: Includes bibliographical references and index. - Description based on print version record
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  • 17
    ISBN: 9781478002468
    Language: English
    Pages: 1 Online-Ressource (xx, 395 Seiten)
    Parallel Title: Erscheint auch als Zorach, Rebecca, 1969 - Art for people's sake
    DDC: 700.89/96073
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    Keywords: AFRICOBRA (Group of artists) History ; Organization of Black American Culture History ; City planning Social aspects 20th century ; History ; Artists and community History 20th century ; Black Arts movement ; African American arts History 20th century ; Chicago (Ill.) Race relations 20th century ; History ; Electronic books ; Chicago, Ill. ; Kunst ; Person of Color ; Schwarze ; Africobra ; Geschichte 1965-1975
    Abstract: Claiming space, being in public -- Cultural nationalism and community culture : on the beach, opportunity please knock, and the Affro-Arts Theater -- An experimental friendship -- The Black family -- Until the walls come down -- Superreal images and superreal people.
    Abstract: In the 1960s and early 1970s, Chicago witnessed a remarkable flourishing of visual arts associated with the Black Arts Movement. From the painting of murals as a way to reclaim public space and the establishment of independent community art centers to the work of the AFRICOBRA collective and Black filmmakers, artists on Chicago's South and West Sides built a vision of art as service to the people. In Art for People's Sake Rebecca Zorach traces the little-told story of the visual arts of the Black Arts Movement in Chicago, showing how artistic innovations responded to decades of racist urban planning that left Black neighborhoods sites of economic depression, infrastructural decay, and violence. Working with community leaders, children, activists, gang members, and everyday people, artists developed a way of using art to help empower and represent themselves. Showcasing the depth and sophistication of the visual arts in Chicago at this time, Zorach demonstrates the crucial role of aesthetics and artistic practice in the mobilization of Black radical politics during the Black Power era.
    Note: Includes bibliographical references and index
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  • 18
    ISBN: 9781478001409 , 9781478001003
    Language: English
    Pages: xx, 395 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Zorach, Rebecca, 1969 - Art for people's sake
    DDC: 700.89/96073
    RVK:
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    Keywords: AFRICOBRA (Group of artists) History ; Organization of Black American Culture History ; City planning Social aspects 20th century ; History ; Artists and community History 20th century ; Black Arts movement ; African American arts History 20th century ; Chicago (Ill.) Race relations 20th century ; History ; Chicago, Ill. ; Kunst ; Person of Color ; Schwarze ; Africobra ; Geschichte 1965-1975
    Abstract: Claiming space, being in public -- Cultural nationalism and community culture : on the beach, opportunity please knock, and the Affro-Arts Theater -- An experimental friendship -- The Black family -- Until the walls come down -- Superreal images and superreal people
    Note: Includes bibliographical references and index
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  • 19
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478005582
    Language: English
    Pages: 1 Online-Ressource (x, 269 Seiten)
    Parallel Title: Erscheint auch als DeLoughrey, Elizabeth M., 1967 - Allegories of the Anthropocene
    DDC: 809/.93355609729
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    Keywords: Climatic changes Effect of human beings on ; Climatic changes in literature ; Human ecology in art ; Caribbean literature Themes, motives 21st century ; Pacific Island literature Themes, motives 21st century ; Art, Caribbean Themes, motives 21st century ; Art, Pacific Island Themes, motives 21st century ; Postcolonialism in literature ; Postcolonialism and the arts ; Climatic changes Social aspects ; Climatic changes Social aspects ; Electronic books ; Karibik ; Ozeanien ; Literatur ; Kunst ; Klimaänderung ; Postkolonialismus ; Humanökologie
    Abstract: In Allegories of the Anthropocene Elizabeth M. DeLoughrey traces how indigenous and postcolonial peoples in the Caribbean and Pacific Islands grapple with the enormity of colonialism and anthropogenic climate change through art, poetry, and literature. In these works, authors and artists use allegory as a means to understand the multiscalar complexities of the Anthropocene and to critique the violence of capitalism, militarism, and the postcolonial state. DeLoughrey examines the work of a wide range of artists and writers—including poets Kamau Brathwaite and Kathy Jetñil-Kijiner, Dominican installation artist Tony Capellán, and authors Keri Hulme and Erna Brodber—whose work addresses Caribbean plantations, irradiated Pacific atolls, global flows of waste, and allegorical representations of the ocean and the island. In examining how island writers and artists address the experience of finding themselves at the forefront of the existential threat posed by climate change, DeLoughrey demonstrates how the Anthropocene and empire are mutually constitutive and establishes the vital importance of allegorical art and literature in understanding our global environmental crisis.
    Abstract: Agriculture and empire : excavating plantation soil -- Planetarity and militarized radiations -- Accelerations : globalization and states of waste -- Oceanic futures : interspecies worldings -- An island is a world.
    Note: Includes bibliographical references and index
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  • 20
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478002581
    Language: English
    Pages: 1 Online-Ressource (xi, 206 Seiten) , Illustrationen
    Series Statement: Theory Q
    Series Statement: Theory Q Ser.
    Parallel Title: Erscheint auch als Best, Stephen Michael None like us
    DDC: 305.896073
    RVK:
    Keywords: Blacks-Study and teaching ; Aesthetics, Black ; Blacks-Race identity ; Slavery History ; Study and teaching ; Aesthetics, Black ; Blacks Race identity ; Blacks Study and teaching ; Electronic books ; Electronic books ; Schwarze ; Identität ; Rassismus ; Kunst ; Kultur ; Ästhetik ; Geschichtsschreibung
    Abstract: Stephen Best offers a bold reappraisal of the critical assumptions that undergird black studies' use of the slave past as an explanatory prism for understanding the black political present, thereby opening the circuits between past and present and charting a queer future for black study
    Abstract: Cover -- Contents -- Introduction. Unfit for History -- Part I  | On Thinking Like a Work of Art -- 1. My Beautiful Elimination -- 2. On Failing to Make the Past Present -- Part II  | A History of Discontinuity -- Interstice. A Gossamer Writing -- 3. The History of People Who Did Not Exist -- 4. Rumor in the Archive -- Acknowledgments -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Z -- Color Plates
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 21
    ISBN: 9780822369431 , 9780822369288
    Language: English
    Pages: xix, 337 Seiten , Illustrationen, Karten
    Parallel Title: Erscheint auch als Welland, Sasha Su-Ling, 1969- author Experimental Beijing
    DDC: 709.51/0905
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    Keywords: Art, Chinese 21st century ; Art, Modern 21st century ; Artists 21st century ; Art ; Globalization in art ; China ; Geschlechterforschung ; Globalisierung ; Kunst ; China ; Peking ; Kunst ; Geschlechterforschung
    Abstract: Chinese contemporary art in the expanded field -- Art worldings -- Xianfeng Beijing -- Showcase Beijing -- Zones of encounter -- The besieged city -- The hinterlands of feminist art -- Feminist sightlines -- Red detachment -- Opening the Great Wall -- Camouflaged histories -- Recursive worldly fables
    Note: Literaturverzeichnis Seite [305] - 321
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  • 22
    ISBN: 9781478000358 , 9781478000280
    Language: English
    Pages: xii, 236 Seiten, 16 ungezählte Seiten , Illustrationen
    Series Statement: Perverse modernities
    Parallel Title: Erscheint auch als Gopinath, Gayatri, 1969 - Unruly visions
    DDC: 700/.453
    RVK:
    Keywords: Homosexuality and art ; Aesthetics ; Queer theory ; Kunst ; Ästhetik ; Queer-Theorie
    Abstract: Introduction: archive, region, affect, aesthetics: an introduction to Unruly Visions -- Queer regions: imagining Kerala from the diaspora -- Queer disorientations, states of suspension -- Diaspora, indigeneity, queer critique -- Archive, affect, and the everyday -- Epilogue. crossed eyes: toward a queer-sighted vision
    Note: Includes bibliographical references and index
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  • 23
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822373285
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Experimental futures
    Parallel Title: Erscheint auch als Sunder Rajan, Kaushik, 1974 - Pharmocracy
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    Keywords: Papillomaviruses ; Pharmaceutical industry ; Pharmaceutical industry ; Pharmaceutical industry ; Papillomaviruses Vaccination ; Case studies ; Pharmaceutical industry ; Pharmaceutical industry Management ; Pharmaceutical industry Economic aspects ; Indien ; Biomedizin ; Pharmazeutische Industrie ; Multinationales Unternehmen ; Marktverhalten ; Norm
    Abstract: Kaushik Sunder Rajan traces the structure and operation of what he calls pharmocracy-a concept explaining the global hegemony of the multinational pharmaceutical industry. He outlines pharmocracy's logic in two case studies from contemporary India to demonstrate the stakes of its intersection with health, politics, democracy, and global capital
    Abstract: Kaushik Sunder Rajan traces the structure and operation of what he calls pharmocracy-a concept explaining the global hegemony of the multinational pharmaceutical industry. He outlines pharmocracy's logic in two case studies from contemporary India to demonstrate the stakes of its intersection with health, politics, democracy, and global capital
    Note: Includes bibliographical references and index
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  • 24
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822370161 , 9780822370062
    Language: English
    Pages: xvii, 339 Seiten
    Series Statement: Consent not to be a single being [1]
    DDC: 305.896
    RVK:
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    Keywords: Schwarze ; Kunst ; USA
    Note: Literaturverzeichnis: Seite 317-328
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  • 25
    ISBN: 9780822373285
    Language: English
    Pages: 1 online resource (345 pages).
    Series Statement: Experimental Futures
    Series Statement: Experimental Futures Ser.
    Parallel Title: Sunder Rajan, Kaushik, 1974 - Pharmocracy
    Parallel Title: Print version Sunder Rajan, Kaushik Pharmocracy : Value, Politics, and Knowledge in Global Biomedicine
    DDC: 338.88716151
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    Keywords: Papillomaviruses - Vaccination - India - Case studies ; Pharmaceutical industry Management ; Pharmaceutical industry Economic aspects ; Pharmaceutical industry India ; Papillomaviruses - Vaccination - India - Case studies ; Papillomaviruses Vaccination ; India ; Case studies ; Electronic books ; Fallstudiensammlung ; Indien ; Biomedizin ; Pharmazeutische Industrie ; Multinationales Unternehmen ; Marktverhalten ; Norm
    Abstract: Kaushik Sunder Rajan traces the structure and operation of what he calls pharmocracy-a concept explaining the global hegemony of the multinational pharmaceutical industry. He outlines pharmocracy's logic in two case studies from contemporary India to demonstrate the stakes of its intersection with health, politics, democracy, and global capital
    URL: Volltext  (lizenzpflichtig)
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  • 26
    ISBN: 9780822363279 , 0822363275 , 9780822363132 , 0822363135
    Language: English
    Pages: xiv, 328 Seiten , Diagramme , 24 cm
    Series Statement: Experimental futures
    Parallel Title: Erscheint auch als Sunder Rajan, Kaushik, 1974 - Pharmocracy
    Parallel Title: Erscheint auch als Sunder Rajan, Kaushik, 1974 - Pharmocracy
    DDC: 338.8/8716151
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    Keywords: Pharmaceutical industry Management ; Pharmaceutical industry Economic aspects ; Pharmaceutical industry ; Papillomaviruses Vaccination ; Case studies ; Pharmaceutical industry Management ; Pharmaceutical industry Economic aspects ; Pharmaceutical industry India ; Papillomaviruses Vaccination ; Case studies ; India ; Drug Industry ethics ; Politics ; Economics, Pharmaceutical ethics ; Social Values ; Indien ; Biomedizin ; Pharmazeutische Industrie ; Multinationales Unternehmen ; Marktverhalten ; Norm
    Abstract: Kaushik Sunder Rajan traces the structure and operation of what he calls pharmocracy-a concept explaining the global hegemony of the multinational pharmaceutical industry. He outlines pharmocracy's logic in two case studies from contemporary India to demonstrate the stakes of its intersection with health, politics, democracy, and global capital
    Note: Includes bibliographical references (pages 301-319) and index
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  • 27
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822375128
    Language: English
    Pages: 1 Online-Ressource (xiv, 221 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Taylor, Diana, 1950 - Performance
    DDC: 700
    RVK:
    Keywords: Performance art ; Performance art ; Political aspects ; Electronic books ; Electronic books ; USA ; Kunst ; Performativität ; Politik ; Geschichte ; Performance
    Note: Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
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  • 28
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822371458 , 9780822358978
    Language: English
    Pages: XVI, 344 Seiten , Illustrationen, Porträts , 27 cm
    Series Statement: Art history publication initiative
    Parallel Title: Erscheint auch als Cahan, Susan Mounting frustration
    DDC: 704.03/9607300747471
    RVK:
    Keywords: Geschichte 1960-1990 ; African American art Exhibitions 20th century ; History ; Racism in museum exhibits History 20th century ; Museum exhibits Social aspects 20th century ; History ; Museum exhibits Political aspects 20th century ; History ; Künstler ; Kunst ; Schwarze ; Kunstmuseum ; Kunstausstellung ; Kunstpolitik ; Rassismus ; USA ; Aufsatzsammlung ; New York ; Kunst ; Schwarze ; New York ; Ausstellung ; Museum ; Rassismus ; Geschichte 1900-2000
    Description / Table of Contents: Electronic refractions II at the Studio Museum in HarlemHarlem on my mind at the Metropolitan Museum of Art -- Contemporary Black artists in America at the Whitney Museum of American Art -- Romare Bearden : the prevalence of ritual and the sculpture of Richard Hunt at the Museum of Modern Art.
    Note: Includes bibliographical references (pages 319-333) and index
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  • 29
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822361138 , 9780822361329
    Language: English
    Pages: xii, 304 Seiten
    DDC: 305.5/688
    RVK:
    Keywords: Dalits ; Caste ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Indien ; Dalit
    Abstract: Dalit studies: new perspectives on Indian history and society / Ramnarayan S. Rawat and K. Satyanarayana -- The Indian Nation in its egalitarian conception / Gopal Guru -- Probing the historical -- Colonial archive versus colonial sociology: writing Dalit history / Ramnarayan S. Rawat -- Social space, civil society, and Dalit agency in twentieth-century Kerala / P. Sanal Mohan -- Dilemmas of Dalit agendas: political subjugation and self-emancipation in Telugu Country, 1910-50 / Chinnaiah Jangam -- Making sense of Dalit sikh history / Raj Kumar Hans -- Probing the present -- The Dalit reconfiguration of modernity: citizens and castes in the Telugu public sphere / K. Satyanarayana -- Questions of representation in Dalit critical discourse: Premchand and Dalit feminism / Laura Brueck -- Social justice and the question of categorization of scheduled caste reservations: the Dandora debate in Andhra Pradesh / Sambaiah Gundimeda -- Caste and class among the Dalits / Shyam Babu -- From Zaat to Qaum: fluid contours of the Ravi Dasi identity in Punjab / Surinder S. Jodhka
    Note: Literaturverzeichnis: Seite [272]-291 , Acknowledgments ; Dalit studies: new perspectives on Indian history and society , The Indian Nation in its egalitarian conception , Probing the historical ; Colonial archive versus colonial sociology: writing Dalit history , Social space, civil society, and Dalit agency in twentieth-century Kerala , Dilemmas of Dalit agendas: political subjugation and self-emancipation in Telugu Country, 1910-50 , Making sense of Dalit sikh history , Probing the present ; The Dalit reconfiguration of modernity: citizens and castes in the Telugu public sphere , Questions of representation in Dalit critical discourse: Premchand and Dalit feminism , Social justice and the question of categorization of scheduled caste reservations: the Dandora debate in Andhra Pradesh , Caste and class among the Dalits , From Zaat to Qaum: fluid contours of the Ravi Dasi identity in Punjab
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  • 30
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822360551 , 9780822360711 , 9780822374602
    Language: English
    Pages: xv, 265 Seiten , Illustrationen
    Series Statement: Objects / histories
    Parallel Title: Erscheint auch als Biddle, Jennifer, 19XX - Remote avant-garde
    DDC: 704.03/991509429
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    Keywords: Artists, Aboriginal Australian ; Art, Aboriginal Australian ; Aboriginal Australians Government relations ; Aborigines ; Kunst ; Northern Territory
    Description / Table of Contents: Humanitarian imperialismTangentyere artists -- June Walkutjukurr Richards -- Rhonda Unrupa Dick -- Tjanpi desert weavers -- Warnayaka art : Yurlpa -- Yarrenyty Arltere artists -- Yiwarra Kuju : the canning stock route -- The Warburton arts project.
    Note: Includes bibliographical references and index
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  • 31
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822376989 , 0822376989
    Language: English
    Pages: 1 Online-Ressource (306 pages) , illustrations
    Parallel Title: Erscheint auch als
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    Keywords: Multispecies Salon ; Ecology in art / Exhibitions ; Plants in art / Exhibitions ; Animals in art / Exhibitions ; Ökologie ; Pflanzendarstellung ; Tiere ; Kunst ; Ausstellungskatalog ; Aufsatzsammlung ; Aufsatzsammlung ; Kunst ; Ökologie ; Tiere ; Pflanzendarstellung
    Abstract: Hope in blasted landscapes / Eben Kirksey, Nick Shapiro, & Maria Brodine -- R.A.W. Assmilk soap / Karin Bolender -- Blasted landscapes (and the gentle art of mushroom picking) / Anna Tsing -- Interlude: microbiopolitics / Heather Paxson -- Recipe I: plumpin̳on / Lindsay Kelley -- Recipe II: Human cheese / Miriam Simun -- Recipe III. Multispecies becomings / Eben Kirksey -- Recipe IV, Bitter medicine is stronger / Linda Noel, Christine Hamilton, Anna Rodriguez, Angela James, Nathan Rich, David S. Edmunds, & Kim TallBear -- Life cycle of a common weed / Caitlin Berrigan -- Life in the age of biotechnology / Eben Kirksey, Brandon Costelloe-Kuehn, & Dorion Sagan -- Invertebrate visions : diffractions of the brittlestar / Karen Barad -- Speculative fabulations for technoculture's generations / Donna Haraway
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Cover  (lizenzpflichtig)
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  • 32
    Image
    Image
    London : Thames and Hudson
    ISBN: 9780500204207
    Language: English
    Pages: 208 S , Ill
    Series Statement: World of art
    DDC: 391.6/5
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    Keywords: Body art ; Body marking ; Body marking in art ; Body piercing ; Tattooing ; Body art ; Body art Social aspects ; Tattooing ; Tattooing Social aspects ; Bildband ; Bildband ; Body Art ; Körper ; Kunst
    Abstract: Body art, practiced across the world cultures and throughout history, is the most intimate art form, linking the self, the senses, and the social and political. In recent years, it has proliferated in an unprecedented way, borrowing motifs and practices from many different traditions. Explore their role in expressing personal and cultural identity; their longstanding associations with ritual, theatricality, criminality and beauty; and their recent resurgence via the Modern Primitabe movement and the work of contemporary artists such as Marc Quinn and Rebecca Belmore. The diversity of body arts is chronicled here: from Australian and African traditions of painting and scarification to Chinese footbinding, Russian prison tattoos, Harlem drag balls and the inked designs worn by celebrities such as Tupac Shakur and David Beckham
    Abstract: Introduction -- Humanity -- Society -- Theatricality -- Beauty -- Criminality -- Identity -- Afterword
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  • 33
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822377306 , 0822377306
    Language: English
    Pages: 1 Online-Ressource (310 Seiten) , Illustrationen, Karten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.20954
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    Keywords: Bevölkerung ; Grenzgebiet ; South Asia Boundaries ; History ; South Asia Politics and government ; South Asia Relations ; South Asia Social conditions ; Indien ; Electronic books ; Konferenzschrift 2009 ; Electronic books ; Konferenzschrift 2009 ; Electronic books. ; Electronic books. ; History. ; Indien Nord ; Grenzgebiet ; Bevölkerung
    Note: Includes bibliographical references and index , Introduction: Northern South Asia's diverse borders, from Kachchh to Mizoram / David N. Gellner -- Borders without borderlands : on the social reproduction of state demarcation in Rajasthan / Anastasia Piliavsky -- Allegiance and alienation : border dynamics in Kargil / Radhika Gupta -- Naturalizing the Himalaya-as-border in Uttarakhand / Nayanika Mathur -- On the way to India : Nepali rituals of border crossing / Sondra L. Hausner and Jeevan R. Sharma -- The perils of being a borderland people : on the Lhotshampas of Bhutan / Rosalind Evans -- Developing the border : state and the political economy of development in Arunachal Pradesh / Deepak K. Mishra -- The micropolitics of borders : the issue of Greater Nagaland (or Nagalim) / Vibha Joshi -- Nodes of control in a South(east) Asian borderland / Nicholas Farrelly -- Histories of belonging(s) : narrating territory, possession, and dispossession at the India-Bangladesh border / Jason Cons -- Geographies and identities : subaltern partition stories along Bengal's southern frontier / Annu Jalais -- Afterword: Making the most of "sensitive" borders / Willem van Schendel
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: eDuke
    URL: OAPEN
    URL: OAPEN
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  • 34
    ISBN: 9780822353263 , 9780822353409
    Language: English
    Pages: xxiii, 335 Seiten, 16 ungezählte Seiten , Illustrationen
    Parallel Title: Erscheint auch als Demos, T. J., 1966 - The Migrant Image
    DDC: 700.86/91
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    Keywords: Arts and globalization ; Culture and globalization ; Art and society ; Documentary mass media and the arts ; Emigration and immigration in art ; Globalisierung ; Globalisierung ; Massenmedien ; Film ; Videokunst ; Fotografie ; Performance ; Kunst ; Politik ; Migration ; Kunst ; Politik ; Migration
    Abstract: Indeterminacy and bare life in Steve McQueen's Western deep -- Sabotaging the future? : the essay-films of the Otolith Group -- Hito Steyerl's travelling images -- The art of Emily Jacir : dislocation and politicization -- Recognizing the unrecognized : the photographs of Ahlam Shibli -- The politics of opacity : the Otolith Group's Nervus rerum -- Out of Beirut : mobile histories and the politics of fiction -- Ursula Biemann's Sahara chronicle : video's migrant geography -- Means without end : Anastas and Gabri's camp campaign -- Destination : the politics of aesthetics during global crisis.
    Description / Table of Contents: Indeterminacy and bare life in Steve McQueen's Western deep -- Sabotaging the future? : the essay-films of the Otolith Group -- Hito Steyerl's travelling images -- The art of Emily Jacir : dislocation and politicization -- Recognizing the unrecognized : the photographs of Ahlam Shibli -- The politics of opacity : the Otolith Group's Nervus rerum -- Out of Beirut : mobile histories and the politics of fiction -- Ursula Biemann's Sahara chronicle : video's migrant geography -- Means without end : Anastas and Gabri's camp campaign -- Destination : the politics of aesthetics during global crisis.
    Note: Literaturverzeichnis: Seiten 305-322
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  • 35
    ISBN: 0642541132
    Language: English
    Pages: VII, 216 S , chiefly col. ill, 3 col. maps , 29 cm
    DDC: 746/.09598
    Keywords: National Gallery of Australia Exhibitions ; Textile fabrics Exhibitions ; Textile design Exhibitions ; Textile fabrics Exhibitions ; Textile design Exhibitions ; Bibliografie ; Ausstellungskatalog 2003 ; Bibliografie ; Ausstellungskatalog 2003 ; Indien ; Textilkunst ; Rezeption ; Indonesien ; Geschichte
    Note: Exhibition catalogue , Includes bibliographical references
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  • 36
    Book
    Book
    London : Thames and Hudson
    ISBN: 0500280975
    Language: English
    Pages: 304 S. , zahlr. Ill. , 24 cm
    Series Statement: Interplay
    DDC: 303.482
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    Keywords: Art, Australian Aboriginal Australian influences ; Art, Aboriginal Australian Western influences ; Art, New Zealand Maori influences ; Art, Maori Western influences ; Aboriginal Australians in art ; Maori (New Zealand people) in art ; Folk art Western influences ; Indigenous peoples Colonization ; Art, Modern 20th century ; Primitive influences ; Indigenous peoples Ethnic identity ; Aborigines ; Australien ; Neuseeland ; Maori ; Kunst ; Rezeption
    Note: Includes bibliographical references and index
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  • 37
    Book
    Book
    London : Thames and Hudson
    ISBN: 0500341613
    Language: English
    Pages: 192 S. , überw. Ill.
    DDC: 720.954
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    Keywords: architettura indiana - architettura vernacolare ; Vernacular architecture India ; Architektur ; Indien ; Indien ; Indien ; Architektur
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  • 38
    Book
    Book
    London : Thames and Hudson
    ISBN: 0500017808
    Language: English
    Pages: 430 S. , überw. Ill., 2 Kt.
    DDC: 391.70954
    RVK:
    Keywords: Jewelry India ; Jewelry India ; Social aspects ; Jewelry India ; Indien ; Schmuckherstellung ; Geschichte
    Note: Includes index. - Bibliography
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  • 39
    Book
    Book
    London : Thames and Hudson
    ISBN: 0500278245
    Language: English
    Pages: 128 S , zahlr. Ill , 27 cm
    DDC: 745/.089/980811
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    Keywords: Indian art ; Indian featherwork ; Indians of South America Amazon River Region ; Costume ; Indians of South America Amazon River Region ; Art ; Indian featherwork ; Bildband ; Bildband ; Bildband ; Indianer ; Amazonas-Gebiet ; Kunsthandwerk ; Indianer ; Amazonas-Gebiet ; Schmuck ; Indianer ; Amazonas-Gebiet ; Kunst ; Amazonas ; Kunst ; Vogelfeder
    Note: Includes bibliographical references (p. 124-125) and index
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  • 40
    ISBN: 0500016720
    Language: English
    Pages: 208 S , zahlr. Ill., graph. Darst., Kt , 31 cm
    DDC: 391.20954
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    Keywords: Saris ; Sari ; Indien ; Sari
    Note: Literaturverz. S. 202 - 203 , Literaturverz. S. 202 - 203
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  • 41
    Book
    Book
    London : Thames and Hudson
    ISBN: 0500202621
    Language: English
    Pages: 216 S. , zahlr. Ill., Kt.
    Edition: Repr.
    Series Statement: World of art
    DDC: 704/.0397
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    Keywords: Decorative arts by ; American Indians ; Indigenes Volk ; Kunst ; Nordamerika
    Note: Bibliography: S. 198 - 208. - Includes index
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  • 42
    Book
    Book
    London : Thames and Hudson
    ISBN: 0500202680
    Language: English
    Pages: 424 S , Ill , 21 cm
    Edition: 3. ed., expanded and updated ed. by Nikos Stangos
    Series Statement: World of art
    DDC: 709/.04
    Keywords: Art, Modern 20th century ; Aufsatzsammlung ; Kunst ; Geschichte 1900-1980
    Abstract: No other book on modern and contemporary art presents in as authoritative and concise a manner the ideas that underlie the diverse and radical developments of the last hundred years
    Abstract: In this new edition, an important essay, "Postmodernism and the Art of Identity," not only brings the story of modern art right up to the present, but also introduces the unexpected development of returning to art the day-to-day meaning it may have lost, through engagement with issues raised in the representation of gender, sexuality, and AIDS
    Abstract: In other essays by some of the most internationally acclaimed writers on art, the extraordinary challenges of twentieth-century art are introduced and discussed with unparalleled lucidity, intelligence, and factual accuracy
    Abstract: No other book on modern and contemporary art presents in as authoritative and concise a manner the ideas that underlie the diverse and radical developments of the last hundred years
    Abstract: In this new edition, an important essay, "Postmodernism and the Art of Identity," not only brings the story of modern art right up to the present, but also introduces the unexpected development of returning to art the day-to-day meaning it may have lost, through engagement with issues raised in the representation of gender, sexuality, and AIDS
    Abstract: In other essays by some of the most internationally acclaimed writers on art, the extraordinary challenges of twentieth-century art are introduced and discussed with unparalleled lucidity, intelligence, and factual accuracy
    Description / Table of Contents: Fauvism / Sarah Whitfield -- Expressionism / Norbert Lynton -- Cubism / John Golding -- Purism / Christopher Green -- Orphism / Virginia Spate -- Futurism / Norbert Lynton -- Vorticism / Paul Overy -- Dada and Surrealism / Dawn Ades -- Suprematism / Aaron Scharf -- De Stijl / Kenneth Frampton -- Constructivism / Aaron Scharf -- Abstract expressionism / Charles Harrison -- Kinetic art / Cyril Barrett -- Pop art / Edward Lucie-Smith -- Op art / Jasia Reichardt -- Minimalism / Suzi Gablik -- Conceptual art / Robert Smith -- Postmodernism and the art of identity / Christopher Reed.
    Description / Table of Contents: Bibliography: p410-415. - Includes index
    Note: Previous ed.: 1981
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  • 43
    ISBN: 0500277095
    Language: English
    Pages: 160 S , zahlr. Ill., Kt , 30 cm
    Edition: Reprinted in paperback
    DDC: 746.0954
    Keywords: Textilkunst ; Decorative Textiles ; India ; Indien
    Note: Literaturverz. S. 153
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  • 44
    Book
    Book
    London : Thames and Hudson
    ISBN: 050027505X
    Language: English
    Pages: 112 Seiten , 104 Illustrationen, 18 farbig
    Edition: Reprinted
    RVK:
    RVK:
    Keywords: Kālī (Hindu deity) ; Kālī (Hindu deity) ; Kunst ; Religion & Ritual ; Asien Süd-Asien ; Indien ; Kali Göttin
    Note: Literaturverz. S. 110 - 111
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  • 45
    Book
    Book
    London : Thames and Hudson
    ISBN: 0500810354
    Language: English
    Pages: 96 Seiten , zahlreiche Illustrationen
    Series Statement: Art and imagination
    DDC: 398.352
    RVK:
    Keywords: Arthur 〈King〉 ; Artus ; Romans de la table ronde ; Geschichte ; Kunst ; Ikonographie ; Illustration ; Mythos ; Artusepik ; Bildband ; Bildband ; Artus Fiktive Gestalt ; Kunst ; Geschichte ; Artus Fiktive Gestalt ; Mythos ; Artusepik ; Illustration ; Geschichte ; Romans de la table ronde ; Ikonographie
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  • 46
    ISBN: 0500275998
    Language: English
    Pages: XVI, 256 S. , Ill.
    Edition: New ed
    DDC: 305.896073
    RVK:
    Keywords: Ikonographie ; Neger ; Geschichte 1800 - 1900 ; Afro-Americans ; Social life and customs ; United States ; Popular culture ; Kunst ; Schwarze ; Geschichte 1800-1900
    Note: Bibliography: p241-251. - Includes index
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  • 47
    ISBN: 0500200602
    Language: English
    Pages: 288 S. , zahlr. Ill., graph. Darst., Kt.
    Edition: Repr.
    Series Statement: World of art
    DDC: 709/.59
    Keywords: Südostasien ; Kunst ; Geschichte
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  • 48
    Book
    Book
    London : Thames and Hudson
    ISBN: 0500810346
    Language: English
    Pages: 96 S , zahlr. Ill., graph. Darst , 28 cm
    Series Statement: Art and imagination
    DDC: 704.9/42
    Keywords: Eye in art ; Symbolism in art ; Folklore ; Auge ; Motiv ; Kunst
    Description / Table of Contents: Bibliography: p96.
    Note: Includes bibliographical references (p. 96)
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  • 49
    Image
    Image
    London : Thames and Hudson
    ISBN: 0500275211
    Language: English
    Pages: 96 S. , überw. Ill.
    DDC: 709.68
    RVK:
    Keywords: Township ; Kunst ; South African black visual arts ; Südafrika
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  • 50
    Image
    Image
    London : Thames and Hudson
    ISBN: 050023423X
    Language: English
    Pages: 176 S , zahlr. Ill
    DDC: 704.9/48945
    RVK:
    Keywords: Bildband ; Indien ; Religion ; Ritual
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  • 51
    Book
    Book
    London : Thames and Hudson
    ISBN: 0500973148
    Language: English
    Pages: 300 S , zahlr. Ill
    DDC: 306/.0899591
    Keywords: Ethnology ; Ethnology ; Thailand Social life and customs ; Golden Triangle (Southeastern Asia) Social life and customs ; Thailand ; Kunst
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  • 52
    Book
    Book
    London : Thames and Hudson
    ISBN: 0500810281
    Language: English
    Pages: 96 S. , Ill.
    Series Statement: Art and imagination
    DDC: 306.7
    Keywords: Hermaphroditismus ; Hermaphroditismus ; Kunst
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  • 53
    Book
    Book
    London : Thames and Hudson
    ISBN: 050054073x , 050054073X
    Language: English
    Pages: 143 S , überw. Ill
    Keywords: Ethnologie ; Kleidung ; Kunst ; Ozeanien Papua-Neuguinea
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  • 54
    Book
    Book
    London : Thames and Hudson
    Language: English
    Pages: 93 S. , zahlr. Ill., Kt.
    DDC: 709/.01/1096693
    Keywords: Art Nigeria ; Benin ; Art, Bini ; Rites and ceremonies Nigeria ; Benin ; Benin ; Kunst
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  • 55
    Book
    Book
    London : Thames and Hudson
    ISBN: 0500181799
    Language: English
    Pages: 216 S , Ill
    Series Statement: The world of art library
    DDC: 970.00497
    Keywords: Indian art ; North America ; Indianer ; Nordamerika ; Kunst ; Kunsthandwerk
    Note: Literaturverz. S. 198-208
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  • 56
    Book
    Book
    London : Thames and Hudson
    ISBN: 050006010X
    Language: English
    Pages: 92 S. , zahlr. Ill.
    Series Statement: Tribal art
    DDC: 399
    RVK:
    Keywords: Indigenes Volk ; Krieg ; Kunst ; Military art and science ; Weapons ; Art, Primitive ; Bildband ; Bildband ; Bildband ; Bildband ; Indigenes Volk ; Krieg ; Kunst ; Außereuropäische Kunst ; Kunst ; Krieg ; Waffe ; Ethnologie
    Note: Errata slip inserted , Literaturangaben
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  • 57
    ISBN: 050006007X
    Language: English
    Pages: 93 S. , Ill. (some col.)
    DDC: 709/.01/109962
    RVK:
    Keywords: Kunst ; Tahiti ; Cookinseln ; Gesellschaftsinseln ; Tubuai-Inseln ; Art, Tahitian ; Art ; French Polynesia ; Society Islands ; Art ; French Polynesia ; Austral Islands ; Art ; Cook Islands ; Tahiti ; Tubuai-Inseln ; Cookinseln ; Gesellschaftsinseln ; Kunst
    Note: Bibliography: p. [94]
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  • 58
    Book
    Book
    London : Thames and Hudson
    Language: English
    Pages: 252 p , Ill. (some col.), Kt. , 22 cm
    DDC: 709.54
    Keywords: Art, Indic ; Indien ; Kunst
    Note: Errata slip inserted , Bibliography: p. 246-248 , Includes index
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  • 59
    Book
    Book
    London : Thames and Hudson
    ISBN: 0500201463
    Language: English
    Pages: 252 S. , Ill.(z.T. farb.)
    Series Statement: The world of art library
    Subsequent Title: Spätere Ausg. u.d.T. Indian art / Craven, Roy Curtis
    Keywords: Indien ; Kunst ; Geschichte
    Note: Bibliogr. S. 246 - 248. - Includes index
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  • 60
    Book
    Book
    London : Thames and Hudson
    ISBN: 0500240973
    Language: English
    Pages: 367 S. , Ill. (z. großen T. farb.) , 31 cm
    DDC: 955/.05/0222
    Keywords: Iran ; Pictorial works ; Iran ; Kunst ; Geschichte
    Note: 31 cm. - Includes indexes. - "Sources of the anthology": p. 360-361. Bibliography: p. 362-363
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  • 61
    Book
    Book
    London : Thames and Hudson
    ISBN: 0500232253
    Language: English
    Pages: 208 S. , Ill.
    DDC: 701
    Keywords: Yoga ; Indien ; Religion ; Symbol ; Kunst
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  • 62
    Book
    Book
    London : Thames and Hudson
    ISBN: 0500620083 , 0500630089
    Language: English
    Pages: 216 S. , zahlr. Ill.
    DDC: 709/.73
    Keywords: Art, American ; Art, American History ; Kunst
    Note: Literaturverz. S. 211 - 212
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  • 63
    Book
    Book
    London : Thames and Hudson
    ISBN: 9780500201664 , 0500201668
    Language: English
    Pages: 216 S , zahlr. Ill
    Edition: Rev. ed.
    Series Statement: The world of art series
    DDC: 709.54
    RVK:
    Keywords: Art, Tantric History ; Tantrismus ; Kunst
    Note: ***Hier auch später erschienene, unveränderte Nachdrucke.***Unchanged reprints that were published later are included here.***
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  • 64
    Book
    Book
    London : Thames and Hudson
    ISBN: 0500181098 , 050020103X
    Language: English
    Pages: 288 S. , zahlr. Ill. (z.T. farb.)
    Series Statement: The world of art library
    Series Statement: History of art
    DDC: 709/.01/1096
    Keywords: Subsaharisches Afrika ; Kunst
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  • 65
    Language: English
    Pages: XVIII, 107 Seiten , Illustrationen (farbig)
    Edition: Reprinted edition 1958
    Keywords: Bildband ; Indien
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  • 66
    Book
    Book
    London : Thames and Hudson
    Language: English
    Pages: 320 S. , Ill. (z.T. farb.), Kt.
    Edition: 1. publ.
    Keywords: Naturvolk ; Kunst
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