Note: Includes bibliographical references and index , Unarchived Histories: The "Mad" and the "Trifling" , Peasant as Alibi: An Itinerary of the Archive of Colonial Panjab , A Death Without Cause: Mary E. Hutchinson's Un-archived Life in Certified Death , "Standard Deviations": On Archiving the Awkward Classes in Northern Peru , Everyday as Archive ; Feminine Ecriture, Trace Objects and the Death of Braj Rashmi , Brown Privilege, Black Labor: Uncovering the Significance of Creole Women's Work , Unfriendly Thresholds: On Queerness, Capitalism and Misanthropy in 19th Century America , Signs of Wonder ; Of Kings and Gods: The Archive of Sovereignty in a Princely State , Geography's Myth: The Many Origins of Calcutta , Un-archiving Algeria: Foucault, Derrida, and Spivak

Note: Includes bibliographical references and index

Note: Literaturangaben

Note: Includes bibliographical references (pages 157-170) and index

Note: Literaturangaben und Index , First published 2014

Note: Includes bibliographical references (pages 167-188) and indexes

Note: "This book was originally published as a special issue of Current issues in language planning"

Note: Includes bibliographical references and index. - Description based on print version record , Description based on print version record

Note: Includes bibliographical references and index , First published 1992 by Addison Wesley Longman Limited

Note: Literaturverzeichnis ungezählte Seite 674 , Literaturangaben , Mit Register , pt. 1 Expansions : There are no visual media , pt. 1 Expansions :There are no visual media , The (in)human spatial condition : a visual essay ; Mapping non-conformity : post-bubble urban strategies , X-reality : interview with the virtual cannibal , On software, or the persistence of visual knowledge , Notes on the photographic image , Queer faces : photography and subcultural lives , Currents of worldmaking in contemporary art , Sublimated with mineral fury : prelim notes on sounding pandemonium Asia , The sea and the land : biopower and visuality from slavery to Katrina , pt. 2 Globalization, war and visual economy : (a) War and violence : The archaeology of violence : the king's head , On the actuarial gaze : from 9/11 to Abu Ghraib , American military imaginaries and Iraqi cities , Zeroing in : overhead imagery, infrastructure ruins, and datalands in Afghanistan and Iraq , What Greg Roberts saw : visuality, intelligibility, and sovereignty : 36,000km over the equator , Media and martyrdom , Live true life or die trying , (b) Attention and visualizing economy : Kino-I, Kino-world : notes on the cinematic mode of production , On virtuosity , Faking globalization , Creativity and the problem of free labor , It's easier to imagine the end of the world than the end of capitalism , Do it yourself geo-politics , pt. 3 The body, coloniality and visuality : (a) Bodies and minds : Optics , Blindness and visual culture : an eye witness account , Reduplicative desires , The persistence of vision , The body and/in representation , Forever modern : Mami Wata visual culture and history in Africa , (b) Histories and memories : The mobilized and virtual gaze in modernity : fl(c)Øneur/fl(c)Øneuse ; Tourism and "sacred ground" : the space of ground zero , Maps, mother/goddesses, and martyrdom in modern India , Museums in late democracies , The fact of blackness , The case of blackness , (c) (Post/de/neo)colonial visualities : Orientalism and the exhibitionary order , from The colonial harem , Vodun art, social history and the slave trade , Between cult and culture : Bamiyan, Islamic iconoclasm and the museum , The postcolonial constellation : contemporary art in a state of permanent transition , Urban warfare : walking through walls , pt. 4 Media and mediations : U.S. operating systems at midcentury : the intertwining of race and unix , Rethinking the digital age , The unworkable interface , On the superiority of the analog , Digital racial formations and networked images of the body , Imagination, multimodality and embodied interaction : a discussion of sound and movement in two cases of laboratory and clinical magnetic resonance imaging , The (in)human spatial condition : a visual essay ; Mapping non-conformity : post-bubble urban strategies , X-reality : interview with the virtual cannibal , On software, or the persistence of visual knowledge , Notes on the photographic image , Queer faces : photography and subcultural lives , Currents of worldmaking in contemporary art , Sublimated with mineral fury : prelim notes on sounding pandemonium Asia , The sea and the land : biopower and visuality from slavery to Katrina , pt. 2 Globalization, war and visual economy : (a) War and violence :The archaeology of violence : the king's head , On the actuarial gaze : from 9/11 to Abu Ghraib , American military imaginaries and Iraqi cities , Zeroing in : overhead imagery, infrastructure ruins, and datalands in Afghanistan and Iraq , What Greg Roberts saw : visuality, intelligibility, and sovereignty : 36,000km over the equator , Media and martyrdom , Live true life or die trying , (b) Attention and visualizing economy :Kino-I, Kino-world : notes on the cinematic mode of production , On virtuosity , Faking globalization , Creativity and the problem of free labor , It's easier to imagine the end of the world than the end of capitalism , Do it yourself geo-politics , pt. 3 The body, coloniality and visuality : (a) Bodies and minds :Optics , Blindness and visual culture : an eye witness account , Reduplicative desires , The persistence of vision , The body and/in representation , Forever modern : Mami Wata visual culture and history in Africa , (b) Histories and memories :The mobilized and virtual gaze in modernity : flâneur/flâneuse ; Tourism and "sacred ground" : the space of ground zero , Maps, mother/goddesses, and martyrdom in modern India , Museums in late democracies , The fact of blackness , The case of blackness , (c) (Post/de/neo)colonial visualities :Orientalism and the exhibitionary order , fromThe colonial harem , Vodun art, social history and the slave trade , Between cult and culture : Bamiyan, Islamic iconoclasm and the museum , The postcolonial constellation : contemporary art in a state of permanent transition , Urban warfare : walking through walls , pt. 4 Media and mediations :U.S. operating systems at midcentury : the intertwining of race and unix , Rethinking the digital age , The unworkable interface , On the superiority of the analog , Digital racial formations and networked images of the body , Imagination, multimodality and embodied interaction : a discussion of sound and movement in two cases of laboratory and clinical magnetic resonance imaging

Note: First published by Pinter , Includes bibliographical references and index

Note: Includes bibliographical references and index

Note: Enthält 13 Beiträge , First published 2010 , Literaturverzeichnis: Seiten [299]-313

Note: Includes bibliographical references and index

Note: Enthält Literaturangaben und ein Register , Part 1 The art of politics, and the politics of art , The ultimate celebrity : VVP as VIP objet d'art , The mistress of Moscow : a case of corporate celebrity , Part 2 Prosaic glamour , Akunin's secret and Fandorin's luck : postmodern celebrity in post-Soviet Russia , Glamour à la Oksana Robski , Part Mediating glamour : film, estrada, and new media stars , Fatherland, family, and faith : the power of Nikita Mikhalkov's celebrity , "Much ado and nothing" : Mikhail Zadornov as a celebrity of Russian comedy , Russian internet stars : gizmos, geeks, and glory , Part 4 Gendered sounds and screams of stardom , Feminism à la russe? : Pugacheva-Orbakaite's celebrity construction through family bonds , Elevating Verka Serdiuchka : a star-study in excess performativity , Part 5 Moscow snobbery : from "high" art to haute cuisine , Zurab Tsereteli's exegi monumentum, Luzhkov's largesse, and the collateral rewards of animosity , Hot prospekts : dining in the new Moscow

Note: Literaturangaben

Note: Includes bibliographical references and index

Note: Originally published: Manchester: Manchester University Press, 1990; this edition first published in 2012