ISBN:
1441129995
,
9781441129994
Language:
English
Pages:
1 Online-Ressource (501 pages)
,
illustrations
Series Statement:
International texts in critical media aesthetics v. 6
Uniform Title:
ED
Parallel Title:
Erscheint auch als Schroeter, Jens 3D
DDC:
302.2301
Keywords:
Photography Psychological aspects
;
Three-dimensional imaging History
;
Imagery (Psychology)
;
Aesthetics
;
History of art / art & design styles
;
Media studies
;
PSYCHOLOGY ; Social Psychology
;
Aesthetics
;
Imagery (Psychology)
;
Photography ; Psychological aspects
;
Three-dimensional imaging
;
History
Abstract:
11.3 Third conclusion: the diff erence of optical and visual media. Anthropomorphic vs. non-anthropomorphic media models11.4 Fourth conclusion: Critique of the planocentric notion of the image; Notes; BIBLIOGRAPHY; TABLE OF IMAGE RIGHTS; INDEX; Plate 1; Plate 2; Plate 3; Plate 4; Plate 5.
Abstract:
1.2 Outlining an alternative1.2.1 Layering replacing succession; 1.2.2 Discontinuity and continuity: Which Foucault?; 1.2.3 The four optical series; 1.3 Some short remarks on optics and optical media; 1.4 Transplane images and the production of space (Henri Lefebvre): 3D; 1.4.1 First series: Geometrical optics-plane; 1.4.2 Second, third and fourth series: 3D; 1.5 Spatial knowledge and media aesthetics of transplane images; 1.6 Summary and 0utline; Notes; PART TWO Case Studies; CHAPTER TWO 1851: Sir David Brewster and the stereoscopic reproduction of sculptures; Notes.
Abstract:
9.3 Wave optics and the 'simulation' of geometrical optics: Holographic- optical elements, optical vs. visual media9.4 Media aesthetics of the transplane image 8-artistic holography: Illusionism, light and achrony; 9.5 Conclusion; Notes; CHAPTER TEN Since 1960: Repetition and difference: The interactive-transplane image; Notes; PART THREE Conclusions; CHAPTER ELEVEN 2013: Resume; 11.1 First conclusion: Layering and not succession in media history; 11.2 Second conclusion: The importance of the seemingly marginal transplane images for the production of space.
Abstract:
Cover page; Halftitle page; Series page; Title page; Copyright page; Dedication page; CONTENTS; ACKNOWLEDGMENTS; PART ONE Theoretical and Methodological Considerations; CHAPTER ONE Outline; 1.1 Jonathan Crary's Techniques of the Observer; 1.1.1 Contours of Techniques of the Observer; 1.1.1.1 Introducing the rhetorics of ruptures; 1.1.1.2 Rupture around 1820: Embodying vision; 1.1.1.3 The observer as effect: Crary's references to Foucault; 1.1.1.4 From geometrical to physiological optics; 1.1.1.5 The problematic status of photography; 1.1.2 The self-dissolution of Crary's approach.
Abstract:
CHAPTER THREE Since 1860: Photo sculptureSince 1860: Willème's photo sculpture; Media aesthetics of photo sculpture; Notes; CHAPTER FOUR 1891: Lippmann photography; Notes; CHAPTER FIVE Since 1908: Integral photography/lenticular images; Notes; CHAPTER SIX 1935-1945: 'People without space'-people with spatial images; Notes; CHAPTER SEVEN 1918-1935: Marcel Duchamp: From projection to rotorelief; Notes; CHAPTER EIGHT Since 1948: The volumetric display; Notes; CHAPTER NINE Since 1948: Holography; 9.1 Principles, genesis and theory of holography; 9.2 The spatial knowledge of holo-interferometry.
Abstract:
There is a blind spot in recent accounts of the history, theory and aesthetics of optical media: namely, the field of the three-dimensional, or trans-plane, image. It has been widely used in the 20th century for very different practices - military, scientific and medical visualization - precisely because it can provide more spatial information. And now in the 21st century, television and film are employing the method even more. Appearing for the first time in English, Jens Schroeter's comprehensive study of the aesthetics of the 3D image is a major scholarly addition to this evolving field. Ci
Note:
Includes bibliographical references and index
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