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  • 1
    Online Resource
    Online Resource
    Oxford : Berg
    ISBN: 1859732909 , 185973295X , 1847888666 , 9781847888662
    Language: English
    Pages: Online-Ressource (vi, 217 p) , ill , 24 cm
    Edition: Online-Ausg. Palo Alto, Calif ebrary 2005 Electronic reproduction; Available via World Wide Web
    Series Statement: Dress, body, culture
    Parallel Title: Erscheint auch als
    DDC: 391.0096
    Keywords: Art patronage ; Clothing and dress ; Clothing and dress ; Art patronage
    Abstract: Drawing examples from a wide range of African cultures, this ground-breaking book expands the continuing discourse on the aesthetic and cultural significance of cloth, body and dress in Africa and moves beyond contextual analysis to consider the broader application of cloth and dress to art forms in other media. In blending the concerns of Art History and Anthropology, the authors focus on the art patronage systems that stimulate production, consumption, commodification and cultural meaning, and emphasize the overriding importance of cloth to aesthetic and cultural expression in African societies. Through this approach they reveal complex processes that involve a series of actors, including textile artists, commissioning-patrons and consumer-patrons, all of whom shape cloth and dress traditions. These individuals not only influence production, but are a key to understanding the cultural meaning of cloth and dress and, by extension, the body in Africa
    Abstract: Introduction Part 1: The Impact of Patronage on the Arts of Africa 1 Art Patronage as a Generator of Cloth and Dress 2 Cloth and Dress as a Mirror of Culture in Africa 3 Art Patron Roles 4 Leadership Arts in State Societies Part 2: The Development of Hausa, Nupe and Yoruba Cloth and Dress Traditions 5 Historical Context of Leadership, Trade and Art Patronage 6 Patterns of Production and Consumption in Nineteenth-Century Luxury Cloth Traditions 7 Continuity and Change in Twentieth-Century Cloth Traditions 8 The Fashionable World of the Yoruba Postscript: To Put on Cloth
    Note: Includes bibliographical references (p. 193-208) and index , Electronic reproduction; Available via World Wide Web
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    ISBN: 1859732178 , 1859732224 , 1847888755 , 9781847888754
    Language: English
    Pages: Online-Ressource (vii, 204 p) , ill , 25 cm
    Edition: Online-Ausg. Palo Alto, Calif ebrary 2009 Electronic reproduction; Available via World Wide Web
    Series Statement: Dress, body, culture
    Parallel Title: Erscheint auch als
    DDC: 391.5/0944/36109041
    Keywords: Hairdressing History 20th century ; Hairstyles History 20th century ; Hairstyles History 20th century ; Hairstyles Social aspects ; Paris (France) Social life and customs 20th century
    Abstract: Introduction 1 1910 2 1911 3 1912 4 1913 5 1914 6 1915 7 1916 8 1917 9 1918 10 1919 11 1920
    Abstract: The way a society deals with hair speaks volumes about its structures, its wealth, and its values. How is hair arranged? Is it left long or cut short? How often is it washed? Do men and women treat their hair differently and what does this tell us about gender? This stimulating book contains articles written by the Paris hairstylist Emile Long between December 1910 and December 1920 for an English trade journal. Long's purpose in writing was to keep English coiffeurs informed about the goings-on in the world of fashion and hairdressing in France, and especially in Paris. In doing so he has provided us with a personal cultural history of the world's most fashionable city in a period that stretches from the end of the Belle Epoque, through the First World War, and into the opening year of the Roaring Twenties. His investigation of hairstyles and fashion inevitably leads him to a fascinating discussion of important historical issues: the 'true' nature of Woman; the genesis and democratization of fashion; and popular attitudes towards hygiene. With his engaging literary style Long invites us to think about consumer habits and technology, notions of fashion and cleanliness, and changing ideals of femininity and the social order. Students and scholars of history, fashion and French society will enjoy these rich and revealing accounts of what hair means to identity and culture
    Note: Includes bibliographical references and index , Electronic reproduction; Available via World Wide Web
    Library Location Call Number Volume/Issue/Year Availability
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