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  • BSZ  (47)
  • Online Resource  (47)
  • Cham : Springer Nature Switzerland  (47)
  • Literature, Modern  (47)
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  • 1
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031522840
    Language: English
    Pages: 1 Online-Ressource(XII, 188 p. 1 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Bernard Shaw and His Contemporaries
    Parallel Title: Erscheint auch als
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    Keywords: Theater ; Literature, Modern ; Drama.
    Abstract: Chapter 1: Introduction -- Chapter 2: Love and Marriage -- Chapter 3: Morals and Manners -- Chapter 4: Comedies of Realism and Romance -- Chapter 5: The Theatre of War -- Chapter 6: Deeper Waters -- Chapter 7: Drama and Contemporary Society -- Chapter 8: Post-War Drama and Fiction -- Chapter 9: Last Plays -- Chapter 10: The Entertainer.
    Abstract: Discussions of Coward’s achievement in the theatre between 1920 and 1966 have tended to stay with the colourful biography. The more analytical literary approach adopted here places Coward’s success in its wider theatrical context, making the connections with the work of other dramatists. He developed his technique according to what worked with theatre audiences. Taking up the well-made play, he brought in a more colloquial dialogue, explored, for instance, the morality and psychology of marriage and free love, and frequently exploited the dramatic possibilities of characters grouped into two camps. The book considers both the ‘pleasant’ and ‘unpleasant’ plays (to use the Shavian terms), and the episodic patriotic plays. It Includes Coward’s ambivalent approach to the ‘theatre of war’ in the 20th century. (123) Roger Kojecky: After an Oxford University English Faculty D. Phil. he held teaching positions in Tokyo and London University (lecturing on drama). He has been Secretary of the Christian Literary Studies Group, Oxford, and edits The Glass, covering a range of academic literature with articles and reviews. .
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  • 2
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031531002
    Language: English
    Pages: 1 Online-Ressource(VIII, 243 p.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Literature, Science and Medicine
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    Keywords: Literature, Modern ; Literature, Modern ; Ecocriticism. ; Science ; Communication in medicine.
    Abstract: 1. Introduction: Books of Life in the Long Century of the Gene -- 2. Simon Mawer’s Book of Life: Mendel’s Dwarf as Fictional Genetic Life Writing -- 3. There is grandeur in this view of life...or is there? Ian McEwan’s Poetics of Chance and the Unreliable Structures of Genetic Determinism -- 4. Genetics’ Perilous Analogies: Metaphors of Life in A. S. Byatt’s Quartet -- 5. Ecologies of Life: Genetics in Margaret Atwood’s MaddAddam Trilogy -- 6. Conclusion: Levels of Life.
    Abstract: Genetics and the Novel: Reimagining Life Through Fiction argues that literary fiction has reimagined life in the age of genetics. The new genetic paradigm has proposed to rewrite core assumptions about such fundamental aspects of life as the nature of kinship and biological connection, human-environmental relations, or the link between biology and art. Investigating major texts of genetic fiction by A. S. Byatt, Ian McEwan, Simon Mawer and Margaret Atwood, this monograph offers the first systematic study of how these assumptions about life itself have been renegotiated through the contemporary novel’s engagement with genetic science. This book identifies a significant new phase in the novel’s aesthetic exploration of life and demonstrates that the novel emerges as the cultural form uniquely positioned to engage both the imaginative and concrete challenges raised by genetic science for the lifeworlds of the new millennium. Paul Hamann-Rose is Assistant Professor of English Literature and Culture at the University of Passau, Germany.
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  • 3
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031401107
    Language: English
    Pages: 1 Online-Ressource(XII, 154 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Fiction. ; Literature, Modern ; European literature. ; Poetry.
    Abstract: 1. ‘The Bride-Night Fire’: Hardy & the Voice of the Folk -- 2. A Pair of Blue Eyes: The Cliff-Scene and the Literary Sublime -- 3. Moments of (Technological) Vision -- 4. ‘The Withered Arm’ and History -- 5. (Un)Binding the Sheaves: Selfhood and Labour in Tess of the d’Urbervilles -- 6. ‘The Open’: Hardy and Jefferies -- 7. The d’Urberville Family Portraits: Faciality and Identity -- 8. Tess of the d’Urbervilles and the Fin de Siècle -- 9. Wayfaring -- 10. Hardy’s Lyric Voice: ‘Beeny Cliff’ -- 11. ‘The Face at the Casement’: Window Patterns in Hardy’s Poetry.
    Abstract: This book examines Thomas Hardy’s writing in both prose and poetry, focusing on issues of perception, ‘being’, class and environment. It illustrates the ways in which Hardy represents a social world which serves as a ‘horizon’ for the individual and explores the dialectic between the perceptible world and human consciousness. Ebbatson demonstrates how, in Hardy’s oeuvre, modern life becomes alienated from its roots in rural life – individual freedom is achieved in works like Tess of the d'Urbervilles, Jude the Obscure or The Woodlanders at the cost of personal insecurity and a deepening sense of homelessness. However, this development occurs against the marginalisation of dialect forms of speech. This book also explores how Hardy’s impressionist vision serves to undermine the prevailing conventions of plot structure. Roger Ebbatson is Visiting Professor at Lancaster University and Emeritus Professor at University of Worcester, UK. He is the author of numerous books, including Literature and Landscape (2013) and Landscapes of Eternal Return (2016).
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  • 4
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031449956
    Language: English
    Pages: 1 Online-Ressource(IX, 235 p. 1 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Literature, Modern ; Fiction. ; Economics. ; Culture.
    Abstract: 1. Introduction: Cosmopolitanism’s New Orientations -- 2. New Intersections in Fiction: Cosmopolitanism, Culture and Economics -- 3. Narrative Glocality and The Cosmoflâneur in Ian McEwan’s Saturday.-4. Vernacular Cosmopolitanism, Cosmopolitan Culture and Economics in Zadie Smith’s NW.-5. Cosmopolitan Identity and Narration in Salman Rushdie’s The Golden House: The Move Towards Vernacular Cosmopolitanism.-6. Posthuman Cosmopolitanism and Post-Covid-19 Sensitivities In Kazuo Ishiguro’s Klara And The Sun.-7. Conclusion: The Genre of The Contemporary -- References.-Index.
    Abstract: “A nuanced, carefully articulated and insightful piece of scholarship. Paying attention to urgent political and social developments, including Brexit and Covid-19, Elif Toprak Sakız deepens our understanding of the dynamic interplay between culture and economics in the twenty-first century.” - Kristian Shaw, Associate Professor of English Literature, University of Lincoln, U.K “Through an engaging assessment of exemplary works of contemporary British fiction, Toprak-Sakiz provides a rich, thoughtful and critical reflection on the multiple meanings and dimensions of cosmopolitanism. This is an extremely timely and vital discussion on a key topic for our turbulent times.” - Steven Vertovec, Director of the Department of Socio-Cultural Diversity, Max Planck Institute for the Study of Religious and Ethnic Diversity, Germany This book investigates how culture and economics define novel forms of cosmopolitanism and cosmopolitan fiction. Tracing cosmopolitanism’s transition from universalism to vernacularism, the book opens up new avenues for reading cosmopolitan fiction by offering a precise and convenient set of terminology. The figure of the cosmoflâneur identifies a contemporary cosmopolitan character’s urban mobility and wandering consciousness in interaction with the global and the local. Posthuman cosmopolitanism also extends the meaning of cosmopolitan which comes to embrace the nonhuman alongside the human element. Defining narrative glocality, political hyper-awareness, and narrative immediacy, the book thoroughly explores how cosmopolitan narration forges direct responses to the contemporary world in postmillennial cosmopolitan novels. All of these concepts are elaborated in Ian McEwan’s Saturday (2005), Zadie Smith’s NW (2012), Salman Rushdie’s The Golden House (2017), and Kazuo Ishiguro’s Klara and the Sun (2021), to which world-engagement is central. Elif Toprak Sakız holds a PhD in English Literature from Middle East Technical University, Ankara, Türkiye. Her areas of interest include cultural studies, twenty-first-century fiction, narrative theory and posthumanism. She is a lecturer of Foreign Languages and Comparative Literature at Dokuz Eylul University, where she has been teaching since 2010. She has published several articles in the fields of contemporary fiction, postcolonialism, gender studies and comparative literature.
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  • 5
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031404238
    Language: English
    Pages: 1 Online-Ressource(VIII, 112 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Fiction. ; Poetry. ; Literature, Modern ; Narration (Rhetoric). ; European literature.
    Abstract: Chapter 1- Sacrifice, Consciousness, and Narrative Pronoun Shifts -- Chapter 2- May Sinclair and Two Sides of Sacrifice -- Chapter 3 - From Ritual to Narrative in Mary Butts -- Chapter 4 - Mending a Broken Duality in H. D. (Hilda Doolittle).
    Abstract: This book explores sacrifice as a narrative theme and a stylistic strategy in works by May Sinclair, Mary Butts and H. D. It argues that the modernist experiment with pronoun use informs the treatment of acts of sacrifice in the texts, understood both as acts of self-renunciation and as ritual performance. It also suggests that sacrifice, if the conditions are right, can serve as the structure upon which a cohesive community might be built. The book offers in-depth analyses of the three authors and their works, deftly dissecting the modernist narrative experiment to show that it was by no means limited — it was a means by which to approach a wide range of stories and materials. Sanna Melin Schyllert is Visiting Lecturer at Université Sorbonne Nouvelle - Paris 3, France, having previously held posts at Lund University, the University of Westminster, and University College London. Her publications include ‘Sacrifice, Pronoun Shifts and the Creation of Self in H. D.’s Prose Works’ in The Space Between Journal (2019) and ‘Sacrifice, Community and Narrative Power in Mary Butts’s Taverner Novels’ in The Journal of Religious History, Literature and Culture (2016).
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  • 6
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031389023
    Language: English
    Pages: 1 Online-Ressource(XI, 256 p. 6 illus.)
    Edition: 1st ed. 2024.
    Series Statement: New Directions in Book History
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    Keywords: Economics and literature. ; Printing. ; Publishers and publishing. ; Books ; Literature, Modern
    Abstract: Chapter 1 Introduction -- Chapter 2 Coffee-table Books: Seriously? -- Chapter 3 What’s in a Name? -- Chapter 4 A New Book-buying Market -- Chapter 5 More Than Meets the Eye -- Chapter 6 David Brower: An American Environmental Publisher -- Chapter 7 Paul Hamlyn: Britain’s Publishing Mould Breaker -- Chapter 8 Lloyd O’Neil: Australia in Colour -- Chapter 9 Conclusion.
    Abstract: The Coffee-Table Book in the Post-War Anglophone World argues that coffee-table books appeared and became popular in the post-war era at the convergence of three important developments: advances in full colour printing technology, social change, and publishing entrepreneurism and innovation. Examining the coffee-table book through a book history lens acknowledges their significant contribution to post-war visual culture and illustrated publishing. Focussing on post-war America, Great Britain, and Australia during the “golden age” era of the 1950s, 1960s, and 1970s, this history of the coffee-table book takes an interdisciplinary approach to put the coffee-table book in context in regards to materiality, format, printing, status, and genre.
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  • 7
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031444821
    Language: English
    Pages: 1 Online-Ressource(XIII, 189 p.)
    Edition: 1st ed. 2024.
    Series Statement: Literary Disability Studies
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    Keywords: Literature, Modern ; Literature, Modern ; Performing arts. ; Theater. ; Games. ; People with disabilities
    Abstract: 1. Introduction Other Worlds, Other Selves: Moving Beyond Escapism -- 2. ‘Everyone’s a Composite’: Rethinking Three of Cyberpunk’s Overlooked Women Writers as Posthumanists -- 3. The Performing Wiggin Siblings: Reading Ender’s Game through Disability Theory -- 4. The Threat of Silence in Mark Alpert’s Dystopian Simulation -- From Memes to Comics: Virtual Embodiment in Visual Rhetoric -- 5. The Player and the Avatar: Performing as Other -- 6. Learning Through Play: An Inclusive Pedagogy for the 21st Century -- 7. Conclusion The Augmented Self: Rethinking Virtual Simulation and Disability.
    Abstract: Disability Identity in Simulation Narratives considers the relationship between disability identity and simulation activities (ranging from traditional gameplay to more revolutionary technology) in contemporary science fiction. Anelise Haukaas applies posthumanist theory to an examination of disability identity in a variety of science fiction texts: adult novels, young adult literature and comics, as well as ethnographic research with gamers. Haukaas argues that instead of being a means of escapism, simulated experiences are a valuable tool for cultivating self-acceptance and promoting empathy. Through increasingly accessible technology and innovative gameplay, traditional hierarchies are dismantled, and different ways of being are both explored and validated. Ultimately, the book aims to expand our understandings of disability, performance, and self-creation in significant ways by exploring the boundless selves that the simulated environments in these texts allow. Anelise Haukaas is an Assistant Professor of English at the College of Coastal Georgia, USA, as well as the faculty advisor of Seaswells, the art and literary magazine. Her research interests include genre fiction, disability studies, folklore and mythology, popular culture, and new media.
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  • 8
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031409349
    Language: English
    Pages: 1 Online-Ressource(XVIII, 281 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Fiction. ; Poetry. ; Literature, Modern ; Literature, Modern ; Literature. ; Art, Modern
    Abstract: I. Introduction. Rewriting the Soul: the Persistence of a Concept 2 -- II. Writing the Soul 23 -- 1. Egyptian Souls in Victorian Minds: The Transmigration of the “Ka” in Egyptianising Fiction -- 2. E. S. Dallas’s Literary Theory: The “Hidden Soul” and the Workings of the Imagination -- 3. “You haven’t let me call my soul my own”: Soul, psyche and the thrill of nothingness in May Sinclair’s fiction -- 4. Spectrality and Narrative Form in George Saunders’s Lincoln in the Bardo -- 5. Forging in the smithy of David Foster Wallace’s postmodern soul -- III. The Aesthetics of the Soul -- 6. Transmutations of the Soul: Anima and her Heart in Christopher Harvey’s School of the Heart (1647) -- 7. Let us go Forward: The Soul, Spiritualism and the Funerary Commemoration of Richard Cosway, Dante Gabriel Rossetti, and Evelyn de Morgan -- 8. “Dancing the American Soul: Secular and Sacred Motifs in the Choreographic American Renaissance.”- 9. Casting the Soul: Antony Gormley’s sculptures -- Sweet Soul Music -- IV. The Ethics and Politics of the Soul -- 11. Colliding Circles: Ralph Waldo Emerson’s Concept of the Soul Between Spiritual Self-Realization and Materialistic Expansion -- 12. “Souls on Board”: A Counter-History of Modern Mobility -- 13. African American Women’s Literary Renaissance: A Template for Spiritual Fiction in the 21st Century?- 14. “Persisting souls in a persisting myth: appropriation and transmigration in Ahmed Saadawi’s Frankenstein in Baghdad (2013).”.
    Abstract: This book analyses the evolution of literary and artistic representations of the soul, exploring its development through different time periods. The volume combines literary, aesthetic, ethical, and political considerations of the soul in texts and works of art from the seventeenth to the twenty-first centuries, spanning cultures and schools of thought. Drawing on philosophical, religious and psychological theories of the soul, it emphasizes the far-reaching and enduring epistemological function of the concept in literature, art and politics. The authors argue that the concept of the soul has shaped the understanding of human life and persistently irrigated cultural productions. They show how the concept of soul was explored and redefined by writers and artists, remaining relevant even as it became removed from its ancient or Christian origins. Estelle Murail is a Senior Lecturer in English Literature and Culture at the Catholic University of Paris and Associate Researcher and Lecturer at the University of Paris, France. She has published several articles on the flâneur and cities, and co-edited Dickens and the Virtual City (Palgrave, 2017). Her current research focuses on urban spaces, the environment, crossings and networks, and the notion of persistence. Delphine Louis-Dimitrov is a Senior Lecturer in American Literature and Vice-Dean of the Faculty of Humanities at the Catholic University of Paris, France. Her research mostly focuses on the interplay of individuality with history and politics in fiction and autobiographical writings. Spirituality is central to her reflection on literary representations of individual and collective identities. .
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  • 9
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031533495
    Language: English
    Pages: 1 Online-Ressource(VII, 217 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Literature, Modern ; America ; Sex.
    Abstract: 1 Introduction -- 2 Studies of masculinities: an introduction -- 3 Poststructuralism and the «dissolution» of masculine identity -- 4 Masculinity as representation -- 5 Boys don’t cry? Masculinity and the politics of emotion -- 6 Dangerous liaisons? Friendships between men in Western history and culture -- 7 Masculinity as violence? Cultural and literary re-visions -- 8 Conclusions.
    Abstract: This book focuses on the construction of hegemonic masculinity as well as its representations in literature, culture, and film. Although white heterosexual masculinity continues to be the dominant model, it remains, paradoxically, largely invisible in gender terms. While the first three chapters thus offer introductory theoretical perspectives on the latest research on white masculinities, the following chapters concentrate on applying masculinity theory to the analysis of both social constructions and cultural (i.e. literary and film) representations of men’s emotions (with a special focus on new fatherhood models), friendships between men, as well as gender-based violence. Josep M. Armengol is Professor of English and Gender Studies at the University of Castilla-La Mancha, Spain. His recent (co-)edited collections include Alternative Masculinities for a Changing World (Palgrave Macmillan, 2014), Masculinities and Literary Studies: Intersections and New Directions (2017) and Aging Masculinities in Contemporary U.S. Fiction (Palgrave Macmillan, 2021).
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  • 10
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031531842
    Language: English
    Pages: 1 Online-Ressource(X, 214 p.)
    Edition: 1st ed. 2024.
    Series Statement: Crime Files
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    Keywords: Literature, Modern ; Literature, Modern ; Literature, Modern ; Ethnology ; Culture. ; Mass media and crime.
    Abstract: Chapter 1. Sherlock Holmes versus Jack the Ripper -- Chapter 2. Enter Holmes and Jack -- Chapter 3. Parallel Culture-Texts -- Chapter 4. The Versus Storyworld -- Chapter 5. Palimpsestuous Holmes -- Chapter 6. Polymorphous Jack -- Chapter 7. (Mis)Remembering Secondary Characters -- Chapter 8. Neo-Casting or Decentring the Great Detective -- Chapter 9. Detective Doyle.
    Abstract: "Lucyna Krawczyk-Żywko’s ambitious study pursues the endlessly intriguing parallel textual lives of Sherlock Holmes and Jack the Ripper. The strange case that she sets out to solve is the extensive but neglected corpus of versus narratives: texts in which the great detective sets out to defeat the Whitechapel murderer. Krawczyk-Żywko convincingly reads these works as part of a rich textual constellation influenced by the overlapping Sherlockian and Ripperological culture texts. Her book’s focus will inevitably intrigue aficionados of Holmes and its insights into aspects of adaptation, neo-Victorianism and biofiction mean it will also appeal strongly to scholars in these areas." —Dr Chris Louttit, Radboud University, The Netherlands In versus narratives Sherlock Holmes is fighting or otherwise engaging Jack the Ripper. These texts pit the archetypal detective against the archetypal serial killer using established formulas as well as new narrative and generic features, a combination that results in their mass appeal among authors and audiences alike. The list of primary sources includes 120 titles – novels, short stories, plays, fanfiction, ‘Grand Game’ studies, movies, TV shows, video and board games – which are treated as a dialogic network of transfictional and transmedial texts. This study unpacks the versus corpus in its media dispersal by analysing Sherlock Holmes and Jack the Ripper as serial figures and culture-texts emphasising the increasing palimpsestousness of the former and the multidirectional polymorphousness of the latter, and tracing the overlapping Doylean culture-text. It also addresses the way character constellations are represented, negotiated, and fed back into the versus network, contextualising them within the coalescence of fact and fiction, Gothic and crime fiction frames, cultural memory, neo-Victorianism, and biofiction. Lucyna Krawczyk-Żywko is Assistant Professor at the Institute of English Studies, University of Warsaw, Poland. She coordinates the research group 'From Queen Anne to Queen Victoria' and initiated the Changing Narratives conference series. Her research combines neo-Victorian, crime fiction, and adaptation studies and focuses on the rewritings of Victorian villains and detectives.
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  • 11
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031402166
    Language: English
    Pages: 1 Online-Ressource(XI, 228 p. 4 illus.)
    Edition: 1st ed. 2024.
    Series Statement: American Literature Readings in the 21st Century
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    Keywords: Fiction. ; Creative nonfiction. ; Literature, Modern ; America ; Literature ; Ethics.
    Abstract: Chapter 1 Introduction: Contesting Equilibria: Nussbaum versus Rawls -- Chapter 2 Kantian Dignity -- Chapter 3 Philosophical Literature -- Chapter 4 Trolley Problems -- Chapter 5 Lifeboats -- Chapter 6 Richard Wright’s Travails of Mann -- Chapter 7 Conclusion: Be Reasonable.
    Abstract: This book examines the literature of African-American author Richard Wright and the philosophy of Immanuel Kant, arguing that Wright was not only the foremost proponent of minoritarian protest literature, but also a groundbreaking minoritarian exponent of philosophical literature. In presenting this argument, the volume defends trolley problems from the criticism that some philosophers level against them by promoting their use as an interpretive tool for literary scholars. Starting with Martha C. Nussbaum’s interventions in literary theory concerning Henry James and perceptive equilibrium, this book draws on the philosophical thoughts of her contemporaries—Philippa Foot, John Rawls, Judith Jarvis Thomson, and Derek Parfit—to analyze Uncle Tom’s Children, especially “Down by the Riverside,” alongside other works by Wright. This approach emphasizes Wright’s recognition of the importance and integrity of Kant’s concept of dignity. Michael Wainwright is Honorary Research Associate at the University of London, UK. He is the author of numerous books, including most recently Faulkner’s Ethics: An Intense Struggle (2021), The Rational Shakespeare: Peter Ramus, Edward de Vere, and the Question of Authorship (2018), and Game Theory and Postwar American Literature (2016), all published by Palgrave.
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  • 12
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031499111
    Language: English
    Pages: 1 Online-Ressource(XIII, 228 p. 10 illus.)
    Edition: 1st ed. 2024.
    Series Statement: American Literature Readings in the 21st Century
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    Keywords: America ; Fiction. ; Literature, Modern ; Literature, Modern ; Education, Higher.
    Abstract: Chapter 1: Introductions to the American Campus Novel -- Chapter 2: Campus Characters: Exemption and Utopia on Campus -- Chapter 3: Anti-intellectualism, “Theory,” and the Reactionary Impulses of the Campus Novel -- Chapter 4: Unauthorized Sex?: Sex, Power, and Privilege in the Campus Novel -- Chapter 5: Subordinations of Academic Freedom: “Speech” as Campus Keyword and Codeword -- Chapter 6: Identity and Culture War on Campus -- Chapter 7: Hardly Workin; or, the Valences of Productivism in Campus Novels -- Chapter 8: On Teaching the University -- Chapter 9: Appendix I: Further Data -- Chapter 10: Appendix II: the Directory of the American Campus Novel.
    Abstract: Campus Fictions argues that the academic novel balances utopian and regressive tendencies, reinforcing the crises we face in higher learning while simultaneously signposting hope for a worn institution. Whether a bestseller such as Erich Segal ’s romance Love Story (1970) or wonkier fare such as Don DeLillo’s White Noise (1985), the academic novel mystifies the academy not only to a wide public but also—worse—to readers who might describe themselves as sympathetic to higher learning. The book takes an eclectic approach to the academic novel with chapters discussing, for example, the genre’s rampant anti-intellectualism and its work refusals, studying novels such as Ishmael Reed’s Japanese by Spring (1993) and Julie Schumacher’s Dear Committee Members (2014). The book is also accompanied by the “Directory of the American Campus Novel ” file, which tracks the genre by year, by setting, and by other datapoints that readers might make use of. Responding directly to Jeffrey Williams, the renowned scholar of critical university studies who implores faculty to “teach the university,” the book ’s conclusion describes strategies for putting these novels into circulation in the classroom. Through this breadth, Campus Fictions establishes the importance of maintaining hope in the field of critical university studies, which tends toward apocalypticism and perhaps therefore toward disengagement. Wesley Beal serves as W.C. Brown, Jr. Professor of English at Lyon College in the United States. He published his first monograph, Networks of Modernism, in 2015.
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  • 13
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031498886
    Language: English
    Pages: 1 Online-Ressource(XV, 200 p.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Literature, Science and Medicine
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    Keywords: Poetry. ; Literature, Modern ; Literature, Modern ; Medicine and the humanities. ; Medical Ethics. ; Science
    Abstract: 1. “Poems are Bodies that Remind Us We Have Bodies”—Poetry, Medical Posthumanism, and Ethical Practice -- 2. Entangled Species / Entangled Health: The Inclusive Poetics of Juliana Spahr -- 3. Health Inequity, Structural Racism, and The Trans-Corporeal Ethics of Claudia Rankine’s Investigative Poetics -- 4. Shared Suffering and Chronic Vulnerability in the Poetry of Brian Teare -- 5. Global Health Equity, Community Building, and the Innovative Poetics of Hong and Perez -- 6. Conclusion: Affirmative Medicine: Queer Figurations and Porous Boundaries.
    Abstract: Advancing Medical Posthumanism Through Twenty-First Century American Poetry places contemporary poetics in dialogue with posthumanism and biomedicine in order to create a framework for advancing a posthuman-affirmative ethics within the culture of medical practice. This book makes a case for a posthumanist understanding of the body—one that sees health and illness not as properties possessed by individual bodies, but as processes that connect bodies to their social and natural environment, shaping their capacity to act, think, and feel. Tana Jean Welch demonstrates how contemporary American poetry is specifically poised to develop a pathway toward a posthuman intervention in biomedicine, the field of medical humanities, medical discourse, and the value systems that guide U.S. healthcare in general. Tana Jean Welch is a poet and scholar of medical humanities and contemporary American poetry. She is Associate Professor of Medical Humanities at the Florida State University College of Medicine where she teaches courses in literature, writing, and humanities and serves as Director of the Chapman Humanities and Arts in Medicine Program. Her critical work has been published in MELUS, The Journal of Ecocriticism, Literature and Medicine, and Academic Medicine. She is also the author of the poetry collections In Parachutes Descending (2024) and Latest Volcano (2016). .
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  • 14
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031427985
    Language: English
    Pages: 1 Online-Ressource(XIV, 330 p. 18 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Literary Urban Studies
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    Keywords: Literature, Modern ; Literature, Modern ; Space. ; Culture. ; Art, Modern ; Performing arts. ; Theater. ; Cities and towns
    Abstract: “(Im)mobility, Peripherality, and the City: Theoretical Orientations and Concepts”, Patricia García; Anna-Leena Toivanen (University of Alcalá; University of Eastern Finland) -- “Cihuateteo Wandering: navigating the Mexican Urban Space as a Woman”, Orly Cortés (UAM-Xochimilco) -- “Urban Ambivalence: Work and Home at Delhi’s margins”, Anubhav Pradhan (Indian Institute of Technology Bhilai) -- “The Nomadic Subject in Teju Cole’s Open City”, Aristi Trendel (Le Mans University) -- “Space, Mobility, and Belonging: Finding One’s Way through Pre-Apartheid Johannesburg”, Sophie U. Kriegel (Leipzig University) -- “Moving Upward in the City: Modes of Transport and Social Mobility in New York, My Village: A Novel and Behold the Dreamers", Lena Englund (University of Eastern Finland) -- “Delhi on the Move: a Literary Account on Urban Mobility”, Valentina Barnabei (Ca’ Foscari University of Venice and Heidelberg University) -- “Abject Urban-Rural Mobilities by Public Transport in Ousmane Sembène's "Niiwam" and Yvonne Vera's Without a Name”, Anna-Leena Toivanen (University of Eastern Finland) -- “'We take boundaries very seriously here at Positron!’: Transitions and Liminal Space in Margaret Atwood’s The Heart Goes Last”, Olga Springer (Dublin City University) -- “Space, Borders and Cognition in Urban Diasporic Fiction”, Johan Schimanski (University of Oslo) -- “What Lurks in the Peripheries: The Unusual in Liminal Suburban Territories in Recent Short Story Collections”, Rosa-María Cobo (Universidad de Burgos) -- “Moving on the Fringes of Literary Barcelona: Contemporary Novels from the Catalan Peripheries”, Patricia García (Universidad de Alcalá) -- “Once upon a Queer: Sexual Monstrosity, Sexual Misery and the Metropolis”, Jean-Philippe Imbert (Dublin City University) -- “From the Cartographic Fringes: Map Mobilizations and the Urban”, Tania Rossetto (University of Padova) -- “Narratives of Border Crossing in Kati Horna’s Photographic Tales”, Karla Segura Pantoja (CY Cergy Paris Université) -- “Urban//Rural: An Art Perspective”, Federica Mirra (Birmingham City University) -- “The (Political) Power of Not Moving”, Inga Iwasiów and Maciej Kowalewski (University of Szczecin).
    Abstract: Urban Mobilities in Literature and Art Activism explores the entwinement of mobility and immobility in urban spaces by focusing on their representation in literary narratives but also in visual and performing arts. Across a range of geographical contexts, this volume builds on the new mobilities paradigm developed by literary scholars, sociologists and human geographers. The different chapters employ a cohesive framework that is sensitive to the intersecting dimensions of power and discrimination that shape urban kinetic features. The contributions are divided into three sections, each of which places the focus on a different aspect of urban mobility: Itinerant Subjects, Modes of Transport and Places of Transit, and Urban Liminalities. Patricia García is a senior researcher in Literary Theory and Comparative Literature at the Universidad de Alcalá (Spain), where she currently leads a Ramón y Cajal project on urban peripheries in contemporary literature (2020-2025, Ministerio de Universidades, ES and European Social Fund) . Her research focuses on literary urban spaces, which she analyzes at their intersections with peripherality, gender and with representations of the supernatural. She is the author of The Urban Fantastic in Nineteenth-Century European Literature (Palgrave, 2021) and Space and the Postmodern Fantastic in Contemporary Literature (Routledge, 2015). She has held fellowships and research grants from the Netherlands Institute for Advanced Study, the Helsinki Collegium for Advanced Studies and the British Academy. She directs the network Fringe Urban Narratives (urbanfringes.com). She is the Vice-President of ALUS: Association for Literary Urban Studies, a member of the Executive Committees of the European Society of Comparative Literature and part of the editorial board of BRUMAL: Research Journal on the Fantastic. She is co-editor of the Palgrave series Literary Urban Studies. Anna-Leena Toivanen is Academy Research Fellow at the School of Humanities at the University of Eastern Finland. Her current research project, funded by the Academy of Finland (2021-2025), focuses on the poetics of mobility in Francophone African literatures. She has held a Marie Skłodowska-Curie Individual Fellowship at the University of Liège (2017-2019). Her monograph Mobilities and Cosmopolitanisms in African and Afrodiasporic Literatures was published by Brill in 2021, and she is currently working on her second book entitled Afroeuropean Mobilities in Francophone African Literatures (Palgrave Macmillan) She acts as the literary studies subject editor of the Nordic Journal of African Studies and has previously acted as the editor-in-chief of the Finnish literary studies journal Avain (2018-2019). She is in the editorial board of Mobility Humanities. She has co-edited a special issue entitled “European Peripheries” for the Journal of Postcolonial Writing (2021) and is currently guest-editing a special issue on public transport in African literatures for English Studies in Africa (forthcoming in 2024).
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031398964
    Language: English
    Pages: 1 Online-Ressource(XI, 214 p.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Literature, Science and Medicine
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Literature ; Feminism and literature. ; Medicine and the humanities.
    Abstract: Introduction -- 1. The Problem of the Self-Governed Subject in Jane Austen’s Sense and Sensibility -- 2. Embodied Knowing and the Hysteric in Dickens’s Bleak House -- 3. George Eliot’s Middlemarch and the Question of Marriage as Catalyst or Cure -- 4. Hysterical Degeneration and The New Woman in Thomas Hardy’s The Woodlanders -- Epilogue.
    Abstract: Narratives of Women’s Health and Hysteria in the Nineteenth-Century Novel looks extensively at hysteria discourse through medical and sociological texts and examines how this body of work intersects with important cultural debates to define women’s social, physical, and mental health. The book sketches out prominent shifts in cultural reactions to the idea of diffused agency and the prized model of the interiorized, individual person capable of self will and governance. Melissa Rampelli takes up the work of Jane Austen, Charles Dickens, George Eliot, and Thomas Hardy, showing how the authors play with and manipulate stock literary figures to contribute to this dialogue about the causes and cures of women’s hysterical distress.
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  • 16
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031396465
    Language: English
    Pages: 1 Online-Ressource(XIX, 402 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Literature ; Creative nonfiction. ; Literature, Modern
    Abstract: 1 Introduction -- 2 Early years, the 1920s; and William Blake -- 3 The 1930s; and John Bunyan -- 4 The 1940s; and Charles Dickens -- 5 The 1950s; and George Meredith -- 6 The 1960s – mid 1970s; and William Morris -- 7 The late 1970s – 1990; and William Blake, revisited -- 8 Conclusion.
    Abstract: “In what is undoubtedly a landmark work, Cranny-Francis has found a cogent and immensely satisfying line through Lindsay’s life and writing. It provides welcome access to Lindsay-fications of five great writers, which will provoke and inspire readers to reassess those writers’ works. I can think of no one better placed to tell Lindsay's story, and Lindsay's story is an important one to tell.” — Henry Stead, University of St Andrews, UK This book offers an in-depth analysis of the work of prolific writer, activist and publisher, Jack Lindsay (1900-1990). It maps the development of his ideas across the twentieth century by reference to the five British writers about whom he published major studies: William Blake, John Bunyan, Charles Dickens, George Meredith and William Morris. At the same time it maps the formation through the twentieth-century of Left cultural politics, which Lindsay repeatedly anticipated in areas such as the fundamental interconnectedness of human beings and the natural world, the formative role of culture in both social and individual being, the crucial role of the senses in embodied being and the rejection of mind/body dualism. Through his analysis Lindsay foretold both the social alienation and the environmental degradation that characterise the beginning of the twenty-first century, while his interdisciplinary research and transdisciplinary analysis provide models for how we might address these critical concerns. Anne Cranny-Francis is Adjunct Professor in the Faculty of Arts and Social Sciences, University of Technology Sydney, Australia. She is known for her work in feminist and gender studies, cultural literacy, popular culture studies, and studies of embodiment, the senses (particularly touch) and human-technology engagement.
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  • 17
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031526732
    Language: English
    Pages: 1 Online-Ressource(XV, 208 p. 1 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Literature ; Feminism and literature. ; Fiction. ; Women
    Abstract: 1. Introduction: Walking into the Future -- 2 From Campaigner to Novelist: The Lives of Constance Antonina Boyle -- 3 Out of the Frying Pan -- 4 What Became of Mr Desmond -- 5 Nor All Thy Tears -- 6 Anna's -- 7 The Stranger Within the Gates -- 8 Conclusion: Deeds and Words.
    Abstract: This book offers the first comprehensive treatment of the fiction of Constance Antonina (Nina) Boyle: a suffragette described in one obituary as 'second only to Mrs Pankhurst'. Boyle was a well-known campaigner and was the first woman to stand for selection as a candidate in an election in the UK. However, her novels have been all but forgotten. This study explores Boyle's early fiction and focuses on her first five novels - each of which represents a retelling of established narratives. It explores how Boyle used her fiction to voice her radical gender politics within a culture that was becoming increasingly hostile to even discussing women's rights outside of the extension of the franchise. This book will be of interest to scholars of women's suffrage as well as anyone interested in popular fiction of the 1920s. Nicola Allen is Senior Lecturer in English Literature and Co-Course Leader for MA English at the University of Wolverhampton, UK. She is author of Marginality in the Contemporary British Novel (2008).
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  • 18
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031557750
    Language: English
    Pages: 1 Online-Ressource(IX, 187 p. 1 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Fiction. ; Literature
    Abstract: 1: Introduction -- 2: Initiation in Limbo -- 3: Toxic Masculinity, Pseudo-Intellectualism, and “Sexo-Religious Psychology” in Mortal Coils -- 4: Irony, Popular Art, and Progressive Education in Little Mexican -- 5: Nonsense, the Other, and Applied Science in Two or Three Graces -- 6: Religion, Seduction and Spiritual Education in Brief Candles -- 7: Uncollected Stories -- 8: Conclusion. .
    Abstract: Aldous Huxley’s Short Fiction analyzes Huxley’s short stories within a modernist context, highlighting that he shared more characteristics with distinguished modernists than is usually believed. The book also explores other features of Huxley’s short stories, focusing on themes such as consumerism, mainstream education, shallow intellectualism, women’s emancipation, toxic masculinity, and sensational journalism, themes that correspond with both Huxley’s time and our world, and position him among the most prophetic authors of the twentieth century. This study demonstrates that Huxley’s short fiction can provide answers to questions that remain confusing or partially explained in the research on Huxley’s work. It illustrates the constants and changes in Huxley’s opinions on organized religion, mysticism, and the relation between sexuality and spirituality, while also clarifying Huxley’s political opinion, which is often misunderstood due to his advocacy of pacifism. Finally, the in-depth interpretations of Huxley’s short stories reveal the dynamics of his literary style, especially his complex humor and irony, areas he developed more than any other modernist author of short fiction. Andrija Matić is an adjunct assistant professor at Baruch College, The City University of New York, USA. He is the author of five novels, a collection of short stories, and a study on T. S. Eliot’s complete works. He has also published many articles on Anglo-American literature, especially on modernist poetry and short fiction. Andrija Matić has taught at universities in Serbia, Kuwait, Thailand, Turkey, and the USA. He lives in Brooklyn, New York.
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  • 19
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031534256
    Language: English
    Pages: 1 Online-Ressource(XI, 131 p.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Science Fiction and Fantasy: A New Canon
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; America ; Literary form.
    Abstract: Chapter 1: Beagle’s Early Career and a New Chapter in American Fantasy -- Chapter 2: Death and the Desire for Deathlessness: Beagle and J. R. R. Tolkien on Fantasy and Mortality -- Chapter 3: Unicorn Lore: The Multiple Mythologies Behind The Last Unicorn -- Chapter 4: Metafiction and Metafantasy: Comic Fantasy as Mirror for the Genre -- Chapter 5: Unicorn Variations: Continuity and Change in the Many Versions of The Last Unicorn -- Chapter 6: Conclusion: Peter S. Beagle’s Immortal Unicorn.
    Abstract: This book assesses the work of one of the foundational figures of American fantasy, Peter S. Beagle. Through its focused analysis of The Last Unicorn, this study contextualises Beagle’s work in relation to the popularity of the fantasy genre, following its growing success in the aftermath of Tolkien’s The Lord of the Rings. In addition, through reference to the film adaptation of The Last Unicorn and also Beagle’s other works, this study highlights the author’s longevity and the influence that his metafictional and comedic work has had on contemporary fantasy. Timothy S. Miller is an Assistant Professor of English at Florida Atlantic University, USA, where he contributes to the department’s MA degree concentration in Science Fiction and Fantasy. He has previously written a critical companion on Ursula K. Le Guin’s novel A Wizard of Earthsea for the series ‘Palgrave Science Fiction and Fantasy: A New Canon’, and now serves as series co-editor with Dr. Anna McFarlane.
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031413827
    Language: English
    Pages: 1 Online-Ressource(X, 279 p.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Nineteenth-Century Writing and Culture
    Parallel Title: Erscheint auch als
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    Keywords: Children's literature. ; Literature, Modern ; European literature.
    Abstract: Chapter 1-Nineteenth-Century Models of Development: Precocity Before and After Darwin -- Chapter 2-The Child: Non-Precocity in Autobiography -- Chapter 3- Lies and Imagination: Precocity in Children’s Literature -- Chapter 4- The Precocious Child in Victorian Culture: Precocity in Fantasy and in Reality -- Chapter 5- Twentieth-Century Models of Development: Precocity from Darwin to Freud.
    Abstract: This book examines representations of precocity in Victorian textual culture – canonical literature, children’s fiction, scientific texts, and writing by children – to argue that precocity challenges the idea of progress. It considers how practitioners of literature and science from Wordsworth to Freud represented human development, and the way in which Darwin’s “non-progressive model of evolution” troubled the existing model of progression by stages (from childhood inexperience to adult maturity and understanding). Roisín Laing argues that the precocious child undermines the equation of growth with progress, and thereby facilitates other ways of imagining both individual and species development. The idea represented by the precocious child in Victorian culture – that the adult is not necessarily an improvement on the child, the human not necessarily an improvement on the ape – still troubles us today. Roisín Laing is a Leverhulme Early Career Fellow in the English Studies Department and the Centre for Nineteenth-Century Studies at Durham University, UK. She has published on childhood and nineteenth-century culture in several essay collections and leading journals including The Journal of Victorian Culture and The Henry James Review.
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031486715
    Language: English
    Pages: 1 Online-Ressource(IX, 308 p. 11 illus., 1 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Literature, Science and Medicine
    Parallel Title: Erscheint auch als
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    Keywords: America ; Literature, Modern ; Literature, Modern ; Electronic publishing. ; Literature
    Abstract: Introduction -- 1. Topological Structures and Allusion in Ratner’s Star -- 2. Algebraic Structures and Metaphor in Gravity’s Rainbow -- 3. Ordered Structures and Cognition in Infinite Jest -- 4. Conclusion: Literary Legacy of Mathematical Structures.
    Abstract: This book delivers an innovative critical approach to better understand U.S. fiction of the information age, and argues that in the last eighty years, fiction has become increasingly concerned with its representations of mathematical ideas, images, and practices. In so doing, this book provides a fuller, transnational account of the place of mathematics in understanding mathematically informed novels. Literature and science studies have acknowledged and situated historical points of cultural crossover; by emphasising mathematics within this larger intellectual context – and not as an unlikely and alien adjunct to post-war culture – this monograph clarifies how mathematically informed postmodern fictions work in a cognate fashion to other fields undergoing structuralist revolutions. This is especially evident in fiction by the key, mathematically-literate Postmodern authors upon whom this study focuses, namely, Thomas Pynchon, Don DeLillo, and David Foster Wallace, through which recent the technological revolutions, facilitated by mathematics, manifest in cultural discourse. Stuart J. Taylor is a Lecturer at Edinburgh Napier University, Scotland, UK.
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  • 22
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031511790
    Language: English
    Pages: 1 Online-Ressource(XXI, 294 p. 23 illus., 11 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: Studies in Mobilities, Literature, and Culture
    Parallel Title: Erscheint auch als
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    Keywords: America ; Literature, Modern ; Literature, Modern ; Prose literature.
    Abstract: 1. Pologue: The Cultural Terrain of America's Modern Road Landscape -- 2. Storied Road: Ambivalence in the Land of American Automobility -- 3. Control and Consent: Contested Sovereignty on America’s Country Roads -- 4. Cynicism and Progress: Gullible Devotion to the Prospect of National Automobility -- 5. Trailblazing Modernity: Mapping the Compromises of Mass Mobility -- 6. Into the Great Escapism: Vacationing Vagabonds Getting Nowhere Fast -- 7. The Freedom of Conscription: Tramps Outcast on the Road -- 8. Epilogue: The Same Old Story of the American Road.
    Abstract: “Stories about roads have always been stories about who we are and where we may go. . . Vogel reveals the ambivalence with which powerful actors viewed the installation of automobility on the US landscape. Vogel’s recovery of this ambivalence aids us in the crucial work before us as a nation: composing new stories in which the car is no longer the main character.” —Cotten Seiler, Dickinson College, USA, author of Republic of Drivers: A Cultural History of American Automobility. “Andrew Vogel’s meticulously researched study of the early development of the US highway system sheds new light on how the American road creates and represents specific kinds of material, cultural, and literary spaces.” —Gary Totten, University of Nevada, Las Vegas, USA, Editor-in-Chief of MELUS: Multi-Ethnic Literature of the US, author of Travel Narratives from Abroad: Mobility and Cultural Work in the Age of Jim Crow. This book examines travel narratives as a medium used by the American public to imagine and negotiate new ways to live in, move through, and share national space. Setting an array of archival material, including congressional deliberations, into analytical conversation with road stories by Walt Whitman, Paul Laurence Dunbar, Upton Sinclair, Emily Post, Zitkala-Ša, Henry Ford and many others, this book reframes our understanding of the origins of American automobility. The evidence gathered here sheds light on the processes by which the defining social infrastructure of the twentieth century came to be enacted, and also exposes the fraught debates and abiding misgivings that continue to roil infrastructure planning today. The insights captured in this study purposefully deepen our attention to questions of land use and collective responsibility at a moment when the ecological and social-justice consequences of American automobility must be thoroughly re-evaluated so that more conscientious mobility futures may be developed. Andrew Vogel is the Honors Program Director and a Professor of English at Kutztown State University of Pennsylvania, where he listens, teaches, and walks the hills in the original homelands of the Lenape peoples.
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031532542
    Language: English
    Pages: 1 Online-Ressource(XV, 262 p.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Literature, Science and Medicine
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    Keywords: European literature. ; Literature, Modern ; Medicine and the humanities.
    Abstract: Introduction -- CHAPTER ONE: The Physiology of Blake’s Hallucinations -- CHAPTER TWO: Perceiving More Than Perception -- CHAPTER THREE: Klüver Form-Constant Visual Hallucinations -- CHAPTER FOUR: Agents Inducing Klüver Visual Hallucinations- CHAPTER FIVE: Blake’s Synaesthesia -- CHAPTER SIX: Blake’s Synaesthesia II: The Visionary Heads -- CHAPTER SEVEN: Blake’s Synaesthesia III: the Testimony of Crabb Robinson -- CHAPTER EIGHT: Discussion and Conclusion. .
    Abstract: This book is an inquiry into whether what Blake called his ‘visions’ can be attributed to recognizable perceptual phenomena. The conditions identified include visual hallucinations (some derived from migraine aura), and auditory and visual hallucinations derived from several types of synaesthesia. Over a long period of time, Blake has been celebrated as a ‘visionary,’ yet his ‘visions’ have not been discussed. Worrall draws on an understanding of neuroscience to examine both Blake’s visual art and writings, and discusses the lack of evidence pointing towards psychosis or pathological ill-health, thus questioning the rumours pertaining to Blake’s insanity. David Worrall is Emeritus Professor of English at Nottingham Trent University. He has published widely on both William Blake and Eighteenth-Century Theatre.
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  • 24
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031449109
    Language: English
    Pages: 1 Online-Ressource(XIV, 113 p.)
    Edition: 1st ed. 2024
    Parallel Title: Erscheint auch als
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    Keywords: European literature. ; Literature, Modern ; Literature
    Abstract: This book considers the relationship between sound and silence in the works of Joseph Conrad, along with their ties to Western and non-Western space. Throughout Conrad’s works, a pattern emerges where Western space is associated with sound and non-Western space is associated with silence; similarly, Western space is portrayed as full of objects and activity, whereas non-Western space is portrayed as empty. As these tales progress, though, Conrad’s characters embark on transformational journeys that cause them to reassess the world they live in and sometimes even the nature of the universe. These journeys invariably occur through encountering non-Western space, and during the course of these journeys, the dichotomy between Western space, perceived as replete with sound and activity, and non-Western space, empty of such, blurs such that the fullness of the West is revealed to be simply a surface hiding the emptiness beneath. In the end, both Western and non-Western space are revealed to be absences, as the absence of sound becomes a correlative for the emptiness of space and the emptiness of space becomes a metonym for the cosmological emptiness of nothingness. John G. Peters is University Distinguished Research Professor at the University of North Texas, USA. His books include Joseph Conrad's Critical Reception, The Cambridge Introduction to Joseph Conrad, Conrad and Impressionism, Historical Guide to Joseph Conrad, Conrad's Drama, Joseph Conrad: Contemporary Reviews (volume 2), and the Norton critical edition of Conrad's The Secret Sharer and Other Stories.
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031332272
    Language: English
    Pages: 1 Online-Ressource(XI, 206 p. 5 illus., 4 illus. in color.)
    Edition: 1st ed. 2023.
    Series Statement: Crime Files
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    RVK:
    Keywords: Literature, Modern—20th century. ; Literature, Modern—21st century. ; Narration (Rhetoric). ; Knowledge, Theory of. ; Literature, Modern ; Literature, Modern ; Englisch ; Kriminalliteratur ; Liste
    Abstract: 1. Introduction: Reading Lists, Listing Clues -- 2. Defining Detective Fiction -- 3. Dossier Novels: The Reader as Detective -- 4. Manipulating Readers: The Novels of Agatha Christie -- 5. Excursus: The Thorndyke Novels and the Language of Science -- 6. Lists and Knowledge -- 7. Conclusion: Models of Knowledge in Detective Fiction.
    Abstract: This open access book examines how the form of the list features as a tool for meaning-making in the genre of detective fiction from the nineteenth to the twenty-first century. The book analyzes how both readers and detectives rely on listing as an ordering and structuring tool, and highlights the crucial role that lists assume in the reading process. It extends the boundaries of an emerging field dedicated to the study of lists in literature and caters to a newly revived interest in form and New Formalist approaches in narratological research. The central aim of this book is to show how detective fiction makes use of lists in order to frame various conceptions of knowledge. The frames created by these lists are crucial to decoding the texts, and they can be used to demonstrate how readers can be engaged in the act of detection or manipulated into accepting certain propositions in the text. Sarah J. Link is Postdoctoral Researcher at the University of Wuppertal, Germany.
    Note: Open Access
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031399244
    Language: English
    Pages: 1 Online-Ressource(IX, 206 p.)
    Edition: 1st ed. 2023.
    Parallel Title: Erscheint auch als
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    Keywords: Literature ; Literature, Modern ; Literature, Modern ; Culture ; Literary form.
    Abstract: Chapter 1: Introduction: Anamorphic Estrangement -- Chapter 2: Marxism as Narrative World-Building Method: New Weird Fiction and Capitalist Crisis in China Miéville’s Bas-Lag Trilogy -- Chapter 3: The Afterlives of Slavery: Spectres of the Antebellum in Colson Whitehead’s The Underground Railroad and Rivers Solomon’s Sorrowland -- Chapter 4: Challenging Cultural Studies Through Dystopia: Catatonic Cultural Dominant in Noon’s Falling Out of Cars and McCormack’s Notes from a Coma -- Chapter 5: Extrapolation and Social Reproduction: Anne Charnock’s Dreams Before the Start of Time and Bina Shah’s Before She Sleep -- Chapter 6: Conclusion: New Horizons for a Marxist Theory of Speculative Fiction.
    Abstract: "As the storm called progress piles wreckage at our feet, speculative fiction is now key to articulating catastrophe. Through paranoid ontologies, anamorphic estrangements, counterfactual energies, crisis historicity, forestalled extrapolations and catatonic thrum, writers like China Miéville and Rivers Solomon, Bina Shah and Colson Whitehead estrange the death throes of a terminal capitalism that refuses to die until it has asset-stripped the world of all possibilities. This is heady stuff and Vergara a critic to be heeded". —Mark Bould, Professor of Film and Literature, UWE Bristol Speculative fiction has been traditionally studied in Marxist literary criticism, following Darko Suvin’s paradigmatic model of science fiction, according to a hierarchical division of its multiple subgenres in terms of their assumed inherent political value. By drawing on an alternative genealogy of Marxist criticism, this book presents a non-hierarchical understanding of the estrangement connecting all varieties of speculative fiction, outlining the political potential shared across the spectrum of speculative fiction, along with the specific narrative strategies by which it critically engages with its historical context of production. This study’s main point of contention is that speculative fiction performs an estrangement effect on historical reality that can potentially render visible the role of fantasies in the organisation of capitalist social practice. This narrative effect enables an estranged perspective by which the novel interprets and conceptualises historical reality in a totalising manner. Tomás Vergara completed his Ph.D. in English Literature at the University of Edinburgh, UK. He is a lecturer in English at Pontificia Universidad Católica de Valparaíso, Chile. His research interests are focused on speculative fiction, Marxist literary criticism and the environmental humanities. This interest ranges from early forms of science fiction and the Gothic in Victorian literature to the dystopian imaginaries of cyberpunk in Bruce Sterling and William Gibson, and the radical alterity of China Miéville’s New Weird fiction attempting to weaponize the fantastic to revitalise the imaginary of revolution. The particular focus on speculative fiction is a consequence of this broader interest in the fantastic. Tomás has published an article on Jeff Noon’s Falling out of Cars in the C21 Literature journal.
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  • 27
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031352010
    Language: English
    Pages: 1 Online-Ressource(IX, 224 p.)
    Edition: 1st ed. 2023.
    Series Statement: New Comparisons in World Literature
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    Keywords: Literature, Modern ; European literature. ; Middle Eastern literature. ; Literature. ; Comparative literature.
    Abstract: Chapter 1 -- Introduction -- Part I: Philosophy of Time -- Chapter 2- Bergson, The Politics of Time and Modernity -- Part II: Chronometrics in the Modern Capital: the City, the Past and Collective Memory -- Chapter 3 - Ahmet Hamdi Tanpınar’s Istanbul -- Chapter 4- Chronometrics in the Modern Capital: Walter Benjamin’s Fairytale -- Part III: The Literary Clock and Chronophobia -- Chapter 5 - Chronostasis: Temporal Disorders and the Critique of Managed Existence in The Time Regulation Institute -- Chapter 6- The Clockwork Language: Temporal and Linguistic Modernity in Robert Walser’s The Assistant -- Chapter 7- Conclusion.
    Abstract: This book explores the conceptualization of time in early twentieth-century literature and thought, based on a transnational and translational model of literary history, focusing on Turkish, French and German literary traditions. Each from different cultural backgrounds, these modernists provide a radical critique of modern time regimes, which calibrate time in singular temporal narratives. The book traces the philosophical strand of this critical chronometry from Henri Bergson’s theory of time, through Walter Benjamin’s ambivalence towards decay of tradition, and finally to A.H. Tanpınar and Robert Walser’s modernist fiction. Negotiating regionally marked concepts and topoi of temporality, it discusses networks of cultural circulations and maps a revised intersection of Turkish and Western European literary histories. It is an essential read for scholars and students of comparative and world literature, modernist studies, and cultural history. Özen Nergis Seçkin Dolcerocca is Associate Professor in the Department of Modern Languages, Literatures and Cultures at the University of Bologna, Italy. She holds a PhD in Comparative Literature from NYU and is the principal investigator of the ERC Starting Grant project ‘Modernizing Empires: Enlightenment, Nationalist Vanguards and Non-Western Literary Modernities’. Her research focuses on literary theory, comparative literature, modernism, nineteenth-century cultural history, narratology, and digital humanities. .
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    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031403910
    Language: English
    Pages: 1 Online-Ressource(IX, 201 p.)
    Edition: 1st ed. 2023.
    Series Statement: New Directions in Irish and Irish American Literature
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    Keywords: Literature, Modern ; Goth culture (Subculture). ; Imperialism. ; Literary form.
    Abstract: Chapter 1:Introduction -- Chapter 2: The Spaces in which I/Eye Gaze: J.C. Mangan’s Satirical Appropriation of Colonial Views -- Chapter 3: J.S. Le Fanu’s Rhetoric of Nostalgia and the No-Home -- Chapter 4: The Anti-Colonial Heart of Rural Ireland: Possession and Dispossession in Bram Stoker’s Short Fiction -- Chapter 5: Roaming the World Around: Exile in J.C. Mangan’s Narratives -- Chapter 6: Haunted Manor Houses and Bumping Monsters: The Paradigm of the No Home in J.S. Le Fanu’s narratives -- Chapter 7: Adverse Landscapes, Unwelcoming Homes: (Un)Heroic Colonial Journeys in Bram Stoker’s Short Fictions -- Chapter 8: Conclusions.
    Abstract: This book explores how three Anglo-Irish writers, J.C. Mangan, J.S. Le Fanu and Bram Stoker, use settings in their short fictions to recreate, depict and confront Ireland’s colonial situation in the nineteenth century. This study provides an innovative approach by targeting a genre (the short story) which has not been explored in its entirety— certainly not within nineteenth century Ireland - much less using a postcolonial approach to the short story. Added to this is the fact that it analyses how these writers used settings as an anticolonial tool. To do so, the book is divided into two major sections, an analysis of Irish settings and non-Irish ones. It works on the premise that all three writers used the idea of displacement to target colonialism and its effects on Irish society. In short, this book addresses a gap in scholarship, as the Irish Gothic short story as a decolonizing tool has not been sufficiently and globally studied. Richard Jorge completed his PhD at the University of Santiago de Compostela, Spain, where he researched the relationship between the short story and the Irish Gothic tradition in the writings of James Clarence Mangan, Joseph Sheridan Le Fanu and Bram Stoker. He has worked at various universities and has also taught literature at an IB International school. Currently, Richard is teaching at the Department of English, German and Translation and Interpretation Studies in the University of the Basque Country (UPV/EHU), Spain, while continuing with his research on the Irish short story in the nineteenth century. Recent publications include Anglo-Irish Representations and Postcolonial Discourse in J. S. Le Fanu's "The Familiar" (Nineteenth Century Contexts, 2021), Untranslatable Characters: James Clarence Mangan and the English Language (English Studies, 2021), Debunking Protestant Celticism: Joseph Sheridan Le Fanu's Language Appropriation in "The Quare Gander" and An Account of Some Strange Disturbances in Aungier Street (Journal of Language, Literature and Culture, 2020).
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    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031299209
    Language: English
    Pages: 1 Online-Ressource(V, 118 p.)
    Edition: 1st ed. 2023.
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern—20th century. ; Literature, Modern—21st century. ; America—Literatures. ; Literature—Philosophy. ; Human ecology—History. ; Ecocriticism. ; Feminism and literature. ; America ; Literature, Modern ; Literature ; Literature, Modern ; Human ecology
    Abstract: Chapter One: Introduction -- Chapter Two: Indigenous Influences on Early Ecofeminist Utopias -- Chapter Three: Cruel Optimism in the Slow Violence of Apocalypse -- Chapter Four: Hyperobjects and Hyperempathy in Octavia Butler’s Parable of the Sower -- Chapter Five: Embodying the Land in N.K. Jemisin’s The Fifth Season.
    Abstract: This book explores concepts of environmentalism and feminism in science fiction novels written by women. By extrapolating the future of climate change, the authors of these texts model how readers can apply utopian feminist and environmental theories in their own lives. Chapter One establishes an understanding of ecofeminist environmental thinking through original research conducted at the Ursula K. Le Guin archive at the University of Oregon. Chapter Two shows an example of climate change dystopia set in California in Claire Vaye Watkins’ novel Gold Fame Citrus. The final chapters explore utopian visions of queer ecologies in books by Octavia Butler and N.K. Jemisin. Because climate change is so difficult for individuals to grapple with, a new perspective is needed to survive it. The queer ecological philosophy in these novels points to a way of life that can reduce environmental harm in an era of climate change. .
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    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031394546
    Language: English
    Pages: 1 Online-Ressource(XIV, 334 p. 24 illus., 18 illus. in color.)
    Edition: 1st ed. 2023.
    Series Statement: Palgrave Fan Studies
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Audiences. ; Digital humanities. ; Adaptation (Literary, artistic, etc.). ; Communication.
    Abstract: Chapter 1 ‘She stimulates us to supply what is not there’: Expanding Austen’s world through fanfiction -- Chapter 2 ‘Light and bright and sparkling’ – Pride and Prejudice and fairy tales -- Chapter 3 'You must allow me to tell you how ardently I admire and love you’ – Darcymania takes over -- Chapter 4 ‘An arrival in Austenland’: The virtual world of Pride and Prejudice -- Chapter 5 ‘Are the shades of Pemberley to be thus polluted?’ – Zombies and vampires invade Pride and Prejudice -- Chapter 6 ‘How differently did everything now appear’ – The Lizzie Bennet Diaries and transmedia storytelling -- Chapter 7 ‘There’s no one to touch Jane when you’re in a tight place’: Pride and Prejudice and the pandemic. .
    Abstract: Expanding Austenland: The Pride and Prejudice Fanfiction Archive explores Jane Austen’s reception in popular culture through an exploration of the ever-expanding terrain of online fanfiction, professionally published (profic) texts, and other intertextual reworkings inspired by the author’s most popular novel, Pride and Prejudice. The book argues that given its pervasiveness, Pride and Prejudice could be usefully considered not as a single novel, but as an entire ‘archive’ of interrelated texts, or as a portal that opens a ‘virtual world’ for readers to expand and explore. By examining the Pride and Prejudice archive, this book analyses the process through which an individual novel can develop a virtual life, or afterlife.. The evolving world that is opened by Pride and Prejudice, and extended and enriched through fanfiction, is conceptualised in the monograph as ‘Austenland’. In Expanding Austenland, Áine Madden has gifted fan studies a new, nuanced and much-needed portal into the imaginary world of Pride and Prejudice. From Austenmania to Darcymania – tackling fanfic, profic and transmedia – this book is superbly wide-ranging. Whether discussing the appeal of zombies, the character voices of The Lizzie Bennet Diaries, or COVID-related memes, Expanding Austenland is an astute and critically alert guide to the archives and worlds of Jane Austen fans. Matt Hills, Professor of Fandom Studies and author of Fan Cultures Áine Madden’s wonderful and important book is the best explanation we have ever had of Virginia Woolf’s intuition that Jane Austen ‘stimulates us to supply what is not there’. Madden examines the many ways in which readers, viewers, fans, and scholars have filled in the gaps in Austen’s work, or continued it, or riffed upon it, or modernized it, or speculated about it, or drawn comfort from it – right up to a stunning account of the therapeutic role played by Jane Austen in the COVID pandemic. This book is beautifully written, witty, and allusive: exactly the kind of response one would hope to find from a deep encounter with Jane Austen. Darryl Jones, Professor of Modern British Literature and Culture .
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    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031376306
    Language: English
    Pages: 1 Online-Ressource(X, 283 p.)
    Edition: 1st ed. 2023.
    Series Statement: Palgrave Studies in Literature, Science and Medicine
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Literature ; Medicine and the humanities. ; Mental health.
    Abstract: The Function of Symptoms in British Literature since Modernism looks at various ways of treating symptoms of psychological disorders in the literature of the long twentieth century. This book shows that literature can, in its questioning of commonly accepted views of this lived experience of psychic symptoms, help engender new theories about the functioning of subjective cases. Modernism emerged at about the same time as Freudian psychoanalysis did and the aim of this book is to also show that to a certain extent, Woolf preceded Freud in her exploration of the symptom and contributed to fashioning another approach that is now more common, especially in writers from the 1990s-onwards. Nicolas Pierre Boileau is Senior Lecturer at the Aix-Marseille University, France. Nicolas Pierre Boileau is Senior Lecturer at the Aix-Marseille University, France.
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  • 32
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031418778
    Language: English
    Pages: 1 Online-Ressource(XII, 283 p.)
    Edition: 1st ed. 2023.
    Parallel Title: Erscheint auch als
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    Keywords: Poetry. ; Literature, Modern ; Literature, Modern ; European literature.
    Abstract: 1 Introduction -- 2 Coleridge and Whig Politics, 1794–1796 -- 3 Whig Poetics and Akenside -- 4 Coleridge, Enthusiasm, and Bowles.-5 Coleridge’s Poetry of 1796 and 1797.-6 The Politics of Ancient Ballads: ‘The Rime of the Ancyent Marinere’ and Christabel.-7 Retirement Politics in the Fears in Solitude Quarto.-8 ‘Dejection. An Ode’ and the Renunciation of Political Poetics.-9 Conclusion.
    Abstract: This book considers Samuel Taylor Coleridge’s engagement with ‘Whig poetry’: a tradition of verse from the eighteenth century which celebrated the political and constitutional arrangements of Britain as guaranteeing liberty. It argues that, during the 1790s, Coleridge was able to articulate radical ideas under the cover of widely accepted principles through his references to this poetry. He positioned his poetry within a mainstream discourse, even as he favoured radical social change. Jacob Lloyd argues that the poets Mark Akenside, William Lisle Bowles, and William Cowper each provided Coleridge with a kind of Whig poetics to which he responded. When these references are understood, much of Coleridge’s work which seems purely personal or imaginative gains a political dimension. In addition, Lloyd reassess Coleridge’s relationship with Thomas Percy’s Reliques of Ancient English Poetry, to provide an original, political reading of ‘The Rime of the Ancyent Marinere’. This book revises our understanding of the political and poetic development of a major poet and, in doing so, provides a new model for the origins of British Romanticism more broadly Jacob Lloyd was awarded his doctorate in 2019 by the University of Oxford, UK. His research has appeared in several journals, including Notes & Queries, Romanticism, and The Wordsworth Circle, and he wrote a chapter for The New Cambridge Companion to Coleridge. He has taught at Balliol College, Oxford and at Stanford University in Oxford.
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    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031396670
    Language: English
    Pages: 1 Online-Ressource(XVI, 237 p.)
    Edition: 1st ed. 2023.
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; European literature. ; Fiction.
    Abstract: Chapter 1: Introduction -- Chapter 2: Less Than Angels: Discontents, Detachment, and Discontinuities -- Chapter 3: A Glass of Blessings: Crossing the Boundaries Between Elegance and Excellence -- Chapter 4: No Fond Return of Love: Unlikely Continuities -- Chapter 5: Struggle for Continuity During the “Wilderness Years” (1963-1977) -- Chapter 6: An Unsuitable Attachment: A Redefinition -- Chapter 7: The Sweet Dove Died: Discontinued Friendships and the Arrested Life -- Chapter 8: Life Goes On: Continued Sustenance -- Chapter 9: Strands of Change and Quartet in Autumn: The Limits of Continuity -- Chapter 10: Continuity Regained: Village Life and “Rediscovery” -- Chapter 11: A Few Green Leaves: Looking to the Future -- Chapter 12: Epilogue: Last Respects.
    Abstract: The Testing of Barbara Pym, a companion volume to The Making of Barbara Pym (Palgrave Macmillan, 2021), completes a comprehensive analysis of Pym’s novels and her life, focusing on her complex view of the necessity of change at both the individual and cultural levels. Newly published archival material supports this treatment of Pym’s vision of a changing world – a vision premised upon the principle of continuity, a linking together of past, present, and future. In her novels published from 1955-1980, beginning with Britain’s emergence from post-war austerity, Pym portrays, in an optimistic fashion, several changing aspects of British culture: expansion of the suburbs, acceptance of homosexual men, erosion of the class system, inclusivity in the Anglican Church. But with these changes, new strains emerge as well; the principle of continuity undergoes radical testing and is then emphatically reasserted. Likewise, despite upheavals to established patterns in her life, chiefly the inability to publish her work, Pym persisted in cultivating such elements of continuity as she could, an effort rewarded, while she was in rural retirement, by a return to the publishing world. Thus, in both Pym’s novels and her life, continuity survives the duress of testing circumstances. Emily Stockard is Professor of English, Florida Atlantic University, USA, and author of The Making of Barbara Pym: Oxford, the War Years, and Post-war Austerity (2021).
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    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031405563
    Language: English
    Pages: 1 Online-Ressource(XI, 268 p.)
    Edition: 1st ed. 2023.
    Series Statement: Palgrave Studies in Animals and Literature
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    Keywords: Ecocriticism. ; Literature, Modern ; Literature, Modern ; America ; Science in popular culture. ; Communication in science. ; Animal welfare
    Abstract: Introduction -- Part I: Emergence -- Chapter 2: 1860s-1900s Contexts -- Chapter 3: 1860s-1900s Texts -- Part II: Adaptation -- Chapter 4: 1900s-1950s Contexts -- Chapter 5: 1900s-1950s Texts -- Part III: Divergence.-Chapter 6: 1950s-1980s Contexts -- Chapter 7: 1950s-1980s Texts -- Part IV: Survival -- Chapter 8: 1980s-2000s Contexts -- Chapter 9: 1980s-2000s Texts.-Chapter 10: Conclusion.
    Abstract: Literature, Science, and Animal Advocacy in Canada: Practical Zoocriticism is the first book-length study of animals in Canadian literature. Using a historical approach, it offers a much-needed alternative to existing models of animals as symbols of Canadian victimhood. Spanning more than a century, the scope of this book includes classic writers, Ernest Thompson Seton and Charles G. D. Roberts, as well as popular contemporary authors, such as Barbara Gowdy, Yann Martel, Margaret Atwood, and many others. By recontextualizing these works with closer attention to contemporary scientific and animal advocacy debates, this book offers a fresh new perspective on a wide range of texts. Author Bio: Candice Allmark-Kent is an independent scholar. She has taught at the University of Exeter, UK. She previously has been a committee member for the British Association for Canadian Studies. .
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  • 35
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031298493
    Language: English
    Pages: 1 Online-Ressource(X, 193 p.)
    Edition: 1st ed. 2023.
    Series Statement: Crime Files
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern—20th century. ; Fiction. ; Popular Culture. ; Mass media and crime. ; Literature, Modern
    Abstract: Part I: Through a Glass Darkly -- Chapter 1: Introduction: What the Spectacled Detective Sees -- Chapter 2: Out of Focus: Ariadne Oliver -- Part II: Seeing the Unseen -- Chapter 3: Scouting Skills: Max Carrados, Sherlock Holmes’ Blind Rival -- Chapter 4: An Unseen Hook and an Invisible Line: Father Brown -- Part III: Seeing Through Glass -- Chapter 5: The Man with the Monocle: Lord Peter Wimsey -- Chapter 6: An Ass in Horn-Rims: Albert Campion -- Part IV: Binocular Vision -- Chapter 7: Seeing Double: Inspector Alleyn -- Chapter 8: The Double Vision of Dornford Yates -- Chapter 9: Conclusion.
    Abstract: From Sherlock Holmes onwards, fictional detectives use lenses: Ocular Proof and the Spectacled Detective in British Crime Fiction argues that these visual aids are metaphors for ways of seeing, and that they help us to understand not only individual detectives’ methods but also the kinds of cultural work detective fiction may do. It is sometimes regarded as a socially conservative form, and certainly the enduring popularity of ‘Golden Age’ writers such as Christie, Sayers, Allingham and Marsh implies a strong element of nostalgia in the appeal of the genre. The emphasis on visual aids, however, suggests that solving crime is not a simple matter of uncovering truth but a complex, sophisticated and inherently subjective process, and thus challenges any sense of comforting certainties. Moreover, the value of eye-witness testimony is often troubled in detective fiction by use of the phrase ‘the ocular proof’, whose origin in Shakespeare’s Othello reminds us that Othello is manipulated by Iago into misinterpreting what he sees. The act of seeing thus comes to seem ideological and provisional, and Lisa Hopkins argues that the kind of visual aid selected by each detective is an index of his particular propensities and biases. Lisa Hopkins is Professor Emerita of English at Sheffield Hallam University, UK. She has published widely on Renaissance drama (particularly Shakespeare, Marlowe and Ford), adaptation studies, and more recently crime fiction. She is co-editor of Shakespeare, the journal of the British Shakespeare Association, and of the Arden Guides to Early Modern Drama. Her previous books include Shakespearean Allusion in Crime Fiction: DCI Shakespeare (Palgrave, 2016) and Burial Plots in British Detective Fiction (Palgrave, 2021).
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    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031167348
    Language: English
    Pages: 1 Online-Ressource(XII, 244 p.)
    Edition: 1st ed. 2023.
    Series Statement: Literary Urban Studies
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern—20th century. ; Literature—Aesthetics. ; Science—Social aspects. ; Cities and towns—History. ; Space. ; Culture. ; Science ; Cities and towns ; Literature, Modern ; Literature
    Abstract: Introduction -- Mediated Sound -- Tunement: Listening to Listening -- Urban Sonar -- Teeming with Traffic -- Crowded Voices -- Aquacities -- Conclusion: Rewind – Fast Forward. .
    Abstract: Navigating Urban Soundscapes: Dublin and Los Angeles in Fiction offers an innovative analytical framework to explore sound in different media and across two distinct urban soundscapes. Studying a wide range of novels, films, and radio dramas, using Dublin and Los Angeles as case studies, Annika Eisenberg asks how sounds are aestheticised to signify urban space in fiction, and how sounds allow such fictional urban spaces to be navigated, both by auscultators, the characters listening within a work of fiction, and by auditeurs, the implied audience of a fictional work. Eisenberg argues that the concept of “urban sound” is a cultural and aesthetic construct, and in doing so, she shows why aesthetics needs to be front and center in sound studies.
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    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031405488
    Language: English
    Pages: 1 Online-Ressource(XVI, 286 p.)
    Edition: 1st ed. 2023.
    Series Statement: Geocriticism and Spatial Literary Studies
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Literature, Modern ; Narration (Rhetoric). ; Literature ; Space. ; Culture.
    Abstract: Train Travel as Embodied Space-Time in Narrative Theory argues that the train is a loaded trope for reconfiguring narrative theories past their “spatial turn.” Atsuko Sakaki’s method exploits intensive and rigorous close reading of literary and cinematic narratives on one hand, and on the other hand interdisciplinary perspectives that draw out larger connections to narrative theory. The book utilizes not only narratological frameworks but also concepts of space-focused humanity oriented social sciences, such as human geography, mobility studies, tourism studies, and qualitative/experience-based ethnography, in their post “narrative turn.” On this interface of narrative studies and spatial studies, this book pays concerted attention to the formation of affordances, or relations in which the human subject uses a space-time and things in it, in terms of passenger experience of the train carriage and its extension. Atsuko Sakaki is Professor of East Asian studies and Comparative Literature at University of Toronto, Canada. She is the author of many articles and three books, including Recontextualizing Texts: Narrative Performance in Modern Japanese Fiction (Harvard 1999) and The Rhetoric of Photography in Modern Japanese Literature (Brill 2015). ”Atsuko Sakaki keeps us on our toes with her consistent deconstructions of central conceptualizations and, drawing on a wealth of philosophical and theoretical texts, in language as clear as it is sensual, brings us to new insights into human modes of being and ontologies.” Irmela Hijiya-Kirschnereit, Freie Universität Berlin, Germany “In this intricate study of the entanglement of trains and narratives, Sakaki transforms our understanding of both. Train Travel uncovers a radically different experience of trains and narratives: they do not merely travel from one place to another; they construct passage as such, an experience of mutual entrainment.” Thomas Lamarre, University of Chicago.
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031368998
    Language: English
    Pages: 1 Online-Ressource(XVI, 256 p. 16 illus., 9 illus. in color.)
    Edition: 1st ed. 2023.
    Series Statement: Palgrave Studies in Life Writing
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    Keywords: European literature. ; Literature, Modern ; Photography.
    Abstract: Chapter 1: Commitment to Face -- Chapter 2: Stanisław Ignacy Witkiewicz: The Increase and Excess of Facial Expression -- Chapter 3: Virginia Woolf and Debora Vogel: A Season of Fragments -- Chapter 4: False Faces of Władysław Teodor Benda and Edward Gordon Craig. -- Chapter 5: Sir Cecil Beaton and the Art of Modern Façade -- Chapter 6: Massification of Faces in Lilliput and Picture Post -- Chapter 7 Conclusions.
    Abstract: This book is an interdisciplinary study of the engagement with and representation of the face across literature, photography, and theatre. It looks at how the face is an active agent, closely connected with the history of the media and the social interactions reflected in media images. Focusing on the dynamic period of the interwar years, it explores a range of case studies in Poland, UK, and the US, and examines artists like Stanisław Ignacy Witkiewicz (Witkacy), Virginia Woolf, Debora Vogel, Sir Cecil Beaton, Theodore Władysław Benda, and Edward Gordon Craig. Teresa Bruś argues that these writers and photographers defended the face against threats from modern life – not least, the media. She focuses on transformations of the face in life writing across a range of media and draws attention to the artists’ autobiographical narratives. Teresa Bruś is Associate Professor in the Institute of English Studies at Wrocław University, Poland. She has published on various aspects of life writing and photography in journals, including Biography, European Journal of Life Writing, Prose Studies, and Connotations. She is the author of Life Writing as Self-Collecting in the 1930s: Cecil Day Lewis and Louis MacNeice (2012).
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031402203
    Language: English
    Pages: 1 Online-Ressource(X, 221 p.)
    Edition: 1st ed. 2023.
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Literature, Modern ; European literature.
    Abstract: Chapter 1.Introduction. The purpose and scope of this book (The Anxious Conservative) -- Chapter 2. Early Indian Fiction (1888-1893) – Context and Background -- Chapter 3. Imperial Servants and Adventurers -- Chapter 4. Soldiers in India -- Chapter 5. A Writer for Children:1894-1899 -- Chapter 6. Kim -- Chapter 7. Kipling in pre-war England: new technologies and new anxieties -- Chapter 8. The charmed life of the English : Puck of Pook’s Hill (1906) and ‘Rewards and Fairies (1910) -- Chapter 9. Culture and Conservatism -- Chapter 10. Social Misfits -- Chapter 11. The Great War -- Chapter 12. ‘The Wish-House’ and the working-class -- Chapter 13. Late Experiments.
    Abstract: This book explores the tension between the conservatism and the imaginative process across the entirety of Rudyard Kipling’s fiction. It shows how Kipling the conservative thinker explores problematic aspects of Empire and the English class-system, both because it is unavoidable and because his art requires it. This tension is evident in the Indian and ‘Imperial’ Kipling and in his later ‘English’ stories. Situating Kipling’s fiction within changing social and political contexts, Mark Paffard shows the anxieties Kipling as a conservative responds to in the early Indian stories to be very different from those caused by the economic and technological upheaval of the ‘Belle Epoque’, and those arising from the First World War. Paffard reveals how Kipling’s development as a writer is shaped by his need to respond differently to a changing world: imperialist ideology and conservatism dictate the stories that he sets out to write, and his imagination and sympathy shape the stories that are finally written. Mark Paffard is an independent scholar. He is the author of Kipling’s Indian Fiction (1989) and several articles in The Kipling Journal. .
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031410451
    Language: English
    Pages: 1 Online-Ressource(XV, 212 p.)
    Edition: 1st ed. 2023.
    Series Statement: Crime Files
    Parallel Title: Erscheint auch als Barnes, Charlotte Deconstructing true crime literature
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    Keywords: Literary form. ; Literature ; Literature, Modern ; Literature, Modern ; Mass media and crime. ; Literatur ; Kriminalfall
    Abstract: Chapter one: Introduction -- Chapter two: Time of Death: The early era of True Crime -- Chapter three: Writing the “I” in True Crime -- Chapter four: Vincent Bugliosi’s Objectivity: Can we side-step bias in True Crime? -- Chapter five: The Writer Inside Me: Does Ann Rule’s proximity to the serial killer celebrity translate to a reliable re-telling? -- Chapter six: Writing True Crime from a safe distance -- Chapter seven: Truman Capote’s World of Make-Believe: How does figurative language and creative license distort truth in In Cold Blood? -- Chapter eight: 3,500 files and an unfinished script: Is well-curated research and collaboration the key to truthful True Crime, considered through Michelle McNamara’s I’ll Be Gone in the Dark? -- Chapter nine: Writing creative (true) crime narratives -- Chapter ten: Manson’s Girls Make a Comeback: How (c)overt is the influence of the Charles Manson case on Emma Cline’s The Girls, and should readers be expected to ignore the connections? -- Chapter eleven: Narrative Hybridity in True Crime: Is Maggie Nelson integrating poetry into the True Crime genre? -- Chapter twelve: Conclusion.
    Abstract: "Charlotte Barnes has put together a thoroughgoing and provocative study of true crime narratives, examining every aspect of the form with impressive insight and originality." —Barry Forshaw, author of British Crime Film and Crime Fiction: A Reader’s Guide This book provides a critical discussion of True Crime literature, arguing for the deconstruction of the genre into subgenres that better reflect a work’s contents. In analysing seminal and lesser-known works, the areas of authenticity, accuracy, and author proximity are considered to form a framework on which an individual publication’s subgenre (re)categorisation can be assessed. The book considers the likes of Ann Rule, Truman Capote, and Maggie Nelson, among other notable authors. Their works – those that fit into True Crime and those that defy categorisation within the genre as it exists – are reviewed, and their defining features critiqued. Topics such as narrative methodologies, figurative language, and utilisation of research are considered in support of this. These strands combine to a larger discussion regarding a deconstruction of True Crime, and the ways in which this will improve the social responsibility of the genre, and encourage a more conscientious consumerism of it. Charlotte Barnes is a Lecturer in Creative and Professional Writing at the University of Wolverhampton. Charlotte has primarily researched crime fiction through practice-based means, and has since published ten novels in this genre. Charlotte explores representations of female violence, and the ways in which this area can critique and contribute both to creative writing and gender studies. .
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    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031246401
    Language: English
    Pages: 1 Online-Ressource(XIII, 98 p.)
    Edition: 1st ed. 2023.
    Series Statement: Palgrave Science Fiction and Fantasy: A New Canon
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Literature, Modern—20th century. ; Literature, Modern—21st century. ; Literature—History and criticism. ; Literature—Philosophy. ; Children's literature. ; Feminism and literature. ; Sex. ; Literature ; Literature ; Literature, Modern ; Literature, Modern
    Abstract: 1 The Boy Wizard and the Young Grand Master -- References -- 2 Between Children’s Literature and “Adult Fantasy”: The Antecedents and Audiences of A Wizard of Earthsea -- Tolkien, C. S. Lewis, and Old King Arthur: Earthsea and Its Predecessors -- Earthsea Pedagogies: Learning to Live in an Enchanted World -- References -- 3 Fantasy and the Weight of Whiteness: Racial Dynamics in Earthsea -- A Wizard of Earthsea in Black and White: Uncoupling Whiteness and Goodness -- Illustration, Adaptation, and the Racial Politics of the Visual Imagination -- References -- 4 Light and Shadow, Good and Evil: Ethical, Psychological, and Other Critical Approaches to the Fantastic -- A Brief Taxonomy of Critical Approaches to Le Guin -- The “Way” to Read Le Guin?: Earthsea and Daoism -- Fantasy and the Unconscious: Jung and the Nature of the Shadow -- References -- 5 Bringing Women to Roke Knoll: Gender and the Lifelong Evolution of Earthsea -- Introduction: Reimagining Earthsea -- “You need not fear a woman”: The Witch and the Sorceress -- Ennobling Hearth and Home -- References -- 6 Conclusion: Le Guin’s Legacies in Fiction and in Scholarship -- The Schools for Wizards: Magical Pedagogy Today -- The Future(s) of Le Guin Studies -- References.
    Abstract: Written not so long after "Tolkien mania" first gripped the United States in the 1960s, Ursula K. Le Guin's novel A Wizard of Earthsea (1968) has long been recognized as a classic of the fantasy genre, and the series of Earthsea books that followed on it over the next several decades earned its author both considerable sales and critical accolades. This new introduction to the text will closely contextualize the original novel in relation to its heady decade of composition and publication — a momentous time for genre publishing — and also survey the half century and more of scholarship on Earthsea, which has shifted in direction and emphasis many times over the decades, just as surely as Le Guin frequently adjusted her own sails when composing later works set in the fantasy world. Above all, this book positions A Wizard of Earthsea as perhaps an "old text" that nevertheless belongs in a "new canon," a key novel in the author's career and the genre in which it participates, and one that at once looks back to Tolkien and his own antecedents in masculinist early fantasy; looks forward to Le Guin's own continuing feminist and progressive education; and anticipates and indeed helped to shape young adult literature in its contemporary form. Timothy S. Miller is Assistant Professor of English at Florida Atlantic University, USA.
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  • 42
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031403576
    Language: English
    Pages: 1 Online-Ressource(XIII, 129 p.)
    Edition: 1st ed. 2023.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Literature, Modern ; America ; Oceanography.
    Abstract: Chapter 1: No Need to Rush -- Chapter 2: The Book Itself -- Chapter 3: Etymology and Extracts -- Chapter 4 A Tale Twice Told -- Chapter 5 Ishmael and Queequeg -- Chapter 6 Going Whaling and a Hint of Ahab -- Chapter 7 Ahab as Captain and Ahab as Ahab -- Chapter 8 Ahab and Moby Dick -- Chapter 9: The Town-Ho’s Story and Other Gams -- Chapter 10: Whales! Conversation, Art, Dining, Business, and Poetry -- Chapter 11: Ahab’s Leg and Ahab’s life -- Chapter 12: Conclusions, The Unity of Moby-Dick, and A Critical Reflectione.
    Abstract: This study presents Moby-Dick as a novel with three distinct but interconnecting stories: Ishmael’s, which he shares ten years after it has taken place; Ahab’s, which is Ishmael's account of the memorable captain of a whaling ship; and a third which centres on whales and whaling, which has not received significant critical attention. While each of these perspectives compete for prominence in the narrative, Ahab and Ishmael's stories have often distracted from the vital significance of the whaling narrative as what outlasts Ahab’s obsessive mission. Catalano rights this wrong by coming to a strikingly original and thought-provoking conclusion which becomes the heart of the book's argument: “the unity of Melville’s book comes, first, from the way the numerous literary, philosophical, and religious reflections are rooted in those magnificent beings, whales and in the men and ships that pursue them, and, second, in the way these reflections illuminate our own lives.” Joseph S. Catalono is professor emeritus of philosophy at Kean University, USA. Some of his previous publications include Thinking Matter: Consciousness From Aristotle to Putnam and Sartre (2000), Reading Sartre: An Invitation…(2010), and The Saint and the Atheist: Thomas Aquinas and Jean-Paul Sartre (2021).
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  • 43
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031256394
    Language: English
    Pages: 1 Online-Ressource(XIII, 180 p. 5 illus.)
    Edition: 1st ed. 2023.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Literature, Modern—20th century. ; Literature, Modern—21st century. ; America—Literatures. ; Narration (Rhetoric). ; Ecocriticism. ; America ; Literature, Modern ; Literature, Modern
    Abstract: Chapter 1. Introduction: Hyperobject Reading -- Chapter 2. A Dialectical Nexus of Objects: Disability as Hyperobject in Joshua Ferris’s The Unnamed -- Chapter 3. Living in an Object-Oriented Universe: The Digital as Hyperobject in Tao Lin’s Taipei -- Chapter 4. Fighting One Hyperobject with Another: Narrative as Hyperobject in Ben Lerner’s 10:04 -- Chapter 5. Conclusion: Anthropocene Lessons from a Distant Fictional Hyperobject .
    Abstract: This book proposes a model of reading called hyperobject reading that bridges the Anthropocene scale variance between humans and humanity by focusing on the large-scale problems and phenomena themselves. Hyperobject reading draws on narratology and reader-response theory, as well as newer developments such as the postcritical turn and object-oriented ontology. The theoretical introduction sets out the building blocks of hyperobject reading. Chapter 2 intervenes in critical disability studies and debates about the ecosomatic paradigm; Chapter 3 intervenes in debates about technological evolution, analogue vs. digital subjectivity, and affect theory; and Chapter 4 intervenes in debates about autofiction, contemporary metafiction, and the position and role of the narrator in first-person narratives where the narrator and protagonist can be distinguished. The analytical conclusion sketches the conceptual anatomy of the hyperobject and three possible responses. No part of the Earth today is free from human influence, but literary success suggests effective real-world strategies. Chingshun J. Sheu is Assistant Professor of Applied English at Ming Chuan University. His research focuses on contemporary American fiction, literary theory, narratology, and Alain Badiou. Having published essays on William Gaddis, Orson Scott Card, and Taiwanese author Chang Hsiu-ya, he is also the premier English-language film critic in Taiwan.
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  • 44
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031187087
    Language: English
    Pages: 1 Online-Ressource(X, 368 p.)
    Edition: 1st ed. 2023.
    Series Statement: Palgrave Studies in Nineteenth-Century Writing and Culture
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Literature, Modern—19th century. ; Civilization—History. ; Cities and towns—History. ; Popular Culture. ; Civilization ; Cities and towns ; Literature, Modern
    Abstract: Chapter 1: Introduction: Snails on the Omnibus -- Chapter 2: Between Innovation and Regression -- Chapter 3: Comic Commonplaces -- Chapter 4: The Social Experience of the Omnibus -- Chapter 5: The Omnibus as Political Metaphor -- Chapter 6: Streetcars of Desire -- Chapter 7: An Observatory of Poverty -- Chapter 8: Winged Coursers of the Mind -- Chapter 9: Epilogue.
    Abstract: The introduction of omnibus services in the late 1820s revolutionised urban life in Paris, London and many other cities. As the first form of mass transportation—in principle, they were ‘for everyone’—they offered large swaths of the population new ways of seeing both the urban space and one another. This study examines how the omnibus gave rise to a vast body of cultural representations that probed the unique social experience of urban transit. These representations took many forms—from stories, plays and poems to songs, caricatures and paintings—and include works by many well-known artists and authors such as Picasso and Pissarro and Charles Dickens, Wilkie Collins and Guy de Maupassant. Analysing this corpus, the book explores how the omnibus and horse-drawn tram functioned in the cultural imagination of the nineteenth century and looks at the types of stories and values that were projected upon them. The study is comparative in approach and considers issues of gender, class and politics, as well as genre and narrative technique. Elizabeth Amann is Professor in the Department of Literary Studies at Ghent University. She is the author of two books, Importing Madame Bovary: The Politics of Adultery (Palgrave Macmillan, 2006) and Dandyism in the Age of Revolution: The Art of the Cut (2015), and the co-editor of three edited volumes, the most recent of which is Reverberations of Revolution: Transnational Perspectives, 1770-1850 (2021). She has written numerous articles on nineteenth-century literature and culture.
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  • 45
    ISBN: 9783031303128
    Language: English
    Pages: 1 Online-Ressource(XIV, 212 p. 7 illus., 5 illus. in color.)
    Edition: 1st ed. 2023.
    Series Statement: Geocriticism and Spatial Literary Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Literature, Modern—20th century. ; Literature, Modern—21st century. ; Culture—Study and teaching. ; Comparative literature. ; European literature. ; Space. ; Culture. ; Literature, Modern ; Literature, Modern ; Culture
    Abstract: Introduction: Centers-Peripheries; Literary, Cinematic, and Artistic Spaces -- Artistic Practices at the Border: Waiting and Crossing in the Context of Escape and Exile -- Revolutionary Peripheries: Pier Paolo Pasolini’s “Cinema of Borgata” -- Inner Periphery? The Rhine from Borderland to Interzone -- Enrico Pea and the Awareness of Never-Ending Detachment (Alexandria, Egypt 1896–1914) -- From Mexico to Madrid: Thirdspace in Concha Méndez’s Poemas: Sombras y sueños -- Toward the Periphery of Europe: Erich Maria Remarque’s Novel The Night in Lisbon -- Najat El Hachmi: Away from Patriarchy, Hijab, and Cultural Relativism -- Doctor Möbius, or: How I Learned to Stop Worrying and Love the Line.
    Abstract: Spatiality at the Periphery in European Literatures and Visual Arts analyzes the impact migrations, both internal and external, have on Europe’s literary and visual representations in the nineteenth to twenty-first centuries. The volume aims to subvert a centripetal reading of European cultural production by including peripheral thinkers, writers, and visual artists operating in transcultural contexts. The essays highlight and investigate the fertile artistic discourses generated in the spatial peripheries outside of Europe or its inner peripheries. The volume addresses the need for geocritical readings that overcome the engrained dichotomy of centers-peripheries. By doing so, the book brings a more nuanced approach to national literatures and proposes the idea of “contact zones of imaginative interaction”. Kathryn Everly is Professor of Spanish, Syracuse University, USA. Stefano Giannini is Associate Professor of Italian, Syracuse University, USA. Karina von Tippelskirch is Associate Professor of German, Syracuse University, USA.
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  • 46
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031276057
    Language: English
    Pages: 1 Online-Ressource(IX, 167 p.)
    Edition: 1st ed. 2023.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Literature, Modern—19th century. ; African literature. ; Oriental literature. ; Literature, Modern
    Abstract: 1 -- Introduction -- 2 Negotiating Difference: Positioning the Self in Sake Dean Mahomet’s The Travels of Dean Mahomet, a Native of Patna in Bengal, Through Several Parts of India, While in the Service of the Honourable the East India Company (1794) and Olaudah Equiano’s The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa, The African (1789) -- 3 Importing Knowledge and Theory: The Authorial Self and the Expert Position in Henry Callaway’s Nursery Tales, Traditions, and Histories of the Zulu (1868) and R. C. Temple’s Legends of the Punjab (1884-1900). - 4 The Divisible Self — Global-Local Journeys in G.V. Desani’s All About H. Hatterr (1948) and Amos Tutuola’s The Palm-Wine Drinkard (1952) -- 5 Talking Back — The Uncertain Self and Counter-Narratives in Aravind Adiga’s The White Tiger (2008) and Tsitsi Dangarembga’s The Book of Not (2006) -- 6 Conclusion -- 8 Bibliography.
    Abstract: This book examines the idea of the self in Anglophone literatures from British colonies in Africa and the subcontinent, and in the context of intercultural encounter, literary hybridity and globalization. The project examines texts by eight authors across the colonial, postwar and post-9/11 eras – Olaudah Equiano, Sake Dean Mahomet, Henry Callaway, R.C. Temple, Amos Tutuola, G.V. Desani, Tsitsi Dangarembga and Aravind Adiga – in order to map different strategies of selfhood across four fields of literature: autobiographical life writing, folk anthology, postwar fabulism, and contemporary realism. Drawing on historical analysis, psychological inquiry, comparative linguistics, postcolonial criticism and social theory, this book responds to a renewed emphasis on the narrative strategies and creative choices involved in a literary construction of the self. Threaded through this investigation is an analysis of the effects of globalization, or the intensification of intercultural and dialogic complexity over time. Inder Sidhu holds a PhD in English literature from King's College London, UK. He works with graduate students at the Ontario College of Art & Design University’s Writing and Learning Centre and teaches at the University of Guelph-Humber and Humber College in Toronto, Canada.
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  • 47
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031385933
    Language: English
    Pages: 1 Online-Ressource(XII, 134 p. 24 illus. in color.)
    Edition: 1st ed. 2023.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Poetry. ; Literature, Modern ; Interpretation, Literary. ; European literature.
    Abstract: Chapter 1: Introduction -- Chapter 2: The Book: Object -- Chapter 3: The Way In -- Chapter 4: The Contents as They Stand -- Chapter 5: Greswell the Compiler -- Chapter 6: The Unwritten Script -- Chapter 7: Greswell after Coleridge -- Chapter 8: A Brave Conclusion.
    Abstract: This book provides a critical and biographical account of the fascinating hand-made book of rector William Greswell (1848-1923), in which he assembled British and American reviews and accounts of the Romantic poet, critic, philosopher, and religious thinker Samuel Taylor Coleridge (1772-1834). J.C.C. Mays re-evaluates Coleridge’s nineteenth-century reputation through the lens provided by Greswell’s workbook. Mays demonstrates how Coleridge is one of the most complicated and influential religious thinkers of the nineteenth century, whose “religious musings” (most prominently as published in Aids to Reflection and On the Constitution of the Church and State, but also in posthumous collections such as Confessions of an Inquiring Spirit) cast a long shadow over religious thinking in nineteenth-century England and America. Although Greswell was but one of Coleridge’s many readers in the nineteenth century, his engagement with Coleridge’s writings was noteworthy for the sheer mass of the materials he assembled, and the breadth of the Coleridge he depicts. Greswell’s Coleridge is a Coleridge in whom all Coleridgeans will be interested. J.C.C. Mays is Professor Emeritus of English and American Literature at University College Dublin, Ireland. He is the author of numerous works on Coleridge, including Coleridge's Dejection Ode (Palgrave, 2019) and Coleridge's Ancient Mariner (Palgrave, 2016).
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