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  • BSZ  (4)
  • Book  (4)
  • 2015-2019  (4)
  • 2005-2009
  • 1930-1934
  • New York, NY : Oxford University Press  (4)
  • Gesellschaft  (4)
  • Konferenzschrift
  • Musicology  (3)
  • Comparative Studies. Non-European Languages/Literatures  (1)
Material
Language
Years
  • 2015-2019  (4)
  • 2005-2009
  • 1930-1934
Year
Subjects(RVK)
  • 1
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780199359516 , 9780190688660
    Language: English
    Pages: xxvii, 363 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 781.66081
    RVK:
    RVK:
    RVK:
    Keywords: Gesellschaft ; Rock music Social aspects ; Sex role in music ; Geschlechterrolle ; Rockmusik ; Rockmusik ; Geschlechterrolle
    Note: Includes index
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    ISBN: 9780190210366 , 9780190210373
    Language: English
    Pages: xii, 244 Seiten , Illustrationen
    Series Statement: Studies in language, gender, and sexuality
    DDC: 306.44
    RVK:
    RVK:
    Keywords: Language and sex ; Language and languages / Sex differences ; Sex role / Social aspects ; Language / Gender identity ; Gender identity / Social aspects ; Sociolinguistics ; Psycholinguistics ; Gesellschaft ; Sprache ; Sprache ; Sexualität ; Soziolinguistik ; Aufsatzsammlung ; Sprache ; Sexualität ; Soziolinguistik
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  • 3
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190259082 , 9780190259075
    Language: English
    Pages: xix, 370 Seiten , Illustrationen, Karten
    Edition: First edition
    Parallel Title: Erscheint auch als
    DDC: 781.6
    RVK:
    RVK:
    RVK:
    Keywords: Gesellschaft ; Musik ; Applied ethnomusicology ; Music Social aspects ; Sustainability ; Ecomusicology ; Nachhaltigkeit ; Musikethnologie ; Weltmusik ; Musikleben ; Tradition ; Kulturvergleich ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Weltmusik ; Musikleben ; Tradition ; Nachhaltigkeit ; Musikethnologie ; Kulturvergleich
    Abstract: The sustainability of music and other intangible expressions of culture has been high on the agenda of scholars, governments and NGOs in recent years. However, there is a striking lack of systematic research into what exactly affects sustainability across music cultures. By analyzing case studies of nine highly diverse music cultures against a single framework that identifies key factors in music sustainability, Sustainable Futures for Music Cultures offers an understanding of both the challenges and the dynamics of music sustainability in the contemporary global environment, and breathes new life into the previously discredited realm of comparative musicology, from an emphatically non-Eurocentric perspective. Situated within the expanding field of applied ethnomusicology, this book confirms some commonly held beliefs, challenges others, and reveals sometimes surprising insights into the dynamics of music cultures. By examining, comparing and contrasting highly diverse contexts from thriving to 'in urgent need of safeguarding,' Sustainable Futures for Music Cultures analyzes sustainability across five carefully defined domains. The book identifies pathways to strategies and tools that may empower communities to sustain and revitalize their music heritage on their terms. In this way, this book contributes to greater scholarly insight, new (sub)disciplinary approaches, and pathways to improved practical outcomes for the long-term sustainability of music cultures. As such it will be an essential resource for ethnomusicologists, as well as scholars and activists outside of music, with an interest in the preservation of intangible cultural heritage.
    Abstract: Professor Huib Schippers has broad, hands-on experience of more than forty years in the practice and study of world music, ethnomusicology and music education. He is a recognised leader of action research projects focusing on cultural diversity, and was responsible for establishing the World Music & Dance Centre (Rotterdam, 1996-2006) and the innovative Queensland Conservatorium Research Centre (Brisbane, 2003-2015). Dr Catherine Grant is a former Endeavour Australia Research Fellow and recipient of Australia's Future Justice medal for her work on issues of music endangerment and sustainability. Her book Music Endangerment: How Language Maintenance can Help was published in 2014 by Oxford University Press.
    Note: Includes bibliographical references and index
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  • 4
    ISBN: 9780199377060 , 0199377065
    Language: English
    Pages: xi, 226 Seiten , Illustrationen , 25 cm
    Parallel Title: Erscheint auch als Briggs, Jonathyne, 1970 - Sounds French
    Dissertation note: Dissertation Emory University, Atlanta, Ga. 2006
    DDC: 781.640944/09045
    RVK:
    Keywords: Popular music History and criticism 1951-1960 ; Popular music History and criticism 1961-1970 ; Popular music History and criticism 1971-1980 ; Music and globalization ; Kultur ; Musik ; Popkultur ; Nationalbewusstsein ; Gesellschaft ; Entwicklung ; Künstler ; Frankreich ; Hochschulschrift ; Frankreich ; Unterhaltungsmusik ; Globalisierung ; Kulturleben ; Geschichte 1950-1980
    Abstract: Sounds young : copains and the community of youth -- Sounds traditional : the chanson as a site of globalization -- Sounds revolutionary : progressive rock and cultural revolutions -- Sounds regional : the world in Breton folk music -- Sounds distorted : punque and the limits of globalization
    Abstract: Sounds French examines the history of popular music in France between the arrival of rock and roll in 1958 and the collapse of the first wave of punk in 1980, and the connections between musical genres and concepts of community in French society. During this period, scholars have tended to view the social upheavals associated with postwar reconstruction as part of debates concerning national identity in French culture and politics, a tendency that developed from political figures' and intellectuals' concerns with French national identity. In this book, the author reorients the scholarship away from an exclusive focus on national identity and instead towards an investigation of other identities that develop as a result of the increased globalization of culture
    Description / Table of Contents: Sounds young : copains and the community of youthSounds traditional : the chanson as a site of globalization -- Sounds revolutionary : progressive rock and cultural revolutions -- Sounds regional : the world in Breton folk music -- Sounds distorted : punque and the limits of globalization.
    Note: Includes bibliographical references (pages 207-220), discography (page 208) and index
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