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  • BSZ  (2)
  • Book  (2)
  • Musical Score
  • Mehta, Rini Bhattacharya  (2)
  • Indien  (2)
  • Ethnologie
  • General works  (2)
  • English Studies
Datasource
Material
Language
Years
Subjects(RVK)
  • 1
    Book
    Book
    Urbana ; Chicago ; Springfeld : University of Illinois Press
    ISBN: 9780252043123 , 9780252084997
    Language: English
    Pages: x, 233 Seiten
    Parallel Title: Erscheint auch als
    DDC: 302.23/430954
    RVK:
    Keywords: Geschichte ; Bollywood ; Filmwirtschaft ; Indien ; Motion pictures / India / History / 20th century ; Motion pictures / Political aspects / India / History ; Indien / Film / Filmwirtschaft / Entwicklung / Verhältnis Kunst/Kultur - Politik/Gesellschaft / Fernsehen / Verhältnis Politik - Medien / Medienpolitik / Globalisierung / Kolonialzeit ; India / Films / Film industry / Development / Relations between arts and politics/society / Television / Relations between politics and media / Media policy / Globalization / Colonial age ; Bollywood ; Geschichte ; Indien ; Filmwirtschaft ; Geschichte
    Abstract: Colonial Indian cinema: a peripheral modernity -- Shadow nationalism: cinema after the NFDC, television, and the emergency -- India's long globalization and the rise of Bollywood -- Cinema, media, and global capital in an unruly democracy
    Abstract: "Between 1931 and 2000, India's popular cinema steadily overcame Hollywood domination. Bollywood, the film industry centered in Mumbai, became nothing less than a global cultural juggernaut. But Bollywood is merely one part of the country's prolific, multilingual cinema. Unruly Cinema looks at the complex series of events that allowed the entire Indian film industry to defy attempts to control, reform, and refine it in the twentieth century and beyond. Rini Bhattacharya Mehta considers four aspects of Indian cinema's complicated history. She begins with the industry's surprising, market-driven triumph over imports from Hollywood and elsewhere in the 1930s. From there she explores how the nationalist social melodrama outwitted the government with its 1950s cinematic lyrical manifestoes. In the 1970s, an action cinema centered on the angry young male co-opted the voice of the oppressed. Finally, Mehta examines Indian film's discovery of the global neoliberal aesthetic that encouraged the emergence of Bollywood"--
    Note: Literaturangaben Seite 187-205 , Literaturhinweise Seite 207-227 , Register Seite 229-233
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    ISBN: 9781138781801
    Language: English
    Pages: xviii, 185 pages , 24 cm
    Series Statement: Routledge contemporary South Asia series 93
    Parallel Title: Erscheint auch als The Indian partition in literature and films
    DDC: 820.9/954
    RVK:
    RVK:
    Keywords: South Asian literature (English) History and criticism ; Partition, Territorial, in literature ; Motion pictures History and criticism ; India In literature ; Pakistan In literature ; India In motion pictures ; Pakistan In motion pictures ; India History Partition, 1947 ; In literature ; Indien ; Literatur ; Film ; Indisch-Pakistanischer Krieg
    Abstract: "This book presents an examination of fictional representations, in books and films, of the 1947 Partition that led to the creation of the sovereign nation-states of India and Pakistan. While the process of representing the Partition experience through words and images began in the late 1940s, it is only in the last few decades that literary critics and film scholars have begun to analyse the work. The emerging critical scholarship on the Partition and its aftermath has deepened our understanding of the relationship between historical trauma, collective memory, and cultural processes, and this book provides critical readings of literary and cinematic texts on the impact of the Partition both in the Punjab and in Bengal. The collection assembles studies on Anglophone writings with those on the largely unexplored vernacular works, and those which have rarely found a place in discussions on the Partition. It looks at representations of women's experiences of gendered violence in the Partition riots, and how literary texts have filled in the lack of the 'human dimension' in Partition histories. The book goes on to highlight how the memory of the Partition is preserved, and how the creative arts' relation to public memory and its place within the public sphere has changed through time. Collectively, the essays present a nuanced understanding of how the experience of violence, displacement, and trauma shaped postcolonial societies and subjectivities in the Indian subcontinent. Mapping the diverse topographies of Partition-related uncertainties and covering both well-known and lesser-known texts on the Partition, this book will be a useful contribution to studies of South Asian History, Asian Literature and Asian Film"--
    Abstract: "This book presents an examination of fictional representations, in books and films, of the 1947 Partition that led to the creation of the sovereign nation-states of India and Pakistan. While the process of representing the Partition experience through words and images began in the late 1940s, it is only in the last few decades that literary critics and film scholars have begun to analyse the work. The emerging critical scholarship on the Partition and its aftermath has deepened our understanding of the relationship between historical trauma, collective memory, and cultural processes, and this book provides critical readings of literary and cinematic texts on the impact of the Partition both in the Punjab and in Bengal. The collection assembles studies on Anglophone writings with those on the largely unexplored vernacular works, and those which have rarely found a place in discussions on the Partition. It looks at representations of women's experiences of gendered violence in the Partition riots, and how literary texts have filled in the lack of the 'human dimension' in Partition histories. The book goes on to highlight how the memory of the Partition is preserved, and how the creative arts' relation to public memory and its place within the public sphere has changed through time. Collectively, the essays present a nuanced understanding of how the experience of violence, displacement, and trauma shaped postcolonial societies and subjectivities in the Indian subcontinent. Mapping the diverse topographies of Partition-related uncertainties and covering both well-known and lesser-known texts on the Partition, this book will be a useful contribution to studies of South Asian History, Asian Literature and Asian Film"--
    Note: Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
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