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  • BSZ  (16)
  • English  (16)
  • New Haven : Yale University Press  (9)
  • Oxford [u.a.] : Oxford Univ. Press  (7)
  • Art History  (16)
Datasource
Material
Language
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Author, Corporation
Publisher
Keywords
Subjects(RVK)
  • 1
    Image
    Image
    After the Nazis : the story of culture in West Germany (2023)
    New Haven : Yale University Press
    Details
    ISBN: 9780300259247
    Language: English
    Pages: xvii, 517 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen
    Parallel Title: Erscheint auch als Kater, Michael H., 1937 - After the Nazis
    Parallel Title: Erscheint auch als Kater, Michael H., 1937 - After the Nazis
    Parallel Title: Erscheint auch als Kater, Michael H., 1937 - After the Nazis
    DDC: 306.094309045
    RVK:
    NQ 6160
    RVK:
    LK 10357
    Keywords: 20. Jahrhundert (1900 bis 1999 n. Chr.) ; Europäische Geschichte ; Geschichte allgemein und Weltgeschichte ; HISTORY / Europe / Germany ; HISTORY / Modern / 20th Century ; HISTORY / Social History ; History ; Sozial- und Kulturgeschichte ; Deutschland ; Westdeutschland ; Sozialgeschichte ; Kultur ; Geschichte 1900-1999 ; Westdeutschland ; Künste ; Gesellschaft ; Geschichte 1945-1990
    Abstract: "After World War II a mood of despair and impotence pervaded the arts in West Germany. The culture and institutions of the Third Reich were abruptly dismissed, yet there was no immediate return to the Weimar period's progressive ideals. In this moment of cultural stasis, how could West Germany's artists free themselves from their experiences of Nazism? Moving from 1945 to reunification, Michael H. Kater explores West German culture as it emerged from the darkness of the Third Reich. Examining periods of denial and complacency as well as attempts to reckon with the past, he shows how all postwar culture was touched by the vestiges of National Socialism. From the literature of Günter Grass to the happenings of Joseph Beuys and Karlheinz Stockhausen's innovations in electronic music, Kater shows how it was only through the reinvigoration of the cultural scene that West Germany could contend with its past - and eventually allow democracy to reemerge"--
    Abstract: A wide-ranging, insightful history of culture in West Germany-from literature, film, and music to theater and the visual arts
    URL: Cover  (lizenzpflichtig)
    URL: Inhaltsverzeichnis
    URL: Cover  (lizenzpflichtig)
    URL: Inhaltsverzeichnis
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  • 2
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    Beauty born of struggle : the art of black Washington (2023)
    Washington : National Gallery of Art | New Haven : Yale University Press
    Details
    ISBN: 9780300267105
    Language: English
    Pages: 356 Seiten , Illustrationen , 29 cm
    Series Statement: Studies in the history of art 83
    Series Statement: Symposium papers 60
    Series Statement: Studies in the history of art
    RVK:
    LO 96250
    Keywords: Snowden, Sylvia - 1942- ; Stovall, Lou - 1937- ; Thomas, Alma - 1891-1978 ; Donaldson, Jeff - 1932-2004 ; Porter, James A. (James Amos) - 1905-1970 ; Burwell, Lilian Thomas - 1927- ; Coleman, Floyd W - 1939- ; Driskell, David C - 1931-2020 ; Gilliam, Sam - 1933-2022 ; Morrison, Keith - 1942- ; Puryear, Martin - 1941- ; Howard University - United States ; The Phillips Collection - United States ; African American Art - United States ; Konferenzschrift National Gallery of Art, Washington, DC ; Konferenzschrift National Gallery of Art, Washington, DC ; Washington, DC ; Schwarze ; Kunst ; Ästhetik ; Geschichte 1920-
    Abstract: In a twentieth century during which modern art largely abandoned beauty as its imperative, a group of Black artists from Washington, DC, made beauty the center of their art making. This book highlights these influential artists, including David C. Driskell, Sam Gilliam, Lois Mailou Jones, and Alma Thomas, in the context of what Jeffrey C. Stewart describes as the Washington Black Renaissance. Vibrant histories of key District institutions and the city's communities of educators, critics, and collectors animate a nuanced consideration of the evolution of an aesthetic dialectic from the 1920s up to the present day. The fifteen essays in the volume are grounded by voices from a live artist panel at the National Gallery of Art in 2017, which included Lilian Thomas Burwell, Floyd Coleman, David C. Driskell, Sam Gilliam, Keith Morrison, Martin Puryear, Sylvia Snowden, and Lou Stovall
    Note: Titelblattrückseite: This volume includes proceedings of the symposium "The African American Art World in Twentieth-Century Washington, DC", organized by the Center for Advanced Study in the Visual Arts, National gallery of Art, and sponsored by the Wyeth Foundation for American Art and the Arthur Vining Davis Foundations. The symposium was held March 16-17, 2017, in Washington , Includes bibliography and index , English
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 3
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    Multiplicity : Blackness in contemporary American collage (2023)
    Nashville, TN : Frist Art Museum | New Haven : Yale University Press
    Details
    ISBN: 9780300272963
    Language: English
    Pages: 263 Seiten
    DDC: 702.81/20973
    RVK:
    LO 96720
    Keywords: African American collage Exhibitions 21st century ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; USA ; Collage ; Person of Color ; Geschichte 1960- ; USA ; Schwarze ; Collage ; Geschichte 1980-2023
    Abstract: "The first major catalogue of contemporary Black American collage, Multiplicity: Blackness in Contemporary American Art brings together over sixty-five works of art by fifty artists that reflect the breadth and complexity of Black identity. Rather than casting their work solely in terms of a racial discourse that often portrays African Americans as a monolith, these artists employ collage to convey the intersecting facets of their lived experiences that combine to make whole individuals. Building on a technique that has roots in European and American traditions-used by canonical figures from Picasso and Hannah Höch to Robert Rauschenberg and Romare Bearden-the artists have assembled pieces of paper, photographs, fabrics, and other often salvaged materials to create unified compositions that express the endless possibilities of Black-constructed narratives despite the fragmentation of our times. As artist Deborah Roberts asserts, "With collage, I can create a more expansive and inclusive view of the Black cultural experience." In addition to eight scholarly essays, the book features 140 color images of work by artists including McArthur Binion, Mark Bradford, Zoë Charlton, Tomashi Jackson, Arthur Jafa, Rashid Johnson, Yashua Klos, Kerry James Marshall, Wangechi Mutu, Lovie Olivia, Ebony Patterson, Howardena Pindell, Jamea Richmond-Edwards, Deborah Roberts, Tschabalala Self, Devan Shimoyama, David Shrobe, Lorna Simpson, Nyugen Smith, Paul Anthony Smith, Mickalene Thomas, Kara Walker, and others. Short biographies written by honor students at Fisk University accompany each artist's entry, concluding a comprehensive and inclusive look at collage today"--
    Description / Table of Contents: Hurston's Law, or a Philosophy of Display / Richard J. Powell, PhD -- Cultural Legacies and the Transformation of the Cubist Collage Aesthetic by Romare Bearden, Jacob Lawrence, and Other African American Artists / Patricia Hills -- Changing Currents and Charting New Courses: Collage and Visioning of Black Histories and Memories / Rebecca VanDiver, PhD -- Pon tu mano con la mía: Rhizomatic Pathways and Collage / María Elena Ortiz -- Meditations on the Multivalence of Black Womanhood / Valerie Cassel Oliver -- Minor Figures, Continuous Tension / Tiffany E. Barber, PhD -- also also also and and and: Digital Stitches and the Collage as Glitch / Anita N. Bateman, PhD.
    Note: Seite [264]: Published in conjunction with the exhibition "Multiplicity: Blackness in Contemporary American Collage", organized by the Frist Art Museum, Nashville ... Exhibition itinerary: Frist Art Museum, September 15-December 31, 2023; Museum of Fine Arts Houston, February 18-May 12, 2024; The Philipps collection, July 6-September 22, 2024 , Includes bibliographical references
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 4
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    Black artists in America : from civil rights to the bicentennial (2023)
    Memphis, Tennessee : Dixon Gallery and Gardens | New Haven : Yale University Press
    Details
    ISBN: 9780300273465
    Language: English
    Pages: 143 Seiten , Illustrationen , 29 cm
    RVK:
    LO 94000
    Keywords: Porter, James A Exhibitions ; Simpson, Merton D Exhibitions ; African American art Exhibitions 20th century ; ART / American / African American & Black ; ART / American / General ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; USA ; Kunst ; Schwarze ; Geschichte 1950-1980
    Abstract: "Black Artists in America: From Civil Rights to the Bicentennial explores African American art during the turbulence of the 1950s, 1960s, and 1970s. The catalogue considers the various ways in which African American artists responded to growing civil unrest, challenging the cultural, environmental, political, racial, and social issues of the era. In the 1960s, Black artists who came of age during World War II and the increasing civil rights activity of the 1950s continued to challenge inequities in the art world. They created works that celebrated their racial identity, communicated with Black audiences, and participated in the struggle for political, economic, and social equality. The establishment of artist collectives such as Spiral and museums devoted to Black art, including the Studio Museum in Harlem, alongside the emergence of art historians and critics like David Driskell and Linda Goode Bryant, marked early steps to bring Black art into broader artistic discourse. In addition to 140 full-color images of approximately seventy paintings, sculptures, and works on paper from public and private collections across the country, the catalogue features in-depth essays, including original research on artists James Porter and Merton Simpson"--
    Description / Table of Contents: Black Artists in America : 1960s-1970s / Celeste-Marie Bernier -- "The American Negro Artist Looks at Africa" : The Art Historian James A. Porter and African Diaspora Art Histories / Earnestine Jenkins -- A Masterful Eye : Merton D. Simpson, Artist and Connoisseur / Alaina Simone.
    Note: Seite [144]: This publication was produced in conjuntion with the exhibition "Black Artists in America: From Civil Rights to the Bicentennial", on view at the Dixon Gallery and Gardens, Memphis, October 22, 2023-January 14, 2024, and the Crocker Art Museum, Sacramento, February 4-May 19, 2024 , Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 5
    Book
    Book
    Perceptual drift : black art and an ethics of looking (2022)
    Cleveland, OH : Cleveland Museum of Art | New Haven : Yale University Press
    Details
    ISBN: 0300263929 , 9780300263923
    Language: English
    Pages: 80 Seiten , Illustrationen , 30 cm
    DDC: 704.0396073
    RVK:
    LH 31860
    RVK:
    LO 94000
    Keywords: Whitten, Jack ; Simpson, Lorna ; Gallagher, Ellen ; Leigh, Simone ; Cleveland Museum of Art Catalogs ; Art, Black History and criticism ; Art Moral and ethical aspects ; Art, Black ; Art - Moral and ethical aspects ; Criticism, interpretation, etc ; The Cleveland Museum of Art ; Kunst ; Person of Color ; Wahrnehmung ; Whitten, Jack 1939-2018 ; Simpson, Lorna 1960- ; Gallagher, Ellen 1965- ; Leigh, Simone 1968-
    Abstract: 'Perceptual Drift' offers a new interpretive model drawing on four key works of Black art in the Cleveland Museum of Art's collection. In its chapters, leading Black scholars from multiple disciplines deploy materialist approaches to challenge the limits of canonic art history, rooted as it is in social and racial inequities. The opening essay by Key Jo Lee introduces the concept of "perceptual drift": a means of exploring the matter of Blackness, or Blackness as matter in art and scholarship. Christina Sharpe examines Rho I (1977) by Jack Whitten; Lee explores Lorna Simpson's Cure/Heal (1992); Robin Coste Lewis analyzes Ellen Gallagher's Bouffant Pride (2003); and Erica Moiah James considers Simone Leigh's Las Meninas (2019). This approach seeks to transform how art history is written, introduce readers to complex objects and theoretical frameworks, illuminate meanings and untold histories, and simultaneously celebrate and open new entry points into Black art
    Description / Table of Contents: Director's foreword / William M. Griswold -- Introduction / Key Jo Lee -- "To decode the full spectrum": Jack Whitten's Rho I / Christina Sharpe -- An approach to Lorna Simpson's Cure/Heal / Key Jo Lee -- "Spit-bite" notes in conversation with Ellen Gallagher's Bouffant Pride: an introduction / Robin Coste Lewis -- A gust of grace: Simone Leigh's Las Meninas / Erica Moiah James.
    Note: Includes bibliographical references
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 6
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    American watercolor in the age of Homer and Sargent (2017)
    New Haven and London : Yale University Press | New Haven : Yale University Press
    Details
    ISBN: 9780876332726 , 9780300225891
    Language: English
    Pages: 496 Seiten , Illustrationen
    DDC: 750
    RVK:
    LO 96670
    Keywords: Watercolor painting Exhibitions 20th century ; Watercolor painting, American Exhibitions 19th century ; Watercolor painting, American Exhibitions 20th century ; Watercolor painting Exhibitions 19th century ; Watercolor painting ; Watercolor painting ; Ausstellungskatalog Philadelphia Museum of Art 2017 ; Ausstellungskatalog Philadelphia Museum of Art 01.03.2017-14.05.2017 ; Ausstellungskatalog Philadelphia Museum of Art 2017 ; Ausstellungskatalog Philadelphia Museum of Art 01.03.2017-14.05.2017 ; USA ; Aquarell ; Geschichte 1800-1930 ; USA ; Aquarell ; Geschichte 1800-1930
    Abstract: The fascinating story of the transformation of American watercolor practice between 1866 and 1925 The formation of the American Watercolor Society in 1866 by a small, dedicated group of painters transformed the perception of what had long been considered a marginal medium. Artists of all ages, styles, and backgrounds took up watercolor in the 1870s, inspiring younger generations of impressionists and modernists. By the 1920s many would claim it as "the American medium." This engaging and comprehensive book tells the definitive story of the metamorphosis of American watercolor practice between 1866 and 1925, identifying the artist constituencies and social forces that drove the new popularity of the medium. The major artists of the movement - Winslow Homer, John Singer Sargent, William Trost Richards, Thomas Moran, Thomas Eakins, Charles Prendergast, Childe Hassam, Edward Hopper, Charles Demuth, and many others - are represented with lavish color illustrations. The result is a fresh and beautiful look at watercolor's central place in American art and culture
    Abstract: The American watercolor movement -- American watercolor before 1866: separate worlds -- Ruskin, Turner, and the English tradition, 1855-1865 -- The formation of the American Watercolor Society -- "Strenuous and persistent efforts": the watercolor movement, 1873-1877 -- Landscape in the 1870s -- The illustrators: from "black and white" to color, 1873-1882 -- Figure painting in the 1870s: Homer and Eakins -- Art for a Decorative Age -- Impressionism from Munich and Rome -- High-water mark: figure painters in the 1880s -- Landscape painting after 1880: tonalism -- Illustration and decoration in the Gilded Age -- Impressionism and post-impressionism: Prendergast, Homer, and Sargent -- The "American medium" and the moderns -- Flash in the pan: a history of manufacturing watercolor paint in America / Rebecca Pollak
    Note: Rückseite der Titelseite: "Published on the occasion of the exhibition American Watercolor in the Age of Homer and Sargent, March 1-May 14, 2017."
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 7
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    Book
    Worldly gurus and spiritual kings : architecture and asceticism in medieval India (2014)
    New Haven : Yale University Press
    Details
    ISBN: 9780300198447
    Language: English
    Pages: xiii, 284 Seiten , Illustrationen, Karten, Pläne , 29 cm
    DDC: 720.954
    RVK:
    LB 69385
    RVK:
    LO 88291
    RVK:
    LO 88305
    Keywords: Hindu architecture ; Hindu monasteries ; Architecture, Medieval ; Architecture and society ; Indien ; Hinduismus ; Kloster ; Architektur ; Geschichte
    Abstract: In search of Drunken Peacocks : mapping monastic histories from forest to state -- Inscribing asceticism : epigraphic practices and the materiality of text -- From hermit's hut to guru's mansion : ascetic practice and monastic life at Kadwaha and Ranod -- Expanding arenas of devotion : temple icons and living sages at Terahi and Surwaya -- Constructing the guru : religious networks in the kingdom of the Kalachuris -- Epilogue and aftermath : the legacy of the Drunken Peacocks
    Description / Table of Contents: In search of Drunken Peacocks : mapping monastic histories from forest to stateInscribing asceticism : epigraphic practices and the materiality of text -- From hermit's hut to guru's mansion : ascetic practice and monastic life at Kadwaha and Ranod -- Expanding arenas of devotion : temple icons and living sages at Terahi and Surwaya -- Constructing the guru : religious networks in the kingdom of the Kalachuris -- Epilogue and aftermath : the legacy of the Drunken Peacocks.
    Note: Includes bibliographical references and index
    URL: http://www.gbv.de/dms/weimar/toc/756580005_toc.pdf
    URL: http://www.gbv.de/dms/weimar/toc/756580005_toc.pdf
    URL: http://www.gbv.de/dms/weimar/toc/756580005_toc.pdf
    URL: http://www.gbv.de/dms/weimar/toc/756580005_toc.pdf
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  • 8
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    Book
    Creating their own image : the history of African American women artists (2011)
    Oxford [u.a.] : Oxford Univ. Press
    Details
    ISBN: 9780199767601
    Language: English
    Pages: 354 Seiten , zahlr. Ill
    DDC: 704.04208996073
    RVK:
    LO 94000
    Keywords: Identitätsfindung ; Schwarze Frau ; Kunst ; Künstlerin ; USA ; USA ; Schwarze Frau ; Künstlerin ; Identitätsfindung ; USA ; Schwarze Frau ; Kunst
    Abstract: Inhaltsverzeichnis: The image -- Creativity and the era of slavery -- The nineteenth-century professional vanguard -- The Harlem Renaissance and the New Negro -- The New Negro and the New Deal -- Civil rights and Black power -- Black feminist art -- Abstract explorations -- Conceptualism : art as idea -- Vernacular artists : against the odds -- Postmodern pluralism -- "Post-black" art and the new millennium.
    Abstract: Verlagsinfo: Creating Their Own Image marks the first comprehensive history of African-American women artists, from slavery to the present day. Using an analysis of stereotypes of Africans and African-Americans in western art and culture as a springboard, Lisa E. Farrington here richly details hundreds of important works--many of which deliberately challenge these same identity myths, of the carnal Jezebel, the asexual Mammy, the imperious Matriarch - in crafting a portrait of artistic creativity unprecedented in its scope and ambition. In these lavishly illustrated pages, some of which feature images never before published, we learn of the efforts of Elizabeth Keckley, fashion designer to Mary Todd Lincoln; the acclaimed sculptor Edmonia Lewis, internationally renowned for her neoclassical works in marble; and the artist Nancy Elizabeth Prophet and her innovative teaching techniques. We meet Laura Wheeler Waring who portrayed women of color as members of a socially elite class in stark contrast to the prevalent images of compliant maids, impoverished malcontents, and exotics "others" that proliferated in the inter-war period. We read of the painter Barbara Jones-Hogu's collaboration on the famed Wall of Respect, even as we view a rare photograph of Hogu in the process of painting the mural. Farrington expertly guides us through the fertile period of the Harlem Renaissance and the "New Negro Movement," which produced an entirely new crop of artists who consciously imbued their work with a social and political agenda, and through the tumultuous, explosive years of the civil rights movement
    Note: Originally published: 2005. First issued as an Oxford University Press paperback, 2011
    URL: https://global.oup.com/academic/product/creating-their-own-image-9780199767601
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  • 9
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    Arts of ancient Viet Nam : from river plain to open sea (2009)
    Houston : Asia Society ; Museum of Fine Arts, Houston | New Haven : Yale University Press
    Details
    ISBN: 0300146965 , 9780300146967
    Language: English
    Pages: XI, 356 S. , zahlr. Ill., Kt. , 30 cm
    DDC: 709.597/0747641411
    RVK:
    LO 88710
    Keywords: Art, Vietnamese Exhibitions ; Art, Vietnamese Exhibitions ; Vietnam Exhibitions Antiquities ; Vietnam Antiquities ; Exhibitions ; Ausstellungskatalog 2009 ; Ausstellungskatalog ; Vietnam ; Kunst ; Geschichte Anfänge-1600
    Abstract: "Explores Viet Nam's rich heritage, from the Sa Huynh culture (1st millennium B.C.) to art from Hoi An. The authors discuss links between Viet Nam and Indonesia, reflected in the Hindu and Buddhist temples and stone sculptures, and investigate trade in gold and Chinese ceramics with Butuan"--Provided by publisher
    Note: Summary: "Explores Viet Nam's rich heritage, from the Sa Huynh culture (1st millennium B.C.) to art from Hoi An. The authors discuss links between Viet Nam and Indonesia, reflected in the Hindu and Buddhist temples and stone sculptures, and investigate trade in gold and Chinese ceramics with Butuan"--Provided by publisher. - Introduction / Nancy Tingley -- Early cultures (first millennium B.C. to second century A.D.) / Andreas Reinecke -- Catalogue / Nancy Tingley -- The archaeology of Fu Nan in the Mekong River Delta : the Oc Eo culture of Viet Nam / Pierre-Yves Manguin -- Catalogue / Nancy Tingley -- Champa : Riverine polities, ports of call / Nancy Tingley -- Catalogue / Nancy Tingley -- Trade and exchange in the sixteenth-eighteenth centuries through the prism of Hoi An / Kerry Nguyen-Long -- Catalogue / Nancy Tingley -- Appendix. Ceramics from shipwrecks off Viet Nam / Nguyen Dinh Chien. - Includes bibliographical references and index. - Published to accompany an exhibition held at the Museum of Fine Arts, Houston, Sept. 13, 2009 - Jan. 3, 2010, and Asia Society and Museum, February 2 - May 2, 2010. - Formerly CIP , Introduction , Early cultures (first millennium B.C. to second century A.D.) , Catalogue , The archaeology of Fu Nan in the Mekong River Delta : the Oc Eo culture of Viet Nam , Catalogue , Champa : Riverine polities, ports of call , Catalogue , Trade and exchange in the sixteenth-eighteenth centuries through the prism of Hoi An , Catalogue , Appendix. Ceramics from shipwrecks off Viet Nam
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  • 10
    Book
    Book
    Creating their own image : the history of African-American women artists (2005)
    Oxford [u.a.] : Oxford Univ. Press
    Details
    ISBN: 019516721X , 9780195167214
    Language: English
    Pages: 354 S , Ill , 29 cm
    DDC: 704.04208996073
    RVK:
    LO 94030
    Keywords: African American art ; African American women artists ; Bibliografie ; Bibliografie ; USA ; Schwarze ; Frau ; Kunst
    Note: Literaturverz. S. [325] - 329
    URL: Inhaltsverzeichnis
    URL: http://www.loc.gov/catdir/enhancements/fy0615/2003066171-d.html
    URL: http://www.h-net.org/review/hrev-a0e7d8-aa
    URL: http://www.loc.gov/catdir/enhancements/fy0723/2003066171-b.html
    URL: Inhaltsverzeichnis
    URL: http://www.loc.gov/catdir/enhancements/fy0615/2003066171-d.html
    URL: http://www.h-net.org/review/hrev-a0e7d8-aa
    URL: http://www.loc.gov/catdir/enhancements/fy0723/2003066171-b.html
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  • 11
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    Book
    Early art and architecture of Africa (2002)
    Oxford [u.a.] : Oxford Univ. Press
    Details
    ISBN: 9780192842619
    Language: English
    Pages: 214 S. , zahlr. Ill., Kt.
    Edition: 1. publ.
    Series Statement: Oxford history of art
    DDC: 709.6
    RVK:
    LO 91700
    Keywords: Geschichte Anfänge-1500 ; Geschichte 3000 v. Chr.-1600 ; Arkitektur - historia - Afrika ; Konsthistoria - Afrika ; Architektur ; Architecture ; Art, African ; Architektur ; Kunst ; Afrika ; Subsaharisches Afrika ; Afrika ; Subsaharisches Afrika ; Kunst ; Architektur ; Geschichte 3000 v. Chr.-1600 ; Afrika ; Kunst ; Architektur ; Geschichte Anfänge-1500
    URL: Inhaltsverzeichnis
    URL: Verlagsangaben
    URL: Inhaltsverzeichnis
    URL: Autorenbiografie
    URL: http://www.loc.gov/catdir/enhancements/fy0614/2002283854-d.html
    URL: http://www.loc.gov/catdir/enhancements/fy0614/2002283854-t.html
    URL: http://www.loc.gov/catdir/enhancements/fy0723/2002283854-b.html
    URL: Verlagsangaben
    URL: Inhaltsverzeichnis
    URL: Autorenbiografie
    URL: http://www.loc.gov/catdir/enhancements/fy0614/2002283854-d.html
    URL: http://www.loc.gov/catdir/enhancements/fy0614/2002283854-t.html
    URL: http://www.loc.gov/catdir/enhancements/fy0723/2002283854-b.html
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    München BSB
    München UB
    Weltkulturen Museum
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    Bayreuth UB
    Ethn. Museum Berlin
    MFK München
  • 12
    Book
    Book
    Australian art (2001)
    Oxford [u.a.] : Oxford Univ. Press
    Details
    ISBN: 0192842145
    Language: English
    Pages: V, 257 S , Ill
    Edition: 1. publ
    Series Statement: Oxford history of art
    DDC: 709/.94
    RVK:
    LO 90200
    RVK:
    LH 65000
    Keywords: Art, Australian ; Art, Australian aboriginal ; Australien ; Kunst ; Geschichte
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  • 13
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    Geometric abstraction : Latin American art from the Patricia Phelps de Cisneros Collection [on view at the Fogg Art Museum, 3 March - 4 November 2001] = Abstracción geométrica (2001)
    New Haven : Yale University Press
    Details
    ISBN: 0300089902
    Language: English , Spanish
    Pages: 261 S. , zahlr. Ill.
    DDC: 709.80904
    RVK:
    LO 96740
    Keywords: Colección Patricia Phelps de Cisneros ; Art, Latin American ; Art, Abstract ; Ausstellungskatalog 2001 ; Phelps de Cisneros, Patricia 1950- ; Sammlung ; Lateinamerika ; Kunst ; Geometrische Abstraktion ; Geschichte 1930-1975
    Note: Text in English and Spanish
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  • 14
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    Book
    Native North American art (1998)
    Oxford [u.a.] : Oxford Univ. Press
    Details
    ISBN: 0192842668 , 0192842188 , 9780192842183
    Language: English
    Pages: IX, 291 S. , zahlr. Ill., Kt. , 25 cm
    Edition: 1. publ.
    Series Statement: Oxford history of art
    DDC: 704.0397
    RVK:
    LO 96730
    RVK:
    LH 65000
    Keywords: Indian art ; Indiens Art ; Indian art North America ; Indian art North America ; History ; North America Antiquities ; Amérique du Nord Antiquités ; Indianer ; USA ; Kanada ; Kunst ; Kunsthandwerk ; Geschichte
    Abstract: An introduction to the indigenous arts of North America -- The southwest -- The east -- The west -- The north -- The northwest coast -- The twentieth century : trends in modern native art
    Note: "Bibliographic Essay" S. 254 - 273
    URL: Inhaltsverzeichnis
    URL: Klappentext
    URL: http://www.loc.gov/catdir/enhancements/fy0605/99177938-t.html
    URL: http://www.loc.gov/catdir/enhancements/fy0724/99177938-b.html
    URL: Inhaltsverzeichnis
    URL: Klappentext
    URL: http://www.loc.gov/catdir/enhancements/fy0605/99177938-t.html
    URL: http://www.loc.gov/catdir/enhancements/fy0724/99177938-b.html
    URL: Inhaltsverzeichnis
    URL: Klappentext
    URL: http://www.loc.gov/catdir/enhancements/fy0605/99177938-t.html
    URL: http://www.loc.gov/catdir/enhancements/fy0724/99177938-b.html
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    Weltkulturen Museum
    BSZ
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    Ethn. Museum Berlin
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  • 15
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    Book
    Strategies for showing : women, possession, and representation in English visual culture ; 1665 - 1800 (1997)
    Oxford [u.a.] : Oxford Univ. Press
    Details
    ISBN: 019817411X
    Language: English
    Pages: XIII, 439 S. , Ill.
    DDC: 305.4094209033
    RVK:
    LO 50070
    Keywords: Geschichte 1665-1800 ; Geschichte 1700-1799 ; Frau ; Repräsentation ; Kunst ; Geschichte ; Großbritannien ; England
    URL: Verlagsangaben
    URL: Verlagsangaben
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    München BSB
    BSZ
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    KOBV
    HeBIS
    BVB
  • 16
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    Book
    The printed image and the transformation of popular culture : 1790 - 1860 (1994)
    Oxford [u.a.] : Oxford Univ. Press
    Details
    ISBN: 0198182767 , 019811236X
    Language: English
    Pages: X, 211 S , Ill
    Edition: 1st issued in paperback with corrections
    Series Statement: Clarendon paperbacks
    DDC: 306.4
    RVK:
    LC 94190
    RVK:
    LO 62460
    Keywords: Großbritannien ; Illustrierte
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