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  • BSZ  (19)
  • English  (19)
  • Swedish
  • 2010-2014  (19)
  • Music  (19)
  • Musicology  (19)
Datasource
Material
Language
Years
Year
Author, Corporation
Publisher
Keywords
Subjects(RVK)
  • 1
    Journal/Serial
    Journal/Serial
    Irish musical studies (from 1990-)
    Dublin : Four Courts | Dublin : Irish Academy Press ; 1.1990 -
    Details
    Language: English
    Dates of Publication: 1.1990 -
    DDC: 780
    RVK:
    LS 20555
    Keywords: Music ; Ireland ; Monografische Reihe ; Irland ; Musik
    Library Location Call Number Volume/Issue/Year Availability
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    Journal/Serial
    BSZ
    GBV
  • 2
    Online Resource
    Online Resource
    Black popular music in Britain since 1945 (2014)
    Farnham : Ashgate
    Details
    ISBN: 9781315569482 , 9781409469148 , 9781409469155
    Language: English
    Pages: 1 Online-Ressource (XVI, 240 Seiten)
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als Black popular music in Britain since 1945
    DDC: 781.6408996041
    RVK:
    LS 48060
    Keywords: Popular music History and criticism ; Great Britain ; Blacks Music ; History and criticism ; Great Britain ; Blacks Music ; History and criticism ; Great Britain ; Popular music History and criticism ; Great Britain ; MUSIC Instruction & Study ; Theory ; Blacks ; Popular music Great Britain ; Electronic books ; Electronic books Criticism, interpretation, etc ; Music ; Aufsatzsammlung ; Großbritannien ; Afroamerikanische Musik ; Geschichte 1948-2013
    Note: Includes bibliographical references, discography, and index. - Print version record
    URL: Volltext  (lizenzpflichtig)
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    Online Resource
    BSZ
    HeBIS
  • 3
    Online Resource
    Online Resource
    Paris blues : African American music and French popular culture, 1920-1960 (2014)
    Chicago : The University of Chicago Press
    Details
    ISBN: 022613895X , 9780226138954
    Language: English
    Pages: 1 Online-Ressource (291 pages) , illustrations
    Parallel Title: Erscheint auch als Fry, Andy Paris Blues : African American Music and French Popular Culture, 1920-1960
    DDC: 781.65089/96073044
    RVK:
    LS 48015
    RVK:
    LS 48100
    Keywords: Jazz History and criticism 20th century ; Musical theater History 20th century ; Musical films History 20th century ; African American jazz musicians ; African Americans in the performing arts History 20th century ; PERFORMING ARTS ; Theater ; General ; African American jazz musicians ; African Americans in the performing arts ; Jazz ; Musical films ; Musical theater ; Jazz ; Afroamerikanische Musik ; Rezeption ; Afroamerikansk musik ; historia ; Jazz ; historia ; Jazzmusiker ; Music ; Music, Dance, Drama & Film ; Music History & Criticism, Popular - Jazz, Rock, etc ; Criticism, interpretation, etc ; History ; Frankrike ; Frankreich ; France ; Electronic books
    Abstract: Introduction -- Rethinking the Revue nègre : black musical theatre after Josephine Baker -- Jack à l'opéra : jazz bands in black and white -- "Du jazz hot à la créole" : Josephine Baker sings Offenbach -- "That gypsy in France" : Django Reinhardt's occupation blouze -- Remembrance of jazz past : Sidney Bechet in France.
    Abstract: The Jazz Age. The phrase conjures images of Louis Armstrong holding court at the Sunset Cafe in Chicago, Duke Ellington dazzling crowds at the Cotton Club in Harlem, and star singers like Bessie Smith and Ma Rainey. But the Jazz Age was every bit as much of a Paris phenomenon as it was a Chicago and New York scene. In Paris Blues, Andy Fry provides an alternative history of African American music and musicians in France, one that looks beyond familiar personalities and well-rehearsed stories. He pinpoints key issues of race and nation in France's complicated jazz history from the 1920s through the 1950s. While he deals with many of the traditional icons such as Josephine Baker, Django Reinhardt, and Sidney Bechet, among others what he asks is how they came to be so iconic, and what their stories hide as well as what they preserve. Fry focuses throughout on early jazz and swing but includes its re-creation reinvention in the 1950s. Along the way, he pays tribute to forgotten traditions such as black musical theater, white show bands, and French wartime swing. Paris Blues provides a nuanced account of the French reception of African Americans and their music and contributes greatly to a growing literature on jazz, race, and nation in France.--
    Note: Includes bibliographical references and index , English
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: http://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226138954.001.0001/upso-9780226138787
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    Online Resource
    BSZ
    HeBIS
    BVB
    Bayreuth UB
  • 4
    Online Resource
    Online Resource
    Research and Research Education in Music Performance and Pedagogy (2014)
    Dordrecht : Springer Netherlands
    Details
    ISBN: 9789400774353
    Language: English
    Pages: Online-Ressource (XVII, 202 p. 11 illus., 7 illus. in color, online resource)
    Series Statement: Landscapes: the Arts, Aesthetics, and Education 11
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Druckausg. Research and research education in music performance and pedagogy
    RVK:
    LR 56900
    Keywords: Music ; Education ; Education ; Music ; Musikerziehung
    Abstract: This volume is an innovative collection that transcends national boundaries and provides new knowledge about approaches to research and research education in music. The collection brings together leading thinkers and practitioners in music research from Europe, Asia, North America and Australia. The book is designed to serve as a resource for university music departments and conservatoires, and offers insights into the development of research programs in this context.
    Abstract: This volume is an innovative collection that transcends national boundaries and provides new knowledge about approaches to research and research education in music. The collection brings together leading thinkers and practitioners in music research from Europe, Asia, North America and Australia. The book is designed to serve as a resource for university music departments and conservatoires, and offers insights into the development of research programs in this context
    Description / Table of Contents: 1. Practitioners at the centre: Concepts, strategies, processes and products in contemporary music research2. Evolving an artistic research culture in music: An Analysis of an Australian study in an international context -- 3. (Re-) searching artists in artistic research: Creating fertile ground for experimentation at the Orpheus Institute, Ghent -- Encouraging and training conservatoire students at undergraduate and taught-postgraduate level towards fluency in the thought-processes and methods of artistic research -- 5. Research degrees in the Conservatoire context: Reconciling practice and theory -- 6. Research skills in practice: Learning and teaching practice-based research at RNCM -- 7 -- 8. The 'little r' in Artistic Research Training -- 9. Some challenges of practice based/centred enquiry -- 10. Addressing the politics of practice-based research and its potential contribution to higher music education -- 11. Creative arts research assessment and training in Hong Kong -- 12. Complicated conversations: Creating opportunities for transformative practice in higher education music performance research and pedagogy -- 13. No two are the same: A narrative account of supervising two students through a Doctor of Musical Arts program -- 14. Weaving together disparate threads: Future perspectives for research and research education.  .
    Note: Description based upon print version of record
    DOI: 10.1007/978-94-007-7435-3
    URL: Volltext
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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    BSZ
    MPI Ethno. Forsch.
  • 5
    Book
    Book
    Music and identity in Ireland and beyond (2014)
    Farnham : Ashgate
    Details
    ISBN: 9781472409669
    Language: English
    Pages: XII, 325 Seiten , 24 cm
    DDC: 306.484209415
    RVK:
    LQ 84600
    Keywords: Music ; Social aspects ; Ireland ; Music ; Ireland ; History and criticism ; Nationalism in music ; National characteristics, Irish
    Library Location Call Number Volume/Issue/Year Availability
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    BSZ
    Ethn. Museum Berlin
  • 6
    Online Resource
    Online Resource
    My voice is my weapon : music, nationalism, and the poetics of Palestinian resistance (2013)
    Durham : Duke University Press
    Details
    ISBN: 9780822354680 , 9780822354796 , 0822378280 , 1306077109 , 0822354683 , 0822354799 , 9780822378280 , 9781306077101
    Language: English
    Pages: Online-Ressource
    Edition: Knowledge unlatched pilot collection
    Series Statement: Knowledge Unlatched
    RVK:
    LS 21520
    RVK:
    LS 35340
    Keywords: Music ; Politics ; History ; Palestine ; Music Political aspects ; Music Political aspects ; Music Political aspects ; Palestinian Arabs Music ; History and criticism ; Music Political aspects ; Palestinian Arabs Music ; History and criticism ; Palästinensische Autonomiegebiete ; Israel ; Israel ; Gazastreifen ; Westjordanland ; Nahostkonflikt ; Politisches Lied ; Politische Lyrik ; Musikwissenschaft ; Arabische Musik
    Abstract: David A. McDonald rethinks the conventional history of the Palestinian crisis through an ethnographic analysis of music and musicians, protest songs, and popular culture. Charting a historical narrative that stretches from the late-Ottoman period through the end of the second Palestinian intifada, McDonald examines the shifting politics of music in its capacity to both reflect and shape fundamental aspects of national identity. Drawing case studies from Palestinian communities in Israel, in exile, and under occupation, McDonald grapples with the theoretical and methodological challenges of tracing "resistance" in the popular imagination, attempting to reveal the nuanced ways in which Palestinians have confronted and opposed the traumas of foreign occupation. The first of its kind, this book offers an in-depth ethnomusicological analysis of the Israeli-Palestinian conflict, contributing a performative perspective to the larger scholarly conversation about one of the world's most contested humanitarian issues. This title was made Open Access by libraries from around the world through Knowledge Unlatched.--Provided by publisher
    Abstract: Nationalism, belonging, and the performativity of resistance -- Poets, singers, and songs : voices in the resistance movement (1917-1967) -- Al-Naksa and the emergence of political song (1967-1987) -- The Intifada and the generation of the Stones (1987-2000) -- Revivals and new arrivals: the al-Aqsa Intifada (2000-2010) -- "My songs can reach the whole nation" : Baladna and protest song in Jordan -- Imprisonment and exile : negotiating power and resistance in Palestinian protest song -- New directions and new modalities : Palestinian hip-hop in Israel -- "Carrying words like weapons" : DAM brings hip-hop to the West Bank
    Note: Im Rahmen von "Knowledge Unlatched" Open-Access-Publikation auf OAPEN. - Gesehen am 29.04.2014
    URL: View this content on Open Research Library
    URL: http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
    URL: Cover  (Thumbnail cover image)
    URL: View this content on Open Research Library
    URL: http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
    URL: Cover  (Thumbnail cover image)
    URL: View this content on Open Research Library
    URL: http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
    URL: Cover  (Thumbnail cover image)
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    BSZ
    GBV
    KOBV
    MPI Ethno. Forsch.
  • 7
    Online Resource
    Online Resource
    Black Box Pop : Analysen populärer Musik (2012)
    Bielefeld : transcript
    Details
    ISBN: 9783839418789
    Language: German , English
    Pages: 1 Online-Ressource (282 Seiten) , Illustrationen, Diagramme, Notenbeispiele
    Series Statement: Beiträge zur Popularmusikforschung 38
    Series Statement: Beiträge zur Popularmusikforschung
    Parallel Title: Erscheint auch als Black Box Pop
    RVK:
    AP 36360
    RVK:
    LS 48000
    Keywords: Music ; music ; Musik ; Popkultur ; Klang ; Musikwissenschaft ; Rockmusik ; Popmusik ; Populäre Musik ; Jazz ; Popular Culture ; Sound ; Musicology ; Pop Music ; Analyse; Populäre Musik; Rockmusik; Jazz; Musik; Popkultur; Popmusik; Musikwissenschaft; Klang; Music; Popular Culture; Pop Music; Musicology; Sound; ; Konferenzschrift 2010 ; Konferenzschrift 2010 ; Konferenzschrift 2010 ; Konferenzschrift 2010 ; Popmusik ; Rockmusik ; Jazz ; Musikalische Analyse
    Abstract: Wie analysiert man eigentlich populäre Musik? Nach zwei Jahrzehnten eines überwiegend kulturwissenschaftlichen Blicks auf den Gegenstand besinnt sich die Popularmusikforschung wieder auf ihre Kernkompetenz: auf die Beschreibung von Musik als akustisches Phänomen. Die etablierten Techniken der Untersuchung von Kunstmusik erweisen sich hier jedoch als nur bedingt transferierbar. Die Beiträge dieses Bandes diskutieren daher alternative Methoden zur Analyse populärer Musik und erproben sie am Beispiel von Songs aus Pop, Rock und Jazz
    Note: Beitr. teilw. dt., teilw. engl. - Zsfassungen in engl. Sprache
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: kostenfrei
    URL: Inhaltsverzeichnis
    URL: Inhaltstext
    URL: https://elibrary.utb.de/doi/book/10.5555/9783839418789
    URL: Inhaltsverzeichnis
    URL: Inhaltstext
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    HeBIS
  • 8
    Book
    Book
    Aesthetics of resistance : Charles Mingus and the civil rights movement (2012)
    Wien : Lit-Verl.
    Details
    ISBN: 9783643902542 , 3643902549
    Language: English
    Pages: 102 S. , Notenbeisp. , 21 cm
    Series Statement: MasteRResearch Bd. 4
    Series Statement: MasteRResearch
    DDC: 782.421592
    RVK:
    LS 48100
    Keywords: Mingus, Charles Criticism and interpretation ; Civil rights movements Songs and music ; History and criticism ; Protest songs History and criticism 20th century ; Music Social aspects 20th century ; History ; Civil rights movements ; Mingus, Charles, 1922-1979 ; Criticism and interpretation ; Civil rights movements ; United States ; Songs and music ; Protest songs ; United States ; 20th century ; History and criticism ; Music ; Social aspects ; United States ; History ; 20th century ; Civil rights movements ; United States ; Mingus, Charles 1922-1979 ; Jazz ; USA ; Bürgerrechtsbewegung ; Protestsong ; Geschichte 1950-1970
    URL: Inhaltsverzeichnis
    URL: Inhaltstext
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    BSZ
    GBV
  • 9
    Book
    Book
    Music and performance culture in nineteenth-century Britain : essays in honour of Nicholas Temperley (2012)
    Farnham : Ashgate
    Details
    ISBN: 9781409439790 , 1409439798
    Language: English
    Pages: XVIII, 342 Seiten , Illustrationen, Notenbeispiele , 23x16 cm
    Series Statement: Music in 19th-century Britain
    DDC: 306.4842094109034
    RVK:
    LP 15000
    Keywords: Temperley, Nicholas ; Geschichte 1800-1900 ; Musikleben ; Music Performance 19th century ; History ; Music History and criticism 19th century ; Western "classical" music c 1800 to c 1900 ; British & Irish history c 1800 to c 1900 ; Modern history to 20th century: c 1700 to c 1900 c 1800 to c 1900 ; Music ; Großbritannien ; Festschrift ; Aufsatzsammlung ; Bibliografie ; Aufsatzsammlung
    Note: Bibliografie N. Temperley S. [323] - 336
    URL: Inhaltsverzeichnis
    URL: Kurzbeschreibung
    URL: Ausführliche Beschreibung
    URL: Autorenbiografie
    URL: Inhaltsverzeichnis
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    BSZ
    GBV
    HeBIS
    HBZ
  • 10
    Book
    Book
    An introduction to Japanese folk performing arts (2011)
    Farnham, Surrey [u.a.] : Ashgate Pub
    Details
    ISBN: 9781409431336 , 1409431339
    Language: English
    Pages: XVI, 243 S. , Ill., Kt. , 24 cm
    Series Statement: SOAS musicology series
    DDC: 398.20952
    RVK:
    LS 43000
    Keywords: Folklore ; Performing arts ; Music ; Performing arts ; Japan ; History ; Folk art ; Japan ; History ; Japan ; Darstellende Kunst ; Volkskultur
    Note: Includes bibliographical references and index
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    BSZ
    GBV
    KOBV
    Ethn. Museum Berlin
  • 11
    Online Resource
    Online Resource
    Thema Nr. 1 : Sex und populäre Musik (2011)
    Bielefeld : transcript
    Details
    ISBN: 9783839415719
    Language: German , English
    Pages: 1 Online-Ressource (231 Seiten) , Illustrationen, Diagramme
    Edition: 2014
    Series Statement: Beiträge zur Popularmusikforschung 37
    Series Statement: Beiträge zur Popularmusikforschung
    Parallel Title: Erscheint auch als Thema Nr. 1
    DDC: 781.64003067
    RVK:
    LR 54608
    RVK:
    LR 56608
    RVK:
    LS 48010
    Keywords: Sexuality ; Music ; sexuality ; music ; Sexualität ; Sex ; Musik ; Popkultur ; Erotik ; Geschlechterverhältnisse ; Musikwissenschaft ; Popmusik ; Jazz ; Gender ; Popular Culture ; Musicology ; Pop Music ; Populäre Musik; Jazz; Sexualität; Sex; Erotik; Geschlechterverhältnisse; Musik; Popkultur; Gender; Popmusik; Musikwissenschaft; Sexuality; Music; Popular Culture; Pop Music; Musicology; ; Konferenzschrift 2009 ; Konferenzschrift 2009 ; Konferenzschrift 2009 ; Unterhaltungsmusik ; Popmusik ; Sexualität
    Abstract: Sex ist Ekstase – und auch Musik kann Ekstase sein. Sex provoziert – und schafft durch Skandale Öffentlichkeit für die Ware Musik. Sex polarisiert – und ist daher Mittel der Distinktion für die Musik von sozialen Gruppen und Generationen. Populäre Musik ist ein Kulturprodukt, das in besonderem Maße jugendliche Lebenswelten repräsentiert. Wie kaum ein anderes Medium gibt sie Aufschluss über männliche und weibliche Identitätsmodelle und damit verbundene Machtstrukturen, über Moralvorstellungen, über intime Wünsche, Sehnsüchte, Hoffnungen und Idealvorstellungen in der Gesellschaft. So umfassend wie in diesem Band wurde das intime Verhältnis von Sex und Musik bisher noch nicht aufgearbeitet
    Note: Beitr. teilw. dt., teilw. engl. - Abstracts in engl
    URL: lizenzpflichtig
    URL: https://elibrary.utb.de/doi/book/10.5555/9783839415719
    URL: Inhaltsverzeichnis
    URL: Inhaltstext
    URL: lizenzpflichtig
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    GBV
    KOBV
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  • 12
    Online Resource
    Online Resource
    School music education and social change in mainland China, Hong Kong, and Taiwan (2011)
    Leiden : Brill
    Details
    ISBN: 9789004191471
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Brill eBook titles
    Series Statement: Social sciences in Asia v. 30
    Parallel Title: Erscheint auch als Ho, Wai-Chung School music education and social change in mainland China, Hong Kong and Taiwan
    DDC: 780.71/051
    RVK:
    LR 56900
    RVK:
    LS 41000
    Keywords: School music Instruction and study ; School music Instruction and study ; School music Instruction and study ; Music ; Instruction and study ; China ; Shanghai ; Music ; Instruction and study ; China ; Hong Kong ; Music ; Instruction and study ; Taiwan ; Taipei ; Educational change ; China ; Shanghai ; Educational change ; China ; Hong Kong ; Educational change ; Taiwan ; Taipei ; Social change ; China ; Shanghai ; Social change ; China ; Hong Kong ; Social change ; Taiwan ; Taipei ; Education and globalization ; Hongkong ; Taiwan ; China ; Schulmusik ; Musikerziehung
    Abstract: Preliminary Material -- Chapter One Introduction -- Chapter Two Music Education in Mainland China -- Chapter Three Music Education in Hong Kong -- Chapter Four Music Education in Taiwan -- Chapter Five The Challenges to Music Education in Shanghai, Hong Kong and Taipei in the Global Age -- Chapter Six Rethinking the Transmission of Musical Cultures in Education in the Globalized World: Summary and Implications -- Chapter Seven Afterword: Music Education, Culture and Society for Dynamic Change -- Appendix One Student Questionnaire on Music Learning -- Bibliography -- Index.
    Note: Includes bibliographical references (p. [213]-247) and index
    DOI: 10.1163/9789004191471
    URL: DOI
    URL: Volltext
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: DOI
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    BSZ
    GBV
    KOBV
    BVB
  • 13
    Online Resource
    Online Resource
    Jewry in Music : Entry to the Profession from the Enlightenment to Richard Wagner (2011)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9781139058483
    Language: English
    Pages: Online-Ressource (1 online resource (356 p.)) , digital, PDF file(s).
    Edition: Online-Ausg.
    Parallel Title: Druckausg. Conway, David, 1950 - Jewry in music
    DDC: 780.89924
    RVK:
    LS 33120
    Keywords: Jews Music ; History and criticism ; Jews in music ; Jews Music ; History and criticism ; Jews ; Music ; History and criticism ; Jews in music ; Jewish musicians ; History ; Jewish composers ; History ; Jews ; Music ; Judentum ; Musik ; Geschichte
    Abstract: David Conway analyses why and how Jews, virtually absent from Western art music until the end of the eighteenth century, came to be represented in all branches of the profession within fifty years as leading figures – not only as composers and performers, but as publishers, impresarios and critics. His study places this process in the context of dynamic economic, political, sociological and technological changes and also of developments in Jewish communities and the Jewish religion itself, in the major cultural centres of Western Europe. Beginning with a review of attitudes to Jews in the arts and an assessment of Jewish music and musical skills, in the age of the Enlightenment, Conway traces the story of growing Jewish involvement with music through the biographies of the famous, the neglected and the forgotten, leading to a new and radical contextualisation of Wagner's infamous 'Judaism in Music'.
    Note: Title from publishers bibliographic system (viewed on 18 Feb 2013)
    DOI: 10.1017/CBO9781139058483
    URL: Volltext  (lizenzpflichtig)
    URL: Inhaltsverzeichnis
    URL: Volltext  (lizenzpflichtig)
    URL: Inhaltsverzeichnis
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    GBV
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  • 14
    Book
    Book
    The Oxford encyclopedia of the music of India (2011)
    Oxford [u.a.] : Oxford Univ. Press
    Show associated volumes/articles
    Details
    ISBN: 9780195650983 , 0195650980
    Language: English
    Pages: 28 cm
    Parallel Title: Erscheint auch als The Oxford encyclopaedia of the music of India
    RVK:
    LS 39000
    Keywords: Music ; India ; Encyclopedias ; Music ; India ; History and criticism ; Wörterbuch ; Indien ; Musik ; Indien ; Musiker
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    BSZ
  • 15
    Online Resource
    Online Resource
    Rasa : affect and intuition in Javanese musical aesthetics (2010)
    New York : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780199864232
    Language: English
    Pages: 1 Online-Ressourcece.
    Series Statement: AMS studies in music
    DDC: 780.95982
    RVK:
    LR 56800
    RVK:
    LS 45200
    Keywords: Geschichte ; Musik ; Musikästhetik ; Musikphilosophie ; Rasa ; Music History and criticism ; Music Philosophy and aesthetics ; Rasas ; Music ; Java
    Abstract: Rasa is the most thorough treatment to date of this all-important concept at the heart of Javanese aesthetics. Rasa encompasses not only affect, mood, and intuition, but also theories of musical perception and cognition, as well as meaning and expression in music.
    Note: Includes bibliographical references and index
    DOI: 10.1093/acprof:oso/9780195189438.001.0001
    URL: http://dx.doi.org/10.1093/acprof:oso/9780195189438.001.0001
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 16
    Online Resource
    Online Resource
    Music, Culture and Social Reform in the Age of Wagner (2010)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9781139042758
    Language: English
    Pages: Online-Ressource (1 online resource (306 p.)) , digital, PDF file(s).
    Edition: Online-Ausg.
    Parallel Title: Druckausg. Garratt, James, 1974 - Music, culture and social reform in the age of Wagner
    Parallel Title: Print version
    DDC: 306.4/842094309034
    RVK:
    LQ 80300
    RVK:
    LR 57725
    RVK:
    LP 63020
    Keywords: Wagner, Richard ; Music Political aspects ; History ; 19th century ; Germany ; Music Social aspects ; History ; 19th century ; Germany ; Music Social aspects 19th century ; History ; Music Political aspects 19th century ; History ; Music ; Political aspects ; Germany ; History ; 19th century ; Music ; Social aspects ; Germany ; History ; 19th century ; Music ; Germany ; 19th century ; History and criticism ; Socialism and music ; Germany ; History ; 19th century ; Music ; Political aspects ; Germany ; History ; 19th century ; Music ; Social aspects ; Germany ; History ; 19th century ; Deutschland ; Musik ; Gesellschaft ; Geschichte 1815-1870 ; Deutschland ; Musikästhetik ; Politik ; Geschichte 1815-1870 ; Deutschland ; Musik ; Politik ; Geschichte 1800-1900 ; Deutschland ; Musik ; Gesellschaft ; Geschichte 1800-1900
    Abstract: Challenging received views of music in nineteenth-century German thought, culture and society, this 2010 book provides a radical reappraisal of its socio-political meanings and functions. Garratt argues that far from governing the nineteenth-century musical discourse and practice, the concept of artistic autonomy and the aesthetic categories bequeathed by Weimar classicism were persistently challenged by alternative models of music's social role. The book investigates these competing models and the social projects that gave rise to them. It interrogates nineteenth-century musical discourse, discussing a wide range of manifestos championing musical democratization or seeking to make music an engine for the transformation of society. In addition, it explores institutions and movements that attempted to realize these goals, and compositions - by Mendelssohn, Lortzing and Liszt as well as Wagner - in which the relation between aesthetic and social claims is programmatic
    Abstract: Liberalism, autonomy and the social functions of art. Liberal individualism, perfectionism and aesthetic autonomy ; Music and Schillerian autonomy ; Choral music and socialization in the early nineteenth century: Nägeli and Zelter -- Radical and social aesthetics in the Vormärz. The trouble with Tannhäuser: artistic discourse as oppositional politics ; Left Hegelians and the politicization of literature and music ; Socialism in Vormärz literary and musical discourse -- Speaking for the Volk: music, politics and Vormärz festivals. Commemorative festivals and the cult of genius ; Lortzing, Mendelssohn and the Leipzig Gutenberg Festival ; An equal music? Singing festivals as mass and counter-culture ; To the artists (i): Mendelssohn and the German-Flemish singing festival -- Revolutionary voices: blueprints for an aesthetic state. Musical reform and the state ; Wagner, Lortzing and the music of revolution -- Music and the politics of post-revolutionary culture. Between anarchism and socialism: Wagner's Zurich essays ; The politics of progressivism: Liszt and the New German School ; To the artists (ii): Liszt and the Karlsruhe music festival ; Citizen Sachs? A Wagnerian coda -- The song of the workers: idylls and activism. Socialization and self-help: workers' education societies ; Lassalle, Bülow and the end of bourgeois music ; Schiller's heirs: art, Bildung and proletarian identity
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    DOI: 10.1017/CBO9781139042758
    URL: Volltext  (lizenzpflichtig)
    URL: Inhaltsverzeichnis
    URL: Volltext  (lizenzpflichtig)
    URL: Inhaltsverzeichnis
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  • 17
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    Book
    The Beatles : from the Cavern to the Rooftop (2010)
    London : Phaidon
    Details
    ISBN: 9780714859460
    Language: English
    Pages: 244 S. , Ill.
    DDC: 782.42166/092/2
    RVK:
    LS 48600
    Keywords: Music ; The Beatles
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  • 18
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    Book
    Ancient text messages of the Yorùbá bàtá drum : cracking the code (2010)
    Farnham, England [u.a.] : Ashgate
    Details
    ISBN: 9780754667537 , 0754667537
    Language: English
    Pages: xvi, 173 p , ill., Noten , 25 cm.
    Additional Material: 1 sound disc (digital ; 4 3/4 in.)
    Series Statement: SOAS musicology series
    DDC: 786.9/20896333
    RVK:
    LS 46793
    Keywords: Batá music History and criticism ; Drum language ; Yoruba (African people) Music History and criticism ; Batá music ; History and criticism ; Drum language ; Nigeria ; Yoruba (African people) ; Music ; History and criticism ; CD ; Nigeria ; Yoruba ; Trommel ; Musikethnologie ; Nigeria ; Yoruba ; Trommel ; Musikethnologie
    Description / Table of Contents: The telegraph without wire -- An extension of mouth : how the bàtá talks -- Other voices :the Omele Méta and the Ìyáàlù Dùndún -- Speaking in codes : Enà Bàtá -- Epilogue:Bàtá is the mouthpiece of Awo.
    Note: Formerly CIP Uk. - Accompanying compact disc contains drumming examples performed by Rabiu Ayandokun, entitled Ancient bàtá text messages. - Includes bibliographical references (p. [163]-166) and index. - Includes discography. - The telegraph without wire -- An extension of mouth : how the bàtá talks -- Other voices the Omele Méta and the Ìyáàlù Dùndún -- Speaking in codes : Enà Bàtá -- Epilogue Bàtá is the mouthpiece of Awo
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  • 19
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    Book
    On music : an Arabic critical edition and English translation of Epistle 5 = Fī al-mūsīqī : min al-qism al-auwal fi 'l-ʿulūm ar-riyāḍīya at-taʿlīmīya (2010)
    New York : Oxford University Press | [London] : The Institute of Ismaili Studies
    Details
    ISBN: 9780199593989
    Language: English , Arabic
    Pages: xxv, 185, 195 Seiten , Illustrationen
    Series Statement: Epistles of the Brethren of Purity
    DDC: 780.2
    RVK:
    LS 34000
    Keywords: Music ; Philosophy and aesthetics
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Text englisch und arabisch
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