ISBN:
9780300219432
Language:
English
Pages:
1 Online-Ressource (297 pages)
Parallel Title:
Erscheint auch als Fairclough, Pauline, 1970 - Classics for the masses
DDC:
306.4842809470904
Keywords:
Music - Soviet Union - History and criticism
;
Electronic books
;
Sowjetunion
;
Musikpolitik
;
Nationalismus
;
Musikleben
;
Kulturelle Identität
;
Geschichte 1917-1953
Abstract:
Cover page -- Halftitle page -- Title page -- Copyright page -- CONTENTS -- ILLUSTRATIONS -- ACKNOWLEDGEMENTS -- NOTE ON TRANSLITERATION AND ARCHIVAL SOURCES -- SOVIET ACRONYMS AND ABBREVIATIONS -- INTRODUCTION -- Postscript -- CHAPTER ONE PROPAGANDIZING THE CLASSICS 1917-1929 -- After 1917 -- Shaping the Canon: The Russian Classics -- Marketing the Western Classics -- Narkompros -- Composer Societies in the 1920s -- Mass Work in the 1920s: Amateur Groups -- The Modernism Question: Repertoire Politics in the Leningrad and Moscow Philharmonias, 1921-8 -- The Church Music Problem -- CHAPTER TWO CULTURAL REVOLUTION, REPERTOIRE POLITICS AND THE CLASSICS -- The All-Union Conferences, 1929-31 -- Repertoire Politics during the 'Great Break' -- Final Attacks on Church Music -- End of an Era -- The Campaign against RAPM -- CHAPTER THREE INTERNATIONALISM, MODERNISM AND THE 'STALINIST ENLIGHTENMENT' 1932-1941 -- The End of RAPM? -- Internationalism and Modernism -- Narratives of Enlightenment, 1932-41 -- The Soviet Bach Revival -- Pergolesi, Mozart and Beethoven -- Anti-fascism and Wagner -- Classics versus Moderns -- CHAPTER FOUR TURNING INWARDS: THE RISE OF RUSSIAN NATIONALISM 1937-1941 -- The Philharmonia Purges -- Nationalism and Repertoire -- Old Faces, New Scapegoats -- The End of Internationalism? -- Reinventing the Russian Musical Past -- Musorgskiy and the Kuchka -- CHAPTER FIVE FROM THE GREAT PATRIOTIC WAR TO THE ZHDANOVSHCHINA 1941-1953 -- The Radio Committee Orchestra in Blockaded Leningrad, 1941-4 -- Allied 'Internationalism' -- Restoring the Orthodox Church: The Return of Russian Sacred Music? -- The 'Rehabilitation' of Rakhmaninov -- The 'Iron Curtain' Descends: 1944-7 -- Background to the Zhdanovshchina -- 'Weary of False Notes': The Gol'denveyzer Affair -- The End of Internationalism: Late Stalinist Stagnation
Abstract:
Wagner Revisited and New Soviet Music -- Attitudes to the West in Post-war Soviet Scholarship -- CONCLUSION -- BIOGRAPHIES -- NOTES -- SELECT BIBLIOGRAPHY -- INDEX
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