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  • BSZ  (14)
  • English  (14)
  • Multiple languages
  • 2015-2019  (14)
  • Electronic books
  • Großbritannien
  • Indianer
  • Art History  (14)
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  • English  (14)
  • Multiple languages
  • German  (2)
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Keywords
  • 1
    ISBN: 9780520300811
    Language: English
    Pages: 176 Seiten
    DDC: 704.03/97
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    Keywords: Indian art Exhibitions 20th century ; Indian art Exhibitions Political aspects 20th century ; Ausstellungskatalog Crocker Art Museum 2019-2020 ; Bildband ; Ausstellungskatalog Crocker Art Museum 2019-2020 ; Bildband ; Kalifornien ; Kunst ; Indigenes Volk ; Geschichte 1975-2017 ; Kalifornien ; Indianer ; Kunst ; Ethnische Identität ; Aktivismus ; Geschichte 1950-2018
    Abstract: Foreword / W. Richard West Jr. -- Introduction : the continuity of change : the fifth world / Frank LaPena -- Artists section -- Still here / Malcolm Margolin -- Reflecting the creative spirit / Julian Lang -- San Francisco's American Indian contemporary arts, a personal narrative / Janeen Antoine -- A critical site : American Indian art in California / Nicolas G. Rosenthal -- American Indian art at the Crocker Art Museum / Scott A. Shields -- Identity matters in contemporary art by indigenous women / Kristina Perea Gilmore -- California's community-based American Indian artists / Mark Dean Johnson -- Timeline of selected governmental policies and Indian activism, community cultural development, and visual art milestones / Janeen Antoine and Mark Dean Johnson.
    Abstract: "This exhibition was initially conceived by Frank LaPena, a key figure in California's Native fine art movement since the 1960's. Co-organized with Mark Johsnon, and with the assistance of curatorial staff at the Crocker Art Museum and the Autry Museum, the catalogue will feature profiles of the artists, an art historical timeline, and contextual essays by Native American scholars including FrankLaPena, Julian Land, Franklin Tuele, and Janeen Antoine. The exhibition and its accompanying catalogue will spotlight the activisit dimension in California Indian art since the 1960's. Exhibition themes include: a political interest to address history and confront erasure, an environmental postionality that considers the subtle force of balance in nature in relation to contemporary imbalances; activist employment of symbols and language that signal indigenous difference in world view; an engagement with reanimating ideas drawn from myth and ritual; and a commitment to reflecting the real issues in contemporary society and the struggle to overcome internalized trauma. The catalogue will feature the work of 20 artists and will include discussion of an additional 20 artists within the essay content"--
    Note: Ausstellungsdaten im Internet ermittelt , Impressum: "Published on the occasionof the exhibition When I Remember I See Red: American Indian Art and Activism in California, organized by the Crocker Art Museum."
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  • 2
    Image
    Image
    Bristol : Sansom & Company
    ISBN: 1911408542 , 9781911408543
    Language: English
    Pages: 112 Seiten
    DDC: 700.411
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    Keywords: Bildband ; Ausstellungskatalog Royal West of England Academy 14.12.2019-01.03.2020 ; Ausstellungskatalog MOMA Machynlleth 14.03.2020- 16.06.2020 ; Bildband ; Ausstellungskatalog Royal West of England Academy 14.12.2019-01.03.2020 ; Ausstellungskatalog MOMA Machynlleth 14.03.2020- 16.06.2020 ; Großbritannien ; Kunst ; Fotografie ; Geschichte 1870-2000 ; Großbritannien ; Migration ; Einwanderer ; Kunst ; Geschichte 1530-2000
    Note: Catalogue of an exhibition at Royal West of England Academy, Bristol 14 December 2019-1 March 2020 and MOMA, Machynlleth 14.03.-16.06.2020 - Angaben ermittelt
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  • 3
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478002468 , 1478002468
    Language: English
    Pages: 1 Online-Ressource (xx, 395 pages) , illustrations
    Parallel Title: Erscheint auch als
    DDC: 700.89/96073
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    Keywords: AFRICOBRA (Group of artists) / History ; Organization of Black American Culture / History ; Africobra ; Geschichte 1965-1975 ; Black Arts movement / Illinois / Chicago ; African American arts / History / 20th century / Illinois / Chicago ; City planning / Social aspects / History / 20th century / Illinois / Chicago ; Artists and community / History / 20th century / Illinois / Chicago ; Öffentlicher Raum ; Schwarze ; Politik ; Kunst ; Person of Color ; Wandmalerei ; Chicago, Ill. ; Electronic books ; Chicago, Ill. ; Schwarze ; Kunst ; Politik ; Öffentlicher Raum ; Geschichte 1965-1975 ; Chicago, Ill. ; Kunst ; Person of Color ; Schwarze ; Africobra ; Geschichte 1965-1975 ; Chicago, Ill. ; Schwarze ; Wandmalerei ; Geschichte 1965-1975
    Abstract: Claiming space, being in public -- Cultural nationalism and community culture : on the beach, opportunity please knock, and the Affro-Arts Theater -- An experimental friendship -- The Black family -- Until the walls come down -- Superreal images and superreal people
    Note: Includes bibliographical references and index. - Description based on print version record
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  • 4
    ISBN: 9780429467851 , 9780429885877 , 9780429885884 , 9780429885860 , 9780429467851
    Language: English
    Pages: 1 online resource (232 pages) , 86 illustrations, text file, PDF.
    Edition: First edition.
    Series Statement: Routledge Research in Art and Race
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Morgan, Jo-Ann The Black Arts movement and the Black Panther Party in American visual culture
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    Keywords: Black Panther Party History ; Arts and society History 20th century ; Black Arts movement ; Black Arts movement Case studies ; Arts Political aspects ; African Americans Race identity ; African Americans Intellectual life 20th century ; African American arts 20th century ; Black Arts movement ; African American arts ; 20th century ; African Americans ; Race identity ; African Americans ; Intellectual life ; 20th century ; Arts ; Political aspects ; United States ; History ; 20th century ; Electronic books ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; ART / Art & Politics ; AfriCOBRA ; African American art ; African American history ; African American studies ; American art ; Angela Davis ; art history ; Berkeley ; Black Panthers ; black power ; California ; civil rights ; desegregation ; Eldridge Cleaver ; Emory Douglas ; Huey P. Newton ; identity ; Kathleen Cleaver ; Malcolm X ; newspaper ; Oakland ; Oakland Museum ; paintings ; photography ; politics ; posters ; prints ; visual culture ; Electronic books ; Electronic books ; USA ; Schwarze ; Kunst ; Kultur ; Black Panther Party
    Abstract: Part I. Black arts we make : aesthetics, collaboration, and social identity in the visual art of Black Power -- Introduction to Part I -- Pedigree of the Black arts movement : the march on Washington, death of Malcolm X, and free jazz -- Organization of Black American culture : a show of respect -- African commune of bad relevant artists : forging a Black aesthetic -- New perspectives in Black art : an Oakland class of '68 Says Black Lives Matter. -- Part II. The Black Panther Party in photography and print ephemera. Introduction to Part II -- Huey P. Newton enthroned : iconic image of Black Power -- Eldridge Cleaver's visual acumen and the coalition of Black Power with White resistance -- Emory Douglas : revolutionary artist and visual theorist -- Picturing the female revolutionary.
    Note: Includes bibliographical references and index
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  • 5
    ISBN: 9781783059683 , 1783059680
    Language: English
    Pages: 270 Seiten
    DDC: 700.411
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    Keywords: Bildband ; Großbritannien ; Mods ; Subkultur ; Pop-Art ; Musik ; Gebrauchsgrafik ; Mode ; Geschichte 1960-1990
    Abstract: Examining and illustrating the art scene surrounding the birth of modernism and its simultaneous rise among the burgeoning working class Mod scene of the Sixties, Paul Anderson's Mod Art is the definitive work on the visual culture of Mod. 0With interviews from key artists, scene members and a rich understanding of the how the collision of high art and mass culture formed, Mod Art will appeal to fans of history, music, fashion and art. 0Gorgeously illustrated with a treasure trove of hundreds of colour photographs of famous, rediscovered and rare images from the era Mod, Art will be read and re-read for years to come
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  • 6
    ISBN: 9781477312476 , 9781477312483
    Language: English
    Pages: 1 Online-Ressource (xix, 440 Seiten)
    Edition: First edition
    Parallel Title: Erscheint auch als Music, sound, and architecture in Islam
    DDC: 700.91767
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    Keywords: Music and architecture-Islamic countries ; Art and architecture-Islamic countries ; Music-Social aspects-Islamic countries ; Music-Islamic countries-History and criticism ; Architecture-Islamic countries-History and criticism ; Architecture-Islamic countries-History and criticism ; Art and architecture-Islamic countries ; Music and architecture-Islamic countries ; Music-Islamic countries-History and criticism ; Music-Social aspects-Islamic countries ; Electronic books ; Aufsatzsammlung ; Islam ; Architektur ; Musik ; Akustik ; Islam ; Architektur ; Musik ; Akustik
    Abstract: Intro -- List of Figures, Plates, Charts, and Tables -- Foreword by Ali S. Asani -- Acknowledgments -- Part One: Transregional -- 1. Listening to Islamic Gardens and Landscapes, by D. Fairchild Ruggles -- Part Two: The Ottoman Empire and Turkey -- 2. A Sound Status among the Ottoman Elite: Architectural Patrons of Sixteenth-Century Istanbul Mosques and Their Recitation Programs, by Nina Ergin -- 3. A Concert Platform: A Space for a Style in Turkish Music, by John Morgan OâConnell -- 4. Articulating Otherness in the Construction of Alevi-BektaÅi Rituals and Ritual Space in a Transnational Perspective, by Irene Markoff -- Part Three: The Arab World -- 5. Venerating Cairoâs Saints through Monument and Ritual: Islamic Reform and the Rise of the Architext, by Michael Frishkopf -- 6. Nightingales and Sweet Basil: The Cultural Geography of Aleppine Song, by Jonathan H. Shannon -- 7. Aural Geometry: Poetry, Music, and Architecture in the Arabic Tradition, by Samer Akkach -- Part Four: Andalusia and Europe -- 8. Tents of Silk and Trees of Light in the Lands of Najd: The Aural and the Visual at a Mawlid Celebration in the Alhambra, by Cynthia Robinson -- 9. Aristocratic Residences and the Majlis in Umayyad Córdoba, by Glaire D. Anderson -- 10. Sounds of Love and Hate: Sufi Rap, Ghetto Patrimony, and the Concrete Politics of the French Urban Periphery, by Paul A. Silverstein -- Part Five: Central and South Asia -- 11. Ideal Form and Meaning in Sufi Shrines of Pakistan: A Return to the Spirit, by Kamil Khan Mumtaz -- 12. The Social and Sacred Microcosm of the Kiiz Ãi: Space and Sound in Rituals for the Dead among the Kazakhs of Mongolia, by Saida Daukeyeva -- Part Six: Iran -- 13. Listening to Pictures in Iran, by Anthony Welch -- 14. Of Mirrors and Frames: Music, Sound, and Architecture at the Iranian ZÅ«rkhÄneh, by Federico Spinetti -- References
    URL: Volltext  (lizenzpflichtig)
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  • 7
    Book
    Book
    Oakland, California : University of California Press
    ISBN: 9780520286535
    Language: English
    Pages: xx, 318 Seiten , Illustrationen , 28 cm
    Series Statement: Ahmanson Murphy Fine Arts imprint
    DDC: 709.2/396073
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    Keywords: African American artists 20th century ; African American artists 21st century ; Artists, Black 20th century ; Artists, Black 21st century ; Großbritannien ; USA ; Kunst ; Künstler ; Künstlerin ; Person of Color ; Geschichte 1965-2015 ; Großbritannien ; USA ; Schwarze ; Kunst ; Geschichte 1965-2015
    Note: Includes bibliographical references and index
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  • 8
    ISBN: 9781851778911 , 9781851778928 , 1851778918
    Language: English
    Pages: 320 Seiten , Illustrationen, Diagramme , 24 x 3.2 x 31 cm
    Edition: First published
    DDC: 781.6609
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    Keywords: Rock music Exhibitions 1961-1970 ; Nineteen sixties Exhibitions ; Counterculture Exhibitions History 20th century ; Protest movements Exhibitions History 20th century ; Bildband ; Ausstellungskatalog Victoria and Albert Museum 10.09.2016-26.02.2017 ; Bildband ; Ausstellungskatalog Victoria and Albert Museum 10.09.2016-26.02.2017 ; USA ; Großbritannien ; Pop-Kultur ; Gegenkultur ; Protestbewegung ; Musik ; Gebrauchsgrafik ; Mode ; Geschichte 1966-1970
    Abstract: The late 1960s were a period of great turbulence and rapid social and political change. You Say You Want a Revolution? examines that moment when youth culture drove an optimistic idealism, motivating people to come together and question established power structures across every area of society. It shows how many of the issues that dominate contemporary discourse environmentalism, globalization, individualism or mass-communication - have roots that can be traced back to the 1960s.1960s design culture culminated in an orgy of colour and form: a sensorial overload of Barbarella-style inflatables, plush Verner Panton playrooms and high-tech 2001: Space Odyssey furniture systems. Here, essays on music, politics, the counter-culture, social living, mind-altering experiences, festivals and more chart revolutions across media and culture, illustrated throughout with some of the most iconic images of the time - including the records that provided both the soundtrack and the key means of identification.The idealism of the period informed such disparate phenomena as the high-tech innovations of Silicon Valley and the environmental movement.Half a century later, we can reassess the genesis of these movements and explore whether the revolutions they started can be considered complete, ongoing or interrupted
    Abstract: The late 1960s were a period of great turbulence and rapid social and political change. You Say You Want a Revolution? examines that moment when youth culture drove an optimistic idealism, motivating people to come together and question established power structures across every area of society. It shows how many of the issues that dominate contemporary discourse - environmentalism, globalization, individualism or mass-communication - have roots that can be traced back to the 1960s.〈br〉1960s design culture culminated in an orgy of colour and form: a sensorial overload of Barbarella-style inflatables, plush Verner Panton playrooms and high-tech 2001: Space Odyssey furniture systems. Here, essays on music, politics, the counter-culture, social living, mind-altering experiences, festivals and more chart revolutions across media and culture, illustrated throughout with some of the most iconic images of the time - including the records that provided both the soundtrack and the key means of identification.〈br〉The idealism of the period informed such disparate phenomena as the high-tech innovations of Silicon Valley and the environmental movement. Half a century later, we can reassess the genesis of these movements and explore whether the revolutions they started can be considered complete, ongoing or interrupted
    Note: Aus dem Internet: Exhibition,Victoria & Albert Museum, London,10 September 2016- 26 February 2017 , "In the exhibition and book You Say You Want a Revolution? Records and Rebels 1966-1970, we explore key subject areas and locations where these revolutions took place" -Vorwort, Seite 12 , A tale of two cities : London, San Francisco and the transatlantic bridge , Revolution now : the traumas and legacies of US politics in the late 1960s , The counter-culture , All together now? , The Fillmore, the Grande and the Sunset Strip : the evolution of a musical revolution , You say you want a revolution? : looking at the Beatles , British fashion 1966-70 : 'A state of anarchy' , The chrome-plated marshmallow : the 1960s consumer revolution and its discontents , 'We are as gods...' : computers and America's new communalism, 1965-75 , Epilogue. Michael Sandel on where we go from here. , Englisch
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  • 9
    Online Resource
    Online Resource
    London, [England] : Icon Books Ltd
    ISBN: 9781785780721
    Language: English
    Pages: 1 online resource (506 pages)
    Series Statement: Graphic Guides
    Parallel Title: Barker, Meg-John, 1974 - Queer
    Parallel Title: Erscheint auch als Barker, Meg-John, 1974 - Queer
    DDC: 741.5973
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    Keywords: Queer theory--Comic books, strips, etc ; Queer theory Comic books, strips, etc ; Queer theory ; Electronic books ; Comic ; Scheele, Jules ; Queer-Theorie
    Abstract: Barker and Scheele invite you to question the status quo and to start seeing things more queerly
    Abstract: Title Page -- Copyright -- Contents -- How to Introduce Queer Theory -- Who are You? -- Making Things Perfectly Queer -- Where We're Headed -- What is "Queer"? -- "Queer" Meaning Strange -- "Queer" as Hate Speech -- Reclaiming "Queer" -- Queer Umbrella? -- Queerer Umbrella? -- Queering Queer -- Multiple Meanings of Queer -- Queer Interventions -- What Queer has in Common: Anti-identity Politics -- How We Came to Think this Way about Sex: A (Very) Potted History -- Understandings are Always Contextual -- The Early Sexologists -- Open and Closed Doors: Early Sexological Understandings -- Freud -- Open and Closed Doors: Freud's Theories -- Masters and Johnson and Sex Therapy -- Open and Closed Doors: Early Sex Therapy -- Gay Rights Movement -- Open and Closed Doors: Early Gay Rights Movements -- How We Think about Sex -- Key Assumption 1: Identities are Fixed and Essential -- Key Assumption 2: Sexuality and Gender are Binary -- Key Assumption 3: Normal and Abnormal Sex Can Usefully be Distinguished -- Enter Queer Theory -- Precursors to Queer Theory -- The Existentialists -- Sartre's Homosexual -- De Beauvoir -- Becoming -- Kinsey: Sexual Diversity -- Kinsey: Categories are an Invention -- Kinsey's Legacy -- Simon and Gagnon's Sexual Scripts -- Bem's Androgyny -- Black Feminists -- Multiple Identities and Marginalization -- Rich's Compulsory Heterosexuality -- (De)Constructing Compulsory Heterosexuality -- Wittig's Straight Mind -- Crenshaw's Intersectionality -- Rubin's Thinking Sex -- The Sex Hierarchy -- The Domino Theory -- Gay Rights/Queer Activism -- After Stonewall -- Hiv/Aids and Activism -- Queer Agendas -- The Turn to Post-structuralism -- Post -structuralism 101 -- Occupying Our Identity -- Subjectivity -- Queer Theory is Born -- De Lauretis -- Queer Today, Gone Tomorrow? -- Key Features -- Foucault and Butler -- Michel Foucault
    Abstract: The Panopticon -- Self-monitoring Society -- Neoliberal Consumer Capitalism -- Power -- Bodies and Normality -- Docile - and Insecure - Bodies -- Discourses and Technologies of the Self -- Power Relations -- Judith Butler -- The Category of Woman -- What Butler Saw -- The Assumptions of Identity Politics -- The Heterosexual Matrix -- Challenging the Heterosexual Matrix -- Gender Performativity -- Doing Gender -- Gender Trouble -- Foucault and Butler Recap -- Foucauldian-butlerian Resistance -- Heteronormativity -- Heteronormativity, Homophobia, and Heterosexism -- ...Oh My! -- Straight Privilege -- Problems with Privilege -- Other Normativities -- Interrogating Heteronormativity -- Inside/Out -- Coming Out -- Sedgwick: How to Bring Your Kids up Gay -- The Epistemology of the Closet -- Nature/Nurture -- Assumed Norms -- Queer Beyond Sexuality and Gender -- Queer Engagements -- Focus on Texts -- Discourse Analysis -- Playing with Language -- Queering -- Queer Moments -- Camp -- Halberstam and Low Theory -- "Dude, Where's My Gender?" -- Collectivism in Finding Nemo -- Queer Art -- Guerrilla Tactics -- Queer Biology -- Nature/Nurture -- The Heteronormative Gaze of Science -- Evolution's Rainbow and Biological Exuberance -- Sexing the Body -- Delusions of Gender -- Biopsychosocial -- Sexual Configurations -- Critical Sexology -- Features of Critical Sexology -- Thinking from the Margins -- Kink -- Open Non-monogamy -- Queering Sexual Medicine -- Queering Sex Therapy -- Criticisms and Tensions -- Why Should Race be Central to Queer Theory? -- Interrogating Race -- Responses to This Marginalization of Race -- White Minority-world Focus -- Southern Theory -- Queer Goes Global -- Strategic Essentialism -- A Place for Identity Politics after All? -- Queer and Bisexuality -- Erasing Bisexuality -- Queer and Feminism -- Queer Feminism? -- Queer Masculinity
    Abstract: Queer and Trans: The Terf Wars -- Butler on Trans -- Co-opting Trans Experience? -- Trans Studies -- Genderqueer -- Cisgenderism -- Materiality Matters -- Lived Experiences -- Inaccessible? -- Ineffective? -- Driven by Fashion? -- Good Queers and Bad Not-Queers -- W(h)ither Queer Theory? -- The Trouble with Normal -- The Crab Bucket -- New Normativities -- Polynormativity and Kinknormativity -- It Ain't What You Do, It's the Way that You Do It. -- Another Funny Turn -- No Future -- Queer Feelings -- Affective and Temporality Turns -- Queer Subjectivity -- Queer Beyond Queer -- One Step Beyond -- Post-Queer? -- Queer Communities -- Queering Communities -- Queer Ways Through the Double Binds? -- Thinking Queerly -- Thinking (Completely) Queerly -- Resources -- Acknowledgements -- Biographies
    URL: Volltext  (lizenzpflichtig)
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  • 10
    ISBN: 9781784535728 , 1784535729
    Language: English
    Pages: xii, 258 Seiten , Illustrationen , 23 cm
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.09
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    Keywords: Geschichte 1700-1800 ; Gardens, Georgian / History ; Geschichte ; Garten ; Großbritannien ; Großbritannien ; Garten ; Geschichte 1700-1800
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  • 11
    Online Resource
    Online Resource
    Amsterdam : Amsterdam University Press | Berlin : Knowledge Unlatched
    ISBN: 9789048527045
    Language: English
    Pages: 1 Online-Ressource (212 Seiten)
    Series Statement: Cities and Culture
    Parallel Title: Erscheint auch als Ward, Simon, 1969 - Urban memory and visual culture in Berlin
    DDC: 307.09
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    Keywords: Memorials ; Collective memory ; Berlin (Germany) Civilization 20th century ; Berlin (Germany) In art ; Berlin (Germany) In motion pictures ; Electronic books ; Berlin ; Städtebau ; Kulturelle Identität ; Geschichte 1957-2012
    Abstract: "This book examines the crucial role of visual culture (architecture, memorials, photography and film) in shaping Berlin's urban memory culture in both East and West in reponse to the changing political, social and economic organization of the built environment over the past five decades
    Abstract: As sites of turbulence and transformation, cities are machines for forgetting. And yet archiving and exhibiting the presence of the past remains a key cultural, political and economic activity in many urban environments. This book takes the example of Berlin over the past four decades to chart how the memory culture of the city has responded to the challenges and transformations thrown up by the changing political, social and economic organization of the built environment. The book focuses on the visual culture of the city (architecture, memorials, photography and film). It argues that the recovery of the experience of time is central to the practices of an emergent memory culture in a contemporary 'overexposed' city, whose spatial and temporal boundaries have long since disintegrated
    Note: Literaturverzeichnis: Seite 197-203
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 12
    ISBN: 1851778314 , 9781851778317
    Language: English
    Pages: 160 S , überwiegend Ill., Kt. , zahlr. Ill
    Edition: 1. publ.
    DDC: 391.0094109041
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    Keywords: Firbank, Heather Clothing ; Firbank, Heather Clothing ; Fashion History ; 20th century ; Great Britain ; Fashion Pictorial works ; History ; 20th century ; Great Britain ; Needlework, Edwardian ; Fashion History ; 20th century ; Great Britain ; Fashion Pictorial works ; History ; 20th century ; Great Britain ; Needlework, Edwardian ; Firbank, Heather ; Sammlung ; Großbritannien ; Damenmode ; Geschichte 1905-1925 ; Bildband ; Katalog ; Firbank, Heather 1888-1954 ; Kleidung ; Mode ; Geschichte 1905-1925 ; Victoria and Albert Museum ; Firbank, Heather 1888-1954 ; Sammlung
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  • 13
    ISBN: 9783791349466
    Language: English
    Pages: 215 S. , überw. Ill. , 28 cm
    DDC: 746.9/20941
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    Keywords: Clothing trade Pictorial works ; Clothing trade History ; Men's clothing Pictorial works History 20th century ; Clothing and dress Pictorial works History 20th century ; Men's clothing industry Pictorial works History 20th century ; Clothing factories Pictorial works History ; Fashion Pictorial works History 20th century ; Bildband ; Bildband ; Großbritannien ; Kleidung ; Accessoire ; Handelsmarke ; Textilwirtschaft ; Großbritannien ; Herrenmode ; Manufaktur ; Handelsmarke ; Corporate Design
    Abstract: "Featuring hundreds of photographs, this lavishly illustrated guide to some of the most distinguished British brands takes a fascinating, behind-the-scenes look at their enduring success. Classic style and British manufacturing are both experiencing a boom in demand--driven by a desire among consumers for authentic, quality products. Britain is uniquely placed to benefit from this resurgence, given the number of heritage companies still producing at the top of their game. From the world-famous Barbour in South Shields in the north of England to John Lobb in London, many of these fine businesses remain in family owner ship, protective of their traditions and justifiably proud of their products. Many are the bearers of warrants from the British Royal family, and all are over 100 years old. Horst Friedrichs explores the historic places where these British brands have become some of the strongest in the world: Johnston's of Elgin in the north of Scotland, Corgi socks in southern Wales, and John Smedley in Derbyshire"--Publisher's description
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  • 14
    ISBN: 9781849763592 , 9781849763431
    Language: English
    Pages: 256 Seiten , Illustrationen
    DDC: 758.9410074421
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    Keywords: Painting, Modern Exhibitions ; 19th century ; Painting, Modern Exhibitions ; 20th century ; Narrative art Exhibitions ; 19th century ; Narrative art Exhibitions ; 20th century ; Indigenous peoples in art Exhibitions ; Imperialism in art Exhibitions ; Colonies in art Exhibitions ; Colonies in art / Exhibitions ; Imperialism in art / Exhibitions ; Indigenous peoples in art / Exhibitions ; Narrative art / Exhibitions / 19th century ; Narrative art / Exhibitions / 20th century ; Painting, Modern / Exhibitions / 19th century ; Painting, Modern / Exhibitions / 20th century ; Ausstellungskatalog Tate Britain 25.11.2015-10.04.2016 ; Ausstellungskatalog Tate Britain 25.11.2015-10.04.2016 ; Ausstellungskatalog Tate Britain 25.11.2015-10.04.2016 ; Großbritannien ; Kolonialismus ; Kolonie ; Postkolonialismus ; Kunst ; Geschichte 1600-2009 ; Großbritannien ; Kunst ; Kolonie ; Indigenes Volk
    Note: "First published ... on the occasion of the exhibition 'Artist and Empire: Facing Britain's Imperial Past', Tate Britain, London, 25 November 2015-10 April 2016" - Rückseite der Titelseite
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