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  • BSZ  (24)
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  • Art History  (24)
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  • 1
    ISBN: 0691245452 , 9780691245454
    Language: English
    Pages: 175 Seiten , 26 cm
    RVK:
    Keywords: 2000-2099 ; Indian art Exhibitions. 21st century ; Indigenous art Exhibitions. 21st century ; Art, American Exhibitions. 21st century ; Art, American ; Indian art ; Indigenous art ; Exhibition catalogs ; United States ; Bildband ; Ausstellungskatalog National Gallery of Art 22.09.2023-15.01.2024 ; Ausstellungskatalog New Britain Museum of American Art 18.04.2024-15.09.2024 ; USA ; Indianer ; Indigenes Volk ; Kunst ; Geschichte 2000-
    Abstract: A groundbreaking survey of contemporary Indigenous art and its enduring connections to the landThe Land Carries Our Ancestors: Contemporary Art by Native Americans brings together works by many of today s most boldly innovative Native American artists. Jaune Quick-to-See Smith, one of the leading artists and curators of her generation, has carefully chosen some fifty works across a diversity of practices-including weaving, beadwork, sculpture, painting, printmaking, drawing, photography, performance, and video-that share the common thread of the land.
    Note: Seite [176]: "Exhibition dates: National Gallery of Art, Washington, September 22, 2023-January 15, 2024; New Britain Museum of American Art, April 18-September 15, 2024"--Colophon , Includes bibliographical references and index
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  • 2
    ISBN: 1734248513 , 9781734248517
    Language: English
    Pages: 269 Seiten , 27 cm
    Edition: First edition
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    Keywords: Taylor, Breonna Exhibitions ; Racism Exhibitions History 21st century ; Social movements in art Exhibitions ; African Americans Exhibitions Social conditions 21st century ; African American artists Exhibitions ; African American artists ; African Americans ; Social conditions ; Race relations ; Racism ; Social movements in art ; Exhibition catalogs ; Exhibition catalogs ; Louisville (Ky.) Exhibitions Race relations 21st century ; History ; Kentucky ; Louisville ; United States ; Ausstellungskatalog Speed Art Museum 07.04.2021-13.06.2021 ; Bildband ; Ausstellungskatalog Speed Art Museum 07.04.2021-13.06.2021 ; Bildband ; Kentucky ; Kunst ; Rassismus ; Protestbewegung ; Geschichte 2020- ; Louisville, Ky. ; Rassismus ; Polizei ; Gewalttätigkeit ; Schwarze Frau ; Geschichte 2020-2022 ; Rezeption ; Kunst ; Taylor, Breonna 1993-2020
    Abstract: The New York Times called the Speed Art Museum's Promise, Witness, Remembrance--centered around artist Amy Sherald's portrait of Breonna Taylor and originally commissioned by Ta-Nehisi Coates for the cover of Vanity Fair magazine--one of the best art exhibitions of 2021. In the words of critic Holland Cotter, "the show was assembled in four months--warp speed in museum-time--and created a prototype for institutional responses to history-as-it's-happening." This breathtaking book documents not just the 32 works featured in the exhibition, but also the process by which the Speed used this opportunity to memorialize the life of Breonna Taylor, who was killed by Louisville police in March 2020, and to serve its community through art, featuring real-time quotations from Curator Allison Glenn, Community Engagement Strategist Toya Northington, Director Stephen Reily, Tamika Palmer (Breonna Taylor's mother), artist Amy Sherald, and others. With 200 photos, featuring work by 22 Black artists, including Sam Gilliam, Lorna Simpson, Kerry James Marshall, Hank Willis Thomas, and Theaster Gates, Promise, Witness, Remembrance is a vital addition to the canon of Black American art
    Note: Titelblattrückseite: Published to document the exhibition "Promise, Witness, Remembrance", organized by the Speed Art Museum in Louisville, Kentucky, on view from April 7 to June 13, 2021 , Includes bibliographical references
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  • 3
    ISBN: 0847869016 , 9780847869015
    Language: English
    Pages: 352 Seiten , 33 cm
    DDC: 051
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    Keywords: Ebony (Chicago, Ill.) History ; Ebony (Chicago, Ill.) ; African American journalists ; African Americans Social life and customs ; History ; African American journalists ; African Americans ; Social life and customs ; History ; Periodicals ; United States Periodicals ; United States ; Bildband ; Ebony ; Titelseite ; Person of Color ; Geschichte 1945-2020
    Abstract: Ebony / Lavaille Lavette -- Civil rights and social justice / Common -- Love and family / Dwayne Wade and Gabrielle Union -- Ebony man / Sean Combs (Diddy) -- Ebony Woman / Kimora Lee Simmons -- Ebony music / Ciara -- Afterword / Venus Williams -- Covers 1945-2020.
    Abstract: "In 1945, Ebony's legendary founder John H. Johnson set out to create a magazine for Black America much like that of the trailblazing Life Magazine, and that he did. For the African American community, Ebony has been a breath of fresh air, speaking on issues and events from the Black perspective, celebrating Black standards of beauty and elevating heroes of Black America--athletes, entertainers, activists, elected officials, or some combination thereof. Ebony: Covering Black America, by Lavaille Lavette, is a celebration of the treasure trove of the magazine's rich history, glamorous covers, groundbreaking cultural impact, and authentic coverage of Black American life from the magazine's inception to the present. Ebony was Black America's social media long before the birth of Facebook, Twitter, and Instagram, says Lavette. Curated by Lavette, this all-out feast of a book is packed with exclusive contributions by a host of celebrities, influencers, and cultural icons, including Common, Gabrielle Union, Dwyane Wade, Sean Combs, Kimora Lee Simmons, Ciara, and Venus Williams. The book also includes more than 600 covers and photographs featuring political forces such as Martin Luther King Jr., Michelle and President Barack Obama, and Congresswoman Barbara Jordan; entertainers such as Diana Ross, Sidney Poitier, Dorothy Dandridge, Oprah Winfrey, and Prince; as well as sports heroes like Serena Williams, Muhammad Ali, Russell Westbrook, and Simone Biles. Lavette has chosen select articles, features, and reportage of note, including Martin Luther King Jr.'s advice column, and Ebony Fashion Fair photo shoots, divided into categories found within the magazine, including Civil Rights & Social Justice, Love & Family, Ebony Men, Ebony Women, and Ebony Music. Unique in the quality of its photographs and contributors and chronicling everything from fashion and food to politics and social change, to sports and entertainment, Ebony: Covering Black America is a monumental milestone in African-American history and culture, and will be a treasured volume for the magazine's legion of loyal readers."--Provided by publisher
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  • 4
    ISBN: 9781941366325 , 1941366325
    Language: English
    Pages: 627 Seiten , Illustrationen , 23 cm
    DDC: 704.03/096/073
    RVK:
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    Keywords: African American art 20th century ; African American artists History 20th century ; Art and society History 20th century ; Black power History 20th century ; Black Arts movement ; Arts Political aspects ; African American art ; African American artists ; Art and society ; Arts ; Political aspects ; Black Arts movement ; Black power ; Art criticism ; Essays ; History ; Essays ; Art criticism ; United States ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Kunstsoziologie ; Schwarze ; Künstler ; Person of Color ; Black power ; Geschichte 1960-1980
    Abstract: "A comprehensive compendium of artists and writers confronting questions of Black identity, activism and social responsibility in the age of Malcolm X and the Black Panthers, based on the landmark traveling exhibition. What is “Black art”? This question was posed and answered time and time again between 1960 and 1980 by artists, curators and critics deeply affected by this turbulent period of radical social and political upheaval in America. Rather than answering in one way, they argued for radically different ideas of what “Black art” meant. Across newspapers and magazines, catalogs, pamphlets, interviews, public talks and panel discussions, a lively debate emerged between artists and others to address profound questions of how Black artists should or should not deal with politics, about what audiences they should address and inspire, where they should try to exhibit, how their work should be curated, and whether there was or was not such a category as “Black art” in the first place. Conceived as a reader connected to the landmark exhibition Soul of a Nation: Art in the Age of Black Power, which shone a light on the vital contributions made by Black artists over two decades, this anthology collects over 200 texts from the artists, critics, curators and others who sought to shape and define the art of their time. Exhaustively researched and edited by exhibition curator Mark Godfrey, who provides the substantial introduction, and Allie Biswas, included are rare and out-of-print texts from artists and writers, as well as texts published for the first time ever." --
    Note: "Originating in research for the landmark traveling exhibition Soul of a nation: art in the age of Black power, this anthology brings together more than two hundred texts, most of them rare and long out of print"--Page 4 of cover , Contributors include: Lawrence Alloway, Emma Amos, Benny Andrews, Tomie Arai, Ralph Arnold, Dore Ashton, Malcolm Bailey, Amiri Baraka, Romare Bearden, Fred Beauford, Cleveland Bellow, LeGrace G. Benson, Dawoud Bey, Camille Billops, Gloria Bohanon, Claude Booker, Frank Bowling, David Bradford, Peter Bradley, Gwendolyn Brooks, Kay Brown, Milton Brown, Vivian Browne, Linda Goode Bryant, Margaret G. Burroughs, Debbie Butterfield, Steve Cannon, Yvonne Parks Catchings, Elizabeth Catlett, Dana Chandler, Claudia Chapline, Charles Childs, Edward Clark, A.D. Coleman, Dan Concholar, John Coplans, Hugh M. Davies, Douglas Davis, Bing Davis, Alonzo Davis, Dale Davis, Melvin Dixon, Jeff Donaldson, Robert Doty, Emory Douglas, John Dowell, Louis Draper, David C. Driskell, Tony Eaton, Eugene Eda, Melvin Edwards, Ray Elkins, Ralph Ellison, Marion Epting, Elton Fax, Elsa Honig Fine, Frederick Fiske, Babatunde Folayemi, Clebert Ford, Edmund Barry Gaither, Addison Gayle, Henri Ghent, Ray Gibson, Sam Gilliam, Robert H. Glauber, Lynda Goode-Bryant, Allan M. Gordon, Earl G. Graves, Carroll Greene, Abdul Alkalimat, David Hammons, David Henderson, Napoleon Henderson, M.J. Hewitt, Richard Hunt, Sam Hunter, Josine Ianco-Starrels, Nigel Jackson, Jay Jacobs, Jae Jarrell, Wadsworth Jarrell, Daniel LaRue Johnson, Marie Johnson, Walter Jones, Lois Mailou Jones, Barbara Jones-Hogu, Cliff Joseph, Paul Keene, Martin Kilson, Wee Kim, April Kingsley, Hilton Kramer, Jacob Lawrence, Carolyn Lawrence, Don L. Lee, Hughie Lee-Smith, Samella Lewis, Tom Lloyd, Al Loving, Howard Mallory, Earl Roger Mandle, Jan van der Marck, Phillip Mason, James Mellow, Paul Mills, Evangeline J. Montgomery, Toni Morrison, Keith Morrison, Larry Neal, Cindy Nemser, Senga Nengudi, Robert Newman, Lorraine O'Grady, Ademola Olugebefola, John Outterbridge, Joe Overstreet, Marion Perkins, Marcy S. Philips, Howardena Pindell, Mimi Poser, Helaine Posner, Noah Purifoy, Ishmael Reed, Gary Rickson, Clayton Riley, Faith Ringgold, Mark Rogovin, Barbara Rose, Victoria Rosenwald, Joseph Ross, Bayard Rustin, Betye Saar, Raymond Saunders, Robert Sengstacke, Jeanne Siegel, Lowery Stokes Sims, Steve Smith, Beuford Smith, Frank Smith, Val Spaulding, Edward Spriggs, Nelson Stevens, James Stewart, Edward K. Taylor, Alma Thomas, Ruth Waddy, William Walker, Francis and Val Gray Ward, Timothy Washington, Burton Wasserman, Diane Weathers, John Weber, JoAnn Whatley, Charles White, Jack Whitten, Roy Wilkins, William T. Williams, Gerald Williams, Randy Williams, William Wilson, Hale Woodruff and Cherilyn C. Wright , Includes bibliographical references
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  • 5
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    North Miami : Museum of Contemporary Art | New York, NY : Gregory R. Miller & Co
    ISBN: 9781941366301 , 1941366309
    Language: English
    Pages: 187 Seiten , 29 cm
    DDC: 709.2/396073
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    Keywords: AFRICOBRA (Group of artists) Exhibitions ; AFRICOBRA (Group of artists) ; Black Arts movement Exhibitions ; African American art Exhibitions ; African American artists Exhibitions ; African Americans in art Exhibitions ; African American art ; African American artists ; African Americans in art ; Black Arts movement ; Exhibition catalogs ; Exhibition catalogs ; Illinois ; Chicago ; United States ; Bildband ; Ausstellungskatalog Museum of Contemporary Art 27.11.2018-24.03.2019 ; Bildband ; Ausstellungskatalog Museum of Contemporary Art 27.11.2018-24.03.2019 ; Africobra ; Geschichte 1968-2020
    Abstract: AfriCOBRA (African Commune of Bad Relevant Artists) was founded on the South Side of Chicago in 1968 by a collective of young Black artists, whose interest in Transnational Black Aesthetics led them to create one of the most distinctive visual voices in 20th-century American art. The key characteristics of what we now consider the classic AFRICOBRA look -- vibrant, 'cool-ade' colors, bold text, shine and positive images of Black people -- were essential to everyday life in the community from which this movement emerged. It is a movement with roots in the soil, streets, classrooms, studios and living rooms of the South Side of Chicago, yet its influence has extended around the world. This survey represents the first major appraisal of AFRICOBRA's work in Europe and builds on the exhibition AFRICOBRA: Messages to the People, which premiered at MOCA North Miami during Art Basel Miami 2018
    Note: "Published ... in conjunction with the related exhibitions curated by Jeffreen M. Hayes: AFRICOBRA: Messages to the People, presented at the Museum of Contemporary Art, North Miami, November 27, 2018-March 24, 2019; and AFRICOBRA: Nation Time, presented as an official Collateral Event of the 58th Venice Biennale, May 11-November 4, 2019"--Colophon , Includes an essay by Leslie Guy , Includes bibliographical references
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  • 6
    ISBN: 9781943263141 , 9781943263141
    Language: English
    Pages: 149 Seiten , Illustrationen , 23 cm
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    Keywords: Art and race History ; Freedom and art 20th century ; United States ; Art and race History ; Freedom and art 20th century ; United States ; Art and race ; Freedom and art ; Nonfiction ; Rassismus ; Kunst ; USA ; Geschichte 1969-2017 ; Rassismus ; Kunst ; USA
    Abstract: In 2017, the Whitney Biennial included a painting by a white artist, Dana Schutz, of the lynched body of a young black child, Emmett Till. In 1979, anger brewed over a show at New York's Artists Space entitled Nigger Drawings. In 1969, the Metropolitan Museum of Art's exhibition Harlem on My Mind did not include a single work by a black artist. In all three cases, black artists and writers and their allies organized vigorous responses using the only forum available to them: public protest. 'Whitewalling: Art, Race, & Protest in 3 Acts' reflects on these three incidents in the long and troubled history of art and race in America. It lays bare how the art world - no less than the country at large - has persistently struggled with the politics of race, and the ways this struggle has influenced how museums, curators and artists wrestle with notions of free speech and the specter of censorship. 'Whitewalling' takes a critical and intimate look at these three "acts" in the history of the American art scene and asks: when we speak of artistic freedom and the freedom of speech, who, exactly, is free to speak?
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Setting the stage , Act 1: Open casket, Whitney Biennial, 2017 , Act 2: The nigger drawings, Artists Space, 1979 , Act 3: Harlem on my mind, Metropolitan Museum of Art, 1969
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  • 7
    ISBN: 9780872731837
    Language: English
    Pages: 319 Seiten , Illustrationen
    DDC: 305.48/896073
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    Keywords: African American feminists Exhibitions History 20th century ; African American women authors Exhibitions History 20th century ; African American radicals Exhibitions 20th century ; African American women Exhibitions Political activity 20th century ; Feminist literature Exhibitions History 20th century ; Feminism Sources History ; Exhibitions ; African American feminists Exhibitions ; History ; 20th century ; African American women authors Exhibitions ; History ; 20th century ; African American radicals Exhibitions ; 20th century ; African American women Exhibitions ; Political activity ; 20th century ; Feminist literature Exhibitions ; History ; 20th century ; United States ; Feminism Sources ; Exhibitions ; History ; Aufsatzsammlung ; Quelle ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.217-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; Aufsatzsammlung ; Quelle ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.217-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; USA ; Black arts movement ; Schwarze Frau ; Frauenkunst ; Engagierte Kunst ; Geschichte 1965-1994
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Published on the occasion of an exhibition organized by the Brooklyn Museum and on view at the museum from April 21-September 17, 2017
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  • 8
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Press
    ISBN: 978-1-62040-375-4 , 1-62040-375-7 , 9781620403761
    Language: English
    Pages: x, 333 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen , 25 cm
    DDC: 306.09
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    Keywords: Wright, Frank Lloyd / 1867-1959 / Friends and associates ; Wright, Frank Lloyd / 1867-1959 / Criticism and interpretation ; Johnson, Philip / 1906-2005 / Friends and associates ; Johnson, Philip / 1906-2005 / Criticism and interpretation ; Johnson, Philip / 1906-2005 ; Wright, Frank Lloyd / 1867-1959 ; Wright, Frank Lloyd ; Johnson, Philip ; Geschichte 1900-2000 ; Geschichte 1900-2000 ; Architecture / United States / History / 20th century ; ARCHITECTURE / History / General ; HISTORY / Americas (North, Central, South, West Indies) ; BIOGRAPHY & AUTOBIOGRAPHY / Artists, Architects, Photographers ; ARCHITECTURE / History / Modern (late 19th Century to 1945) ; ARCHITECTURE / History / Contemporary (1945- ) ; Architecture ; Friendship ; Architektur ; Geschichte ; Architektur ; United States ; USA ; USA ; Wright, Frank Lloyd 1867-1959 ; Johnson, Philip 1906-2005 ; USA ; Architektur ; Geschichte 1900-2000
    Abstract: "In architectural terms, the twentieth century can be largely summed up with two names: Frank Lloyd Wright and Philip Johnson. Wright (1867-1959) began it with his romantic prairie style; Johnson (1906-2005) brought down the curtain with his spare postmodernist experiments. Between them, they built some of the most admired and discussed buildings in American history. Differing radically in their views on architecture, Wright and Johnson shared a restless creativity, enormous charisma, and an outspokenness that made each man irresistible to the media. Often publicly at odds, they were the twentieth century's flint and steel; their repeated encounters consistently set off sparks. Yet as acclaimed historian Hugh Howard shows, their rivalry was also a fruitful artistic conversation, one that yielded new directions for both men. It was not despite but rather because of their contentious--and not always admiring--relationship that they were able so powerfully to influence history. In Architecture's Odd Couple, Howard deftly traces the historical threads connecting the two men and offers readers a distinct perspective on the era they so enlivened with their designs. Featuring many of the structures that defined modern space--from Fallingwater to the Guggenheim, from the Glass House to the Seagram Building--this book presents an arresting portrait of modern architecture's odd couple and how they shaped the American landscape by shaping each other"--
    Description / Table of Contents: Prologue: The master and the maestro -- Part I: a meeting of minds -- Two conversations -- Plotting a comeback -- European travels -- Part II: The MOMA moment -- The new museum -- An invitation issued -- Wright vs. Johnson -- The show must go on -- Part III: Acting out their antagonism -- The banks of Bear Run -- Politics and art -- Wright's Manhattan project -- Philip comes out classical -- The whiskey bottle and the teapot -- Epilogue: A friendly wrangle
    Note: Includes bibliographical references (pages 285-320) and index
    URL: Cover
    URL: Cover
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  • 9
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    New Paltz, New York : Samuel Dorsky Museum of Art, State University of New York
    ISBN: 9780692560105 , 0692560106
    Language: English
    Pages: 137 Seiten , Illustrationen , 31 cm
    DDC: 759.13
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    Keywords: Tomlin, Bradley Walker 1899-1953 Exhibitions ; Tomlin, Bradley Walker 1899-1953 Catalogs ; Tomlin, Bradley Walker 1899-1953 ; Abstract expressionism Exhibitions ; United States ; Abstract expressionism Catalogs ; United States ; Abstract expressionism United States ; Ausstellungskatalog Morgan Anderson Gallery of the Samuel Dorsky Museum of Art 31.08.2016-11.12.2016 ; Ausstellungskatalog Everson Museum of Art 10.02.2017-14.05.2017 ; Tomlin, Bradley Walker 1899-1953 ; Malerei ; Geschichte 1920-1960
    Abstract: "Painter Bradley Walker Tomlin (1899-1953) was a key figure in Abstract Expressionism and a longtime resident of the Woodstock art colony. This brilliant artist has for too long been neglected. The Dorsky Museum, in partnership with the Everson Museum of Art, is presenting the first retrospective and catalogue to reassess Tomlin's art and legacy in over four decades. Bradley Walker Tomlin: A Retrospective includes over 40 paintings, works on paper, photographs, and printed materials, charting Tomlin's development from magazine illustrations of the 1920s to large-scale abstract paintings of the 1950s. Exhibition highlights include original cover illustrations for House & Garden from the Condé Nast Archive, Art Deco-influenced still life paintings, Cubist-Surrealist paintings, and major Abstract Expressionist canvases. The exhibition is accompanied by a fully illustrated, 138-page catalogue featuring an extensive critical essay by curator Daniel Belasco, and additional essays by Bard College art history professor Tom Wolf, Everson Museum of Art Executive Director Elizabeth Dunbar and Albright-Knox Art Gallery Chief Curator Emeritus Douglas Dreishpoon. A selection of primary source materials and writings by and about Tomlin, some published for the first time, and a diary entry by novelist Robert Phelps, serve as a valuable addition to this extensive new document." -- Samuel Dorsky Museum of Art website
    Note: Catalog of an exhibition held at Morgan Anderson Gallery of the Samuel Dorsky Museum of Art from August 31-December 11, 2016; and Everson Museum of Art from February 10-May 14, 2017 , Literaturverzeichnis Seite 132-134 , Salt City beginnings , Signs of relevance , Bradley Walker Tomlin: gentleman abstract expressionist , Tomlin and Woodstock , A sketch of Bradley , Selected writings , Exhibition checklist
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  • 10
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    Chicago : The University of Chicago Press
    ISBN: 9780226131054 , 022613105X
    Language: English
    Pages: 285 Seiten , illustrationen , 24 cm
    DDC: 700.89/96073
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    Keywords: Contemporary Black Artists in America (Exhibition) 〈(1971〉 ; De Luxe Show (Exhibition) 〈(1971〉 ; Contemporary Black Artists in America (Exhibition) ; De Luxe Show (Exhibition) ; African American art Exhibitions ; History ; Art, Abstract Exhibitions ; History ; Art, American Exhibitions 20th century ; History ; Art and race ; Art and society ; Modernism (Art) Social aspects ; Nineteen seventy-one, A.D ; African American art Exhibitions ; History ; Art, Abstract Exhibitions ; History ; United States ; Art, American Exhibitions ; History ; 20th century ; Art and race ; Art and society United States ; Modernism (Art) Social aspects ; United States ; Nineteen seventy-one, A.D ; African American art Exhibitions ; 20th century ; USA ; Schwarze ; Person of Color ; Kunst ; Kulturpolitik ; Kunstausstellung ; Rassismus ; Geschichte 1971
    Abstract: Introduction: Social experiments with modernism -- The figure of the black modernist -- Making a show of discomposure: Contemporary Black Artists in America -- Local color and its discontents: the DeLuxe show -- Appendix: Raymond Saunders, Black is a color
    Abstract: In this book, art historian Darby English explores the year 1971, when two exhibitions opened that brought modernist painting and sculpture into the burning heart of United States cultural politics: Contemporary Black Artists in America, at the Whitney Museum of American Art, and The DeLuxe Show, a racially integrated abstract art exhibition presented in a renovated movie theater in a Houston ghetto. 1971: A Year in the Life of Color looks at many black artists' desire to gain freedom from overt racial representation, as well as their efforts〈U+2014〉and those of their advocates〈U+2014〉to further that aim through public exhibition. Amid calls to define a black aesthetic, these experiments with modernist art prioritized cultural interaction and instability. 'Contemporary Black Artists in America' highlighted abstraction as a stance against normative approaches, while 'The DeLuxe Show' positioned abstraction in a center of urban blight. The importance of these experiments, English argues, came partly from color's special status as a cultural symbol and partly from investigations of color already under way in late modern art and criticism. With their supporters, black modernists〈U+2014〉among them Peter Bradley, Frederick Eversley, Alvin Loving, Raymond Saunders, and Alma Thomas〈U+2014〉rose above the demand to represent or be represented, compromising nothing in their appeals for interracial collaboration and, above all, responding with optimism rather than cynicism to the surrounding culture〈U+2019〉s preoccupation with color
    Note: Includes bibliographical references and index , Introduction: Social experiments with modernism , How it looks to be a problem , Making a show of discomposure: Contemporary Black Artists in America , Local color and its discontents: the DeLuxe show , Appendix: Raymond Saunders, Black is a color (1967)
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  • 11
    ISBN: 1851496904 , 9781851496907
    Language: English
    Pages: 271 S. , zahlr. Ill , 30 cm
    DDC: 306.094109046
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    Keywords: Popular culture History 20th century ; Popular culture History 20th century ; Pop art ; Pop art ; Design History 20th century ; Design History 20th century ; Popular culture ; Great Britain ; History ; 20th century ; Popular culture ; United States ; History ; 20th century ; Pop art ; Great Britain ; Pop art ; United States ; Design ; Great Britain ; History ; 20th century ; Design ; United States ; History ; 20th century ; Bildband ; USA ; Pop-Art ; Mode ; Design ; Industriedesign ; Gebrauchsgrafik ; Geschichte 1956-1976 ; Großbritannien
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  • 12
    ISBN: 9783037642412 , 3037642416
    Language: English
    Pages: 224 S. , zahlr. Ill.
    DDC: 759.13
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    Keywords: Artistic collaboration ; United States ; History ; 20th century ; K.O.S. (Group of artists) ; Rollins, Tim, 1955 ; -Criticism and interpretation ; Ausstellungskatalog 2011 ; Rollins, Tim 1955-2017 ; Kids of Survival
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  • 13
    Book
    Book
    Cambridge, Mass. [u.a.] : MIT Press
    ISBN: 9780262016209 , 0262016206
    Language: English
    Pages: XIV, 295 S , Ill , 24 cm
    DDC: 709.04/074
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    Keywords: Kaprow, Allan Criticism and interpretation ; Happenings (Art) ; Conceptual art ; Kaprow, Allan ; Criticism and interpretation ; Happening (Art) ; United States ; Conceptual art ; United States ; Kaprow, Allan 1927-2006 ; Happening ; Aktionskunst
    Description / Table of Contents: Generation gaps -- Creative acts of consumption -- The black box -- Madness and method -- Car crash -- Foil -- Conclusion.
    Note: Formerly CIP Uk. - Includes bibliographical references and index
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  • 14
    Book
    Book
    Westport, Conn. [u.a.] : Greenwood Press
    ISBN: 0313337624 , 9780313337628
    Language: English
    Pages: XVII, 267 S., [4] Bl. , Ill. , 26 cm
    Edition: 1. publ.
    Series Statement: Artists of the American mosaic
    DDC: 709.2/397
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    Keywords: Indian artists Encyclopedias ; Indian artists Encyclopedias ; Indian artists Encyclopedias ; United States ; Indian artists Encyclopedias ; Canada ; Biografie ; Bibliografie ; Wörterbuch ; Biografie ; Bibliografie ; Wörterbuch ; Nordamerika ; Indianer ; Künstler
    Note: Includes bibliographical references (p. [261]-262) and index
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  • 15
    Book
    Book
    Princeton, N.J. : Princeton University Press
    ISBN: 9780691133737
    Language: English
    Pages: 195 S. , Ill. , 23cm
    Edition: Second printing and first paperback printing
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    Keywords: Art museums Collection management ; United States ; Art, Modern 20th century ; Collectors and collecting ; United States ; Art, Modern 21st century ; Collectors and collecting ; United States ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Kunstmuseum ; Moderne ; Kunst ; Sammlungsverwaltung ; Kunstmuseum ; Moderne ; Kunst ; Konservierung ; Geschichte 1995-2005
    Note: Includes bibliographical references and index. - Formerly CIP
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  • 16
    ISBN: 3822847380
    Language: German , English , French
    Pages: 187 S , überw. Ill., Kt , 21 cm
    Series Statement: Icons
    DDC: 305.89700222
    RVK:
    Keywords: Bodmer, Karl *1809-1893* Travel ; United States ; Wied, Maximilian, Prinz von *1782-1867* Diaries ; Wied, Maximilian, Prinz von *1782-1867* Travel ; United States ; Indians of North America Social life and customs ; Pictorial works ; Bildband ; Nordamerika ; Kultur ; Indianer ; Geschichte 1832-1834
    Note: Text dt., engl. und franz
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  • 17
    Book
    Book
    Westport, CT : Bergin & Garvey
    ISBN: 0897898109
    Language: English
    Pages: XVI, 225 S. , Ill.
    DDC: 306.1
    RVK:
    RVK:
    Keywords: African American youth Social life and customs ; African American youth Social conditions ; Hip-hop ; Graffiti Social aspects ; United States ; African American arts ; Young artists United States ; Interviews ; African American United States ; Interviews ; USA ; Pop-Kultur ; Graffito
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  • 18
    ISBN: 0684813548
    Language: English
    Pages: 288 p , ill , 24 cm
    DDC: 700.97309045
    RVK:
    RVK:
    RVK:
    Keywords: Bop (Music) History and criticism ; United States ; Avant-garde (Aesthetics) History ; 20th century ; United States ; USA ; Bebop ; Geschichte
    Note: Includes filmography (p. 280-281), discography (p. 281), bibliography (p. 270-280), and index
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  • 19
    ISBN: 0810936836
    Language: English
    Pages: 384 S , Ill , 25 cm
    DDC: 709/.73/09045
    RVK:
    Keywords: Art, American 20th century ; Art, American ; Art, Modern 20th century ; United States ; Art, American ; 20th century ; Aufsatzsammlung ; USA ; Kunst ; Geschichte 1900-1999
    Description / Table of Contents: What is American about American art? -- Resurrecting Augustus Vincent Tack -- Dada bouquet for New York -- Reconstructing Benton -- De Chirico's long American shadow -- Remembrace of fairs past -- American painting since the second world war -- Abstract sublime -- Arshile Gorky -- Jackson Pollock -- Fatal women of Picasso and De Kooning -- Notes on De Kooning -- Rothko's surrealist years -- Rothko and tradition -- My life with Rothko -- View of Andrew Wyeth -- Morris Louis at the Guggenheim Museum -- Louise Nevelson -- James Bishop : reason and impulse -- Cy Twombly -- Jasper Johns -- Johns's Three flags -- Jasper Johns : the realm of memory -- Frank Stella : five years of variations on an "irreducible" theme -- Frank Stella, 1958 to 1965 -- Stella's third dimension -- Pop art and non-pop art -- Roy Lichtenstein and the realist revolt -- Roy Lichtenstein : past, present, future -- Andy Warhol : court painter to the 70s -- Warhol as art history -- Mel Ramos : how Venus came to California -- Bill Anthony's greatest hits -- Notes on Sol Lewitt -- Dan Flavin : name in lights -- Alex Katz's American accent -- George Segal -- Alfred Leslie -- Remembering Joe Brainard -- Robert Moskowitz -- Postcript : some recent neo-romantic mutations -- Scott Burton : the last tableau -- Sturtevant -- Mike Bidlo -- Eric Fischl -- David Salle -- Mark Innerst's time capsules -- Jeff Koons -- Mike and Doug Starn -- McDermott and McGough : the art of time travel -- Bibliography of writings by Robert Rosenblum.
    Description / Table of Contents: What is American about American art? -- Resurrecting Augustus Vincent Tack -- Dada bouquet for New York -- Reconstructing Benton -- De Chirico's long American shadow -- Remembrace of fairs past -- American painting since the second world war -- Abstract sublime -- Arshile Gorky -- Jackson Pollock -- Fatal women of Picasso and De Kooning -- Notes on De Kooning -- Rothko's surrealist years -- Rothko and tradition -- My life with Rothko -- View of Andrew Wyeth -- Morris Louis at the Guggenheim Museum -- Louise Nevelson -- James Bishop : reason and impulse -- Cy Twombly -- Jasper Johns -- Johns's Three flags -- Jasper Johns : the realm of memory -- Frank Stella : five years of variations on an "irreducible" theme -- Frank Stella, 1958 to 1965 -- Stella's third dimension -- Pop art and non-pop art -- Roy Lichtenstein and the realist revolt -- Roy Lichtenstein : past, present, future -- Andy Warhol : court painter to the 70s -- Warhol as art history -- Mel Ramos : how Venus came to California -- Bill Anthony's greatest hits -- Notes on Sol Lewitt -- Dan Flavin : name in lights -- Alex Katz's American accent -- George Segal -- Alfred Leslie -- Remembering Joe Brainard -- Robert Moskowitz -- Postcript : some recent neo-romantic mutations -- Scott Burton : the last tableau -- Sturtevant -- Mike Bidlo -- Eric Fischl -- David Salle -- Mark Innerst's time capsules -- Jeff Koons -- Mike and Doug Starn -- McDermott and McGough : the art of time travel -- Bibliography of writings by Robert Rosenblum.
    Description / Table of Contents: What is American about American art? -- Resurrecting Augustus Vincent Tack -- Dada bouquet for New York -- Reconstructing Benton -- De Chirico's long American shadow -- Remembrace of fairs past -- American painting since the second world war -- Abstract sublime -- Arshile Gorky -- Jackson Pollock -- Fatal women of Picasso and De Kooning -- Notes on De Kooning -- Rothko's surrealist years -- Rothko and tradition -- My life with Rothko -- View of Andrew Wyeth -- Morris Louis at the Guggenheim Museum -- Louise Nevelson -- James Bishop : reason and impulse -- Cy Twombly -- Jasper Johns -- Johns's Three flags -- Jasper Johns : the realm of memory -- Frank Stella : five years of variations on an "irreducible" theme -- Frank Stella, 1958 to 1965 -- Stella's third dimension -- Pop art and non-pop art -- Roy Lichtenstein and the realist revolt -- Roy Lichtenstein : past, present, future -- Andy Warhol : court painter to the 70s -- Warhol as art history -- Mel Ramos : how Venus came to California -- Bill Anthony's greatest hits -- Notes on Sol Lewitt -- Dan Flavin : name in lights -- Alex Katz's American accent -- George Segal -- Alfred Leslie -- Remembering Joe Brainard -- Robert Moskowitz -- Postcript : some recent neo-romantic mutations -- Scott Burton : the last tableau -- Sturtevant -- Mike Bidlo -- Eric Fischl -- David Salle -- Mark Innerst's time capsules -- Jeff Koons -- Mike and Doug Starn -- McDermott and McGough : the art of time travel -- Bibliography of writings by Robert Rosenblum.
    Note: Includes bibliographical references (p. 352-365) and index
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  • 20
    Book
    Book
    Boulder, Colo. [u.a.] : Westview Press
    ISBN: 0813331889 , 0813331897
    Language: English
    Pages: 170 S. , Ill.
    DDC: 306.4
    RVK:
    Keywords: Architecture Environmental aspects ; United States ; Architecture United States ; Themes, motives ; Architecture United States ; Architecture Themes, motives ; USA ; Stadtentwicklung
    Note: Includes bibliographical references (p. 160-163) and index
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  • 21
    Book
    Book
    Washington : Smithsonian Institution Press
    ISBN: 1560986050
    Language: English
    Pages: IX, 140 S., [17] Bl. , Ill. (z.T. farb.), graph. Darst.
    DDC: 704.0396073
    RVK:
    RVK:
    Keywords: Afro-American art ; Art, Modern 20th century ; United States ; Postmodernism ; Visual arts By ; Black persons ; United States ; Aufsatzsammlung ; USA ; Schwarze ; Kunst ; USA ; Kunst ; Postmoderne
    Note: Includes bibliographical references
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  • 22
    Book
    Book
    [London] : Victoria & Albert Museum
    ISBN: 1851771050
    Language: English
    Pages: 86 S. , Ill. , 24 cm
    DDC: 720.92
    RVK:
    Keywords: Wright, Frank Lloyd ; Wright Frank Lloyd ; 1867-1959 ; Architecture ; United States ; Kaufmann ; Office ; Kaufmann's ; Department ; Store ; Wright, ; Frank ; Lloyd ; 1867-1959 ; Criticism ; and ; interpretation ; Office ; decoration ; United ; States ; History ; 20th ; century ; Office ; furniture ; United ; States ; History ; 20th ; century ; Kaufmann, ; Edgar ; J ; 1885-1955 ; Homes ; and ; haunts ; Pennsylvania ; Pittsburgh ; Victoria ; and ; Albert ; Museum
    Note: Includes bibliographical references (p. 86) and index
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  • 23
    ISBN: 0064302024 , 0064303853
    Language: English
    Pages: XXIII, 200 S. , Ill.
    Edition: 1. ed.
    DDC: 700/.1/03
    RVK:
    Keywords: Arts and society History ; 20th century ; United States ; United States Civilization ; 20th century ; Aufsatzsammlung ; USA ; Kunst ; Geschichte 1960-1990 ; USA ; Kultur ; Geschichte 1960-1990
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  • 24
    Book
    Book
    Baltimore [u.a.] : Johns Hopkins Univ. Press
    ISBN: 0801840686
    Language: English
    Pages: XXIII, 293 S. , Ill. , 26 cm
    Series Statement: Creating the North American landscape
    DDC: 393.10973
    RVK:
    RVK:
    Keywords: Funeral rites and ceremonies United States ; Cemeteries Landscape architecture ; United States ; United States Social life and customs ; USA ; Friedhof ; Geschichte 1796-1990 ; Geschichte
    Description / Table of Contents: Includes bibliographical references S. 275 - 281 and index
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