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  • BSZ  (36)
  • MARKK
  • 2015-2019  (36)
  • London : Palgrave Macmillan UK  (36)
  • Literature, Modern 20th century  (36)
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  • 1
    ISBN: 9781137558688
    Language: English
    Pages: 1 Online-Ressource (XII, 209 p. 15 illus., 4 illus. in color)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Parallel Title: Printed edition
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    Keywords: Literature ; Literature, Modern 20th century ; Literature, Modern 21st century ; America Literatures ; Fiction ; British literature ; British literature. ; Fiction. ; America—Literatures. ; Literature, Modern—20th century. ; Literature, Modern—21st century. ; Großbritannien ; USA ; Schriftsteller ; Selbstdarstellung ; Personenkult
    Abstract: This book maps the history of literary celebrity from the early nineteenth century to the present, paying special attention to the authors’ crafting of their writerly self as well as the afterlife of their public image. Case studies are John Keats, Edgar Allan Poe, Eliza Cook, Herman Melville, Oscar Wilde, Gertrude Stein, J.D. Salinger and Zadie Smith. Literary celebrity is part and parcel of modern literary culture, yet it continues to raise intriguing questions about the nature of authorship, writerly fame and the tension between authorial self-fashioning and public appropriation. This volume provides unique insights into the phenomenon
    Abstract: Introduction; Gaston Franssen and Rick Honings -- 1. A Friendly Return of the Author: John Keats (1795-1821); Eric Eisner -- 2. Hero of Horror: Edgar Allan Poe (1809-1849); Evert Jan van Leeuwen -- 3. Victorian Iconoclast: Eliza Cook (1818-1889); Alexis Easley -- 4. The Daguerreotype Devil: Herman Melville (1819-1891); Kevin J. Hayes -- 5. The Art of Creating a Great Sensation: Oscar Wilde (1854-1900); Sandra Mayer -- 6. Production and Reproduction: Gertrude Stein (1874-1946); Rod Rosenquist -- 7. The Silence of the Celebrity: J.D. Salinger (1919-2010); Gaston Franssen -- 8. Public and Private Posture: Zadie Smith (1975); Odile Heynders -- Bibliography -- Index.-
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  • 2
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK
    ISBN: 9781137508072
    Language: English
    Pages: 1 Online-Ressource (IX, 234 p. 10 illus., 1 illus. in color)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Parallel Title: Printed edition
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    Keywords: Literature ; United States History ; Literature, Modern 20th century ; America Literatures ; Social history ; Social history. ; America—Literatures. ; Literature, Modern—20th century. ; United States—History.
    Abstract: This book documents American modernism’s efforts to disenchant adult and child readers alike of the essentialist view of childhood as redemptive, originary, and universal. For James, Barnes, Du Bois, and Stein, the twentieth century’s move to position the child at the center of the self and society raised concerns about the shrinking value of maturity and prompted a critical response that imagined childhood and children’s narratives in ways virtually antagonistic to both. In this original study, Michelle H. Phillips argues that American modernism’s widespread critique of childhood led to some of the period’s most meaningful and most misunderstood experiments with interiority, narration, and children’s literature
    Abstract: Introduction -- American Modernism, Childhood, and The Inward Turn -- The “Partagé Child” And The Emergence of The Modernist Novel in What Maisie Knew -- An Innocence Worse Than Evil in The Turn of The Screw -- Nightwood: A Bedtime Story -- The Children of Double Consciousness: From The Souls of Black Folk to The Brownies’ Book -- Drowning In Childhood: Gertrude Stein’s Late Modernism -- Works Cited
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  • 3
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK
    ISBN: 9781137526274
    Language: English
    Pages: 1 Online-Ressource (XIV, 361 p)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Series Statement: Palgrave Studies in Modern European Literature
    Parallel Title: Printed edition
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    Keywords: Literature ; Literature History and criticism ; Literature, Modern 20th century ; Literature, Modern 21st century ; Fiction ; European literature ; European literature. ; Fiction. ; Literature—History and criticism. ; Literature, Modern—20th century. ; Literature, Modern—21st century.
    Abstract: This book examines the ways in which fiction has addressed the continent since the Second World War. Drawing on novelists from Europe and elsewhere, the volume analyzes the literary response to seven dominant concerns (ideas of Europe, conflict, borders, empire, unification, migration, and marginalization), offering a ground-breaking study of how modern and contemporary writers have participated in the European debate. The sixteen essays view the chosen writers, not as representatives of national literatures, but as participants in transcontinental discussion that has occurred across borders, cultures, and languages. In doing so, the contributors raise questions about the forms of power operating across and radiating from Europe, challenging both the institutionalized divisions of the Cold War and the triumphalist narrative of continental unity currently being written in Brussels
    Abstract: Introduction, Andrew Hammond -- 1 Traumatic Europe: The Impossibility of Mourning in W.G. Sebald’s Austerlitz, Theodore Koulouris -- 2 Ágota Kristóf’s Europe: (Un)Connectedness and (Non)Belonging in The Third Lie, Metka Zupančič -- 3 Between Yearning and Aversion: Visions of Europe in Hilde Spiel’s The Darkened Room, Christoph Parry -- 4 The European Origins of Albania in Ismail Kadare’s The File on H, Peter Morgan -- 5 Images of Conquest: Europe and Latin American Identity, Peter Beardsell -- 6 Sissie’s Odyssey: Literary Exorcism in Ama Ata Aidoo’s Our Sister Killjoy, Esther Pujolràs-Noguer -- 7 European Fiction on the Borders: The Case of Herta Müller, Marcel Cornis-Pope and Andrew Hammond -- 8 Borders, Borderlands and Romani Identity in Colum McCann’s Zoli, Mihaela Moscaliuc -- 9 A Betrayal of Enlightenment: EU Expansion and Tõnu Õnnepalu’s Border State, Gordana P. Crnković -- 10 The Dilemmas of ‘Post-Communism’: Elizabeth Wilson’s The Lost Time Café, Andrew Hammond -- 11 Minorities and Migrants: Transforming the Swedish Literary Field, Anne Heith -- 12 ‘My Dream Can Also Become Your Burden’: Semezdin Mehmedinović’s Poetics of Self-Determination, Guido Snel -- 13 Blowing Hot and Cold: Georgia and the West, Donald Rayfield -- 14 Becoming Black in Belgium: Chika Unigwe and the Social Construction of Blackness, Sarah de Mul -- 15 Undivided Waters: Spatial and Translational Paradoxes in Emine Sevgi Özdamar’s The Bridge of the Golden Horn, Gizem Arslan -- 16 Amara Lakhous’s Divorce Islamic Style: Muslim Connections in European Culture, Daniele Comberiati -- Bibliography -- Index
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  • 4
    ISBN: 9781137523402
    Language: English
    Pages: 1 Online-Ressource (XVIII, 282 p)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Parallel Title: Printed edition
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    Keywords: Literature ; Literature, Modern 20th century ; Fiction ; British literature ; British literature. ; Fiction. ; Literature, Modern—20th century. ; Wells, H. G. 1866-1946 ; Morris, William 1834-1896 ; Utopie ; Anti-Utopie ; Landschaft ; Zeit
    Abstract: This book is about the fiercely contrasting visions of two of the nineteenth century’s greatest utopian writers. A wide-ranging, interdisciplinary study, it emphasizes that space is a key factor in utopian fiction, often a barometer of mankind’s successful relationship with nature, or an indicator of danger. Emerging and critically acclaimed scholars consider the legacy of two great utopian writers, exploring their use of space and time in the creation of sites in which contemporary social concerns are investigated and reordered. A variety of locations is featured, including Morris’s quasi-fourteenth century London, the lush and corrupted island, a routed and massacred English countryside, the high-rises of the future and the vertiginous landscape of another Earth beyond the stars
    Abstract: Introduction; Emelyne Godfrey -- SETTING THE SCENE -- Kelmscott House: Threshold to Utopia; Michael Sherborne -- PART I. TIME AS A KIND OF SPACE -- 1. Imaginary Hindsight: Contemporary History in William Morris and H. G. Wells; Helen Kingstone -- 2. ‘Quivers of Idiosyncrasy’: Modern Statistics in A Modern Utopia; Genie Babb -- 3. ‘All Good Earthly Things Are In Utopia Also’: Familiarity and Irony in the Better Worlds of Morris and Wells; Ben Carver -- PART II. MATTERS OUT OF PLACE: DANGER AND DISRUPTION IN UTOPIA -- 4. Problems in Utopia from the Thames Valley to the Pacific Edge; Tony Pinkney -- 5. Utopia’s the Thing: An Analysis of Utopian Program and Impulse in H.G. Wells’s The Island of Doctor Moreau; Rhys Williams -- 6. ‘Great Safe Places Down Deep’: Subterranean Spaces in the Early Novels of H.G. Wells; Catherine Redford -- PART III. DISTORTED REALITIES, SHATTERED PERSPECTIVES -- 7. The Urban Wasteland in H.G. Wells’s The War of the Worlds; Vera Benczik -- 8. An Epistemological Journey: the Uncertainty of Construed Realities in The Time Machine; Károly Pintér -- PART IV. UNNATURAL THEOLOGIES IN THE ISLAND -- 9. Dark Artistry in The Island of Doctor Moreau; Sarah Faulkner -- 10. Punishment, Purgatory, and Paradise; Hating the Sin and Sometimes the Sinner in H.G. Wells’s The Island of Doctor Moreau and The Invisible Man; Gianluca Guerriero -- 11. Mr Blettsworthy on Rampole Island: The Novel as Fable; John Hammond -- PART V. BUILDING THE FUTURE -- 12. ‘Flowers and a Landscape Were the Only Attractions Here’: The England of Wells and Morris in Aldous Huxley’s Interpretation; Maxim Shadurski -- 13. Modernist Ideals: The Utopian Designs of William Morris, Peter Behrens, and the Social Housing Schemes in Mid-Twentieth Century Sheffield; Clare Holdstock -- Bibliography -- Index.-
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  • 5
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK
    ISBN: 9781137562135
    Language: English
    Pages: 1 Online-Ressource (VI, 123 p)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Parallel Title: Printed edition
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    Keywords: Literature ; Literature Philosophy ; Literature, Modern 20th century ; Literature, Modern 21st century ; Fiction ; Fiction. ; Literature, Modern—20th century. ; Literature, Modern—21st century. ; Literature—Philosophy.
    Abstract: In this book, Irmtraud Huber considers a wide range of contemporary novels to explore the variety of possibilities and effects of the use of the present tense, as well as investigating the reasons for its popularity. By illustrating the complexity and sophistication of four different types of contemporary usage, Huber’s discussion goes some way towards refuting those critical voices which consider present-tense narration a passing fad and stylistic affectation. As a tense of narration, the present can serve to tell different stories than the past tense, or can tell them differently. By no means a passing fad, it is an important characteristic of contemporary literature. Irmtraud Huber is a lecturer in English literature at the Universität Bern, Switzerland. Her PhD on the role of fantastical elements in recent literary attempts to go beyond postmodernism received the Helene-Richter Prize from the Deutscher Anglistenverband. Her monograph Literature after Postmodernism: Reconstructive Fantasies was published by Palgrave in 2014
    Abstract: Introduction -- Chapter 1. Past and Present of Present-tense Narration -- Chapter 2. Narrative Deictic Narration -- Chapter 3. Retrospective Narration -- Chapter 4. Interior Monologue -- Chapter 5. Simultaneous Narration -- Chapter 6. Mixed Cases -- Conclusion -- Appendix -- Works Cited -- Notes
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  • 6
    ISBN: 9781137425737
    Language: English
    Pages: 1 Online-Ressource (IX, 247 p)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Series Statement: Crime Files
    Parallel Title: Printed edition
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    Keywords: Literature ; Literature, Modern 20th century ; Literature, Modern 21st century ; Comparative literature ; Transnational crime ; Comparative literature. ; Transnational crime. ; Literature, Modern—20th century. ; Literature, Modern—21st century. ; Kriminalroman ; Globalisierung
    Abstract: Why has crime fiction become a global genre? How do writers use crime fiction to reflect upon the changing nature of crime and policing in our contemporary world? This book argues that the globalization of crime fiction should not be celebrated uncritically. Instead, it looks at the new forms and techniques writers are using to examine the crimes and policing practices that define a rapidly changing world. In doing so, this collection of essays examines how the relationship between global crime, capitalism, and policing produces new configurations of violence in crime fiction - and asks whether the genre can find ways of analyzing and even opposing such violence as part of its necessarily limited search for justice both within and beyond the state
    Abstract: Introduction; Andrew Pepper and David Schmid -- Chapter 1. The Bad and the Evil; David Schmid -- Chapter 2. Work and Death in the Global City; Christopher Breu -- Chapter 3. ‘Local Hells’ and State Crimes; Katy Shaw -- Chapter 4. The State We’re In; Véronique Desnain -- Chapter 5. The Scene of the Crime is the Crime; Casey Shoop -- Chapter 6. True-Crime, Crime Fiction, and Journalism in Mexico; Persephone Braham -- Chaopter 7. The Novel of Violence in Latin American Literature; José-Vicente Tavares-dos-Santos, Enio Passiani, and Julio Souto Salom -- Chapter 8. Scandinavian Crime Fiction and the Facts; Andrew Nestingen -- Chapter 9. John le Carré and The New Novel of Global (In)security; Andrew Pepper -- Chapter 10. Geopolitical Reality;Paul Cobley -- Chapter 11. US Narratives of Nuclear Terrorism; David Seed
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  • 7
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK
    ISBN: 9781137393807
    Language: English
    Pages: 1 Online-Ressource (XXII, 315 p. 6 illus)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Series Statement: History of British Women's Writing
    Parallel Title: Printed edition
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    Keywords: Literature ; Literature History and criticism ; Literature, Modern 20th century ; Comparative literature ; Fiction ; British literature ; British literature. ; Comparative literature. ; Fiction. ; Literature, Modern—20th century. ; Literature—History and criticism.
    Abstract: The ranks of English women writers rose steeply in the late 19th and early 20th centuries, contributing to the era’s revolutionary social movements as well as to transforming literary genres in prose and poetry. The phenomena of ‘the new’ - ‘New Women’, ‘New Unionism’, ‘New Imperialism’, ‘New Ethics’, ‘New Critics’, ‘New Journalism’, ‘New Man’ - are this moment’s touchstones. This book tracks the period's new social phenomena and unfolds its distinctively modern modes of writing. It provides expert introductions amid new insights into women’s writing throughout the United Kingdom and around the globe
    Abstract: List of Figures -- Series Preface -- Acknowledgements -- Notes on the Contributors -- Chronology -- Introduction: a revolutionary moment; Holly A. Laird -- PART I: MODERN WOMEN -- From the New Woman to the Suffragette: -- 1. The (Irish) New Woman: political, literary, and sexual experiments; Tina O’Toole -- 2. Fin-de-Siècle Ouida: A New Woman writing against the New Woman?; Lyn Pykett -- 3. The New Woman in Wales: Welsh women’s writing, 1880-1920; Jane Aaron -- 4. British Women Writers, Technology, and the Sciences, 1880-1920; Lisa Hager -- 5. Mediating Women: Evelyn Sharp and the modern media fictions of suffrage; Barbara Green -- From the Decadent to the Queer: -- 6. Female Decadence; Joseph Bristow -- 7. Re-writing Myths of Creativity: Pygmalionism, Galatea figures, and the revenge of the Muse in Late Victorian literature by women; Catherine Delyfer -- 8. Venus in the Museum: Women’s representations and the rise of public art institutions; Ruth Hoberman -- 9. Women’s Nature and the Neo-Pagan Movement; Dennis Denisoff -- From the Nation to the Globe: -- 10. This Nation Which Is Not One: Olive Schreiner’s The Story of an African Farm; Holly A. Laird -- 11. Geographies of Self: Scottish women writing Scotland; Glenda Norquay -- 12. Modern Travel on the Fringes of Empire; Judy Suh -- 13. Women Writing Japan; Edward Marx -- PART II: MODERN GENRES -- From the Story to the Lyric: -- 14. New Women Writing Beyond the Novel: Short Stories; Margaret Stetz -- 15. Material Negotiations: Women writing the short story; Kate Krueger -- 16. Women’s Lyric, 1880-1920; Emily Harrington -- 17. Vigo Street Sapphos: The Bodley Head Press and women poets of the 1890s; Linda Peterson -- From Journalism to the War Memoir: -- 18. Women’s Slum Journalism, 1885-1910; S. Brooke Cameron -- 19. Turn-of-the-Century Women Writing about Art, 1880-1920; Meaghan Clarke -- 20. The British Female Detective Written by Women, 1890-1920; Joseph Kestner -- 21. Writing Modern Deaths: Women, war, and the view from the home front; Bette London -- Select Bibliography -- Index.-
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  • 8
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK | Imprint: Palgrave Macmillan
    ISBN: 9781137553911
    Language: English
    Pages: 1 Online-Ressource (XX, 195 p. 3 illus. in color)
    Series Statement: Teaching the New English
    Parallel Title: Erscheint auch als
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    Keywords: Literature ; Literature, Modern 20th century ; Literature, Modern 21st century ; Fiction ; Teaching ; Fiction. ; Teaching. ; Literature, Modern—20th century. ; Literature, Modern—21st century.
    Abstract: This book is the first ever collection about twenty-first century genre fiction. It offers accessible yet rigorous critical interventions in a growing field of popular culture and academic study, presenting new genres as a fascinating and powerful means of reading contemporary culture. The collection explores the history and uses of genre to date, analyses key examples of innovations and developments in the field and reflects on how these texts have been mobilised in teaching since the year 2000. It explores a range of new twenty-first century genres through a close reading of key examples, along with a broader critical overview at the beginning of each chapter capturing wider developments, contexts and themes. As a result of this contextual, text-orientated approach, the book promotes a broad appeal beyond the specifics of new genres and authors, and will contribute to a wider understanding of developments in post-millennial fictions
    Abstract: Introduction; Katy Shaw -- PART I: CONTEMPORARY GOTHIC -- 1. Genre Trouble: The Challenges of Designing Modern and Contemporary Gothic Modules; Xavier Aldana Reyes -- 2. Dark Chocolate from the Literary Crypt: Teaching Contemporary Gothic Horror; Gina Wisker -- PART II: WRITING RACE -- 3. Teaching Crime Fiction and the African American Literary Canon; Nicole King -- 4. Genre and its ‘Diss’contents’: Teaching Twenty-First Century Black British Writing on Page and Stage; Deidre Osborne -- PART III: UTOPIAS AND DYSTOPIAS -- 5. Teaching Utopia: from More to Piercy and Atwood; Kate Aughterson -- 6. Other Mothers and Fathers: Teaching Contemporary Dystopian Fiction; Oliver Tearle -- 7. Pathways to Terror: Teaching 9/11 Fiction; Mark Eaton -- PART IV: WORLD LITERATURE -- 8. Teaching Translit: An Unsettled and Unsettling Genre; Bianca Leggett -- 9. Teaching Contemporary Cosmopolitanism; Kristian Shaw -- Index
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  • 9
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK
    ISBN: 9781137523464
    Language: English
    Pages: 1 Online-Ressource (XIII, 474 p)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Literature ; Literature History and criticism ; Literature, Modern 20th century ; Literature, Modern 21st century ; Fiction ; Fiction. ; Literature, Modern—20th century. ; Literature, Modern—21st century. ; Literature—History and criticism.
    Abstract: This book brings together new contributions in Popular Fiction Studies, giving us a vivid sense of new directions in analysis and focus. It looks into the histories of popular genres such as the amatory novel, imperial romance, the western, Australian detective fiction, Whitechapel Gothic novels, the British spy thriller, Japanese mysteries, the 'new weird', fantasy, girl hero action novels and Québecois science fiction. It also examines the production, reproduction and distribution of popular fiction as it carves out space for itself in transnational marketplaces and across different media entertainment systems; and it discusses the careers of popular authors and the various investments in popular fiction by readers and fans. This book will be indispensable for anyone with a serious interest in this prolific but highly distinctive literary field
    Abstract: Introduction: The Fields of Popular Fiction; Ken Gelder -- PART I: HISTORIES OF POPULAR GENRES -- 1. ‘Love in the Time of Finance: Eliza Haywood and the Rise of the Scenic Novel'; Joe Hughes -- 2. ‘Colonial Australian Detectives, Character Type and the Colonial Economy’; Ken Gelder and Rachael Weaver -- 3. ‘"The Floodgates of Inkland were Opened": Aestheticising the Whitechapel Murders’; Grace Moore -- 4. ‘Imperial Affairs: The British Empire and the Romantic Novel, 1890-1939’; Hsu-Ming Teo -- 5. ‘"The Future of our Delicate Network of Empire": The Riddle of the Sands and the Birth of the British Spy Thriller’; Merrick Burrow -- 6. ‘Did Indians Read Dime Novels?: Re-Indigenizing the Western at the Turn of the Twentieth Century’; Christine Bold -- 7. ‘Unno Jūza and the Uses of Science in Prewar Japanese Popular Fiction’; Seth Jacobowitz -- 8. ‘The New Weird’; Jeffrey Weinstock -- 9. ‘From Middle Earth to Westeros: Medievalism, Proliferation, and Paratextuality’; Kim Wilkins -- 10. ‘Denise Mina’s Garnethill Trilogy: Feminist Crime Fiction at the Millennium’; Sabine Vanacker -- 11. ‘Popular Literatures in Québec: National Identity and "American" Genres’; Amy J. Ransom -- 12. ‘Glass and Game: The Speculative Girl Hero’; Catherine Driscoll and Alexandra Heatwole -- PART II: AUTHORS, DISTRIBUTION, (RE)PRODUCTION -- 13. ‘Mediating Popular Fictions: From the Magic Lantern to the Cinematograph’; Helen Groth -- 14. ‘"The Power of Her Pen": Marie Corelli, Authorial Identity and Literary Value’; Kirsten MacLeod -- 15. ‘Popular Fiction in Performance: Gaskell, Collins and Stevenson on Stage’; Catherine Wynne -- 16. ‘Beyond the Antipodes: Australian Popular Fiction in Transnational Networks’; David Carter -- 17. ‘Adapting Ira Levin: A Case Study’; Imelda Whelehan -- 18. ‘An Assassin across Narratives: Reading Assassin's Creed from Videogame to Novel’; Souvik Mukherjee -- 19. ‘Fan Works and the Law’; Aaron Schwabach -- 20. ‘Readers of Popular Fiction and Emotion Online’; Beth Driscoll -- Select Bibliography -- Index --
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  • 10
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK
    ISBN: 9781137537980
    Language: English
    Pages: 1 Online-Ressource (XIII, 201 p)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Parallel Title: Printed edition
    Keywords: Literature, Modern 20th century ; Literature, Modern 21st century ; Literature ; Fiction ; Oriental literature ; Literature   . ; Oriental literature. ; Fiction. ; Literature, Modern—20th century. ; Literature, Modern—21st century.
    Abstract: This book critically examines the postcolonial canon, questioning both the disproportionate attention to texts written in English and their overuse in attempts to understand the postcolonial condition. The author addresses the non-representation of Indian literature in theory, and the inadequacy of generalizing postcolonial experiences and subjectivities based on literature produced in one language (English). It argues that, while postcolonial scholarship has successfully challenged Eurocentrism, it is now time to extend the dimensions beyond Anglophone and Francophone literatures to include literatures in other languages such as Hindi, Telugu, Tamil, Tagalog, and Swahili
    Abstract: 1. Introduction: The Rationale for Remapping the Postcolonial Canon: Why Remap -- 2. Representing the Postcolonial Subaltern: A Comparative Reading of Three Subaltern Narratives by O.V. Vijayan, Arundhati Roy, and Mahashweta Devi -- 3. The Hullabaloo about Hybridity: Kiran Desai’s The Inheritance of Loss, Girish Karnad’s Yayati and Heaps of Broken Images, and Lalithambika Antherjanam’s Cast Me Out If You Will -- 4. Re-Imagining Postcolonial Translation Theory -- 5. Beyond the Indian Postcolonial -- Conclusion -- Appendix 1: Wang-Chu by Bhisham Sahni, Translated by Nirmala Menon -- Appendix 2: Wang-Chu by Bhisham Sahni in Original Hindi -- Bibliography -- Index.-
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  • 11
    ISBN: 9781137595690
    Language: English
    Pages: 1 Online-Ressource (XXI, 301 p. 65 illus. in color)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Parallel Title: Printed edition
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    Keywords: Literature ; Literature, Modern 20th century ; Humanities Digital libraries ; Comparative literature ; Technology in literature ; Postmodernism (Literature) ; Technology in literature. ; Postmodernism (Literature). ; Comparative literature. ; Humanities—Digital libraries. ; Literature, Modern—20th century. ; Literatur ; Moderne ; Digital Humanities
    Abstract: This book uses the discipline-specific, computational methods of the digital humanities to explore a constellation of rigorous case studies of modernist literature. From data mining and visualization to mapping and tool building and beyond, the digital humanities offer new ways for scholars to questions of literature and culture. With the publication of a variety of volumes that define and debate the digital humanities, we now have the opportunity to focus attention on specific periods and movements in literary history. Each of the case studies in this book emphasizes literary interpretation and engages with histories of textuality and new media, rather than dwelling on technical minutiae. Reading Modernism with Machines thereby intervenes critically in ongoing debates within modernist studies, while also exploring exciting new directions for the digital humanities-ultimately reflecting on the conjunctions and disjunctions between the technological cultures of the modernist era and our own digital present
    Abstract: Introduction; Shawna Ross -- Chapter 1. ModLabs; Dean Irvine -- Chapter 2. Modeling Modernist Dialogism; Adam Hammond, Julian Brooke and Graeme Hirst -- 3. Mapping Modernism’s Z-Axis; Alex Christie and Katie Tanigawa -- Chapter 4. Textbase as Machine; Kathryn Holland and Jana Smith Elford -- Chapter 5. Remediation and Development of Modernist Forms in The Western Home Monthly; Hannah McGregor and Nicholas van Orden -- Chapter 6. Stylistic Perspective Across Kenneth Fearing’s Poetry; Wayne Arnold -- Chapter 7. In the End Was the Word; Adam James Bradley -- Chapter 8. A Macro-Etymological Analysis of James Joyce’s The Portrait of the Artist as a Young Man; Jonathan Reeve -- Chapter 9. Body Language; Kurt Cavender, Jamey E. Graham, Robert P. Fox, Jr., Richard Flynn and Kenyon Cavender -- Chapter 10. “We twiddle…and turn into machines”; Andrew Pilsch -- Chapter 11. CGI Monstrosities; Eunsong Kim
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  • 12
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK
    ISBN: 9781137372925
    Language: English
    Pages: 1 Online-Ressource (XIV, 363 p)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Series Statement: Crime Files
    Parallel Title: Printed edition
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    Keywords: Literature ; Motion pictures History ; Literature, Modern 20th century ; Comparative literature ; Fiction ; Technology in literature ; Fiction. ; Technology in literature. ; Comparative literature. ; Literature, Modern—20th century. ; Motion pictures—History. ; Christie, Agatha 1890-1976 ; Adaption ; Film
    Abstract: ‘Mark Aldridge's book uncovers many hitherto unknown facts about screen adaptations of Agatha Christie. It is an important addition to Christie scholarship and required reading for all admirers of the Queen of Crime.’ - Dr. John Curran, author of Agatha Christie's Secret Notebooks ‘The book is a mine of information. As well as a fascinating insight into the history of Agatha Christie adaptations, the book also throws much light on the whole area of adaptation and its participants on every side of the fence.’ - Mathew Prichard, grandson of Agatha Christie Agatha Christie on Screen is a comprehensive exploration of 90 years of film and television adaptations of the world’s best-selling novelist’s work. Drawing on extensive archival material, it offers new information regarding both the well-known and forgotten screen adaptations of Agatha Christie’s stories, including unmade and rare adaptations, some of which have been unseen for more than half a century. This history offers intriguing insights into the discussions and debates that surrounded many of these screen projects - something that is brought to life through previously unpublished correspondence from Christie herself and a new wide-ranging interview with her grandson, Mathew Prichard. Agatha Christie on Screen takes the reader on a journey from little known silent film adaptations, through to famous screen productions including 1974’s Murder on the Orient Express, as well as the television series of the Poirot and Miss Marple stories and, most recently, the BBC’s acclaimed version of And Then There Were None
    Abstract: Introduction -- PART I. Destination Unknown -- Chapter 1. The Silent Adventures -- Chapter 2. Poirot Comes to the Silver Screen -- PART II. Appointment with Death -- Chapter 3. The Early Television Adaptations -- Chapter 4. New Prospects and Problems in Television -- PART III. Wasps’ Nest -- Chapter 5. Christie Films Make an Impact -- Chapter 6. Margaret Rutherford as Miss Marple -- PART IV. Evil Under the Sun -- Chapter 7. A New Era for Agatha Christie Films -- Chapter 8. Peter Ustinov as Hercule Poirot -- PART V. Partners in Crime -- Chapter 9. Christie Comes Back to Television -- Chapter 10. New Approaches -- PART VI. In a Glass Darkly -- Chapter 11. Agatha Christie’s Miss Marple -- Chapter 12. Agatha Christie’s Poirot -- PART VII. Hidden Horizon -- Chapter 13. European Adaptations -- Chapter 14. Adaptations in the Rest of the World -- PART VIII. While the Light Lasts -- Chapter 15. Christie with a Twist -- Chapter 16. Looking to the Future
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  • 13
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK
    ISBN: 9781137506085
    Language: English
    Pages: 1 Online-Ressource (XI, 248 p)
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als
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    Keywords: Literature ; Literature, Modern 20th century ; Literature, Modern 21st century ; Fiction ; Feminist theory ; Literature ; Literature, Modern 20th century ; Literature, Modern 21st century ; Fiction ; Feminist theory ; Waters, Sarah 1966- ; Roman ; Feminismus
    Abstract: This book presents ten readings of Sarah Waters’s fictions published to date in relation to feminism and contemporary feminist theory. The analysis offered in the collection investigates how Waters engages with recent debates on women and gender and how her writings reflect the different concerns of contemporary feminist theories. In particular, the collection includes new and innovative readings of how Waters’s novels address issues of patriarchy, female confinement, madness and misogyny, exploitation and oppression, repression and subordination, abortion, marriage and spinsterhood alongside passionate portrayals of female agency, desire, aesthetics, female sexual expression, and, of course, lesbianism
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  • 14
    ISBN: 9781137519740
    Language: English
    Pages: 1 Online-Ressource (XII, 122 p. 2 illus)
    Series Statement: Global Shakespeares
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als
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    Keywords: Literature ; Literature, Modern ; Literature, Modern 20th century ; European literature ; British literature ; Literature ; Literature, Modern ; Literature, Modern 20th century ; European literature ; British literature ; Deutschland ; Frankreich ; Spanien ; Polen ; Sowjetunion ; Ungarn ; Shakespeare, William 1564-1616 ; Aufführung ; Rezeption
    Abstract: This essay collection examines the Shakespearian culture of Cold War Europe - Germany, France, UK, USSR, Poland, Spain and Hungary - from 1947/8 to the end of the 1970s. Written by international Shakespearians who are also scholars of the Cold War, the essays assembled here consider representative events, productions and performances as cultural politics, international diplomacy and sites of memory, and show how they inform our understanding of the political, economic, even military, dynamics of the post-war global order. The volume explores the political and cultural function of Shakespearian celebration and commemoration, but it also acknowledges the conflicts they generated across the European Cold War ‘theatre’, examining the impact of Cold War politics on Shakespearian performance, criticism and scholarship. Drawing on archival material, and presenting its sources both in their original language and in translation, it offers historically and theoretically nuanced accounts of Shakespeare’s international significance in the divided world of Cold War Europe, and its legacy today
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  • 15
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK
    ISBN: 9781137514462
    Language: English
    Pages: 1 Online-Ressource (XIX, 226 p. 17 illus., 3 illus. in color)
    Series Statement: New Directions in Book History
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als
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    Keywords: Literature ; Books History ; Literature, Modern 20th century ; Literature, Modern 21st century ; Children's literature ; Fiction ; Technology in literature ; Literature ; Books History ; Literature, Modern 20th century ; Literature, Modern 21st century ; Children's literature ; Fiction ; Technology in literature ; Jugend ; Lesen ; Neue Medien ; Medienkonsum ; Buchmarkt ; Medienmarkt ; Bibliothek
    Abstract: This book demonstrates how the roles of “author,” “marketer,” and “reviewer” are being redefined, as online environments enable new means for young adults to participate in the books they love. Prior to the expansion of digital technologies around reading, teachers, parents and librarians were the primary gatekeepers responsible for getting books into the hands of young people. Now publishers can create disintermediated digital enclosures in which they can communicate directly with their reading audience. This book exposes how teens contribute their immaterial and affective labor as they engage in participatory reading experiences via publishers’ and authors’ interactive websites and use of social media, and how in turn publishers are able to use such labor as they get invaluable market research, peer-to-peer recommendations, and even content which can be used in other projects - all virtually free-of-charge
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  • 16
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK
    ISBN: 9781137539403
    Language: English
    Pages: 1 Online-Ressource (XI, 168 p. 1 illus)
    Series Statement: Crime Files
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als
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    Keywords: Literature ; Literature, Modern 20th century ; Literature, Modern 21st century ; Fiction ; British literature ; Literature ; Literature, Modern 20th century ; Literature, Modern 21st century ; Fiction ; British literature ; Irland ; Kriminalroman ; Englisch
    Abstract: Irish detective fiction has enjoyed an international readership for over a decade, appearing on best-seller lists across the globe. But its breadth of hard-boiled and amateur detectives, historical fiction, and police procedurals has remained somewhat marginalized in academic scholarship. Exploring the work of some of its leading writers-including Peter Tremayne, John Connolly, Declan Hughes, Ken Bruen, Brian McGilloway, Stuart Neville, Tana French, Jane Casey, and Benjamin Black-The Contemporary Irish Detective Novel opens new ground in Irish literary criticism and genre studies. It considers the detective genre’s position in Irish Studies and the standing of Irish authors within the detective novel tradition
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  • 17
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK
    ISBN: 9781137499943
    Language: English
    Pages: 1 Online-Ressource (XI, 140 p. 2 illus. in color)
    Series Statement: Palgrave Studies in Literature, Science and Medicine
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
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    Keywords: Literature ; Theater History ; Literature History and criticism ; Literature, Modern 19th century ; Literature, Modern 20th century ; Technology in literature ; Literature ; Theater History ; Literature History and criticism ; Literature, Modern 19th century ; Literature, Modern 20th century ; Technology in literature
    Abstract: This book considers scientific performances across two centuries, from the early nineteenth century to the present day. Performances include demonstrations of technologies, experiments that look like theatre, theatre that looks like science, tourist representations and natural history film-making. Its key aim is to open debate on how scientific activity, both historical and contemporary, might be understood in the context of performance studies and the imaginative acts required to stage engaging performances. Scientific performances have become increasingly of interest to historians of science, literature and science scholars, and in the field of science studies. As yet, however, no work has sought to examine a range of scientific performances with the aim of interrogating and illuminating the kinds of critical and theoretical practices that might be employed to engage with them. With scientific performance likely to become ever more central to scholarly study in the next few years this volume offer a timely, and early, intervention in the existing debates, and aims, too, to be a touchstone for future work
    Note: Includes bibliographical references and index
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  • 18
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK
    ISBN: 9781137513182
    Language: English
    Pages: 1 Online-Ressource (VII, 178 p)
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als
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    Keywords: Literature ; Literature Philosophy ; Literature, Modern 20th century ; Literature, Modern 21st century ; British literature ; America Literatures ; Literature ; Literature Philosophy ; Literature, Modern 20th century ; Literature, Modern 21st century ; British literature ; America Literatures
    Abstract: Following on from the work of art historians and literary and cultural theorists, this book examines the ways in which varieties of the grotesque function in the plays of Philip Ridley, Mark O’Rowe, Enda Walsh, Suzan-Lori Parks and Tim Crouch. The term ‘grotesque’ has been frequently applied in commentaries on some of the most exciting contemporary drama, without much further elucidation. By producing visions of an alienated world, engendering simultaneous attraction and repulsion, and often triggering laughter that comes with a chill in the spine, the grotesque attacks both aesthetic and social conventions and requires a creative use of the imagination on the part of the spectators. The book argues that as such, the grotesque in the works of the selected playwrights solicits profound audience engagement with urgent ethical, social and political issues. The inevitable openness caused by the grotesque demonstrates the authors’ faith in the deliberative powers of their audience, which stands in contrast to the ready-made choices offered by overtly committed political theatre
    Note: Includes bibliographical references and index
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  • 19
    ISBN: 9781137403056
    Language: English
    Pages: 1 Online-Ressource (XIII, 275 p)
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
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    Keywords: Literature ; Literature, Modern 20th century ; Literature, Modern 21st century ; Fiction ; Oriental literature ; Literature ; Literature, Modern 20th century ; Literature, Modern 21st century ; Fiction ; Oriental literature
    Abstract: This book is the first comparative analysis of a new generation of diasporic Anglophone South Asian women novelists including Kiran Desai, Tahmima Anam, Monica Ali, Kamila Shamsie and Jhumpa Lahiri from a feminist perspective. It charts the significant changes these writers have produced in postcolonial and contemporary women’s fiction since the late 1990s. Paying careful attention to the authors’ distinct subcontinental backgrounds of Pakistan, Bangladesh and Sri Lanka - as well as India - this study destabilises the central place given to fiction focused on India. It broadens the customary focus on diasporic writers’ metropolitan contexts, illuminates how these transnational, female-authored literary texts challenge national assumptions and considers the ways in which this new configuration of transnational, feminist writers produces a postcolonial feminist discourse, which differs from Anglo-American feminism
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  • 20
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    Online Resource
    London : Palgrave Macmillan UK
    ISBN: 9781137403544
    Language: English
    Pages: 1 Online-Ressource (XIV, 279 p)
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als
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    Keywords: Literature ; Comparative literature ; Literature, Modern 20th century ; Literature, Modern 21st century ; Fiction ; Oriental literature ; Literature ; Comparative literature ; Literature, Modern 20th century ; Literature, Modern 21st century ; Fiction ; Oriental literature ; Südasien ; Literatur ; Englisch
    Abstract: This collection offers an essential, structured survey of contemporary fictions of South Asia in English, and includes specially commissioned chapters on each of the national traditions of the region. It covers less well known writings from Pakistan, Sri Lanka and Bangladesh as well as the more firmly established canon of contemporary Indian literature, and features chapters on important new and emergent forms such as the graphic novel, genre fiction and the short story. It also contextualizes some key ‘transformative’ aspects of recent fiction such as border and diaspora identities; new middle-class narratives and popular genres; and literary response to terror and conflict. Edited and designed with researchers and students in mind, the book updates existing criticism and represents a readable guide to a dynamic, rapidly changing area of global literature
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  • 21
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    Online Resource
    London : Palgrave Macmillan UK
    ISBN: 9781349948727
    Language: English
    Pages: 1 Online-Ressource (XII, 301 p)
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als
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    Keywords: Culture Study and teaching ; Catholic Church ; Religion and sociology ; Theater History ; Great Britain History ; Literature, Modern 20th century ; Culture Study and teaching ; Catholic Church ; Religion and sociology ; Theater History ; Great Britain History ; Literature, Modern 20th century ; Synge, J. M. 1871-1909 ; Irland ; Heidentum
    Abstract: This book considers the cultural residue from pre-Christian Ireland in Synge’s plays and performances. By dramatising a residual culture in front of a predominantly modern and political Irish Catholic middle class audience, the book argues that Synge attempted to offer an alternative understanding of what it meant to be “modern” at the beginning of the twentieth century. The book draws extensively on Synge’s archive to demonstrate how pre-Christian residual culture informed not just how he wrote and staged pre-Christian beliefs, but also how he thought about an older, almost forgotten culture that Catholic Ireland desperately wanted to forget. Each of Synge’s plays is considered in an individual chapter, and they identify how Synge’s dramaturgy was informed by pre-Christian beliefs of animism, pantheism, folklore, superstition and magical ritual
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  • 22
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK
    ISBN: 9781137343963
    Language: English
    Pages: 1 Online-Ressource (XXIV, 208 p)
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als
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    Keywords: Literature ; Literature History and criticism ; Literature, Modern 20th century ; Fiction ; European literature ; British literature ; Literature ; Literature History and criticism ; Literature, Modern 20th century ; Fiction ; European literature ; British literature ; Greene, Graham 1904-1991 ; Politisches Denken
    Abstract: This book offers the first detailed consideration of the impact of Graham Greene's political thought and involvements on his writings, both fictional and factual. It incorporates material not only from his major fictions but also from his prolific journalism, letters to the press, private correspondence, diaries and working manuscripts
    Note: Description based upon print version of record
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  • 23
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK
    ISBN: 9781137407306
    Language: English
    Pages: 1 Online-Ressource (XV, 199 p)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Series Statement: Crime Files
    Parallel Title: Printed edition
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    Keywords: Literature ; Literature, Modern 20th century ; Literature, Modern 21st century ; America Literatures ; Film genres ; Fiction ; British literature ; Fiction. ; British literature. ; Film genres. ; Literature, Modern—20th century. ; Literature, Modern—21st century. ; America—Literatures.
    Abstract: This book offers a critically informed yet relaxed historical overview of the legal thriller, a unique contribution to crime fiction where most of the titles have been written by professionals such as lawyers and judges. The legal thriller typically uses court trials as the suspense-creating background for presenting legal issues reflecting a wide range of concerns, from corporate conflicts to private concerns, all in a dramatic but highly informed manner. With authors primarily from the USA and the UK, the genre is one which nonetheless enjoys a global reading audience. As well as providing a survey of the legal thriller, this book takes a gender-focused approach to analyzing recently published titles within the field. It also argues for the fascination of the legal thriller both in the way its narrative pattern parallels that of an actual court trial, and by the way it reflects, frequently quite critically, the concerns of contemporary society
    Abstract: Introduction -- Chapter 1. Law and literature -- Chapter 2. The Beginnings of a Success Story -- Chapter 3. American Post-World-War-Two Thrill-and-Ethics Trials -- Chapter 4. Genteel Jurisprudence -- Chapter 5. See You In Court (1) -- Chapter 6. See You In Court (2) -- See You In Court (3) -- Conclusion -- Bibliography
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  • 24
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK
    ISBN: 9781137595881
    Language: English
    Pages: 1 Online-Ressource (VIII, 211 p)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Parallel Title: Printed edition
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    Keywords: Literature ; Literature, Modern 20th century ; Fiction ; Fiction. ; Literature, Modern—20th century. ; Joyce, James 1882-1941 ; Vertrauensbruch ; Literatur
    Abstract: 'The book is a pleasure to read: straightforward, clear, in every way well-written. Containing admirably detailed discussions of Stephen Dedalus, Leopold Bloom, and Molly Bloom from the perspective of a topic so important to Joyce, Fraser brilliantly analyzes their motivations, actions, thoughts, and feelings as exemplifications of the theme of betrayal.' - J. Hillis Miller, UCI Distinguished Research Professor of Comparative Literature and English Emeritus, University of California, Irvine, USA 'The centrality of the idea of betrayal in Joyce’s works is one of the truisms of modernist criticism, but, as James Fraser demonstrates in this invigorating study, the issue has never been examined in the depth and with the subtlety it deserves. Fraser, in drawing out the complexity of the repeated drama of dedication and betrayal in Joyce’s writing, brings to the topic an attentiveness to the literary texts (including the often-neglected Exiles) and an alertness to their historical and political contexts that enable him to do it full justice.' - Derek Attridge, Professor of English, University of York, UK 'Joyce scholarship has assumed that the notion of ‘betrayal’ is so well-known it barely needs mentioning, when in fact there has been little specific explication of the theme. But here is a thorough, incisive analysis of the complexities of betrayal that shows Joyce’s literary and narrative attachment to that idea.' - John Nash, Reader in the Department of English, University of Durham, UK This book offers a fundamental and comprehensive re-evaluation of one of Joyce’s most pervasive themes. By showing that betrayal was central to how Joyce understood and depicted the difficulties and terrors at the heart of all relationships, this book re-conceives Joyce’s approach to history, politics, and the other. Leaving behind the pathologising discourses by which Joyce’s interest in betrayal has been treated as an ‘obsession,’ this book offers a vision of Joyce as both dramatist and theorist of betrayal. It demonstrates that, rather than being compelled by some unconscious urge to produce and reproduce textual betrayals, Joyce had a deep and hard-won conception of the specific dramatic energies wrapped up in the language and structures of betrayal and repeatedly found ways to make use of this understanding in his work
    Abstract: Introduction -- Chapter 1. Writing Drama, Writing Betrayal -- Chapter 2. “Boyhood” as “Death” -- Chapter 3. “A nation exacts a penance” -- Chapter 4. “Like thieves in the night” -- Chapter 5. Betrayal, Stagnation, and the Family Romantic in Ulysses -- Chapter 6. Betraying Bloom -- Chapter 7. Sexual Betrayal in “Penelope” -- Coda -- Bibliography
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  • 25
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    Online Resource
    London : Palgrave Macmillan UK
    ISBN: 9781137456878
    Language: English
    Pages: 1 Online-Ressource (IX, 237 p)
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
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    Keywords: Literature ; Literature, Modern 20th century ; Literature, Modern 21st century ; Fiction ; Oriental literature ; British literature ; Postmodernism (Literature) ; Literature ; Literature, Modern 20th century ; Literature, Modern 21st century ; Fiction ; Oriental literature ; British literature ; Postmodernism (Literature) ; Englisch ; Postkoloniale Literatur ; Ort ; Raum
    Abstract: This book examines how ideas about place and space have been transformed in recent decades. It offers a unique understanding of the ways in which postcolonial writers have contested views of place as fixed and unchanging and are remapping conceptions of world geography, with chapters on cartography, botany and gardens, spice, ecologies, animals and zoos, and cities, as well as reference to the importance of archaeology and travel in such debates. Writers whose work receives detailed attention include Amitav Ghosh, Derek Walcott, Jamaica Kincaid, Salman Rushdie, Michael Ondaatje and Robert Kroetsch. Challenging both older colonial and more recent global constructions of place, the book argues for an environmental politics that is attentive to the concerns of disadvantaged peoples, animal rights and ecological issues. Its range and insights make it essential reading for anyone interested in the changing physical and human geography of the contemporary world
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  • 26
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    Online Resource
    London : Palgrave Macmillan UK
    ISBN: 9781137415639
    Language: English
    Pages: 1 Online-Ressource (XIII, 240 p)
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
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    Keywords: Literature ; Literature, Modern 20th century ; Literature, Modern 21st century ; Poetry ; Literature ; Literature, Modern 20th century ; Literature, Modern 21st century ; Poetry ; Duffy, Carol Ann 1955- ; Lyrik
    Abstract: This is the only monograph to consider the entire thirty-year career, publications, and influence of Britain's first female poet laureate. It outlines her impact on trends in contemporary poetry and establishes what we mean by ‘Duffyesque’ concerns and techniques. Discussions of her writing and activities prove how she has championed the relevance of poetry to all areas of contemporary culture and to the life of every human being. Individual chapters discuss the lyrics of ‘love, loss, and longing’; the socially motivated poems about the 1980s; the female-centred volumes and poems; the relationship between poetry and public life; and poetry and childhood and written for children. The book should whet the appetite of readers who know little of Duffy’s work to find out more, while providing students and scholars with an in-depth analysis of the poems in their contexts. It draws on a wide range of critical works and includes an extensive list of further reading
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  • 27
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    London : Palgrave Macmillan UK
    ISBN: 9781137557926
    Language: English
    Pages: 1 Online-Ressource (VIII, 204 p)
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
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    Keywords: Literature ; Comparative literature ; Literature Philosophy ; Literature, Modern 20th century ; Poetry ; Literature ; Comparative literature ; Literature Philosophy ; Literature, Modern 20th century ; Poetry ; Hughes, Ted 1930-1998 ; Trauma
    Abstract: This book is a radical re-appraisal of the poetry of Ted Hughes, placing him in the context of continental theorists such as Jacques Lacan, Jacques Derrida and Slavoj Zizek to address the traumas of his work. As an undergraduate, Hughes was visited in his sleep by a burnt fox/man who left a bloody handprint on his essay, warning him of the dangers of literary criticism. Hereafter, criticism became ‘burning the foxes’. This book offers a defence of literary criticism, drawing Hughes’ poetry and prose into the network of theoretical work he dismissed as ‘the tyrant’s whisper’ by demonstrating a shared concern with trauma. Covering a wide range of Hughes’ work, it explores the various traumas that define his writing. Whether it is comparing his idea of man as split from nature with that of Jacques Lacan, considering his challenging relationship with language in light of Roland Barthes and Jacques Derrida, seeing him in the art gallery and at the movies with Gilles Deleuze, or considering his troubled relationship with femininity in regard to Teresa Brennan and Slavoj Žižek, Burning the Foxes offers a fresh look at a familiar poet
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  • 28
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    London : Palgrave Macmillan UK
    ISBN: 9781137485892
    Language: English
    Pages: 1 Online-Ressource (XVIII, 178 p)
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
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    Keywords: Literature ; Literature Philosophy ; Literature, Modern 20th century ; Literature, Modern 21st century ; Fiction ; British literature ; America Literatures ; Literature ; Literature Philosophy ; Literature, Modern 20th century ; Literature, Modern 21st century ; Fiction ; British literature ; America Literatures
    Abstract: Combining close readings of literature and theory, Sex, Time, and Space in Contemporary Fiction opens up new ways to consider the sex-time-space nexus. In an exciting and compelling contribution to contemporary literary studies, this book takes the concept of ‘exceptionality’ as its point of departure as developed through an exploration of Giorgio Agamben’s theory of the state of exception and the work of theorists including Jacques Derrida and Michel Foucault. Through an analysis of a range of widely read contemporary fiction, including On Chesil Beach, Gertrude and Claudius, The Act of Love and Room, Ben Davies provides a rigorous exploration of narrative form and offers original theories of the prequel, narrative relations in terms of set theory, and the practice of reading itself
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  • 29
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    London : Palgrave Macmillan UK
    ISBN: 9781137569578
    Language: English
    Pages: 1 Online-Ressource (XXII, 524 p. 18 illus)
    Edition: 2nd ed. 2016
    Series Statement: Palgrave Histories of Literature
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
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    Keywords: Literature ; Literature History and criticism ; Literature, Modern 19th century ; Literature, Modern 20th century ; Fiction ; British literature ; America Literatures ; Literature ; Literature History and criticism ; Literature, Modern 19th century ; Literature, Modern 20th century ; Fiction ; British literature ; America Literatures
    Abstract: This book is the definitive critical history of science fiction. The 2006 first edition of this work traced the development of the genre from Ancient Greece and the European Reformation through to the end of the 20th century. This new 2nd edition has been revised thoroughly and very significantly expanded. An all-new final chapter discusses 21st-century science fiction, and there is new material in every chapter: a wealth of new readings and original research. The author’s groundbreaking thesis that science fiction is born out of the 17th-century Reformation is here bolstered with a wide range of new supporting material and many hundreds of 17th- and 18th-century science fiction texts, some of which have never been discussed before. The account of 19th-century science fiction has been expanded, and the various chapters tracing the twentieth-century bring in more writing by women, and science fiction in other media including cinema, TV, comics, fan-culture and other modes
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  • 30
    ISBN: 9781137477743
    Language: English
    Pages: 1 Online-Ressource (XVI, 505 p)
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Literature ; Motion pictures United States ; Civilization History ; Literature, Modern 20th century ; Literature, Modern 21st century ; Fiction ; America Literatures ; Literature ; Motion pictures United States ; Civilization History ; Literature, Modern 20th century ; Literature, Modern 21st century ; Fiction ; America Literatures ; USA ; Gothic novel
    Abstract: This book examines ‘Southern Gothic’ - a term that describes some of the finest works of the American Imagination. But what do ‘Southern’ and ‘Gothic’ mean, and how are they related? Traditionally seen as drawing on the tragedy of slavery and loss, ‘Southern Gothic’ is now a richer, more complex subject. Thirty-five distinguished scholars explore the Southern Gothic, under the categories of Poe and his Legacy; Space and Place; Race; Gender and Sexuality; and Monsters and Voodoo. The essays examine slavery and the laws that supported it, and stories of slaves who rebelled and those who escaped. Also present are the often-neglected issues of the Native American presence in the South, socioeconomic class, the distinctions among the several regions of the South, same-sex relationships, and norms of gendered behaviour. This handbook covers not only iconic figures of Southern literature but also other less well-known writers, and examines gothic imagery in film and in contemporary television programmes such as True Blood and True Detective
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  • 31
    ISBN: 9781137554383
    Language: English
    Pages: 1 Online-Ressource (X, 196 p)
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Literature ; Culture Study and teaching ; Literature Philosophy ; Literature, Modern 20th century ; Oriental literature ; British literature ; Literature ; Culture Study and teaching ; Literature Philosophy ; Literature, Modern 20th century ; Oriental literature ; British literature ; Südasien ; Englisch ; Literatur ; Islam ; Religiöse Identität
    Abstract: This book explores whether the post-9/11 novels of Rushdie, Hamid, Aslam and Shamsie can be read as part of an attempt to revise modern ‘knowledge’ of the Islamic world, using globally-distributed English-language literature to reframe Muslims’ potential to connect with others. Focussing on novels including Shalimar the Clown, The Reluctant Fundamentalist, The Wasted Vigil, and Burnt Shadows, the author combines aesthetic, historical, political and spiritual considerations with analyses of the popular discourses and critical discussions surrounding the novels; and scrutinises how the writers have been appropriated as authentic spokespeople by dominant political and cultural forces. Finally, she explores how, as writers of Indian and Pakistani origin, Rushdie, Hamid, Aslam and Shamsie negotiate their identities, and the tensions of being seen to act as Muslim representatives, in relation to the complex international and geopolitical context in which they write
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    URL: Cover
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  • 32
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK
    ISBN: 9781137549556
    Language: English
    Pages: 1 Online-Ressource (Approx. 225 p)
    Series Statement: New Comparisons in World Literature
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als
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    Keywords: Literature ; Comparative literature ; Literature, Modern 20th century ; Literature, Modern 21st century ; Fiction ; America Literatures ; Postmodernism (Literature) ; Literature ; Comparative literature ; Literature, Modern 20th century ; Literature, Modern 21st century ; Fiction ; America Literatures ; Postmodernism (Literature)
    Abstract: This book is a transnational study of how contemporary fiction writers from the United States and Canada to Nigeria to India to Dubai have conceptualized the emergent social spaces of the diverse corners of the neoliberal world system. Over the span of the past three to four decades, free market economic policies have been sold to or pushed upon every society on the globe in some way, shape, or form. The upshot of this has been a world system structured in terms of a vast shift of power and resources from government to private enterprise, dwindling civic life replaced by rising consumerism, an emerging oligarchic rentier class, large segments of population faced with meager material conditions of existence and few prospects of socio-economic mobility, and a looming sense of a near future dominated by further economic collapses and mounting social strife. This book analyses a wide cultural array of some of the most poignant narrative engagements with neoliberalism in its various localized manifestations throughout the world
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  • 33
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK
    ISBN: 9781137486561
    Language: English
    Pages: 1 Online-Ressource (VII, 196 p)
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Literature ; Culture Study and teaching ; Literature Philosophy ; Literature, Modern 20th century ; British literature ; Journalism ; Literature ; Culture Study and teaching ; Literature Philosophy ; Literature, Modern 20th century ; British literature ; Journalism ; Self, Will 1961- ; Großbritannien ; Gesellschaft ; Roman
    Abstract: This stimulating and comprehensive study of Will Self's work spans his entire career and offers insightful readings of all his fictional and non-fictional work up to and including his Booker prize nominated novel Umbrella
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    URL: Cover
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  • 34
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK
    ISBN: 9781137538758
    Language: English
    Pages: 1 Online-Ressource (VII, 204 p)
    Series Statement: Palgrave Shakespeare Studies
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Literature ; Literature, Modern 20th century ; Literature, Modern 21st century ; Literature, Modern ; Fiction ; British literature ; America Literatures ; Literature ; Literature, Modern 20th century ; Literature, Modern 21st century ; Literature, Modern ; Fiction ; British literature ; America Literatures ; Shakespeare, William 1564-1616 ; Rezeption ; Englisch ; Kriminalliteratur ; Englisch ; Kriminalliteratur ; Anspielung ; Shakespeare, William 1564-1616
    Abstract: This book explores why crime fiction so often alludes to Shakespeare. It ranges widely over a variety of authors including classic golden age crime writers such as the four ‘queens of crime’ (Allingham, Christie, Marsh, Sayers), Nicholas Blake and Edmund Crispin, as well as more recent authors such as Reginald Hill, Kate Atkinson and Val McDermid. It also looks at the fondness for Shakespearean allusion in a number of television crime series, most notably Midsomer Murders, Inspector Morse and Lewis, and considers the special sub-genre of detective stories in which a lost Shakespeare play is found. It shows how Shakespeare facilitates discussions about what constitutes justice, what authorises the detective to track down the villain, who owns the countryside, national and social identities, and the question of how we measure cultural value
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  • 35
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK
    ISBN: 9781137536662
    Language: English
    Pages: 1 Online-Ressource (X, 206 p)
    Series Statement: Crime Files
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als
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    Keywords: Literature ; Literature History and criticism ; Literature, Modern 20th century ; Literature, Modern 21st century ; Fiction ; British literature ; Literature ; Literature History and criticism ; Literature, Modern 20th century ; Literature, Modern 21st century ; Fiction ; British literature
    Abstract: This book provides an original and compelling analysis of the ways in which British women’s golden age crime narratives negotiate the conflicting social and cultural forces that influenced depictions of gender in popular culture in the 1920s until the late 1940s. The book explores a wide variety of texts produced both by writers who have been the focus of a relatively large amount of critical attention, such as Agatha Christie, Dorothy L. Sayers and Margery Allingham, but also those who have received comparatively little, such as Christianna Brand, Ngaio Marsh, Gladys Mitchell, Josephine Tey and Patricia Wentworth. Through its original readings, this book explores the ambivalent nature of modes of femininity depicted in golden age crime fiction, and shows that seemingly conservative resolutions are often attempts to provide a ‘modern-yet-safe’ solution to the conflicts raised in the texts
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  • 36
    ISBN: 9781137501110
    Language: English
    Pages: 1 Online-Ressource (XVIII, 216 p)
    Series Statement: Literary Disability Studies
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Literature ; Literature, Modern 21st century ; Fiction ; Literature, Modern 20th century ; America Literatures ; Arts. ; Sociology. ; Social policy. ; Social structure. ; Social inequality. ; Literature ; Literature, Modern 20th century ; Literature, Modern 21st century ; Fiction ; America Literatures
    Abstract: As there has yet to be any substantial scrutiny of the complex confluences a more sustained dialogue between disability studies and comics studies might suggest, Disability in Comic Books and Graphic Narratives aims through its broad range of approaches and focus points to explore this exciting subject in productive and provocative ways
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