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  • BSZ  (2,161)
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Keywords
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  • 1
    Journal/Serial
    Journal/Serial
    The journal of African American history (from 2002-)
    Chicago, IL : The University of Chicago Press | Washington, DC : The Association for the Study of African American Life and History | Silver Spring, Md. : The Association for the Study of African American Life and History ; 87.2002 -
    Details
    ISSN: 1548-1867 , 2153-5086
    Language: English
    Dates of Publication: 87.2002 -
    Parallel Title: Online-Ausg. The journal of African American history
    Former Title: Vorg. Journal of negro history
    DDC: 960
    RVK:
    NA 1000
    Keywords: Zeitschrift ; Schwarze ; Geschichte ; Zeitschrift ; USA ; Geschichte
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    Journal/Serial
    BSZ
    GBV
  • 2
    Microfilm
    Microfilm
    Callaloo : a Journal of African Diaspora Arts and Letters (1977-)
    Baltimore, Maryland : The John Hopkins University Press | Lexington, Ky. : Dep. ; 1.1977/78 - ; auch mit durchgehender Nr.-Zählung
    Details
    ISSN: 0161-2492 , 1080-6512
    Language: English
    Edition: Mikrofilm-Ausg. Underground newspaper collection
    Dates of Publication: 1.1977/78 - ; auch mit durchgehender Nr.-Zählung
    Parallel Title: Online-Ausg. Callaloo
    Keywords: Zeitschrift ; Literatur ; Schwarze ; Zeitschrift ; Schwarze ; Literatur ; Zeitschrift ; Schwarze ; Literatur
    Note: Herausgebendes Organ bis 2015: Department of English, College of Arts and Sciences, University of Kentucky , Index 1/11.1977/88 in: 11.1988
    Library Location Call Number Volume/Issue/Year Availability
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    Microfilm
    HU Berlin
    München BSB
    München UB
    Bayreuth UB
  • 3
    Book
    Book
    Don't stop the carnival : black music in Britain (2018-)
    Leeds : Peepal Tree
    Show associated volumes/articles
    Details
    Language: English
    DDC: G:gb S:mu Z:30
    Keywords: Großbritannien ; Schwarze ; Afroamerikanische Musik ; Kolonialismus ; Ethnische Identität ; Sozialgeschichte 1500-1965
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    BSZ
    GBV
  • 4
    Journal/Serial
    Journal/Serial
    Journal of black studies (from 1971-)
    Thousand Oaks, Calif. : Sage | Beverly Hills, Calif. : Sage ; 1.1970/71(1971) -
    Details
    ISSN: 0021-9347 , 1552-4566 , 1552-4566
    Language: English
    Dates of Publication: 1.1970/71(1971) -
    Parallel Title: Erscheint auch als Journal of black studies
    DDC: 300
    Keywords: Zeitschrift ; USA ; Schwarze ; Zeitschrift ; Politik ; Gesellschaft
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    Journal/Serial
    BSZ
    GBV
  • 5
    Microfilm
    Microfilm
    The journal of negro education : JNE ; a Howard University quarterly review of issues incident to the education of black people (1932-)
    Washington, DC ; 1.1932 -
    Details
    ISSN: 0022-2984 , 2167-6437 , 2167-6437
    Language: English
    Edition: Ersch. auch als Mikrofiche-Ausg
    Dates of Publication: 1.1932 -
    Parallel Title: Erscheint auch als The journal of negro education
    Former Title: a quarterly review of problems incident to the education of negroes
    DDC: 370
    Keywords: Zeitschrift ; Schwarze ; Bildungswesen ; Zeitschrift
    Note: Jeweils eine d. 4 jährl. ersch. Nr. ist als yearbook number bez , Repr.: Nendeln : Kraus , Ersch. auch als Mikrofiche-Ausg. , Index 1/75.1932/2006 in: 75.2006
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    Microfilm
    BSZ
    GBV
  • 6
    Microfilm
    Microfilm
    Callaloo : a Journal of African Diaspora Arts and Letters (1977-)
    Baltimore, Maryland : The John Hopkins University Press | Lexington, Ky. : Dep. ; 1.1977/78 - ; auch mit durchgehender Nr.-Zählung
    Details
    ISSN: 0161-2492 , 1080-6512 , 1080-6512
    Language: English
    Edition: Mikrofilm-Ausg.: Wooster, Ohio : Bell & Howell. (Underground newspaper collection)
    Dates of Publication: 1.1977/78 - ; auch mit durchgehender Nr.-Zählung
    Parallel Title: Erscheint auch als Callaloo
    DDC: 820
    Keywords: Zeitschrift ; Schwarze ; Literatur ; Zeitschrift
    Note: Herausgebendes Organ bis 2015: Department of English, College of Arts and Sciences, University of Kentucky , Mikrofilm-Ausg.: Wooster, Ohio : Bell & Howell. (Underground newspaper collection) , Index 1/11.1977/88 in: 11.1988
    Library Location Call Number Volume/Issue/Year Availability
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    Microfilm
    BSZ
    GBV
  • 7
    Online Resource
    Online Resource
    American Race Relations : Global Perspectives, 1941-1996 (2020-)
    Naples, Fla. : NewsBank Inc. | Naples, Fla. : Readex, a division of NewsBank
    Details
    Language: English
    Pages: Online-Ressource
    Series Statement: Readex digital collections
    Keywords: Books & Collections Newspapers & Magazines ; Law & Government ; Archival materials ; A08.30.05 Ethnic relations A23.30 Daily news ; searchable full text scanned original ; Zeitschrift ; USA ; Ethnische Beziehungen ; Schwarze ; Rassenunruhen ; Bürgerrecht ; USA ; Rassismus ; Rassentrennung
    Abstract: This database contains thousands of news articles, radio transcripts, and television transcripts from around the world. They were chosen by a U.S. government agency called the Foreign Broadcast Information Service (FBIS)--which became part of the Central Intelligence Agency (CIA) in 1947--to be disseminated among government officials and decision makers. Where necessary, the materials were translated into English from their original language. No U.S. papers or broadcasts are included in this database. (Cited description, Readex 2021)
    Note: Gesehen am 05.11.2020 , Coverage 1941-1996
    URL: https://infoweb.newsbank.com/apps/readex/welcome?p=TOPRACE
    URL: https://dbis.ur.de/frontdoor.php?titel_id=104272
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    BSZ
    GBV
  • 8
    Online Resource
    Online Resource
    The journal of negro education : JNE ;a Howard University quarterly review of issues incident to the education of black people (1932-)
    Washington, DC : Howard University ; 1.1932 -
    Show associated volumes/articles
    Details
    ISSN: 2167-6437 , 0022-2984 , 0022-2984
    Language: English
    Pages: Online-Ressource
    Dates of Publication: 1.1932 -
    Parallel Title: Erscheint auch als The journal of negro education
    DDC: 370
    Keywords: Zeitschrift ; Schwarze ; Bildungswesen ; Zeitschrift ; Online-Ressource
    Note: Gesehen am 13.04.2016
    URL: https://ezb.ur.de/?1499141-X
    URL: https://www.jstor.org/journal/jnegroeducation
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    BSZ
    GBV
  • 9
    Online Resource
    Online Resource
    Journal of black studies (1970-)
    Thousand Oaks, Calif. [u.a.] : Sage ; 1.1970 -
    Details
    ISSN: 1552-4566 , 0021-9347
    Language: English
    Pages: Online-Ressource
    Dates of Publication: 1.1970 -
    Parallel Title: Druckausg. Journal of black studies
    DDC: 300
    Keywords: Zeitschrift ; Schwarze ; Online-Ressource ; Schwarze ; Zeitschrift ; Online-Ressource ; USA ; Zeitschrift ; Zeitschrift ; Zeitschrift ; Online-Ressource ; Zeitschrift ; Zeitschrift ; Zeitschrift ; USA ; Zeitschrift ; Schwarze ; Online-Ressource ; Schwarze ; Zeitschrift ; Online-Ressource
    Note: Gesehen am 18.01.06
    URL: http://www.bibliothek.uni-regensburg.de/ezeit/?1499073
    URL: https://journals.sagepub.com/home/jbs
    URL: Deutschlandweit zugänglich
    URL: https://www.jstor.org/journal/jblackstudiesl
    URL: Volltext
    URL: Volltext
    URL: Volltext  (Deutschlandweit zugänglich)
    URL: Volltext
    URL: https://ezb.ur.de/?1499073-8
    URL: https://journals.sagepub.com/home/jbs
    URL: https://journals.sagepub.com/home/jbs
    URL: https://www.jstor.org/journal/jblackstudiesl
    URL: https://ezb.ur.de/?1499073-8
    URL: https://journals.sagepub.com/home/jbs
    URL: Deutschlandweit zugänglich
    URL: https://www.jstor.org/journal/jblackstudiesl
    URL: https://ezb.ur.de/?1499073-8
    URL: https://journals.sagepub.com/home/jbs
    URL: Deutschlandweit zugänglich
    URL: https://www.jstor.org/journal/jblackstudiesl
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    BSZ
    GBV
    KOBV
    HeBIS
    HBZ
  • 10
    Online Resource
    Online Resource
    The journal of African American history (2001-)
    Chicago, IL : The University of Chicago Press | Silver Spring, Md. : The Association for the Study of African American Life and History | Washington, DC : The Association for the Study of African American Life and History ; 87.2002 -
    Details
    ISSN: 2153-5086 , 1548-1867
    Language: English
    Pages: Online-Ressource
    Dates of Publication: 87.2002 -
    Parallel Title: Druckausg. The journal of African American history
    Former Title: Vorg.: The journal of negro history
    DDC: 960
    Keywords: Schwarze ; Geschichte ; Zeitschrift ; Zeitschrift ; Zeitschrift ; Zeitschrift ; Zeitschrift ; Schwarze ; Geschichte ; Zeitschrift
    Note: Gesehen am 09.02.2011
    URL: http://www.bibliothek.uni-regensburg.de/ezeit/?2128491
    URL: https://www.journals.uchicago.edu/loi/jaah
    URL: https://www.jstor.org/journal/jafriamerhist
    URL: Volltext
    URL: Volltext
    URL: Volltext
    URL: https://ezb.ur.de/?2128491-X
    URL: https://www.journals.uchicago.edu/loi/jaah
    URL: https://www.jstor.org/journal/jafriamerhist
    URL: https://ezb.ur.de/?2128491-X
    URL: https://www.journals.uchicago.edu/loi/jaah
    URL: https://www.jstor.org/journal/jafriamerhist
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    BSZ
    GBV
    KOBV
    HeBIS
  • 11
    Book
    Book
    Slavery and race : philosophical debates in the eighteenth century (2024)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780197659243 , 9780197659236
    Language: English
    Pages: x, 338 Seiten
    Series Statement: Oxford new histories of philosophy
    Parallel Title: Erscheint auch als Jorati, Julia Slavery and race
    Parallel Title: Erscheint auch als Jorati, Julia Slavery and race
    DDC: 306.3/6209033
    Keywords: Slavery Philosophy 18th century ; History ; Race Philosophy 18th century ; History ; EDUCATION / General ; Ethik und Moralphilosophie ; HISTORY / Social History ; History of ideas ; PHILOSOPHY / Ethics & Moral Philosophy ; PHILOSOPHY / Good & Evil ; PHILOSOPHY / History & Surveys / Modern ; Pädagogik ; SOCIAL SCIENCE / Slavery ; Sklaverei und Abschaffung der Sklaverei ; Slavery & abolition of slavery ; Social & political philosophy ; Sozial- und Kulturgeschichte ; Western philosophy: c 1600 to c 1900 ; Westliche Philosophie: nach 1800 ; Sklaverei ; Schwarze ; Rassentheorie ; Ideengeschichte 1700-1800
    Abstract: "Discussions about the morality of slavery are a central part of the history of early modern philosophy. This book explores the philosophical ideas, theories, and arguments that occur in eighteenth-century debates about slavery, with a particular focus on the role that race plays in these debates. This exploration reveals how closely Blackness and slavery had come to be associated and how common it was to believe that Black people are natural slaves, or naturally destined for slavery. The book examines not just well-known authors like David Hume, Immanuel Kant, and Jean-Jacques Rousseau, but also less widely studied philosophers like Quobna Ottobah Cugoano, Lemuel Haynes, and Olympe de Gouges. By presenting philosophically important aspects of debates about slavery in eighteenth-century North America and Europe, the book aims to be a valuable resource for scholars, instructors, and students who are curious about a topic that historians of philosophy have so far neglected"--
    Abstract: Millions of Africans were enslaved and transported to the Americas in the eighteenth century. Europeans--many of whom viewed themselves as enlightened--endorsed, funded, legislated, and executed the slave trade. This atrocity had a profound impact on philosophy, but historians of the discipline have so far neglected to address the topics of slavery and race. Many authors--including enslaved and formerly enslaved Black authors--used philosophical ideas to advocate for abolition, analyze racist attitudes, and critique racial bias. Other authors attempted to justify the transatlantic slave trade by advancing philosophical defenses of racial chattel slavery. Slavery and Race: Philosophical Debates in the Eighteenth Century explores these philosophical ideas and arguments, with a focus on the role race played in discussions of slavery. In doing so, author Julia Jorati reveals how closely associated Blackness and slavery were at that time and how many White people viewed Black people as naturally destined for slavery. In addition to examining well-known authors like David Hume, Immanuel Kant, and Jean-Jacques Rousseau, Jorati also discusses less widely studied philosophers like Quobna Ottobah Cugoano, Lemuel Haynes, and Olympe de Gouges. By revealing important aspects of debates about slavery in North America and Europe, this book and its companion volume on the sixteenth and seventeeth centuries are valuable resources for readers interested in a more complete history of early modern philosophy
    Description / Table of Contents: North American debates about slavery and race -- Scottish debates about slavery and race -- English debates about slavery and race -- Francophone debates about slavery and race -- Dutch and German debates about slavery and race.
    Note: Literaturverzeichnis: Seite 309-328, Index: Seite 329-338
    DOI: 10.1093/oso/9780197659236.001.0001
    URL: Cover
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    BSZ
    GBV
  • 12
    Image
    Image
    Shining lights : black women photographers in 1980s-'90s Britain (2024)
    London : MACK & Autograph
    Details
    ISBN: 9781913620752 , 1913620751
    Language: English
    Pages: 444 Seiten , 26 cm
    Edition: First edition
    DDC: 770.92396042
    RVK:
    AP 99030
    RVK:
    LH 60250
    Keywords: 1900-1999 ; Women photographers ; Photographers, Black ; Photography, Artistic ; Photographie artistique ; Femmes photographes - Grande-Bretagne ; Photographes noirs - Grande-Bretagne ; art photography ; Photography, Artistic ; Social conditions ; Pictorial works ; Great Britain Pictorial works Social conditions 20th century ; Grande-Bretagne - Conditions sociales - 20e siècle - Ouvrages illustrés ; Great Britain ; Bildband ; Bildband ; Bildband ; Großbritannien ; Fotografin ; Weibliche Person of Color ; Fotografie ; Geschichte 1980-2000 ; Großbritannien ; Schwarze ; Fotografin ; Geschichte 1980-2000
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Image
    BSZ
    GBV
    KOBV
  • 13
    Book
    Book
    No right to an honest living : the struggles of Boston's black workers in the Civil War era (2023)
    New York : Basic Books
    Details
    ISBN: 9781541619791
    Language: English
    Pages: viii, 532 Seiten , Illustrationen, Karten
    Edition: First edition
    DDC: 974.4/6100496073
    Keywords: African Americans Employment ; History ; Free black people Social conditions 19th century ; Fugitive slaves Social conditions 19th century ; Working class African Americans Social conditions 19th century ; Labor History 19th century ; Boston (Mass.) History Civil War, 1861-1865 ; Social aspects ; Boston, Mass. ; Schwarze ; Arbeiter ; Arbeitsbedingungen ; Soziale Situation ; Ungerechtigkeit ; Geschichte 1850-1875
    Abstract: Introduction: "Words are easy" -- Prelude: The Edloe sixty-six -- 1850-1860 -- The fugitive economy -- Underground commons -- The world of the streets -- Boston in the shadow of slavery -- Women in service -- Making a living in unsettled times -- 1861-1865 -- The politics of wartime work and charitable assistance -- Boston diaspora I -- "A higher standard of courage" -- Hardship on the homefront -- "False and exaggerated ideas of freedom" -- 1865-1875 -- Their suffering housekeepers -- Boston diaspora II -- White men demanding their own rights, but refusing to concede to others theirs -- Persistent industry -- "Safely doing injustice" to black Bostonians.
    Abstract: "Before, during, and after the US Civil War, Boston's Black workers were barred from the skilled trades, factory work, and public-works projects. In Boston, as in cities across the North, white abolitionists focused virtually all their energies on the plight of enslaved Black Southerners, while refusing to address the challenges faced by their Black neighbors. The author presents inspiring and heart-wrenching stories of people-from day laborers and domestics to physicians and lawyers-who ingeniously forged careers in the face of monumental obstacles"--
    Note: Includes bibliographical references and index
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  • 14
    Book
    Book
    Routledge handbook of Afro-Latin American studies (2023)
    New York : Routledge
    Details
    ISBN: 9780367691431 , 9780367747282
    Language: English
    Pages: xxxix, 640 Seiten , Diagramme, Karten
    Series Statement: Routledge handbooks
    Parallel Title: Erscheint auch als Routledge Handbook of Afro-Latin American studies
    DDC: 305.896072
    Keywords: Colonialism & imperialism ; Ethnic Studies ; Hispanic & Latino studies ; Kolonialismus und Imperialismus ; POL045000 ; POL057000 ; POLITICAL SCIENCE / General ; Politics & government ; Politik und Staat ; Regional studies ; Regionalstudien / Internationale Studien ; Social & cultural anthropology, ethnography ; Sociology ; Sozial- und Kulturanthropologie, Ethnographie ; Soziologie ; Africa ; Latin America ; Süd- und Zentralamerika (inklusive Mexiko), Lateinamerika ; Aufsatzsammlung ; Schwarze ; Lateinamerika ; Ethnische Beziehungen ; Soziologie ; Gesellschaftsleben
    Abstract: Within Latin American and Africana Studies, Afro-Latin America is an area of growing interest as departments are hiring more faculty to teach specialty courses. There is a move to institutionalize Afro-Latin American Studies as a field of its own so this Handbook will likely plug a large gap in the field.The contributors as recognized experts across different fields within Latin American and Africana Studies. Gender diversity is strong as is the inclusion of scholars from the region.Comprehensive - it addresses four fields of analysis: disciplinary studies, problem focused fields, regional/country case studies, and pioneers or classics of such studies.Features an introduction and a conclusion written by the editors, a foreword, written by a prominent Afro-Latin American Studies and short section introductions, also written by the editors. All of this is overseen by an eminent international editorial board
    URL: Cover
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    BSZ
    GBV
  • 15
    Book
    Book
    White devils, Black gods : race, masculinity, and religious codependency (2023)
    London : Bloomsbury Academic
    Details
    ISBN: 9781350175921 , 9781350175938
    Language: English
    Pages: 222 Seiten , 24 cm
    DDC: 305.38809
    Keywords: Men, White Social conditions ; Race relations Religious aspects ; Race discrimination Religious aspects ; Schwarze ; Religion ; Philosophie ; Tradition ; Weiße ; Männlichkeit
    URL: Inhaltsverzeichnis
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    BSZ
  • 16
    Online Resource
    Online Resource
    A Slow, Calculated Lynching : The Story of Clyde Kennard (2023)
    Jackson : University Press of Mississippi
    Details
    ISBN: 9781496844422
    Language: English
    Pages: 1 online resource (353 pages)
    Edition: 1st ed.
    Series Statement: Race, Rhetoric, and Media Ser.
    Parallel Title: Erscheint auch als Anderson, Devery S. A Slow, Calculated Lynching
    DDC: 323.092
    Keywords: Electronic books ; Biografie ; Biografie ; Staat Mississippi ; Bürgerrechtler ; Schwarze ; Rassendiskriminierung ; Geschichte 1955-1963
    Abstract: The harrowing, yet pivotal, story of a brilliant integration advocate.
    Note: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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    KOBV
  • 17
    Book
    Book
    This is not America : why black lives in Britain matter (2023)
    London :Atlantic Books,
    Details
    ISBN: 978-1-83895-621-9
    Language: English
    Pages: 328 Seiten ; , 24 cm.
    Parallel Title: Erscheint auch als
    DDC: 305.896041
    RVK:
    MS 1212
    RVK:
    MS 3450
    Keywords: Great Britain / Race relations / History ; United States / Race relations / History ; Great Britain ; United States ; Black people / Great Britain / Social conditions ; Black people / Social conditions ; Race relations ; Schwarze. ; Diskriminierung. ; Soziale Situation. ; Ethnische Beziehungen. ; Critical race theory ; Großbritannien. ; USA. ; History ; Schwarze ; Diskriminierung ; Soziale Situation ; Ethnische Beziehungen ; Critical race theory
    Library Location Call Number Volume/Issue/Year Availability
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    HU Berlin
    BSZ
    GBV
  • 18
    Book
    Book
    Dark agoras : insurgent Black social life and the politics of place (2023)
    New York : New York University Press
    Details
    ISBN: 1479847674 , 9781479847679
    Language: English
    Pages: 299 Seiten
    DDC: 305.896073074811
    Keywords: 21. Jahrhundert (2000 bis 2100 n. Chr.) ; 21st century ; Amerikanische Geschichte ; Ethnic Studies ; Ethnic studies ; HISTORY / United States / 21st Century ; History of the Americas ; POLITICAL SCIENCE / Public Policy / City Planning & Urban Development ; SOC056000 ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; Social & cultural history ; Sozial- und Kulturgeschichte ; Stadt- und Gemeindeplanung und -politik ; Urban & municipal planning ; USA ; Vereinigte Staaten von Amerika, USA ; Philadelphia, Pa. ; Schwarze ; Arbeiter ; Zugehörigkeit ; Stadtleben ; Soziale Situation
    Abstract: A history of Black urban placemaking and politics in Philadelphia from the Great Migration to the era of Black PowerIn this book, author J.T. Roane shows how working-class Black communities cultivated two interdependent modes of insurgent assembly-dark agoras-in twentieth century Philadelphia. He investigates the ways they transposed rural imaginaries about and practices of place as part of their spatial resistances and efforts to contour industrial neighborhoods. In acts that ranged from the mundane acts of refashioning intimate spaces to expressly confrontational and liberatory efforts to transform the city's social and ecological arrangement, these communities challenged the imposition of Progressive and post-Progressive visions for urban order seeking to enclose or displace them.Under the rubric of dark agoras Roane brings together two formulations of collectivity and belonging associated with working-class Black life. While on their surface diametrically opposed, the city's underground-its illicit markets, taverns, pool halls, unlicensed bars, as well as spaces housing illicit sex and informal sites like corners associated with the economically and socially disreputable--constituted a spatial and experiential continuum with the city's set apart-its house meetings, storefronts, temples, and masjid, as well as the extensive spiritually appropriated architectures of the interwar mass movements that included rural land experiments as well as urban housing, hotels, and recreational facilities. Together these sites incubated Black queer urbanism, or dissident visions for urban life challenging dominant urban reform efforts and their modes of producing race, gender, and ultimately the city itself. Roane shows how Black communities built a significant if underappreciated terrain of geographic struggle shaping Philadelphia between the Great Migration and Black Power. This fascinating book will help readers appreciate the importance of Black spatial imaginaries and worldmaking in shaping matters of urban place and politics
    Note: Zielgruppe: 5PB, Bezug zu Personen: ethnische Gruppen, indogene Völker, Kulturen, Stämme und andere Gruppierungen von Menschen , Zielgruppe: 5PB-US-C, Bezug zu Afro-Amerikanern
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  • 19
    Online Resource
    Online Resource
    This Is Not America : Why Black Lives in Britain Matter (2023)
    London : Atlantic Books, Limited
    Details
    ISBN: 9781838956226
    Language: English
    Pages: 1 online resource (227 pages)
    Edition: 1st ed.
    Parallel Title: Erscheint auch als Owolade, Tomiwa This is not America
    DDC: 305.896041
    RVK:
    HD 400
    RVK:
    HD 474
    Keywords: Electronic books ; Großbritannien ; Schwarze
    Abstract: Intro -- Title -- Copyright -- Contents -- Introduction: This is Not America -- Part 1: This is America -- 1 Double Consciousness -- 2 American Integrationism -- 3 Critical Race Theory -- Part 2: This is Britain -- 4 Immigration -- 5 Empire -- 6 Discrimination and Disparities -- 7 BAME -- 8 Mixed Race -- 9 Black and British -- Notes -- Acknowledgements -- Index.
    Note: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
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    GBV
  • 20
    Online Resource
    Online Resource
    Reading territory : Indigenous and Black freedom, removal, and the nineteenth-century state (2023)
    Chapel Hill : The University of North Carolina Press
    Details
    ISBN: 9781469672977
    Language: English
    Pages: 1 Online-Ressource (xx, 294 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Walkiewicz, Kathryn, 1981 - Reading territory
    DDC: 305.896/07309034
    Keywords: Electronic books ; USA ; Expansionspolitik ; Landnahme ; Bundesstaaten ; Föderalismus ; Schwarze ; Indigenes Volk ; Geschichte 1800-1905
    Abstract: Cover -- Contents -- List of Figures -- Acknowledgments -- Cover Artist's Statement -- A Note on Terminology -- Introduction: Un-tied States -- Chapter One: The Boundary Line -- Chapter Two: Surveying the Swamp -- Chapter Three: Kansas Bleeds into Cuba -- Chapter Four: Sequoyah and the Stakes of Statehood -- Conclusion: Unmaking the State -- Notes -- Bibliography -- Index -- A -- Z.
    Note: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 21
    Online Resource
    Online Resource
    Slavery in Zion : A Documentary and Genealogical History of Black Lives and Black Servitude in Utah Territory, 1847-1862 (2023)
    Salt Lake City : University of Utah Press
    Details
    ISBN: 9781647690861
    Language: English
    Pages: 1 online resource (467 pages) , illustrations
    Edition: 1st ed.
    Parallel Title: Erscheint auch als Thiriot, Amy Tanner Slavery in Zion
    DDC: 323.1196/07307920903
    Keywords: Electronic books ; Utah ; Schwarze ; Sklaverei ; Geschichte 1847-1862
    Note: Description based on publisher supplied metadata and other sources
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  • 22
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    Book
    Reparations for slavery and the slave trade : a transnational and comparative history (2023)
    London ; New York ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    Details
    ISBN: 9781350297661 , 9781350297678
    Language: English
    Pages: xiii, 344 Seiten , Illustrationen , 24 cm
    Edition: Second edition
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.3/620973
    RVK:
    NW 8295
    Keywords: Geschichte ; African Americans Reparations ; Slavery History ; Entschädigung ; Sklavenhandel ; Sklaverei ; Schwarze ; USA ; African Americans / Reparations ; Slavery / United States / History ; Slavery ; United States ; History ; USA ; Schwarze ; Sklaverei ; Sklavenhandel ; Entschädigung ; Geschichte
    Note: Previous edition: 2017
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  • 23
    Book
    Book
    Mapping Black Europe : Monuments, Markers, Memories (2023)
    Bielefeld : transcript Verlag
    Details
    ISBN: 9783837654134 , 3837654133
    Language: English
    Pages: 198 Seiten , Illustrationen
    Edition: 1. Auflage
    Series Statement: Public and Applied History 7
    Parallel Title: Erscheint auch als
    DDC: 305.89604
    RVK:
    LB 48005
    RVK:
    MS 3450
    Keywords: Schwarze ; Kollektives Gedächtnis ; Antirassismus ; Aktivismus ; Postkolonialismus ; Europa ; Aufsatzsammlung
    URL: http://www.transcript-verlag.de/978-3-8376-5413-4
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    URL: Unbekannt
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  • 24
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    Book
    White sight : visual politics and practices of whiteness (2023)
    Cambridge, Massachusetts : The MIT Press
    Details
    ISBN: 9780262047678
    Language: English
    Pages: x, 339 Seiten , Illustrationen, Karten , 24 cm
    Parallel Title: Erscheint auch als
    DDC: 305.8
    RVK:
    LB 48000
    Keywords: Weißsein ; Identität ; Nationalismus ; Sklaverei ; Schwarze ; Visuelle Kommunikation
    Note: Literaturverzeichnis Seite [291]-323
    URL: Inhaltsverzeichnis
    URL: https://mitpress.mit.edu/9780262047678/white-sight/
    URL: Inhaltsverzeichnis
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  • 25
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    Book
    Intimate entanglements in the ethnography of performance : race, gender, vulnerability (2023)
    Rochester, NY : University of Rochester Press
    Details
    ISBN: 9781648250637
    Language: English
    Pages: xvi, 252 Seiten , Illustrationen , 23 cm
    Series Statement: Eastman/Rochester studies in ethnomusicology 13
    Series Statement: Eastman/Rochester studies in ethnomusicology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89
    RVK:
    LS 48010
    Keywords: Kritik ; Rasse ; Musik ; Schwarze ; USA ; Afrika ; Ethnomusicology ; Music / Performance / Social aspects ; Intimacy (Psychology) ; Africans / Music / History and criticism ; African Americans / Music / History and criticism ; Music / United States / History and criticism ; Music / Africa / History and criticism ; Music and race ; African Americans / Music ; Ethnomusicology ; Intimacy (Psychology) ; Music ; Music and race ; Africa ; United States ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Afrika ; USA ; Schwarze ; Musik ; Rasse ; Kritik
    Abstract: "Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars"--
    Description / Table of Contents: Foreword. Let It Get Into You / Deborah Kapchan -- Acknowledgements -- Introduction. On intimate entanglements / Sidra Lawrence -- Yusef's Breath : Jazz Love, Cross-Racial Identification, and Paying Dues / Tracy McMullen -- Three Reflections, with Epilogue / Steven Cornelius -- Modulating Flawed Bodies : Intimate Acoustemologies, Chronic Pain, and Ethnographic Pianism / Mark Lomanno -- Performing Desire : Race, Sex, and the Ethnographic Encounter / Sidra Lawrence -- Thick Descriptions / Catherine M. Appert -- Entering the Lives of Others : Entangled Intimacies, Trauma, and Performance / Ama Oforiwaa Aduonum -- Ethnomusicological Empathy : Excavating a Black Graduate Student's Heartland / Danielle Davis -- Ethnomusicological Becoming : Deep Listening as Erotics in the Field / Carol Muller -- Mirror Dancing in Congo : Reflections on Fieldwork as Blanche Neige / Lesley N. Braun -- ethnography and its double(s) : theorizing the personal with Jews in Ghana / Michelle Kisliuk
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  • 26
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    Black American portraits : from the Los Angeles County Museum of Art (2023)
    Los Angeles, CA : Los Angeles County Museum of Art | New York, NY : DelMonico Books-D.A.P
    Details
    ISBN: 9781636810164 , 1636810160
    Language: English
    Pages: 222 Seiten , 32 x 24 cm
    DDC: 704.0396073
    RVK:
    AP 92184
    RVK:
    AP 95740
    Keywords: Los Angeles County Museum of Art Catalogs ; Los Angeles County Museum of Art ; African Americans Portraits ; Exhibitions ; Portrait photography Exhibitions ; African Americans in art Exhibitions ; Art, American Exhibitions ; Art Catalogs ; African Americans ; African Americans in art ; Art ; Art, American ; Portrait photography ; Catalogs ; Exhibition catalogs ; California - Los Angeles ; Ausstellungskatalog Los Angeles County Museum of Art 2021-2022 ; Ausstellungskatalog Spelman College 2023 ; Ausstellungskatalog Memphis Brooks Museum of Art 2023-2024 ; Bildband ; Los Angeles County Museum of Art ; Sammlung ; Porträtfotografie ; Person of Color ; USA ; Schwarze ; Kunst ; Bildnis ; Schwarze
    Abstract: Spanning over two centuries from around 1800 to the present day, Black American Portraits chronicles the ways in which Black Americans have used portraiture to envision themselves in their own eyes. Remembering Two Centuries of Black American Art, curated by David C. Driskell at LACMA 45 years ago, this book is a companion to the exhibition of the same name that reframes portraiture to center Black American subjects, sitters and spaces. This selection of approximately 140 works from LACMA's permanent collection highlights emancipation, scenes from the Harlem Renaissance, portraits from the Civil Rights and Black Power eras, multiculturalism of the 1990s and the spirit of Black Lives Matter.0Countering a visual culture that often demonizes Blackness and fetishizes the spectacle of Black pain, these images center love, abundance, family, community and exuberance. Black American Portraits depicts Black figures in a range of mediums such as painting, drawing, prints, photography, sculpture, mixed media and time-based media. In addition to work by artists of African descent, Black American Portraits includes several works by artists of other backgrounds who have exemplified a thoughtfulness about, sensitivity toward and commitment to Black artists, communities, histories and subjects.00Exhibition: Los Angeles County Museum of Art (LACMA), LA, USA (07.11.2021-07.04.2022)
    Note: Seite [224]: Published in conjunction with the exhibition "Black American Portraits". Itinerary Los Angeles County Museum of Art, November 7, 2021-April 17, 2022; Spelman College Museum of Fine Art, January 30-May 14, 2023; Memphis Brooks Museum of Art, September 23, 2023-July 1, 2024 , Artists include: Cedric Adams ; Laura Aguilar ; Alvin Baltrop ; Sadie Barnette ; Richmond Barthé ; Edward Biberman ; John Biggers ; Dannielle Bowman ; Diedrick Brackens ; Mark Bradford ; Kwame Brathwaite ; Frederick J. Brown ; Bisa Butler ; Micaiah Carter ; Jordan Casteel ; Elizabeth Catlett ; Jonathan Lyndon Chase ; Renee Cox ; Njideka Akunyili Crosby ; Kim Dacres ; Bruce Davidson ; Kenturah Davis ; Roy DeCarava ; Beauford Delaney ; Woody De Othelllo ; Emory Douglas ; Stan Douglas ; Sam Doyle ; David C. Driskell ; rafa esparza ; Shepard Fairey ; Kohshin Finley ; Genevieve Gaignard ; Charles Gaines ; Rico Gatson ; Jerrell Gibbs ; Todd Gray ; Chase Hall ; Lauren Halsey ; David Hammons ; Lyle Ashton Harris ; Miki Hayakawa ; William Armfield Hobday ; Reggie Burrows Hodges ; Janna Ireland ; Arthur Jafa ; Lee Jaffe ; Sargent Claude Johnson ; Kahlil Joseph ; Isaac Julien ; Glenn Kaino ; Consuelo Kanaga ; Clifford Prince King ; Jacob Lawrence ; Deana Lawson ; Samella Lewis ; Whitfield Lovell ; Kerry James Marshall ; Wangari Mathenge ; Willie Robert Middlebrook ; Nicole Miller ; Zora J. Murff ; Alice Neel ; Ralph Nelson ; Toyin Ojih Odutola ; Lorraine O'Grady ; Kambui Olujimi ; Catherine Opie ; Gordon Parks ; Ada Pinkston ; Robert Pruitt ; Otis Kwame Kye Quaicoe ; Nathaniel Mary Quinn ; Umar Rashid ; Calida Rawles ; Deborah Roberts ; Alison Saar ; Betye Saar ; Lezley Saar ; William Scott ; Paul Mpagi Sepuya ; Amy Sherald ; Xaviera Simmons ; Lorna Simpson ; Ming Smith ; Shinique Smith ; Edward Steichen ; Martine Syms ; Henry Taylor ; Mickalene Thomas ; Tourmaline ; Kent Twitchell ; James Van Der Zee ; Meta Vaux Warrick Fuller ; Fulton Leroy Washington (aka Mr. Wash) ; Timothy Washington ; Carrie Mae Weems ; Charles White ; Kehinde Wiley ; D'Angelo Lovell Williams ; Deborah Willis , Includes bibliographical references , Face it / , A museum's commitment to the Trayvon Generation / , Black American art at LACMA: a history / , Beyond the master / , Proof of life / , A lil' history of photography: Black American photography before Barack Obama / , The elusive body: Mark Bradford and David Hammons /
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    Online Resource
    Online Resource
    Gullah culture in America (2023)
    Durham : Blair
    Details
    ISBN: 9781949467970
    Language: English
    Pages: 1 Online-Ressource (223 ungezählte Seiten) , Illustrationen
    Edition: Second edition
    Parallel Title: Erscheint auch als Cross, Wilbur Gullah culture in America
    DDC: 305.896/073075799
    Keywords: Gullahs-History ; Gullahs-Social life and customs ; Sea Islands-Civilization ; Electronic books ; Sea Islands ; Gullah ; Schwarze ; Kulturelle Identität
    Abstract: Intro -- Title Page -- Copyright -- Contents -- Foreword. Going Home: How a Long-Lost Culture Is Rising from Oblivion, by Emory Shaw Campbell -- Chapter 1. Welcome Home! -- Chapter 2. Catch the Learning -- Chapter 3. A Quantum Leap -- Chapter 4. Growing Up Gullah -- Chapter 5. Hallelujah! -- Chapter 6. Healing and Folk Medicine -- Chapter 7. The Gullah Language -- Chapter 8. Preserving the Corridor -- Chapter 9. Gullah Geechee Cuisine -- Chapter 10. Gullah Celebrations -- Chapter 11. Music, Song, and Dance -- Chapter 12. Roots -- Acknowledgments -- Notes -- Bibliography -- Index.
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  • 28
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    Souls grown deep like the rivers : black artists from the American South (2023)
    London : Royal Academy of Arts | London : Royal Academy publications
    Details
    ISBN: 1912520958 , 9781912520954
    Language: English
    Pages: 141 Seiten
    DDC: 700.8996073
    RVK:
    LO 94040
    Keywords: 1900-1999 ; African American art Exhibitions ; Artists, Black Exhibitions ; ART / General ; African American art ; Bildband ; Ausstellungskatalog Royal Academy of Arts 2023 ; Bildband ; Ausstellungskatalog Royal Academy of Arts 2023 ; USA ; Künstler ; Person of Color ; Geschichte 1960- ; Schwarze ; Kunst
    Abstract: "For generations, Black artists from the American South have forged a unique art tradition. Working in near isolation from established practices, they have created masterpieces in clay, driftwood, roots, soil, recycled and cast-off objects that articulate America's painful past -- the inhuman practice of enslavement, the cruel segregationist policies of the Jim Crow era, and institutionalised racism. Their works date from the early 20th century to today and respond to issues ranging from economic inequality, oppression and social marginalisation, to sexuality, the influence of place and ancestral memory. Among the sculptures, paintings, reliefs and drawings included here are works by Thornton Dial, Lonnie Holley, Ronald Lockett, Hawkins Bolden, Bessie Harvey, Charles Williams, Mary T. Smith, Purvis Young, Mose Tolliver, Nellie Mae Rowe, Mary Lee Bendolph, Marlene Bennett Jones, Martha Jane Pettway, Loretta Pettway, and Henry and Georgia Speller. Also featured are the celebrated quiltmakers of Gee's Bend, Alabama, and the neighbouring communities of Rehoboth and Alberta."--Page four of cover
    Note: Titelblattrückseite: ... published in occasion of the exhibition "Souls Grown Deep like the Rivers: Black Artists from the American South", Royal Academy of Arts, 17 March-18 June 2023 , Includes bibliographical references and index
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    Making history : visual arts & Blackness in Canada (2023)
    Toronto : Royal Ontario Museum | Vancouver, BC : On Point Press
    Details
    ISBN: 9780774890649
    Language: English
    Pages: 255 Seiten , Illustrationen , 28 cm
    DDC: 704.03/96071
    RVK:
    LO 92000
    Keywords: Art, Black ; Artists, Black History ; Black people History ; Art museums Curatorship ; Social aspects ; Art noir - Canada ; Artistes noirs - Canada - Histoire ; Personnes noires - Canada - Histoire ; Musées d'art - Conservation - Aspect social - Canada ; Art, Black ; Artists, Black ; Black people ; History ; Canada ; Canada History ; Aufsatzsammlung ; Canada History ; Aufsatzsammlung ; Kanada ; Kunst ; Künstler ; Person of Color ; Geschichte 2000- ; Kanada ; Schwarze ; Kunst ; Schwarzenbild ; Museum ; Kulturelle Einrichtung ; Kunstgeschichtsschreibung ; Geschichte
    Abstract: "Making History is an unprecedented reflection on the positioning of Black history and art within the Canadian cultural landscape. Featuring boundary-breaking artists and others from the art world, Making History brings together poems, artist statements, and art portfolios that showcase a careful and thoughtful understanding of Black aesthetics. This beautifully illustrated book also discusses the presence of Black contemporary art in Canadian institutions and offers artistic perspectives on contemporary and historical art practices. The many voices and points of view within this publication present ideas that corroborate the state of cultural emergency in which we are living, where museums are rethinking and rewriting the stories of their collections. The book explores alternate ways of approaching the relationship between institutions, artists, and audiences, emphasizing the significance of collaboration, resisting hierarchical and hegemonic curatorial practices, and making room for multiple perspectives to bring about transformative change. Through powerful essays and striking visual art, Making History highlights the dynamism and complexity of African and diasporic experiences seen through the lens of museological interventions and artistic practices at large."--
    Note: Includes bibliographical references , Of Africa: A Reflection on "Speaking Back" / , Opening Spaces: Of Africa, Hauntings, Hesitations, and Possible Futures / , The Into the Heart of Africa Exhibition and the Coalition for the Truth about Africa: A Personal Journey / , Lessons Learned from the Heart of Afro-Canada: Into the Heart of Africa 30 Years Later / , A Life in the Day of an Object / , Here We Are Here: Creating in the Black Atlantic / , Sweet Childhood, Art, and Memory / , From Souvenir to How She Read: The Poetry behind the Design / , Between Absence and Presence: The Politics and Poetics of (In)Visibility in the Work of Sandra Brewster / , On Sucking Teeth / , Hoodies and Regimentals: Black Attire and Access in the Canadian Art Museum / , What to Wear in Canada in Winter / , Longing and Belonging: A Personal Journey through Art and Identity / , Singularity and Strangeness: One-on-One with Eddy Firmin / , On Quiet Happiness, Charcoal, Wood, and Metal: Charmaine Lurch's Being, Belonging and Grace / , Esmaa Mohamoud: Playing the Game / , Twisted Together: The Sweet Ironies of Belonging in the Art of Bushra Junaid / , A Self-Portrait of Creation: Depi m sòti nan Ginen / , Digging Us: Making Visible Black Canadian Narratives / , Travelling Exhibition: Here We Are Here at the Montreal Museum of Fine Arts / , Why Are There No Famous Black Canadian Artists? Here We Are Here and How Diversity and Inclusion Trump Aesthetic Critique / , The Pervasive Persistence of Primitivism: Face-to-Face and Exhibition Practices in the 21st Century /
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    Called to the camera : Black American studio photographers (2023)
    New Orleans : New Orleans Museum of Art | New Haven : Yale University Press
    Details
    ISBN: 9780300267389 , 030026738X , 9780300267389
    Language: English
    Pages: 226 Seiten
    DDC: 770
    RVK:
    AP 99083
    RVK:
    AP 95740
    Keywords: Bildband ; Ausstellungskatalog New Orleans Museum of Art 15.09.2022-08.01.2023 ; Bildband ; Ausstellungskatalog New Orleans Museum of Art 15.09.2022-08.01.2023 ; USA ; Porträtfotografie ; Fotostudio ; Person of Color ; Geschichte 1860- ; USA ; Schwarze ; Fotostudio ; Fotografie ; Geschichte
    Note: Gegenüber Titelseite: "Called to the Camera: Black American Studio Photographers" ... exhibition dates: New Orleans Museum of Art, September 15, 2022-January 8, 2023
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  • 31
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    Now you see me! : an introduction to 100 years of black design (2023)
    Munich : Prestel
    Details
    ISBN: 9783791388472
    Language: English
    Pages: 239 Seiten , Illustrationen , 24 cm x 17 cm, 466 g
    DDC: 740
    Keywords: Architektur ; Mode ; Design ; Gebrauchsgrafik ; Schwarze ; Geschichte
    Abstract: You’ve seen their work—but have you seen them? Black designers have been working in every major industry but, for the past decades, have not been given the spotlight anywhere near to the extent of their white counterparts. This vibrant and wide-ranging book, full of photographs and illustrations, aims to correct that oversight, bringing a century of Black designers and their work into focus. Organized into three sections focusing on Fashion, Architecture and Graphic Design, Prempeh uses the pioneering work of key figures from the twentieth and twenty-first century to explore important aspects of how Black design has been perceived within culture and society. From the necessity of the side-hustle, to interrogating the value placed on Black design, from reclaiming traditions, to exploring how design can be a form of protest, this book brings to the fore the stories of figures such as Ann Lowe, Dapper Dan, Norma Sklarek, Francis Kéré, Emory Douglas and Liz Montague to unpick what it means to be a Black
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    #You know you're Black in France when... : the fact of everyday antiblackness (2023)
    Cambridge, Massachusetts : The MIT Press
    Details
    ISBN: 9780262047784
    Language: English
    Pages: xvi, 285 Seiten , Illustrationen , 24 cm
    DDC: 305.896073044
    RVK:
    MG 34010
    Keywords: Schwarze ; Diskriminierung ; Rassismus ; Frankreich
    Note: Literaturangaben
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  • 33
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    African American artists and the New Deal art projects : opportunity, access, and community (2023)
    University Park, Pennsylvania : The Pennsylvania State University Press
    Details
    ISBN: 9780271094939
    Language: English
    Pages: xvi, 187 Seiten, 10 ungezählte Seiten Bildtafeln , Illustrationen
    Additional Information: Rezensiert in Wolfskill, Phoebe [Rezension von: Mary Ann Calo, African American artists and the new deal art programs] 2023
    DDC: 700.89/96073
    Keywords: 1930 bis 1939 n. Chr ; c 1918 to c 1939 (Inter-war period) ; African American artists History 20th century ; African American art 20th century ; New Deal art ; Federal aid to the arts History 20th century ; Art and race ; 20th century history: c 1900 to c 2000 ; ART / American / African American ; ART / History / Modern (late 19th Century to 1945) ; Amerikanische Geschichte ; HIS056000 ; HISTORY / Social History ; HISTORY / United States / 20th Century ; History of art & design styles: from c 1900 - ; History of the Americas ; Kunstgeschichte ; Social & cultural history ; Sozial- und Kulturgeschichte ; USA ; Vereinigte Staaten von Amerika, USA ; Federal Art Project ; New Deal ; Schwarze ; Kunst ; Kunstförderung ; Geschichte 1935-1943
    Abstract: "Examines the involvement of African Americans in the New Deal art programs, shifting emphasis from individual artists toward broader issues informed by the uniqueness of Black experience"--
    Abstract: This book examines the involvement of African American artists in the New Deal art programs of the 1930s. Emphasizing broader issues informed by the uniqueness of Black experience rather than individual artists' works, Mary Ann Calo makes the case that the revolutionary vision of these federal art projects is best understood in the context of access to opportunity, mediated by the reality of racial segregation.Focusing primarily on the Federal Art Project (FAP) of the Works Progress Administration (WPA), Calo documents African American artists' participation in community art centers in Harlem, in St. Louis, and throughout the South. She examines the internal workings of the Harlem Artists' Guild, the Guild's activities during the 1930s, and its alliances with other groups, such as the Artists' Union and the National Negro Congress. Calo also explores African American artists' representation in the exhibitions sponsored by WPA administrators and the critical reception of their work. In doing so, she elucidates the evolving meanings of the terms race, culture, and community in the interwar era. The book concludes with an essay by Jacqueline Francis on Black artists in the early 1940s, after the end of the FAP program.Presenting essential new archival information and important insights into the experiences of Black New Deal artists, this study expands the factual record and positions the cumulative evidence within the landscape of critical race studies. It will be welcomed by art historians and American studies scholars specializing in early twentieth-century race relations
    Description / Table of Contents: Historiography -- Participation -- Advocacy -- Visibility -- Aftermath.
    Note: Includes bibliographical references and index , Zielgruppe: 5PB-US-C, Bezug zu Afro-Amerikanern
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  • 34
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    Emancipation : the unfinished project of liberation (2023)
    Fort Worth : Amon Carter Museum of Art | Williamstown : Williams College Museum of Art | Oakland : University of California Press
    Details
    ISBN: 9780520393301
    Language: English
    Pages: 139 Seiten
    DDC: 730.973
    Keywords: ART / History / Contemporary (1945-) ; ART / History / Modern (late 19th Century to 1945) ; Art & design styles: from c 1960 ; Black & Asian studies ; Ethnic Studies ; Ethnische Gruppen und multikulturelle Studien ; HIS056000 ; History of art & design styles: from c 1900 - ; History of the Americas ; Kunstgeschichte ; Modernismus ; SOC056000 ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; Sozial- und Kulturgeschichte ; USA ; Ausstellungskatalog Amon Carter Museum of American Art 12.03.2023-09.07.2023 ; Ausstellungskatalog Newcomb Art Museum 05.08.2023-11.11.2023 ; Ausstellungskatalog Museum of Art 16.02.2024-16.06.2024 ; Aufsatzsammlung ; Ausstellungskatalog Amon Carter Museum of American Art 12.03.2023-09.07.2023 ; Ausstellungskatalog Newcomb Art Museum 05.08.2023-11.11.2023 ; Ausstellungskatalog Museum of Art 16.02.2024-16.06.2024 ; Aufsatzsammlung ; USA ; Schwarze ; Künste ; Geschichte 1800-2020 ; USA ; Schwarze ; Künste ; Kultur ; Bürgerrechtsbewegung ; Geschichte 1800-2020
    Abstract: This stunning exhibition catalog visualizes what freedom looks like for Black Americans today and the legacy of the Civil War in 2023 and beyond. Emancipation: The Unfinished Project of Liberation sits at the intersection of history and contemporary life. Building upon in-depth conversations about representations of enslavement and emancipation at the close of the Civil War, this project originates from an analysis of sculptor John Quincy Adams Ward's The Freedman (1863), one of the first bronze representations of a Black person in the United States, and expands into an investigation of how living artists envision emancipation, freedom, and liberation today. Featuring interviews with artists Sadie Barnette, Alfred Conteh, Maya Freelon, Hugh Hayden, Letitia Huckaby, Jeffrey Meris, and Sable Elyse Smith, the exhibition catalog explores their practices along with cutting-edge scholarship by Kirsten Pai Buick and Kelvin Parnell, among others, as well as a haunting story of embodiment and exploitation by celebrated science-fiction author N. K. Jemisin. Burdened by failed promises but buoyed by hope, this project is mournful and melancholy yet also reflective and celebratory in its aspirations for a brighter future. Published in association with the Amon Carter Museum of American Art Exhibition dates: Amon Carter Museum of American Art: March 12-July 9, 2023 Newcomb Art Museum at Tulane University: August 5-November 11, 2023 Williams College Museum of Art: February 16-June 16, 2024
    Note: Seite [140]: Published on the occasion of the exhibition "Emancipation: The Unfinished Project of Liberation", organized by the Amon Carter Musum of American Art, Fort Worth, Texas and the Williams College Museum of Art, Williamstown, Massachusetts. Exposition dates: Amon Carter Center of American Art, Fort Worth, Texas, March 12 through July 9, 2023. - New Comb Museum at Tulane University, New Orleans, Louisiana, August 5 through November 11, 2023. - Williams College Museum of Art, Williamstown, Massachusetts, February 16 through June 16, 2024 , Zielgruppe: 5PB, Bezug zu Personen: ethnische Gruppen, indogene Völker, Kulturen, Stämme und andere Gruppierungen von Menschen , Zielgruppe: 5PB-US-C, Bezug zu Afro-Amerikanern
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    Book
    The black geographic : praxis, resistance, futurity (2023)
    Durham ; London : Duke University Press
    Details
    ISBN: 9781478025153 , 9781478020172
    Language: English
    Pages: 334 Seiten , Illustrationen, Karten
    Parallel Title: Erscheint auch als
    DDC: 305.8960071
    RVK:
    RB 10805
    Keywords: Ethnologie ; Schwarze ; African diaspora ; Black people-Race identity ; Black people-Study and teaching ; Human geography ; Schwarze ; Ethnologie
    Abstract: The contributors to The Black Geographic explore the theoretical innovations of Black Geographies scholarship and how it approaches Blackness as historically and spatially situated.
    Abstract: Cover -- Contents -- Introduction. Black Geographies Material Praxis of Black Life and Study -- Part I. Praxis -- 1. Call Us Alive Someplace: Du Boisian Methods and Living Black Geographies -- 2. Shaking the Basemap -- 3. "My Bad Attitude toward the Pastoral": Race, Place, and Allusion in the Poetry of C. S. Giscombe -- Part II. Resistances -- 4. Blackness Out of Place and In Between in the Sahara -- 5. Words Re(en)visioned: Black and Indigenous Languages for Autonomy -- 6. Blackness in the (Post)Colonial African City -- 7. Marielle Franco and Black Spatial Imaginaries -- Part III. Futurity -- 8. Rendering Gentrification and Erasing Race: Sustainable Development and the (Re)Visioning of Oakland, California, as a Green City -- 9. "Need Black Joy?": Mapping an Afrotechtonics of Gathering in Los Angeles -- 10. The San Francisco Blues -- 11. Today Like Yesterday, Tomorrow Like Today: Black Geographies in the Breaks of the Fourth Dimension -- 12. A Black Geographic Reverie &amp -- Reckoning in Ink and Form -- Contributors -- Index--
    Note: Includes bibliographical references and index
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  • 36
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    Black modernisms in the transatlantic world (2023)
    Washington : National Gallery of Art | New Haven : Yale University Press
    Details
    ISBN: 9780300269772 , 0300269773
    Language: English
    Pages: vii, 255 Seiten , Illustrationen , 26 cm
    Series Statement: Seminar papers / Center for Advanced Study in the Visual Arts 4
    RVK:
    LH 60220
    Keywords: Artists, Black Congresses ; Artists, Black Congresses Themes, motives ; African American artists Congresses ; Black people in art Congresses ; Art, Modern Congresses Themes, motives ; Aufsatzsammlung ; Aufsatzsammlung ; Kunstsoziologie ; Schwarze ; Künstler ; Künstlerin
    Abstract: Illustrated essays that broaden our understanding of modernism by centering Black artists and experiences, with a contribution featuring the work of Venice Biennale Golden Lion winner Simone Leigh. In this volume, ten leading scholars examine the contradictions of modernity and Black agency that continue to define the Western art world. Illustrated essays explore the work of artists such as Roy DeCarava, Ben Enwonwu, James Hampton, Norman Lewis, Nancy Elizabeth Prophet, Augusta Savage, and Carrie Mae Weems, always with an eye toward reframing our understanding of Black artistic producers. The interdisciplinary avenues of inquiry remake the boundaries of modernist art - its notions time and again focused on the singular white male European or American artist - with another set of imperatives, ethics, and histories, broadening our understanding of the past and present of modernism. -- Yale UP website
    Description / Table of Contents: Introduction: a troubled conjuncture / Huey Copeland and Steven Nelson -- Simone Leigh: acts of transformation / Steven Nelson -- Leave no mark: Blackness and inscription in the inquisitorial archive / Matthew Francis Rarey -- Bare feet, or, the ambivalence of emancipation: Camille Pissarro and the Caribbean / C. C. Mckee -- On European modernism and Black being / Simon Gikandi -- Nancy Elizabeth Prophet and Augusta Savage: Sculptural habits of Black modernism / Kellie Jones -- Numinous affect in Black Atlantic modernisms / Sylvester Okwunodu Ogbechie -- Darkness and the unvisible: Norman Lewis, Roy Decarava, and postwar abstraction / Kobena Mercer -- At the threshold of withholding: Stanley Brouwn's modernist repetitions / Adrienne Edwards -- Spaces in the shadows: archives and architectures in the work of Carrie Mae Weems / Mabel O. Wilson.
    Note: Studies in the history of art Symposiums 2018 and 2019, Washington, D.C , Includes bibliographical references and index
    URL: Inhaltsverzeichnis
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  • 37
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    The geometries of Afro Asia : art beyond solidarity (2023)
    Oakland, California : University of California Press
    Details
    ISBN: 9780520392458 , 9780520359567
    Language: English
    Pages: x, 305 Seiten , Illustrationen
    DDC: 709.5
    RVK:
    LH 60230
    Keywords: Art, Comparative ; Art and race ; Artists, Black ; Kunstsoziologie ; Asien ; Schwarze ; Kunst ; Geschichte 1960-2020
    Abstract: "How do we embark on a history of art that proceeds from the assumption of a global majority? Taking as a rhetorical departure the construct of Afro Asia which doubles as both an ontological reference and an epistemological intervention, this book centers the worlds Black and Asian artists initiate through their work. Afro Asia breaks down delineated time into points, trajectories, angles, magnitudes and relative positions so that temporality and chronology figure primarily as questions of geometry: it asks if and how we can we be something other than what biology, politics, culture, and economics tells us we are or must become. Spanning North America, Europe, Asia, and Africa, this book challenges the institutionalization of contemporary art as a global enterprise increasingly governed by the judgments of a self-selecting minority"--
    Description / Table of Contents: Coincident intensities: friendship, comparison, and the Afro Asian body -- Angles of incidence: photographing interracial encounters in postwar Asia -- Integral tangents: Black arts of Asia -- Planes of collaboration: non-consensus spaces -- Circling Afro China: the new global majority.
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
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  • 38
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    Beauty born of struggle : the art of black Washington (2023)
    Washington : National Gallery of Art | New Haven : Yale University Press
    Details
    ISBN: 9780300267105
    Language: English
    Pages: 356 Seiten , Illustrationen , 29 cm
    Series Statement: Studies in the history of art 83
    Series Statement: Symposium papers 60
    Series Statement: Studies in the history of art
    RVK:
    LO 96250
    Keywords: Snowden, Sylvia - 1942- ; Stovall, Lou - 1937- ; Thomas, Alma - 1891-1978 ; Donaldson, Jeff - 1932-2004 ; Porter, James A. (James Amos) - 1905-1970 ; Burwell, Lilian Thomas - 1927- ; Coleman, Floyd W - 1939- ; Driskell, David C - 1931-2020 ; Gilliam, Sam - 1933-2022 ; Morrison, Keith - 1942- ; Puryear, Martin - 1941- ; Howard University - United States ; The Phillips Collection - United States ; African American Art - United States ; Konferenzschrift National Gallery of Art, Washington, DC ; Konferenzschrift National Gallery of Art, Washington, DC ; Washington, DC ; Schwarze ; Kunst ; Ästhetik ; Geschichte 1920-
    Abstract: In a twentieth century during which modern art largely abandoned beauty as its imperative, a group of Black artists from Washington, DC, made beauty the center of their art making. This book highlights these influential artists, including David C. Driskell, Sam Gilliam, Lois Mailou Jones, and Alma Thomas, in the context of what Jeffrey C. Stewart describes as the Washington Black Renaissance. Vibrant histories of key District institutions and the city's communities of educators, critics, and collectors animate a nuanced consideration of the evolution of an aesthetic dialectic from the 1920s up to the present day. The fifteen essays in the volume are grounded by voices from a live artist panel at the National Gallery of Art in 2017, which included Lilian Thomas Burwell, Floyd Coleman, David C. Driskell, Sam Gilliam, Keith Morrison, Martin Puryear, Sylvia Snowden, and Lou Stovall
    Note: Titelblattrückseite: This volume includes proceedings of the symposium "The African American Art World in Twentieth-Century Washington, DC", organized by the Center for Advanced Study in the Visual Arts, National gallery of Art, and sponsored by the Wyeth Foundation for American Art and the Arthur Vining Davis Foundations. The symposium was held March 16-17, 2017, in Washington , Includes bibliography and index , English
    URL: Inhaltsverzeichnis
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  • 39
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    Battleground : African American art, 1985-2015 (2023)
    Athens : The University of Georgia Press
    Details
    ISBN: 9780820360478
    Language: English
    Pages: xii, 233 Seiten , Illustrationen
    DDC: 700.89/96073
    RVK:
    LO 94000
    Keywords: African American art 20th century ; African American art 21st century ; Art and society History 20th century ; Art and society History 21st century ; USA ; Kunstsoziologie ; Kunst ; Schwarze ; Geschichte 1985-2015
    Abstract: "Battleground is the first illustrated history of contemporary African American art. The volume offers an in-depth examination of twenty-five Black artists, discussing their artworks, practices, and philosophies, as expressed in their own words. Celeste-Marie Bernier has done extensive archival work in sources that have not been studied before, and her research provides a foundation for an intellectual and cultural history of contemporary African American artists and art movements from 1990 to the present. The wealth of quoted material-published interviews, artist statements, and autobiographical essays-should inform and inspire additional research in the years to come. Battleground examines the paintings, drawings, sculptures, and installation, digital, and performance art produced by twenty-five Black artists living and working in the United States over the last three decades. The artists studied in this book include Emma Amos, Radcliffe Bailey, Mary Lee Bendolph, Chakaia Booker, Beverly Buchanan, Willie Cole, Leonardo Drew, Meta Vaux Warrick Fuller, Myra Greene, Lyle Ashton Harris, Ronald Lockett, Whitfield Lovell, Kerry James Marshall, Lorraine O'Grady, Jefferson Pinder, Debra Priestly, Winfred Rembert, Nellie Mae Rowe, Alison Saar, Dread Scott, Clarissa T. Sligh, LaShawnda Crowe Storm, Mickalene Thomas, Nari Ward, and Pat Ward Williams"--
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
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  • 40
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    The words and wares of David Drake : revisiting 'I made this jar' and the legacy of Edgefield pottery (2023)
    Columbia, South Carolina : The University of South Carolina Press
    Details
    ISBN: 9781643363202 , 9781643363219
    Language: English
    Pages: xviii, 209 Seiten
    Parallel Title: Erscheint auch als Koverman, Jill Beute The Words and Wares of David Drake
    DDC: 738.092
    Keywords: ART / American / African American ; ART / Collections, Catalogs, Exhibitions ; Ausstellungskataloge, Museumskataloge und Sammlungen ; Ceramic arts, pottery, glass ; Exhibition catalogues & specific collections ; HIS056000 ; HISTORY / United States / State & Local / South (AL, AR, FL, GA, KY, LA, MS, NC, SC, TN, VA, WV) ; History of art & design styles: from c 1900 - ; Individual artists, art monographs ; Keramik, Glas, Mosaikkunst ; Kunstgeschichte ; Sklaverei und Abschaffung der Sklaverei ; Slavery & abolition of slavery ; Social & cultural history ; Sozial- und Kulturgeschichte ; einzelne Künstler, Künstlermonografien ; South Carolina ; South Carolina ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Drake, David 1800-1870 ; Edgefield, SC ; Schwarze ; Keramik
    Abstract: David Drake, also known as Dave the Potter, was born enslaved in Edgefield, South Carolina, at the turn of the nineteenth century. Despite laws prohibiting enslaved people from learning to read or write, Drake was literate and signed some of his pots. This volume collects multifaceted scholarship about Drake and his craft
    Note: Zielgruppe: 5PB-US-C, Bezug zu Afro-Amerikanern
    URL: Cover  (lizenzpflichtig)
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  • 41
    Online Resource
    Online Resource
    Africanism : Blacks in the Medieval Arab Imaginary (2023)
    Montreal : McGill-Queen's University Press
    Details
    ISBN: 9780228019664
    Language: English
    Pages: 1 online resource (194 pages)
    Edition: 1st ed.
    Parallel Title: Erscheint auch als Kāẓim, Nādir Africanism
    DDC: 305.8960174927
    Keywords: Arabic literature-History and criticism ; Africanisms in literature ; Arabic literature ; Black people in literature ; Literature, Medieval ; Race relations ; Racism ; Criticism, interpretation, etc ; History ; Arab countries ; Afrikaner ; Schwarze ; Rezeption ; Arabisch ; Literatur
    Abstract: Investigating the history of anti-Black racism in several canonical texts of Arabic culture, Africanism explores how Black people are perceived, imagined, and represented in the Arab imaginary from the Middle Ages until the nineteenth century in works of religion, literature, and history.
    Abstract: Cover -- Copyright -- Contents -- Translator's Preface -- Introduction -- Part One: Cultural Representations and the Imaginary Underpinnings -- 1 Blacks in the Arab Imaginary -- 2 The Absolute Other and the Power of Representation -- Part Two: The Imaginary and the Literary Representation -- 3 Blacks in Narrative Representation -- 4 Representation of Blacks in Poetry -- Notes -- Bibliography -- Index.
    Note: Description based on publisher supplied metadata and other sources
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  • 42
    Online Resource
    Online Resource
    Slavery, religion, and race in antebellum Missouri : freedom from slavery and freedom from sin (2023)
    Lanham : Lexington Books
    Details
    ISBN: 9781666917000
    Language: English
    Pages: 1 Online-Ressource (xiv, 176 Seiten)
    Series Statement: Religion in American history
    Parallel Title: Erscheint auch als Butler, Kevin D. Slavery, religion, and race in antebellum Missouri
    DDC: 305.896/0730778
    Keywords: Church history ; Electronic books ; Missouri ; Schwarze ; Sklaverei ; Ethnische Beziehungen ; Religion ; Christentum ; Geschichte
    Abstract: This book looks at the interaction of slavery, religion, and race in antebellum Missouri and how they influenced and shaped each other. The author argues that for African Americans, religion was an arena where they sought control over their own lives and where they created their own form of Christianity.
    Note: Description based on publisher supplied metadata and other sources
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  • 43
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    Book
    Campus to counter : civil rights activism in Raleigh and Durham, North Carolina, 1960-1963 (2023)
    Macon : Mercer University Press
    Details
    ISBN: 9780881468779 , 0881468770
    Language: English
    Pages: 248 Seiten , Illustrationen , 23 cm
    Series Statement: America's historically Black colleges and universities
    DDC: 323.1196/07307565
    RVK:
    NQ 8342
    Keywords: 1900-1999 ; African American college students Political activity 20th century ; History ; African American student movements History 20th century ; Civil rights demonstrations History 20th century ; Civil rights movements History 20th century ; Civil rights movements History 20th century ; African Americans History 20th century ; African Americans History 20th century ; Segregation History 20th century ; Segregation History 20th century ; Academic freedom History 20th century ; Academic freedom ; African American college students - Political activity ; African American student movements ; African Americans ; Civil rights demonstrations ; Civil rights movements ; Segregation ; History ; North Carolina ; North Carolina - Durham ; North Carolina - Raleigh ; Durham, NC ; Raleigh, NC ; Schwarze ; Bürgerrechtsbewegung ; Geschichte 1960-1963
    Abstract: This book analyzes civil rights activism in North Carolina in the early 1960s, especially among students at Shaw University, Saint Augustine's College, and North Carolina College at Durham. Their significance in challenging segregation has been underrepresented in scholarly works. These students played a crucial role in bringing the end of legal segregation and in reducing hiring discrimination. While activists proceeded from campus to lunch counters for sit-ins, their actions also represented a counter to businesspersons and politicians seeking to preserve a segregationist view of Tar Heel hospitality. The book demonstrates how academic freedom ideas gave additional ideological force to the civil rights movement and garnered support from "Research Triangle" schools North Carolina State College, Duke University, and The University of North Carolina. Many students from the "Protest Triangle" (the author's term for activists at the three HBCUs) and the "Research Triangle" viewed efforts by politicians to thwart protest participation as restrictions of their academic freedom. Despite the rich historiography on the civil rights movement and scholarly works addressing academic freedom, their connections have gone mostly unexplored. Suttell utilized extensive archival research and conducted thirty-one interviews with activists and Raleigh and Durham community members, in addition to nationally recognized civil rights leaders like Andrew Young and Wyatt Tee Walker. --
    Description / Table of Contents: Machine generated contents note:
    Note: Includes bibliographical references (pages 227-236) and index
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  • 44
    Book
    Book
    Black hair in a white world (2023)
    Kent, Ohio : The Kent State University Press
    Details
    ISBN: 9781606354568
    Language: English
    Pages: xxi, 162 Seiten , Illustrationen
    Series Statement: Costume society of America
    Parallel Title: Erscheint auch als Black hair in a white world
    DDC: 391.5089/96
    Keywords: Hairdressing of African Americans History ; Hairdressing of African Americans Social aspects ; Hairdressing of African Americans Political aspects ; African Americans Race identity ; USA ; Schwarze ; Haar ; Frisur ; Mode ; Ethnische Identität ; Rassismus
    Abstract: "Black Hair in a White World is a groundbreaking, serious study of the cultural history, perceptions, and increasing acceptance of Black hair in broader American society. Editor Tameka N. Ellington brings together a varied group of scholars who together make an important contribution to ongoing discussions about race, gender, sociology, and self-expression. The anthology's essays begins with a close analysis of historical and contemporary books, media, and ads, illustrating both positive and negative responses to Black hair. The second section features contributions from diverse scholars and activists who argue that natural Black hair has often been viewed as a problem that must be solved and criticized by those who find natural Black hair unacceptable, unprofessional, and unattractive. The final essays push back against this narrative and describe the emergence of the natural hair movement, which has advocated for increased mainstream acceptance of Black hair"--
    Note: Includes index
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  • 45
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    Balthazar - a Black African king in medieval and Renaissance art (2023)
    Los Angeles : J. Paul Getty Museum
    Details
    ISBN: 9781606067857
    Language: English
    Pages: xiii, 137 Seiten , Illustrationen , 27 cm
    Parallel Title: Erscheint auch als Balthazar
    DDC: 704.9/484
    Keywords: Balthazar Art ; Art, Medieval Themes, motives ; Art, Renaissance Themes, motives ; Black people in art ; Africans in art ; Magi Art ; Ausstellungskatalog Getty Center 19.11.2019-16.02.2020 ; Aufsatzsammlung ; Ausstellungskatalog Getty Center 19.11.2019-16.02.2020 ; Aufsatzsammlung ; Ausstellungskatalog Getty Center 19.11.2019-16.02.2020 ; Aufsatzsammlung ; Drei Könige ; Balthasar Heiliger ; Afrikaner ; Schwarze ; Kunst ; Geschichte 1000-1600
    Abstract: "In this book, experts explore the representation of Balthazar as a Black African king. They examine medieval and Renaissance artworks that portray the European fantasy of the Black magus, offer clues about the Africans who may have inspired these images, and chronicle the Black presence in premodern Europe"--
    Note: Seite [138]: "This publication was inspired by the exhibition "Balthazar: A Black African King in Medieval and Renaissance Art", on view at the J. Paul Getty Museum at the Getty Center, Los Angeles, from November 19, 2019-February 16, 2020."--Colophon , Includes bibliographical references and index
    URL: Inhaltsverzeichnis
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    GRASSI Mus. Leipzig
  • 46
    Online Resource
    Online Resource
    You know you're Black in France when : the fact of everyday antiblackness (2023)
    Cambridge, Massachusetts : The MIT Press
    Details
    ISBN: 9780262373326 , 9780262373319
    Language: English
    Pages: 1 Online-Ressource (xvi, 285 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Keaton, Trica Danielle #You know you're Black in France when...
    DDC: 305.896/073044
    RVK:
    MG 34010
    Keywords: Racism against Black people ; Black people Social conditions ; France Race relations ; SOCIAL SCIENCE / Race & Ethnic Relations ; POLITICAL SCIENCE / World / European ; SOCIAL SCIENCE / Black Studies (Global) ; Frankreich ; Schwarze ; Diskriminierung ; Rassismus
    Abstract: "How daily antiblackness in mainland France, rooted in enslavement and coloniality, legitimizes antiblack dehumanization in spite of the "official" state position of raceblindness, echoing structural racism conversations worldwide"--
    Description / Table of Contents: The choice of ignorance : equality in principle vs. Equal protection -- #YouknowurblackinFrancewhen . . . : the fact of everyday antiblackness -- Au Nègre Joyeux and friends : everyday antiblackness posing as public art -- On police violence -- Coda: Universalize to pantheonize.
    Note: Includes bibliographical references and index
    DOI: 10.7551/mitpress/14849.001.0001
    URL: Volltext  (lizenzpflichtig)
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  • 47
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    Black artists in America : from civil rights to the bicentennial (2023)
    Memphis, Tennessee : Dixon Gallery and Gardens | New Haven : Yale University Press
    Details
    ISBN: 9780300273465
    Language: English
    Pages: 143 Seiten , Illustrationen , 29 cm
    RVK:
    LO 94000
    Keywords: Porter, James A Exhibitions ; Simpson, Merton D Exhibitions ; African American art Exhibitions 20th century ; ART / American / African American & Black ; ART / American / General ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; USA ; Kunst ; Schwarze ; Geschichte 1950-1980
    Abstract: "Black Artists in America: From Civil Rights to the Bicentennial explores African American art during the turbulence of the 1950s, 1960s, and 1970s. The catalogue considers the various ways in which African American artists responded to growing civil unrest, challenging the cultural, environmental, political, racial, and social issues of the era. In the 1960s, Black artists who came of age during World War II and the increasing civil rights activity of the 1950s continued to challenge inequities in the art world. They created works that celebrated their racial identity, communicated with Black audiences, and participated in the struggle for political, economic, and social equality. The establishment of artist collectives such as Spiral and museums devoted to Black art, including the Studio Museum in Harlem, alongside the emergence of art historians and critics like David Driskell and Linda Goode Bryant, marked early steps to bring Black art into broader artistic discourse. In addition to 140 full-color images of approximately seventy paintings, sculptures, and works on paper from public and private collections across the country, the catalogue features in-depth essays, including original research on artists James Porter and Merton Simpson"--
    Description / Table of Contents: Black Artists in America : 1960s-1970s / Celeste-Marie Bernier -- "The American Negro Artist Looks at Africa" : The Art Historian James A. Porter and African Diaspora Art Histories / Earnestine Jenkins -- A Masterful Eye : Merton D. Simpson, Artist and Connoisseur / Alaina Simone.
    Note: Seite [144]: This publication was produced in conjuntion with the exhibition "Black Artists in America: From Civil Rights to the Bicentennial", on view at the Dixon Gallery and Gardens, Memphis, October 22, 2023-January 14, 2024, and the Crocker Art Museum, Sacramento, February 4-May 19, 2024 , Includes bibliographical references and index
    URL: Inhaltsverzeichnis
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  • 48
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    Book
    An anthology of blackness : the state of black design (2023)
    Cambridge, Massachusetts : The MIT Press
    Details
    ISBN: 9780262048668
    Language: English
    Pages: xvii, 243 Seiten , Illustrationen , 23 cm
    Parallel Title: Erscheint auch als Anthology of Blackness
    Parallel Title: Erscheint auch als An anthology of Blackness
    DDC: 744.089/96073
    RVK:
    AP 15040
    RVK:
    LO 94000
    Keywords: Graphic arts Social aspects ; Commercial art Social aspects ; African American graphic artists ; White privilege (Social structure) ; USA ; Schwarze ; Gebrauchsgrafik ; Intersektionalität
    Abstract: "Shows why the design field has consistently failed to attract Black professionals, how Eurocentric hegemony impacts Black designers & how to create an antiracist, pro-Black design industry instead"--
    Description / Table of Contents: An Introduction to Black Design Industry + Organizations / Terresa Moses and Omari Souza -- Design's Ledger of White Supremacy: Constructing a Critical Race Pedagogy to Shape Design Futures / Pierce Otlhogile-Gordon -- Amplifying Accessibility & Abolishing Ableism: Designing to Embolden Black Disability Visual Culture / Jennifer White-Johnson.
    Note: Bibliographie (Seite 234 - 243)
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  • 49
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    Book
    Misuse of power : African American slavery and its legacy (2023)
    Lausanne ; Berlin ; Bruxelles : Peter Lang
    Details
    ISBN: 9783631889633 , 3631889631
    Language: English
    Pages: 154 Seiten , 22 cm, 280 g
    Series Statement: United States studies: culture, politics, media volume 5
    Series Statement: United States studies: culture, politics, media
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.896073
    RVK:
    NW 8295
    Keywords: Geschichte ; Rassismus ; Diskriminierung ; Schwarze ; USA ; USA ; Schwarze ; Diskriminierung ; Rassismus ; Geschichte
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    München BSB
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  • 50
    Book
    Book
    Afrofuturism : a history of black futures (2023)
    Washington, DC : Smithsonian Books
    Details
    ISBN: 9781588347404
    Language: English
    Pages: 216 Seiten , Illustrationen
    DDC: 305.896/073
    Keywords: National Museum of African American History and Culture (U.S.) Catalogs ; Afrofuturism ; African American arts ; Black people in art ; Black people in popular culture ; Outer space In art ; Schwarze ; Kulturelle Identität ; Afrofuturismus
    Abstract: "This illustrated companion book to an upcoming Smithsonian exhibition explores the power of Afrofuturism to reclaim the past and reimagine Black futures"--
    Description / Table of Contents: Foreword / Kevin Young -- Introduction / Kevin M. Strait -- Afrofuturism as Space and Being / Ytasha L. Womack -- Interstellar / Tiffany E. Barber -- Black women change the face of spaceflight / Matthew Shindell -- I came to Africa on a spaceship / Ytasha L. Womack -- Notes from the cosmic underground : a history of the Afrofuturist movement and the changing world order / Reynaldo Anderson -- We are the stars : Black speculative narratives and the history of the future / John Jennings -- W.E.B. Du Bois : documenting the present, reinterpreting the past, and imagining the future / William S. Pretzer -- There's a reason / N. K. Jemisin -- Dialogues in space : Octavia Butler and Samuel Delany / Herb Boyd -- Black Panther : an escape to Utopia / Herb Boyd -- Black joy as resistance / Ariana Curtis.
    Note: Includes bibliographical references and index
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  • 51
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    Multiplicity : Blackness in contemporary American collage (2023)
    Nashville, TN : Frist Art Museum | New Haven : Yale University Press
    Details
    ISBN: 9780300272963
    Language: English
    Pages: 263 Seiten
    DDC: 702.81/20973
    RVK:
    LO 96720
    Keywords: African American collage Exhibitions 21st century ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; USA ; Collage ; Person of Color ; Geschichte 1960- ; USA ; Schwarze ; Collage ; Geschichte 1980-2023
    Abstract: "The first major catalogue of contemporary Black American collage, Multiplicity: Blackness in Contemporary American Art brings together over sixty-five works of art by fifty artists that reflect the breadth and complexity of Black identity. Rather than casting their work solely in terms of a racial discourse that often portrays African Americans as a monolith, these artists employ collage to convey the intersecting facets of their lived experiences that combine to make whole individuals. Building on a technique that has roots in European and American traditions-used by canonical figures from Picasso and Hannah Höch to Robert Rauschenberg and Romare Bearden-the artists have assembled pieces of paper, photographs, fabrics, and other often salvaged materials to create unified compositions that express the endless possibilities of Black-constructed narratives despite the fragmentation of our times. As artist Deborah Roberts asserts, "With collage, I can create a more expansive and inclusive view of the Black cultural experience." In addition to eight scholarly essays, the book features 140 color images of work by artists including McArthur Binion, Mark Bradford, Zoë Charlton, Tomashi Jackson, Arthur Jafa, Rashid Johnson, Yashua Klos, Kerry James Marshall, Wangechi Mutu, Lovie Olivia, Ebony Patterson, Howardena Pindell, Jamea Richmond-Edwards, Deborah Roberts, Tschabalala Self, Devan Shimoyama, David Shrobe, Lorna Simpson, Nyugen Smith, Paul Anthony Smith, Mickalene Thomas, Kara Walker, and others. Short biographies written by honor students at Fisk University accompany each artist's entry, concluding a comprehensive and inclusive look at collage today"--
    Description / Table of Contents: Hurston's Law, or a Philosophy of Display / Richard J. Powell, PhD -- Cultural Legacies and the Transformation of the Cubist Collage Aesthetic by Romare Bearden, Jacob Lawrence, and Other African American Artists / Patricia Hills -- Changing Currents and Charting New Courses: Collage and Visioning of Black Histories and Memories / Rebecca VanDiver, PhD -- Pon tu mano con la mía: Rhizomatic Pathways and Collage / María Elena Ortiz -- Meditations on the Multivalence of Black Womanhood / Valerie Cassel Oliver -- Minor Figures, Continuous Tension / Tiffany E. Barber, PhD -- also also also and and and: Digital Stitches and the Collage as Glitch / Anita N. Bateman, PhD.
    Note: Seite [264]: Published in conjunction with the exhibition "Multiplicity: Blackness in Contemporary American Collage", organized by the Frist Art Museum, Nashville ... Exhibition itinerary: Frist Art Museum, September 15-December 31, 2023; Museum of Fine Arts Houston, February 18-May 12, 2024; The Philipps collection, July 6-September 22, 2024 , Includes bibliographical references
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 52
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    Fugitive time : global aesthetics and the black beyond (2023)
    Durham : Duke University Press
    Details
    ISBN: 9781478025382 , 9781478020615
    Language: English
    Pages: xii, 267 Seiten, 8 ungezählte Seiten Tafeln , Illustrationen
    Parallel Title: Erscheint auch als Omelsky, Matthew Fugitive time
    Parallel Title: Erscheint auch als Omelsky, Matthew Fugitive Time
    Parallel Title: Erscheint auch als Omelsky, Matthew Fugitive Time
    RVK:
    LH 61040
    RVK:
    HG 129
    Keywords: Aesthetics, Black ; Time in literature ; Time and art ; Aesthetics in literature ; Literature Black authors ; Artists, Black ; Authors, Black ; Utopias in literature ; SOCIAL SCIENCE / Black Studies (Global) ; LITERARY CRITICISM / Semiotics & Theory ; Schwarze ; Person of Color ; Kunst ; Zeit
    Abstract: "In Fugitive Time, Matthew Omelsky theorizes the embodied experience of time in twentieth- and twenty-first-century black artforms from across the world. Through the lens of time, he charts the sensations and coursing thoughts that accompany desires for freedom as they appear in the work of artists as varied as Toni Morrison, Yvonne Vera, Aimé Césaire, and Issa Samb. "Fugitive time" names a distinct utopian desire directed at the anticipated moment when the body and mind have been unburdened of the violence that has consumed black life globally for centuries, bringing with it a new form of being. Omelsky shows how fugitive time is not about attaining this transcendent release, but instead sustaining the idea of it as an ecstatic social gathering. From the desire for ethereal queer worlds in the Black Audio Film Collective's Twilight City to Sun Ra's transformation of nineteenth-century scientific racism into an insurgent fugitive aesthetic, Omelsky shows how fugitive time evolves and how it remains a dominant form of imagining freedom in global black cultural expression"--
    Description / Table of Contents: Black Beyondness -- Toni Morrison's Anachronic Ease -- Aimé Césaire, Wifredo Lam, and the Aesthetics of Surging Life -- Black Audio's Archival Flight -- Sun Ra, Issa Samb, and the Drapetomaniacal Avant-Garde -- Yvonne Vera, NoViolet Bulawayo, and the Imminence of Dreaming Air -- Fugitive Ether.
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 53
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    Afrofuturism : a history of black futures (2023)
    Washington, DC : Smithsonian Books
    Details
    ISBN: 9781588347404 , 9781588347718
    Language: English
    Pages: 216 Seiten , 26 cm
    DDC: 305.896073
    RVK:
    LB 53465
    RVK:
    MK 2700
    RVK:
    AP 14000
    RVK:
    HU 1728
    RVK:
    HV 17230
    Keywords: Geschichte ; Popkultur ; Afrofuturismus ; Person of Color ; Schwarze ; USA ; Afrofuturism ; African American arts ; Black people in art ; Outer space / In art ; Black people in popular culture / United States ; National Museum of African American History and Culture (U.S.) / Catalogs ; Bildband ; Aufsatzsammlung ; Bildband ; Aufsatzsammlung ; Bildband ; Aufsatzsammlung ; USA ; Schwarze ; Afrofuturismus ; Person of Color ; Popkultur ; Geschichte
    Abstract: "This illustrated companion book to an upcoming Smithsonian exhibition explores the power of Afrofuturism to reclaim the past and reimagine Black futures"
    Description / Table of Contents: Foreword / Kevin Young -- Introduction / Kevin M. Strait -- Afrofuturism as Space and Being / Ytasha L. Womack -- Interstellar / Tiffany E. Barber -- Black women change the face of spaceflight / Matthew Shindell -- I came to Africa on a spaceship / Ytasha L. Womack -- Notes from the cosmic underground : a history of the Afrofuturist movement and the changing world order / Reynaldo Anderson -- We are the stars : Black speculative narratives and the history of the future / John Jennings -- W.E.B. Du Bois : documenting the present, reinterpreting the past, and imagining the future / William S. Pretzer -- There's a reason / N. K. Jemisin -- Dialogues in space : Octavia Butler and Samuel Delany / Herb Boyd -- Black Panther : an escape to Utopia / Herb Boyd -- Black joy as resistance / Ariana Curtis
    Note: Includes bibliographical references and index. - Hier auch später erschienene, unveränderte Nachdrucke
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    Würzburg UB
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  • 54
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    The making of Black lives matter : a brief history of an idea (2023)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780197577356 , 9780197577349
    Language: English
    Pages: xxxiv, 230 Seiten
    Edition: Updated edition
    Parallel Title: Erscheint auch als
    DDC: 305.8960730905
    RVK:
    HD 474
    RVK:
    MS 3530
    RVK:
    MS 3450
    RVK:
    NQ 8346
    Keywords: Geschichte ; Geschichte 2013-2021 ; Politik ; Schwarze. USA ; Black lives matter movement ; African Americans Social conditions 21st century ; African Americans Politics and government 21st century ; Equality ; Racism ; Black Lives Matter ; Soziale Ungleichheit ; Schwarze ; Rassismus ; Entstehung ; Soziale Situation ; Protestbewegung ; USA ; United States Race relations ; USA ; USA ; Schwarze ; Soziale Situation ; Rassismus ; Geschichte ; USA ; Schwarze ; Rassismus ; Soziale Ungleichheit ; Protestbewegung ; Geschichte 2013-2021 ; Black Lives Matter ; Protestbewegung ; Entstehung ; Geschichte
    Abstract: Started in the wake of George Zimmerman's 2013 acquittal in the death of Trayvon Martin, the #BlackLivesMatter movement has become a powerful and incendiary campaign demanding redress for the brutal and unjustified treatment of black bodies by law enforcement in the United States. The movement is only a few years old, but as Christopher J. Lebron argues in this book, the sentiment behind it is not; the plea and demand that 〈"Black Lives Matter〉" comes out of a much older and richer tradition arguing for the equal dignity-and not just equal rights-of black people. The Making of Black Lives Matter presents a condensed and accessible intellectual history that traces the genesis of the ideas that have built into the #BlackLivesMatter movement. Drawing on the work of revolutionary black public intellectuals, including Frederick Douglass, Ida B. Wells, Langston Hughes, Zora Neal Hurston, Anna Julia Cooper, Audre Lorde, James Baldwin, and Martin Luther King Jr., Lebron clarifies what it means to assert that 〈"Black Lives Matter〉" when faced with contemporary instances of anti-black law enforcement. He also illuminates the crucial difference between the problem signaled by the social media hashtag and how we think that we ought to address the problem. As Lebron states, police body cameras, or even the exhortation for civil rights mean nothing in the absence of equality and dignity. To upset dominant practices of abuse, oppression and disregard, we must reach instead for radical sensibility. Radical sensibility requires that we become cognizant of the history of black thought and activism in order to make sense of the emotions, demands, and argument of present-day activists and public thinkers. Only in this way can we truly embrace and pursue the idea of racial progress in America. Quelle: Klappentext.
    URL: Inhaltsverzeichnis
    URL: Klappentext
    URL: Cover  (lizenzpflichtig)
    URL: Inhaltsverzeichnis
    URL: Klappentext
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  • 55
    Online Resource
    Online Resource
    An anthology of Blackness : the state of Black design (2023)
    Cambridge, Massachusetts : The MIT Press
    Details
    ISBN: 9780262377249 , 0262377241 , 9780262377256 , 026237725X
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: The MIT Press
    Parallel Title: Erscheint auch als An anthology of blackness
    RVK:
    AP 15040
    RVK:
    LO 94000
    Keywords: Graphic arts Social aspects ; Commercial art Social aspects ; African American graphic artists ; White privilege (Social structure) ; USA ; Schwarze ; Gebrauchsgrafik ; Intersektionalität
    Abstract: "Shows why the design field has consistently failed to attract Black professionals, how Eurocentric hegemony impacts Black designers & how to create an antiracist, pro-Black design industry instead"--
    URL: lizenzpflichtig
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  • 56
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    Book
    Black man in the Netherlands : an Afro-Antillean anthropology (2022)
    Jackson : University Press of Mississippi
    Details
    ISBN: 9781496837011 , 9781496837004
    Language: English
    Pages: xxxix, 181 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Guadeloupe, Francio Black man in the netherlands
    DDC: 301.092
    Keywords: Guadeloupe, Francio ; Anthropologists Biography ; Racism ; Blacks ; Ethnology ; Ethnicity ; Multiculturalism ; Anthropology ; Netherlands Race relations ; Netherlands Ethnic relations ; Niederlande ; Sint Maarten ; Rassismus ; Ethnizität ; Schwarze ; Autoethnografie ; Niederlande ; Karibik ; Rassismus ; Ethnizität ; Autoethnografie
    Abstract: "Francio Guadeloupe has lived in both the Dutch Antilles and the Netherlands. An anthropologist by vocation, he is a keen observer by honed habit. In his new book, he wields both personal and anthropological observations. Simultaneously memoir and astute exploration, Black Man in the Netherlands charts Guadeloupe's coming of age and adulthood in a Dutch world and movingly makes a global contribution to the understanding of anti-Black racism. Guadeloupe identifies the intersections among urban popular culture, racism, and multiculturalism in youth culture in the Netherlands and the wider Dutch Kingdom. He probes the degrees to which traditional ethnic division collapses before a rising Dutch polyethnicity. What comes to light, given the ethnic multiplicity which Afro-Antilleans live, is their extraordinarily successful work in forging an anti-racist Dutch identity via urban popular culture. This alternative way of being Dutch welcomes the Black experience as global and increasingly local Black artists find fame and even idolization. Black Man in the Netherlands is a vivid extension of renowned critical race studies by Marxist theorists such as Achille Mbembe, Paul Gilroy, Stuart Hall, and C. L. R. James, and it bears a palpable connection to Black Atlantic artists such as Peter Tosh, Juan Luis Guerra, and KRS-One. Guadeloupe explores the complexities of Black life in the Netherlands and shows that within their means, Afro-Antilleans often effectively contest Dutch racism in civic and work life"--
    Note: Includes bibliographical references and index
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  • 57
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    Freedom's dominion : a saga of white resistance to federal power (2022)
    New York : Basic Books
    Details
    ISBN: 9781541672802
    Language: English
    Pages: 497 Seiten , Illustrationen
    Edition: First edition
    DDC: 305.8
    RVK:
    MG 70070
    RVK:
    NQ 8342
    Keywords: Barbour County, Ala. ; Weiße ; Vorherrschaft ; Freiheit ; Indianer ; Schwarze ; Unterdrückung ; Geschichte 1832-1968
    Abstract: American freedom is typically associated with the fight of the oppressed for a better world. But for centuries, whenever the federal government intervened on behalf of nonwhite people, many white Americans fought back in the name of freedom—their freedom to dominate others. In Freedom’s Dominion, historian Jefferson Cowie traces this complex saga by focusing on a quintessentially American place: Barbour County, Alabama, the ancestral home of political firebrand George Wallace. In a land shaped by settler colonialism and chattel slavery, white people weaponized freedom to seize Native lands, champion secession, overthrow Reconstruction, question the New Deal, and fight against the civil rights movement. A riveting history of the long-running clash between white people and federal authority, this book radically shifts our understanding of what freedom means in America.
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  • 58
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    Speaking my soul : race, life and language (2022)
    London : Routledge, Taylor & Francis Group
    Details
    ISBN: 9781032068855 , 9781032068831
    Language: English
    Pages: xxvi, 189 Seiten , Illustrationen, Karten
    Parallel Title: Erscheint auch als Rickford, John R., 1949 - Speaking my Soul
    Parallel Title: Erscheint auch als Rickford, John R., 1949 - Speaking My Soul
    DDC: 305.896/07302
    Keywords: Rickford, John R ; African American linguists Biography ; African Americans Race identity 20th century ; African Americans Social conditions 20th century ; Biographies ; United States Race relations 20th century ; History ; Autobiografie ; Autobiografie ; Rickford, John R. 1949- ; Ethnische Identität ; USA ; Schwarze ; Rassendiskriminierung ; Soziolinguistik
    Abstract: "Speaking My Soul is the honest story of linguist John R. Rickford's life from his early years as the youngest of ten children in Guyana to his status as Emeritus Professor of Linguistics at Stanford, of the transformation of his identity from colored or mixed race in Guyana to black in the USA, and of his work championing Black Talk and its speakers. This is an inspiring story of the personal and professional growth of a black scholar, from his life as an immigrant to the USA to world-renowned expert who has made a leading contribution to the study of African American life, history, language and culture. In this engaging memoir, Rickford recalls landmark events for his racial identity like being elected president of the Black Student Association at the U. of California, Santa Cruz; learning from black expeditions to the South Carolina Sea Islands, Jamaica, Belize and Ghana; and meeting or interviewing civil rights icons like Huey P. Newton, Rosa Parks, and South African Dennis Brutus. He worked with Rachel Jeantel, Trayvon Martin's good friend, and key witness in the trial of George Zimmerman for his murder. Zimmerman's exoneration sparked the Black Lives Matter movement. With a foreword by poet John Agard, this is the account of a former Director of African and African American Studies whose work has increased our understanding of the richness of African American language and our awareness of the education and criminal justice challenges facing African-Americans. It is key reading for students and faculty in linguistics, mixed-race studies, African American studies, and social justice"--
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  • 59
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    Book
    Deflective Whiteness : co-opting Black and Latinx identity politics (2022)
    Columbus : The Ohio State University Press
    Details
    ISBN: 9780814258545 , 9780814215180 , 0814215181
    Language: English
    Pages: xii, 222 Seiten
    Series Statement: Race and mediated cultures
    Parallel Title: Erscheint auch als Noel, Hannah, - 1986- Deflective Whiteness
    DDC: 305.809/073
    Keywords: White nationalism ; White people Attitudes ; Racism ; African Americans Social conditions ; Hispanic Americans Social conditions ; Social movements ; Social justice ; USA ; Weiße ; Ethnische Identität ; Rassismus ; Schwarze ; Hispanos
    Abstract: "Provides a synthesis of critical Whiteness studies to date and uses a wide-ranging collection of cultural objects-memes, oration, music, advertisement, and news coverage-to show how the scripts of White deflection sustain and reproduce structures of inequality and injustice"--
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
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  • 60
    Online Resource
    Online Resource
    Hurricane Jim Crow : How the Great Sea Island Storm of 1893 Shaped the Lowcountry South (2022)
    Chapel Hill : University of North Carolina Press
    Details
    ISBN: 9781469671376
    Language: English
    Pages: 1 online resource (313 pages)
    Edition: 1st ed.
    Parallel Title: Erscheint auch als Grego, Caroline Hurricane Jim Crow
    DDC: 305.896/0730757
    Keywords: Electronic books ; South Carolina ; Hurrikan ; Schwarze ; Rezession ; Rassismus ; Diskriminierung ; Geschichte 1893
    Abstract: Cover -- Contents -- List of Graphs, Illustrations, and Tables -- Preface: The List -- Acknowledgments -- Introduction -- Part I: Hurricane -- Chapter 1. The Lowcountry -- Chapter 2. The Great Sea Island Storm -- Chapter 3. The Survivors -- Part II: Aftermath -- Chapter 4. Relief for Sea Island Sufferers -- Chapter 5. Red Cross Recovery -- Chapter 6. White Backlash -- Part III: Cascade -- Chapter 7. Draining the Black Majority -- Chapter 8. Unmooring the Regional Economy -- Chapter 9. Jim Crow Lowcountry -- Epilogue: Quash Stevens, after the Storm -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y.
    Note: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 61
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    Book
    Black neo-Victoriana (2022)
    Leiden ; Boston : Brill
    Details
    ISBN: 9789004469143
    Language: English
    Pages: XII, 263 Seiten
    Series Statement: Neo-Victorian series volume 8
    Series Statement: Neo-Victorian series
    Parallel Title: Erscheint auch als
    DDC: 305.896041
    RVK:
    HN 1101
    RVK:
    HP 1112
    Keywords: Geschichte 1970-2020 ; Geschichte 1837-1901 ; Literatur ; Schwarze ; Kultur ; Rezeption ; Englisch ; Film ; Großbritannien ; Blacks / Great Britain / History / 19th century ; Blacks / Social conditions / 19th century ; Blacks / Race identity / History / 19th century ; Blacks / Intellectual life / 19th century ; Blacks in mass media ; Blacks in literature ; Great Britain / Civilization / 19th century ; Großbritannien ; Kultur ; Schwarze ; Geschichte 1837-1901 ; Rezeption ; Englisch ; Literatur ; Film ; Geschichte 1970-2020
    Abstract: "Black Neo-Victoriana is the first book-length study on contemporary re-imaginations of Blackness in the long nineteenth century. Located at the intersections of postcolonial studies, Black studies, and neo-Victorian criticism, this interdisciplinary collection engages with the global trend to reimagine and rewrite Black Victorian subjectivities that have been continually marginalised in both historical and cultural discourses. Contributions cover a range of media, from novels and drama to film, television and material culture, and draw upon cultural formations such as Black fandom, Black dandyism, or steamfunk. The book evidences how neo-Victorian studies benefits from reading re-imaginations of the long nineteenth century vis-à-vis Black epistemologies, which unhinge neo-Victorianism's dominant spatial and temporal axes and reroute them to conceive of the (neo-)Victorian through Blackness"
    Description / Table of Contents: Acknowledgements -- Notes on contributors -- Introduction: Blackness and neo-Victorian studies: re-routing imaginations of the nineteenth century / Felipe Espinoza Garrido, Marlena Tronicke, and Julian Wacker -- PART 1 Black life writing and biofictions -- Confessions of a Black Ouidaite: autoethnographic neo-Victorianism / Jesse Ryan Erickson -- Black, Queer, Victorian? The precarious neo-Victorian afterlives of Prince Alemayehu / Susanne Gruss -- We need to talk about Sarah Baartman: Black bodies, white voices, and the politics of NeoVictorian authorship / Helen Davies -- A "natural tint": Red Velvet and the archive of Black Victorian theatre / Marlena Tronicke -- PART 2 Black Victorians on screen: politics, ethics, protests -- "For all the blood we share, for all the miles we have walked... we are not the same": revealing an intolerant past in Showtime's Penny dreadful / U. Melissa Anyiwo -- Three Lady Macbeths and a critique of imperialism / Antonija Primoracvi -- The Birth of a nation, transatlantic encounters, and African Americans as 'global' neo-Victorians / Lewis Mondal -- PART 3 Material remains, refashionings, and reconstructions -- The Black dandy and neo-Victorianism: re-fashioning a stereotype / Maria Weilandt -- Steamfunk: remembering Black futures in Nisi Shawl's Everfair / Judith Rahn and Iolanda Ramos -- Country houses, slavery and the Victorians: reinterpreting heritage sites / Corinne Fowler -- Afterwod: Beyond Bridgerton: Blackness and neo-Victoriana / Jennifer DeVere Brody -- Index
    Note: Includes bibliographical references and index , 2111
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    BSZ
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  • 62
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    Book
    Who's black and why? : a hidden chapter from the eighteenth-century invention of race (2022)
    Cambridge, Massachusetts : The Belknap Press of Harvard University Press
    Details
    ISBN: 9780674244269
    Language: English
    Pages: xvi, 303 Seiten , Illustrationen, 1 Karte , 25 cm
    Parallel Title: Erscheint auch als Who’s black and why?
    DDC: 305.8009409/033
    RVK:
    NN 4430
    RVK:
    LB 31970
    RVK:
    MS 3530
    Keywords: Académie royale des sciences (France) ; Racism in anthropology History 18th century ; Scientific racism History 18th century ; Black race Color 18th century ; History ; Black race Color 18th century ; Public opinion ; History ; Europeans Attitudes 18th century ; History ; Racism ; Blackness Sources ; Reader ; Quelle ; Europa ; Schwarze ; Hautfarbe ; Rassentheorie ; Rassismus ; Geschichte 1739
    Abstract: "In 1739 Bordeaux's Royal Academy of Sciences held an essay contest seeking answers to a pressing question: What was the cause of Africans' black skin? Published here for the first time and translated into English, these early documents of scientific racism lay bare the Enlightenment origins of the phantom of racial hierarchy"--
    Note: Zusammenstellung von Quellentexten , Literaturangaben in Endnoten , Mit Chronologie und Register
    URL: Inhaltsverzeichnis
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  • 63
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    Book
    Translating blackness : Latinx colonialities in global perspective (2022)
    Durham : Duke University Press
    Details
    ISBN: 9781478018667 , 9781478016038
    Language: English
    Pages: xiv, 321 Seiten , Illustrationen
    Parallel Title: Erscheint auch als García-Peña, Lorgia, 1978- Translating Blackness
    Parallel Title: Erscheint auch als García-Peña, Lorgia, 1978 - Translating blackness
    DDC: 980/.00496
    RVK:
    LB 56615
    Keywords: Black people Migrations ; Latin Americans Migrations ; Black people History ; African diaspora ; Decolonization ; SOCIAL SCIENCE / Black Studies (Global) ; SOCIAL SCIENCE / Ethnic Studies / American / Hispanic American Studies ; Latin America Emigration and immigration ; Hispanos ; Schwarze ; Migration ; Ethnische Identität ; Kolonialismus
    Abstract: "Translating Blackness examines the relationship between race, migration, and colonialism through the lives, works, and epistemologies of Black Latinx people across diasporas. Lorgia García-Peña presents Black Latinidad as a social, cultural, and political formation that produces new approaches, knowledges, and ways of understanding our present world. Central to Translating Blackness is the concept of vaivén (coming and going). The term vaivén denotes the crossings-forth and back-that shape migrant life and expose the limits of the binary oppositions through which human beings are deployed as either citizens or foreigners. Vaivén also refers to the nations which oscillate between empire and country, receiving or expulsing people from its center. Black Latinx peoples, García-Peña argues, are subjects in vaivén between belonging and unbelonging. Their lived experience reveals that the nation is not a sufficient rubric from which to understand human experiences"--
    Note: Literaturverzeichnis: Seite 279-301
    URL: Inhaltsverzeichnis
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  • 64
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    The global history of black girlhood (2022)
    Urbana : University of Illinois Press
    Details
    ISBN: 9780252044625 , 9780252086694
    Language: English
    Pages: xiii, 295 Seiten , Illustrationen
    Parallel Title: Erscheint auch als The global history of Black girlhood
    DDC: 305.235/208996
    Keywords: Girls, Black History ; Girls, Black Race identity ; Girls, Black Social conditions ; SOCIAL SCIENCE / Black Studies (Global) ; HISTORY / African American & Black ; Aufsatzsammlung ; Schwarze ; Mädchen ; Geschichte
    Abstract: "The Global History of Black Girlhood boldly claims that Black girls are so important we should know their histories. Yet, how do we find the stories and materials we need to hear Black girls' voices and understand their lives? Corinne T. Field and LaKisha Michelle Simmons edit a collection of writings that explores the many ways scholars, artists, and activists think and write about Black girls' pasts. The contributors engage in interdisciplinary conversations that consider what it means to be a girl; the meaning of Blackness when seen from the perspectives of girls in different times and places; and the ways Black girls have imagined themselves as part of a global African diaspora. Thought-provoking and original, The Global History of Black Girlhood opens up new possibilities for understanding Black girls in the past while offering useful tools for present-day Black girls eager to explore the histories of those who came before them"--
    Abstract: "The Global History of Black Girlhood boldly claims that Black girls are so important we should know their histories. Yet, how do we find the stories and materials we need to hear Black girls' voices and understand their lives? Corinne T. Field and LaKisha Michelle Simmons edit a collection of writings that explores the many ways scholars, artists, and activists think and write about Black girls' pasts. The contributors engage in interdisciplinary conversations that consider what it means to be a girl; the meaning of Blackness when seen from the perspectives of girls in different times and places; and the ways Black girls have imagined themselves as part of a global African diaspora. Thought-provoking and original, The Global History of Black Girlhood opens up new possibilities for understanding Black girls in the past while offering useful tools for present-day Black girls eager to explore the histories of those who came before them. Contributors: Janaé E. Bonsu, Ruth Nicole Brown, Tara Bynum, Casidy Campbell, Katherine Capshaw, Bev Palesa Ditsie, Sarah Duff, Cynthia Greenlee, Claudrena Harold, Anasa Hicks, Lindsey Jones, Phindile Kunene, Denise Oliver-Velez, Jennifer Palmer, Vanessa Plumly, Shani Roper, SA Smythe, Nastassja Swift, Dara Walker, Najya Williams, and Nazera Wright"--
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
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  • 65
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    Of blood and sweat : Black lives and the making of White power and wealth (2022)
    New York, NY : Amistad, an imprint of HarperCollinsPublishers
    Details
    ISBN: 9780063038523 , 9780063038516
    Language: English
    Pages: 405 Seiten
    Edition: First edition
    Parallel Title: Erscheint auch als Ford, Clyde W. Of Blood and Sweat
    Parallel Title: Erscheint auch als Ford, Clyde W Of blood and sweat
    DDC: 306.3/620973
    RVK:
    MS 1235
    RVK:
    MS 3450
    RVK:
    MS 1660
    Keywords: Schwarze Menschen ; Sklaverei ; Gerechtigkeit ; USA ; African Americans Economic conditions ; African Americans History ; African Americans History 1863-1877 ; Slavery Economic aspects ; History ; Income distribution ; Racism Economic aspects ; Equality Economic aspects ; Wealth ; USA ; Vermögensverteilung ; Macht ; Schwarze ; Sklaverei ; Diskriminierung ; Geschichte
    Abstract: Antoney and Isabell -- Piracy and European Wealth -- Servants or Slaves? -- From Servitude to Slavery -- Legislating Faith, Love, and Lust -- Runaways and Rebels -- A House Built on Smoke -- Founding Debtors, Founding Documents -- A Great White Hope -- I Can't Breathe -- Before the Mast -- Over Coffee -- Hell on Wheels -- The Only Cowardly Blood -- A Second American Revolution -- Back Again Toward Slavery.
    Abstract: "Of Blood and Sweat: Black Lives and the Genesis of White Power and Wealth tells the story of how Black lives and labor created White power and wealth in agriculture, politics, jurisprudence, law enforcement, culture, medicine, financial services, and other fields. Through the lives of individual Black men and women a deeper understanding unravels of the role Blacks played, directly and indirectly, in creating American institutions of power and wealth-while never allowed full participation. Today, activists have taken the struggle for racial equity and justice to the streets. Of Blood and Sweat depicts this struggle from pre-colonial Africa through post-Civil War America and a consistent theme emerges: Trace the history of almost any major American institution of power and wealth and you'll find it was created by Black Americans, or created to control them. Painstakingly researched, and comprehensively documented, Of Blood and Sweat is a compelling look at the past with broad implications for present-day calls for racial equity, racial justice, and the abolishment of systemic racism."
    Note: Includes bibliographical references
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 66
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    White mythic space : racism, the First World War, and Battlefield 1 (2022)
    Berlin : De Gruyter Oldenbourg
    Details
    ISBN: 9783110729849 , 3110729849
    Language: English
    Pages: VI, 163 Seiten , Illustrationen , 23 cm x 15.5 cm
    Series Statement: Video Games and the Humanities volume 2
    Series Statement: Video games and the humanities
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Aguirre Quiroga, Stefan White Mythic Space
    DDC: 305.8
    RVK:
    NP 4450
    Keywords: Erster Weltkrieg ; Militär ; Schwarze ; Battlefield 1 ; Spieler ; Rassismus ; Internet ; Hassrede
    URL: Unbekannt
    URL: Inhaltsverzeichnis
    URL: https://www.degruyter.com/isbn/9783110729849
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: https://www.degruyter.com/isbn/9783110729849
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: https://www.degruyter.com/isbn/9783110729849
    URL: https://www.degruyter.com/isbn/9783110729849
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
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  • 67
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    Eating while black : food shaming and race in America (2022)
    Chapel Hill : University of North Carolina Press
    Details
    ISBN: 9781469668451
    Language: English
    Pages: 253 Seiten , Illustrationen
    DDC: 394.1/23
    RVK:
    LC 17610
    Keywords: African Americans Food ; Blacks Food ; Food habits ; Food Social aspects ; Stigma (Social psychology) ; Racism against Blacks ; USA ; Schwarze ; Ernährungsgewohnheit ; Rassismus
    Abstract: Worry about yourself: when food shaming Black folk is a thing -- It's a low-down, dirty shame: food and anti-Black racism -- In her mouth was an olive leaf pluck'd off: food choice in times of dislocation -- What's this in my salad? Food shaming, the real unhealthy ingredient -- Eating in the meantime: expanding African American food stories in a changing food world -- When racism rests on your plate, indeed, worry about yourself.
    Abstract: "Psyche A. Williams-Forson is one of our leading thinkers about food in America. In Eating While Black, she offers her knowledge and experience to illuminate how anti-Black racism operates in the practice and culture of eating. She shows how mass media, nutrition science, economics, and public policy drive entrenched opinions among both Black and non-Black Americans about what is healthful and right to eat. Distorted views of how and what Black people eat are pervasive, bolstering the belief that they must be corrected and regulated. What is at stake is nothing less than whether Americans can learn to embrace nonracist understandings and practices in relation to food"--
    Note: Includes bibliographical references and index
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  • 68
    Online Resource
    Online Resource
    Who’s black and why? : a hidden chapter from the Eighteenth-Century invention of race (2022)
    Cambridge : Harvard University Press
    Details
    ISBN: 9780674276130
    Language: English
    Pages: 1 Online-Ressource (321 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Who's black and why?
    DDC: 305.8009409/033
    RVK:
    NN 4430
    Keywords: Académie royale des sciences (France) ; Racism in anthropology History 18th century ; Scientific racism History 18th century ; Black race Color 18th century ; History ; Black race Color 18th century ; Public opinion ; History ; Europeans Attitudes 18th century ; History ; Racism ; Electronic books ; Quelle ; Quelle ; Quelle ; Europa ; Schwarze ; Hautfarbe ; Rassentheorie ; Rassismus ; Geschichte 1739
    Abstract: In 1739 Bordeaux's Royal Academy of Sciences held an essay contest seeking answers to a pressing question: What was the cause of Africans' black skin? Published here for the first time and translated into English, these early documents of scientific racism lay bare the Enlightenment origins of the phantom of racial hierarchy.
    Abstract: Cover -- Title Page -- Copyright -- Dedication -- Contents -- Preface: Who's Black and Why? -- Note on the Translations -- Part I -- Introduction: The 1741 Contest on the "Degeneration" of Black Skin and Hair -- 1. Blackness through the Power of God -- 2. Blackness through the Soul of the Father -- 3. Blackness through the Maternal Imagination -- 4. Blackness as a Moral Defect -- 5. Blackness as a Result of the Torrid Zone -- 6. Blackness as a Result of Divine Providence -- 7. Blackness as a Result of Heat and Humidity -- 8. Blackness as a Reversible Accident -- 9. Blackness as a Result of Hot Air and Darkened Blood -- 10. Blackness as a Result of a Darkened Humor -- 11. Blackness as a Result of Blood Flow -- 12. Blackness as an Extension of Optical Theory -- 13. Blackness as a Result of an Original Sickness -- 14. Blackness Degenerated -- 15. Blackness Classified -- 16. Blackness Dissected -- Part II -- Introduction: The 1772 Contest on "Preserving" Negroes -- 1. A Slave Ship Surgeon on the Crossing -- 2. A Parisian Humanitarian on the Slave Trade -- 3. Louis Alphonse, Bordeaux Apothecary, on the Crossing -- Select Chronology of the Representation of Africans and Race -- Notes -- Acknowledgments -- Credits -- Index.
    Note: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
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  • 69
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    Book
    Afrosonic life (2022)
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    Details
    ISBN: 9781501379291 , 9781501379338
    Language: English
    Pages: 140 Seiten
    Parallel Title: Online version Campbell, Mark V. Afrosonic life
    RVK:
    LS 48015
    Keywords: Ausdruck ; Musik ; Klang ; Schwarze ; Popular music / African influences ; Black people / Music / History and criticism ; Turntablism ; Remixes / History and criticism ; Musique populaire / Influence africaine ; Noirs / Musique / Histoire et critique ; Platinisme ; Remix / Histoire et critique ; Black people / Music ; Popular music / African influences ; Remixes ; Turntablism ; Criticism, interpretation, etc ; Schwarze ; Musik ; Klang ; Ausdruck
    Abstract: "Explores the role sonic innovations in the African diaspora play in articulating methodologies for living the afterlife of slavery"--
    Description / Table of Contents: Soundman/Sound System (S.W. rmx) -- Turning the Tables -- Riddim Science : On Living Hip-Hop's Sonic Innovations -- Dubbing the Remix and Its Uses -- Conclusion. Come Rewind : We were the 1st Robots
    Note: Hier auch später erschienene, unveränderte Nachdrucke
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
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    München UB
    KOBV
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    Bayreuth UB
  • 70
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    Black is the journey, Africana the name (2022)
    Cambridge, UK ; Medford, MA : polity
    Details
    ISBN: 9781509548330 , 9781509548323
    Language: English
    Pages: xxvii, 103 Seiten , 22 cm
    Series Statement: Critical South
    Uniform Title: Le triangle et l'hexagone
    Parallel Title: Erscheint auch als
    DDC: 305.48
    RVK:
    MS 3450
    Keywords: Schwarze ; Integration ; Ethnische Identität ; Frankreich ; Soumahoro, Maboula / 1976- ; Black people / France / Biography ; Women, Black / France / Biography ; Black people / Race identity / France ; Women, Black / Race identity / France ; Racism / France ; Blacks ; Blacks / Race identity ; Racism ; Women, Black ; France ; Biographies ; Frankreich ; Schwarze ; Ethnische Identität ; Integration
    Abstract: "A powerful reflection on race and identity in the Black/African diaspora"--
    Description / Table of Contents: Foreword / Saidiya Hartman -- Introduction. Black speech/speaking blackness -- The triangle -- University trajectory -- The hexagon -- Conclusion: The orbs are black, or, what beauty owes to chaos
    Note: "Originally published in French as Le triangle et l'hexagone: Réflexions sur une identité noire © Éditions La Découverte, Paris, 2020.
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  • 71
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    Panama in black : Afro-Caribbean world making in the twentieth century (2022)
    Durham : Duke University Press
    Details
    ISBN: 9781478015895 , 9781478018513
    Language: English
    Pages: xiii, 266 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Corinealdi, Kaysha, 1980 - Panama in black
    DDC: 305.896/07287
    Keywords: Blacks History ; Blacks Social conditions ; Blacks Migrations ; History ; Blacks Race identity ; Blacks Politics and government ; Race discrimination ; HISTORY / Latin America / Central America ; SOCIAL SCIENCE / Black Studies (Global) ; Panama Emigration and immigration ; Social aspects ; Panama Race relations ; Panama ; Schwarze ; Geschichte
    Abstract: "In Panama in Black, Kaysha Corinealdi traces the multigenerational activism of Afro-Caribbean Panamanians as they forged diasporic communities in Panama and the United States throughout the twentieth century. Drawing on a rich array of sources including speeches, yearbooks, photographs, government reports, radio broadcasts, newspaper editorials, and oral histories, Corinealdi presents the Panamanian isthmus as a crucial site in the making of an Afro-diasporic world that linked cities and towns like Colón, Kingston, Panamá, Brooklyn, Bridgetown, and La Boca. In Panama, Afro-Caribbean Panamanians created a diasporic world view of the Caribbean that privileged the potential of Black innovation. Corinealdi maps this innovation by examining the longest running Black newspaper in Central America, the rise of civic associations created to counter policies that stripped Afro-Caribbean Panamanians of citizenship, the creation of scholarship-granting organizations that supported the education of Black students, and the emergence of national conferences and organizations that linked anti-imperialism and Black Liberation. By showing how Afro-Caribbean Panamanians used these methods to navigate anti-Blackness, xenophobia, and white supremacy, Corinealdi offers a new mode of understanding activism, community, and diaspora formation"--
    Note: Includes bibliographical references and index
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    BSZ
  • 72
    Online Resource
    Online Resource
    Unsettling the Great White North : Black Canadian history (2022)
    Toronto : University of Toronto Press
    Details
    ISBN: 9781487529192
    Language: English
    Pages: 1 Online-Ressource (x, 616 Seiten)
    Parallel Title: Erscheint auch als Unsettling the Great White North
    DDC: 971.00496
    Keywords: Electronic books ; Kanada ; Schwarze ; Ethnische Beziehungen ; Soziale Situation ; Geschichte 1759-2022
    Abstract: Unsettling the Great White North offers a chronological, regional, and thematic compilation of some of the latest and best scholarship in the field of Black Canadian history.
    Note: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 73
    Online Resource
    Online Resource
    Rebel speak : a justice movement mixtape (2022)
    Berkeley : University of California Press
    Details
    ISBN: 9780520388451
    Language: English
    Pages: 1 Online-Ressource (xxxviii, 270 Seiten)
    Series Statement: California series in Hip Hop studies v.2
    Parallel Title: Erscheint auch als Bain, Bryonn Rebel speak
    DDC: 303.372
    Keywords: Social justice-United States ; Imprisonment-United States ; Racism-United States ; Electronic books ; Strafvollzug ; Polizei ; Überwachung ; Kontrolle ; Gewalt ; Kunst ; Aktivismus ; Schwarze ; Feminismus
    Abstract: A literary mixtape of transformative dialogues on justice with a cast of visionary rebel activists, organizers, artists, culture workers, thought leaders, and movement builders. Rebel Speak sounds the alarm for a global movement to end systemic injustice led by people doing the day-to-day rebel work in the prison capital of the world. Prison activist, artist, and scholar Bryonn Rolly Bain brings us transformative oral history ciphers, rooted in the tradition of call-and-response, to lay bare the struggle and sacrifice on the front lines of the fight to abolish the prison industrial complex. Rebel Speak investigates the motives that inspire and sustain movements for visionary change. Sparked by a life-changing interview with working-class heroes Dolores Huerta and Harry Belafonte, Bryonn invites us to join conversations with change-makers whose diverse critical perspectives and firsthand accounts expose the crisis of prisons and policing in our communities. Through dialogues with activists including Albert Woodfox, founder of the first Black Panther Party prison chapter, and Susan Burton, founder of Los Angeles's A New Way of Life Reentry Project; a conversation with a warden pushing beyond traditions at Sing Sing Correctional Facility; and an intimate exchange with his brother returning from prison, Bryonn reveals countless unseen spaces of the movement to end human caging. Sampling his provocative sessions with influential artists and culture workers, like Public Enemy leader Chuck D and radical feminist MC Maya Jupiter, Bryonn opens up and guides discussions about the power of art and activism to build solidarity across disciplines and demand justice. With raw insight and radical introspection, Rebel Speak embodies the growing call for "credible messengers" on prisons, policing, racial justice, abolitionist politics, and transformative
    Note: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
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  • 74
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    The racial unfamiliar : illegibility in Black literature and culture (2022)
    New York : Columbia University Press
    Details
    ISBN: 9780231205023 , 9780231205030
    Language: English
    Pages: xi, 287 Seiten , Illustrationen
    Series Statement: Literature now
    Parallel Title: Erscheint auch als Brooks, John, - 1989- The racial unfamiliar
    DDC: 810.9/896073
    RVK:
    LO 94000
    RVK:
    HU 1728
    Keywords: American literature African American authors ; History and criticism ; African American art 21st century ; African Americans Race identity ; Race in literature ; Race in art ; African Americans in literature ; African Americans in art ; African Americans Intellectual life 21st century ; Literary criticism ; USA ; Literatur ; Kunst ; Schwarze ; Ästhetik ; Abstraktion
    Abstract: "Through what strategies might contemporary artists confront cultural assumptions about race? In what ways can the devices that make race feel familiar-such as stereotypes or strategic essentialism-be used to make race feel unfamiliar? What new perspectives might emerge out of such disorienting confrontations? In The Racial Unfamiliar, John Brooks argues that twenty-first-century African American artists have turned to abstractionist aesthetics to complicate and illuminate how we think and see race. Brooks shows that established categories of cultural production-such as "African American art" or "Black history"-reproduce familiar but confining ideas about race, and that some audiences assume such ideas reflect a "truth" about Black identity or Black experience in the United States. Instead of countering representations of race with "authentic" portrayals of African American identity and experience, recent artists have begun exaggerating and overemphasizing them. By inflating and abstracting clichéd representations and stereotypes, these artists expose the incongruities that underlie racist attitudes and refute the idea that any single African American experience exists to be represented. Through the production of illegible misrepresentations of a multitude of black experiences, the literary and visual works considered in this book insist that blackness exceeds categorical representation. Brooks traces the disorienting effects of this experimental aesthetic through a broad array of recent artworks, from novels and plays by Percival Everett and Suzan-Lori Parks to photography by Roy DeCarava and installation art by Kara Walker, to show how contemporary African American cultural production can be understood as an operation in abstracting and upending the cultural determinants that make racial Blackness intelligible"--
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
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  • 75
    Online Resource
    Online Resource
    Trajectories of empire : transhispanic reflections on the african diaspora (2022)
    Nashville, Tennessee : Vanderbilt University Press
    Details
    ISBN: 9780826504623 , 9780826504616
    Language: English
    Pages: 1 Online-Ressource (vii, 301 Seiten)
    Parallel Title: Erscheint auch als Trajectories of empire
    DDC: 305.896046
    Keywords: Black people-Iberian Peninsula-History ; Black people-Iberian Peninsula-Social conditions ; African diaspora ; Electronic books ; Iberische Halbinsel ; Schwarze ; Diaspora
    Abstract: A multidisciplinary conversation about the origin and outcome of the modern Black diaspora in its Iberian and Latin American dimensions.
    Abstract: Cover -- Title Page -- Contents -- Acknowledgments -- Introduction -- Part I: The Iberian Scenario -- 1. Tracing the "Fragmentary Facts" of a Foundational Slave Voyage -- 2. Christianos nigros: Afro-Iberian Confraternities' Social and Cultural Roles -- 3. In Search of the Black Swordsman: Race and Martial Arts Discourse in Early Modern Iberia -- 4. On Enslaving and Impalement: The "Life" and Death of Chicaba, Black Woman Saint in Empire -- Part II: Continuing Expansionism and the Circum-Atlantic -- 5. Facing the Enslaved: Explorations for a Transatlantic Archive -- 6. A Postcard from Wakanda to the King of Spain: The Portrait of the Mulatos de Esmeraldas (1599) -- 7. A Transhistorical and Translocal View of the Luso-Brazilian Imperial/Colonial World through the Poetry of Gregório de Matos (1636-1695) and Domingos Caldas Barbosa (1740-1800) -- 8. Silences and the Corporeal: The Enslaved Body in (Historical) Pain -- Part III: Afro-Latin America: Black Marginality in the New Century -- 9. Racial Dynamics and Tensions in Twenty-First Century Post-Revolutionary Cuba -- 10. Senzalas e Quilombos Modernos: Evoking the Legacy of Slavery in Brazilian Hip Hop -- 11. Honoring the Bones beneath Us: Conjuring Black Heritage in the Performances of "Intervenções Urbanas" in the Gamboa Neighborhood, Rio de Janeiro -- Contributors -- Index.
    URL: lizenzpflichtig
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    Deflective whiteness : co-opting Black and Latinx identity politics (2022)
    Columbus : The Ohio State University Press
    Details
    ISBN: 9780814282564 , 0814282563
    Language: English
    Pages: 1 Online-Ressource (pages cm)
    Series Statement: Race and mediated cultures
    Parallel Title: Erscheint auch als Noel, Hannah, 1986 - Deflective Whiteness
    DDC: 305.809/073
    Keywords: White nationalism ; White people Attitudes ; Racism ; African Americans Social conditions ; Hispanic Americans Social conditions ; Social movements ; Social justice ; USA ; Weiße ; Ethnische Identität ; Rassismus ; Schwarze ; Hispanos
    Abstract: "Provides a synthesis of critical Whiteness studies to date and uses a wide-ranging collection of cultural objects-memes, oration, music, advertisement, and news coverage-to show how the scripts of White deflection sustain and reproduce structures of inequality and injustice"--
    Note: Includes bibliographical references and index
    URL: kostenfrei
    URL: Inhaltsverzeichnis
    URL: kostenfrei
    URL: Inhaltsverzeichnis
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: kostenfrei
    URL: Inhaltsverzeichnis
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    MPI Ethno. Forsch.
  • 77
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    Translating blackness : latinx colonialities in global perspective (2022)
    Durham : Duke University Press
    Details
    ISBN: 9781478023289
    Language: English
    Pages: 1 Online-Ressource (xiv, 321 Seiten)
    Parallel Title: Erscheint auch als García-Peña, Lorgia, 1978 - Translating blackness
    DDC: 980.00496
    RVK:
    LB 56615
    Keywords: Electronic books ; Hispanos ; Schwarze ; Migration ; Ethnische Identität ; Kolonialismus
    Abstract: Drawing from archives and cultural productions from the United States, the Caribbean, and Europe, Lorgia García Peña considers Black Latinidad in a global perspective in order to chart colonialism as an ongoing sociopolitical force.
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
    URL: https://doi.org/10.1515/9781478023289?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9781478023289
    URL: Cover
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    Online Resource
    Race in post-fascist Italy : "war children" and the color of the nation (2022)
    Cambridge ; New York, NY : Cambridge University Press
    Details
    ISBN: 9781108991254
    Language: English
    Pages: 1 Online-Ressource (ix, 209 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 305.800945/0904
    RVK:
    NQ 8200
    Keywords: Geschichte 1945- ; Racially mixed people / Italy / Social conditions / 20th century ; Blacks / Italy / Social conditions / 20th century ; Rassismus ; Interethnische Herkunft ; Ethnische Beziehungen ; Schwarze ; Italy / Race relations / History / 20th century ; Italy / History / 1945- ; Italien ; Italien ; Schwarze ; Interethnische Herkunft ; Ethnische Beziehungen ; Rassismus ; Geschichte 1945-
    Abstract: Focusing on the experiences and representations of the 'brown babies' born at the end of World War Two from the encounters between Black Allied soldiers and Italian women, this book explores the persistence of racial thinking and racism in post-fascist and postcolonial Italy. Through the use of a large variety of historical sources, including personal testimonies and the cinema, Silvana Patriarca illustrates Italian - and also American - responses to what many considered a 'problem'. She sensitively analyses the perceptions of race/color among different actors, such as state and local authorities, Catholic clerics, filmmakers, geneticists, psychologists, and ordinary people, and her book is rich in detail about their impact on the lives of the children. Uncovering the pervasiveness of anti-Black prejudice in the early democratic republic, as well as the presence and limitations of anti-racist sensibilities, Race in Post-Fascist Italy allows us to better understand Italy's conflicted reaction to its growing diversity
    Note: Title from publisher's bibliographic system (viewed on 24 Jan 2022) , "Undesirables" : foreigners and women in the postwar -- Little "aliens"? Representing the "mulattini" -- "Not only a question of humanity" : assisting the "mulattini" -- Growing up Black in postwar Italy -- On the American side of the Atlantic -- Under "expert" eyes -- Black Italians on screen : two films of the 1960s -- Interlude. A story from a Calabrian village -- Ancestries and identities
    DOI: 10.1017/9781108991254
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    URL: lizenzpflichtig
    URL: https://doi.org/10.1017/9781108991254
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  • 79
    Online Resource
    Online Resource
    Value in art : Manet and the slave trade (2022)
    Chicago : University of Chicago Press
    Details
    ISBN: 9780226809960
    Language: English
    Pages: 1 online resource (276 pages)
    Parallel Title: Erscheint auch als Sayre, Henry M., 1948 - Value in art
    DDC: 759.4
    Keywords: Art-Political aspects-France ; Slavery-United States-Foreign public opinion ; France-Civilization-American influences ; Art and literature-France ; Electronic books ; Manet, Edouard 1832-1883 Olympia ; Geschichte 1850-1900 ; Geschichte 1850-1900 ; Frankreich ; Schwarze ; Sklaverei ; Künste
    Abstract: Olympia's value -- Prostitution and slavery -- Sand/Baudelaire, Couture/Manet -- "La femme" de Baudelaire -- Le sud de Manet -- Poe -- Two wars -- Zola's Olympia -- Value in art -- Coda.
    Abstract: "How did art critics come to speak of light and dark as, respectively, "high in value" and "low in value." In this book, Henry Sayre traces the origins of this usage in one of art history's most famous and racially charged paintings, Manet's Olympia. Masterfully researched and argued, this bold study reveals the extraordinary weight of history and politics that Manet's painting bears, and the presence of slavery at modernism's roots. Sayre shows that it was Émile Zola who introduced a new "law of values" to art criticism in an 1867 essay on Manet. Unpacking the intricate contexts of Zola's essay and of several related paintings of Manet, Sayre argues that Zola's use of the economic metaphor of "value" was doubly coded. On the one hand, it was a feint that deflected attention away from Olympia's actual subject and toward the painting's formal qualities. On the other, Sayre argues, "value" for Zola was a trope for the political economy of slavery and the Second Empire's complicity in the ongoing slave trade in the Americas. Value in Art is a surprising and necessary intervention in our understanding of modern art's emergence in relation to issues of race"
    Note: Description based on publisher supplied metadata and other sources
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  • 80
    Online Resource
    Online Resource
    Reparations and anti-black racism : s criminological exploration of the harms of slavery and racialised injustice (2022)
    Bristol : Bristol University Press
    Details
    ISBN: 9781529216851
    Language: English
    Pages: 1 Online-Ressource (xi, 165 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 305.896073
    Keywords: African Americans / Reparations ; Reparations for historical injustices / Great Britain ; Anti-racism / United States ; Anti-racism / Great Britain ; Blacks / United States / Social conditions ; Blacks / Great Britain / Social conditions ; Rassismus ; Rassendiskriminierung ; Black Lives Matter ; Wiedergutmachung ; Sklaverei ; Schwarze ; Schwarze ; Rassendiskriminierung ; Rassismus ; Sklaverei ; Wiedergutmachung ; Black Lives Matter
    Abstract: Police shootings and incarceration inequalities are two examples of the legacy of slavery in the US and UK. Offering a criminological exploration of the case for slavery and anti-black racism reparations in the context of enduring harms and differential treatment of black citizens, this book refutes the policy perspectives that oppose reparations
    Note: Title from publisher's bibliographic system (viewed on 07 Apr 2022)
    DOI: 10.46692/9781529216851
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
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    URL: http://www.cambridge.org/core/product/identifier/9781529216851/type/BOOK
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  • 81
    Online Resource
    Online Resource
    Fight the power : law and policy through hip-hop songs (2022)
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    Details
    ISBN: 9781009019804
    Language: English
    Pages: 1 Online-Ressource (xi, 324 Seiten) , Diagramme
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/84249
    RVK:
    LS 48650
    Keywords: Geschichte 1985-2020 ; Rap (Music) / Political aspects / United States ; African Americans / Social conditions ; African Americans / Political activity ; Hip-Hop ; Politik ; Recht ; Rassendiskriminierung ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Rassendiskriminierung ; Recht ; Politik ; Hip-Hop ; Geschichte 1985-2020
    Abstract: Taking inspiration from Public Enemy's lead vocalist Chuck D - who once declared that 'rap is the CNN of young Black America' - this volume brings together leading legal commentators to make sense of some of the most pressing law and policy issues in the context of hip-hop music and the ongoing struggle for Black equality. Contributors include MSNBC commentator Paul Butler, who grapples with race and policing through the lens of N.W.A.'s song 'Fuck tha Police', ACLU President Deborah Archer, who considers the 2014 uprisings in Ferguson, Missouri, and many other prominent scholars who speak of poverty, LGBTQ+ rights, mass incarceration, and other crucial topics of the day. Written to 'say it plain', this collection will be valuable not only to students and scholars of law, African-American studies, and hip-hop, but also to everyone who cares about creating a more just society
    Note: Title from publisher's bibliographic system (viewed on 24 Jan 2022) , From "fuck tha police" to defund the police : a polemic, with elements of pragmatism and accommodation, hopefully not fatal, as black people hope about encounters with the police / Paul Butler -- Hip hop and traffic stops / Henry L. Chambers, Jr. -- "Black cop" : it's a blue thing (or is it?) / Kami Chavis -- "Illegal search" : race, personhood, and policing / Roger A. Fairfax, Jr. -- "Cops shot the kid" : police brutality, mass incarceration, and the reasonableness doctrine in criminal law / Kristin Henning -- Trauma / André Douglas Pond Cummings -- Black steel in the hour of chaos / Gregory S. Parks -- Roxanne Shanté's "independent woman" : making space for women in hip hop / Lolita Buckner Innis -- From the 1930s to the 2020s : what Ice Cube's song "Endangered Species" meant for four generations of black males / Robert Pervine, Kevin Brown, Charles Westerhaus, and Kynton Grays -- The master's tools will not dismantle the master's house : hip hop, young M.A., and gender norms / Zoe Smith-Holladay and Catherine Smith -- "Black rage" and the architecture of racial oppression / Deborah Archer -- Abolition as reparations : "this is America" and the anatomy of a modern protest anthem / Brie McLemore & Margaret Eby -- The message : resisting cultures of poverty in urban America / Etienne C. Toussaint -- "Just to get by" : poverty, racism, and smoking through the lens of Talib Kweli and Nina Simone's music / Ruqaiijah Yearby
    DOI: 10.1017/9781009019804
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1017/9781009019804
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  • 82
    Online Resource
    Online Resource
    Escape to the city : fugitive slaves in the Antebellum Urban South (2022)
    Chapel Hill : The University of North Carolina Press
    Details
    ISBN: 9781469671086
    Language: English
    Pages: 1 Online Ressource (xii, 248 Seiten) , Illustrationen, Diagramme
    Parallel Title: Erscheint auch als Müller, Viola Franziska, 1987 - Escape to the city
    DDC: 973.7/115
    Keywords: Electronic books ; USA ; Stadt ; Schwarze ; Sklave ; Flüchtling ; Geschichte 1800-1860
    Abstract: Cover -- Half Title -- Title Page -- Copyright -- Dedication -- Contents -- List of Illustrations -- Acknowledgments -- Introduction: Rethinking Slave Flight -- Chapter One: The Urgency to Escape -- Chapter Two: The Making of the New Fugitive Slave -- Chapter Three: Receiving Communities, Illegality, and the Absence of Freedom -- Chapter Four: Navigating the City -- Chapter Five: Finding Work, Remaining Poor -- Chapter Six: Urban Politics and Black Labor -- Conclusion: The Ambiguities of Illegality -- Notes -- Bibliography -- General Index
    Note: Description based on publisher supplied metadata and other sources
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  • 83
    Online Resource
    Online Resource
    Blackness and social mobility in Brazil : contemporary transformations (2022)
    Cham, Switzerland : Palgrave Macmillan
    Details
    ISBN: 9783030907655
    Language: English
    Pages: 1 Online-Ressource (xxxvi, 268 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.8
    Keywords: Geschichte ; Sociocultural Anthropology ; Ethnography ; Biotechnology ; Race and Ethnicity Studies ; Latin American Culture ; Ethnology ; Biotechnology ; Race ; Ethnology—Latin America ; Culture ; Mittelstand ; Soziale Mobilität ; Sozialer Aufstieg ; Soziale Ungleichheit ; Schwarze ; Brasilien ; Brasilien Nordost ; Schwarze ; Soziale Mobilität ; Soziale Ungleichheit ; Sozialer Aufstieg ; Mittelstand ; Geschichte
    DOI: 10.1007/978-3-030-90765-5
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    Bayreuth UB
  • 84
    Online Resource
    Online Resource
    Racial resentment in the political mind (2022)
    Chicago ; London : The University of Chicago Press
    Details
    ISBN: 9780226814704
    Language: English
    Pages: 1 Online-Ressource (xv, 347 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.800973
    Keywords: Rassismus ; Ethnische Beziehungen ; Weiße ; Ressentiment ; Vorurteil ; Schwarze ; USA ; Race awareness / United States ; Whites / United States / Attitudes ; African Americans / Attitudes ; Resentment / Social aspects / United States ; United States / Race relations ; African Americans / Attitudes ; Race awareness ; Race relations ; Whites / Attitudes ; United States ; USA ; Rassismus ; Ethnische Beziehungen ; Schwarze ; Weiße ; Vorurteil ; Ressentiment
    Abstract: A thought-provoking look at how racial resentment, rather than racial prejudice alone, motivate a growing resistance among whites to improve the circumstances faced by racial minorities.0 In Racial Resentment in the Political Mind, Darren W. Davis and David C. Wilson challenge the commonly held notion that all racial negativity, disagreements, and objections to policies that seek to help racial minorities stem from racial prejudice. They argue that racial resentment arises from just-world beliefs and appraisals of deservingness that help explain the persistence of racial inequality in America in ways more consequential than racism or racial prejudice alone. 0 The culprits, as many White people see it, are undeserving people of color, who are perceived to benefit unfairly from, and take advantage of, resources that come at Whites' expense-a worldview in which any attempt at modest change is seen as a challenge to the status quo and privilege. Yet, as Davis and Wilson reveal, many Whites have become racially resentful due to their perceptions that African Americans skirt the "rules of the game" and violate traditional values by taking advantage of unearned resources. Resulting attempts at racial progress lead Whites to respond in ways that retain their social advantage-opposing ameliorative policies, minority candidates, and other advancement on racial progress. Because racial resentment is rooted in beliefs about justice, fairness, and deservingness, ordinary citizens, who may not harbor racist motivations, may wind up in the same political position as racists, but for different reasons
    DOI: 10.7208/chicago/9780226814704
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 85
    Book
    Book
    Antagonistic cooperation : jazz, collage, fiction, and the shaping of African American culture (2022)
    New York : Columbia University Press
    Details
    ISBN: 9780231189187 , 9780231189194
    Language: English
    Pages: xiii, 275 Seiten , Illustrationen
    Series Statement: Leonard Hastings Schoff memorial lectures
    Parallel Title: Erscheint auch als O'Meally, Robert G., 1948- Antagonistic cooperation
    DDC: 781.650973
    RVK:
    LS 48200
    Keywords: Jazz History and criticism ; African American art ; American literature African American authors ; History and criticism ; African Americans Social life and customs ; Music and literature ; Art and music ; Collage ; Lectures ; USA ; Schwarze ; Musik ; Jazz ; Kunst ; Literatur ; Geschichte 1900-2000 ; Modern Jazz ; Collage ; Fiktion ; USA ; Kunst ; Schwarze
    Abstract: This Music Demanded Action : Ellison, Armstrong, and the Imperatives of Jazz -- We Are All a Collage : Armstrong's Operatic Blues, Bearden's Black Odyssey, and Morrison's Jazz -- The "Open Corner" of Black Community and Creativity : From Romare Bearden to Duke Ellington and Toni Morrison -- Hare and Bear : The Racial Profiles of Satchmo's Smile -- The White Trombone and the Unruly Black Cosmopolitan Trumpet, or How Paris Blues Came to Be Unfinished.
    Abstract: "Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics. From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O'Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O'Meally's readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy"--
    Note: Includes index
    URL: Inhaltsverzeichnis
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  • 86
    Online Resource
    Online Resource
    Young Black Street Masculinities : Vulnerability, Knife-Carrying and Survival on a Disadvantaged Housing Estate (2022)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783030935436
    Language: English
    Pages: 1 Online-Ressource(XXV, 234 p. 5 illus.)
    Edition: 1st ed. 2022.
    Series Statement: Springer eBook Collection
    Parallel Title: Erscheint auch als King, Brendan Young Black street masculinities
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Social service. ; Juvenile delinquents. ; Community development. ; Sex. ; Social service—Research. ; London ; Jugendarbeit ; Frauenfeindlichkeit ; Männlichkeit ; Gewalttätigkeit ; Jugendbande ; Schwarze ; Junger Mann
    Abstract: Chapter 1: Life on an Inner-City London Estate -- Chapter 2: Knife-Carrying, Masculinity, and Vulnerability on Maxwell -- Chapter 3: Maxwell's Street Code -- Chapter 4: An Urban Ethnographic Examination of Maxwell -- Chapter 5: Portraits of Life on Maxwell -- Chapter 6: Contribution to Knowledge and Professional Practice.
    Abstract: “Researchers have tried to understand the enduring relationship between men and violence for years. It is depressing! Why are men disposed to violence? Against one another, women or children? In this book, King sheds new and important light on such questions. Raised in a resource-poor urban area and having lost a teenage friend through knife crime, King explores how young Black men in his childhood community construct and perform masculinity. While analytical light is shone powerfully on these questions, King leaves us with hope: practitioners working with at-risk young men offer alternative, non-violent role models.” —Robert Morrell, Director of New Generation of Academics Programme, University of Cape Town, South Africa “This splendid book makes a salient contribution to our theoretical and empirical knowledge about young Black street masculinities and their relation to violent crime. Concentrating on a disadvantaged inner-city housing estate, King’s ethnographic data demonstrates the fluidity of masculine practices—from caring and sensitivity to toughness and violence. This work is both a good read and good scholarship—I highly recommend it!” —James W. Messerschmidt, Distinguished University Professor Emeritus, Sociology, University of Southern Maine, USA This book describes how young Black men on a disadvantaged housing estate in London navigate the estate’s expectations for their behaviour as they operate within a street code that endorses violence, knife-carrying and challenging masculinity. This street code informs the men’s masculine identities by promoting values of misogyny, violence and the possession of expensive material objects while subduing any performance or features deemed as weak or feminine. Chapters detail the daily pressure on young men to gain respect and perform the estate’s street code while also providing examples of young men who have escaped or rejected its influence. King also outlines how youth workers can support those trapped by the estate’s street code by embodying personalised or caring masculinity features that seek to transform the dominant masculinity. Brendan King earned his doctorate at the Institute of Education at University College London, UK. He has held multiple positions working with vulnerable and at-risk youth. His research interests include youth, gender and masculinity, particularly among inner-city communities. .
    DOI: 10.1007/978-3-030-93543-6
    URL: lizenzpflichtig
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    MPI Ethno. Forsch.
  • 87
    Online Resource
    Online Resource
    Black neo-Victoriana (2022)
    Leiden ; Boston : Brill
    Details
    ISBN: 9789004469150
    Language: English
    Pages: 1 Online-Ressource (XII, 263 Seiten)
    Series Statement: Neo-victorian series volume 8
    Series Statement: Neo-victorian series
    Parallel Title: Erscheint auch als
    DDC: 305.896041
    RVK:
    HN 1101
    RVK:
    HL 1101
    Keywords: Geschichte 1970-2020 ; Geschichte 1837-1901 ; Literatur ; Schwarze ; Kultur ; Rezeption ; Englisch ; Film ; Großbritannien ; Blacks / Great Britain / History / 19th century ; Blacks / Social conditions / 19th century ; Blacks / Race identity / History / 19th century ; Blacks / Intellectual life / 19th century ; Blacks in mass media ; Blacks in literature ; Great Britain / Civilization / 19th century ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Großbritannien ; Kultur ; Schwarze ; Geschichte 1837-1901 ; Rezeption ; Englisch ; Literatur ; Film ; Geschichte 1970-2020
    Abstract: "Black Neo-Victoriana is the first book-length study on contemporary re-imaginations of Blackness in the long nineteenth century. Located at the intersections of postcolonial studies, Black studies, and neo-Victorian criticism, this interdisciplinary collection engages with the global trend to reimagine and rewrite Black Victorian subjectivities that have been continually marginalised in both historical and cultural discourses. Contributions cover a range of media, from novels and drama to film, television and material culture, and draw upon cultural formations such as Black fandom, Black dandyism, or steamfunk. The book evidences how neo-Victorian studies benefits from reading re-imaginations of the long nineteenth century vis-à-vis Black epistemologies, which unhinge neo-Victorianism's dominant spatial and temporal axes and reroute them to conceive of the (neo-)Victorian through Blackness"
    DOI: 10.1163/9789004469150
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 88
    Image
    Image
    125th Street : photography in Harlem (2022)
    Munich : Hirmer
    Details
    ISBN: 9783777437347 , 3777437344
    Language: English
    Pages: 171 Seiten , Illustrationen , 26 cm
    DDC: 779.0899607307471
    Keywords: Bildband ; New York, NY ; Schwarze ; Fotograf ; New York- Harlem ; Streetphotography ; New York- Harlem ; Fotografie ; Geschichte
    URL: Inhaltstext
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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    Weltkulturen Museum
    BSZ
    GBV
  • 89
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    In the black fantastic (2022)
    London : Thames and Hudson
    Details
    ISBN: 9780500024621 , 0500024626
    Language: English
    Pages: 303 Seiten , 25 cm
    DDC: 700.8996041
    RVK:
    LO 90850
    RVK:
    AP 99070
    Keywords: Arts, Black Exhibitions 21st century ; Arts, Black ; History ; Bildband ; Ausstellungskatalog Hayward Gallery 29.06.2022-18.09.2022 ; Afrikaner ; Fotografie ; Malerei ; Videokunst ; Plastik ; Mixed media ; Schwarze ; Kunst ; Identität ; Geschichte 2000-2020
    Note: Titelblattrückseite: This book was published on the occasion of the exhibition In the Black Fantastic" at the Hayward Gallery, London (29 June-18 September 2022) , Includes bibliographical references, filmography, discography and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 90
    Online Resource
    Online Resource
    The forging of a black community : Seattle's Central District from 1870 through the Civil Rights Era (2022)
    Seattle : University of Washington Press
    Details
    ISBN: 9780295750651
    Language: English
    Pages: 1 Online-Ressource (xxiv, 400 Seiten)
    Edition: Second edition
    Series Statement: Emil and Kathleen Sick book series in Western history and biography
    Parallel Title: Erscheint auch als Taylor, Quintard The forging of a Black community
    DDC: 305.8009797/772
    Keywords: African Americans History ; Race relations ; Washington (State) ; Electronic books ; Central District (Seattle, Wash.) Race relations ; Seattle (Wash.) Race relations ; Seattle, Wash. ; Schwarze ; Ethnische Beziehungen ; Rassismus ; Diskriminierung ; Geschichte 1870-1970
    Abstract: "Seattle's first black resident was a sailor named Manuel Lopes who arrived in 1858 and became the small community's first barber. He left in the early 1870s to seek economic prosperity elsewhere, but as Seattle transformed from a stopover town to a full-fledged city, African Americans began to stay and build a community. By the early twentieth century, black life in Seattle coalesced in the Central District, a four-square-mile section east of downtown. Black Seattle, however, was never a monolith. Through world wars, economic booms and busts, and the civil rights movement, black residents and leaders negotiated intragroup conflicts and had varied approaches to challenging racial inequity. Despite these differences, they nurtured a distinct African American culture and black urban community ethos. With a new foreword and afterword, this second edition of The Forging of a Black Community is essential to understanding the history and present of the largest black community in the Pacific Northwest"--
    Note: Includes bibliographical references and index
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
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  • 91
    Book
    Book
    Salt. : for the preservation of black diasporic visual histories = Pour la préservation des récits historiques visuels des diasporas noires (2022)
    Arnprior, ON : UAAC/AAUC
    Details
    Language: English , French
    Pages: 141 Seiten , Illustrationen
    Series Statement: Racar 47,2 (2022)
    Series Statement: Racar
    Keywords: Kanada ; Schwarze ; Kunst ; Visuelle Medien ; Konservierung ; Archivierung
    Note: Beiträge in Englisch oder Französisch, Einleitung englisch und französisch
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  • 92
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    Practice makes perfect (2022)
    London : Book Works | Southend-on-Sea : Focal Point Gallery
    Details
    ISBN: 9781912570140 , 1912570149
    Language: English
    Pages: 141 Seiten , Illustrationen , 20 cm
    Additional Material: 2 Beilagen (1 Leporello, 1 Blatt mit Stickern)
    Series Statement: Co-series no. 22
    Series Statement: Printet matter / Focal Point Gallery #107
    Series Statement: Co-Series
    Series Statement: Printed matter
    RVK:
    LO 50098
    RVK:
    LH 60250
    Keywords: 2000-2099 ; Art, Modern 21st century ; Feminism ; Women, Black ; Popular culture ; Women artists, Black ; Black people in art Exhibitions ; Performance art ; Art, Modern ; Feminism ; Popular culture ; Women, Black ; Great Britain ; Großbritannien ; Schwarze ; Frauenkunst ; Performance ; Geschichte 2000-
    Abstract: "Comprising of new writing and works drawn from, and a part of, Uddoh's 2021 exhibition at Focal Point Gallery, Practice Makes Perfect focuses on themes of radical self-love, inspired by black feminist practice and writing. Through performance, film, installation and sound, Uddoh explores an infatuation with places, objects and celebrities in British popular culture, and the effects of these on self-formation. She is influenced by her architectural background, rooting stories in specific spaces and materials. Co-published by Book Works and Focal Point Gallery as part of our Co-Series, in association with the Bluecoat, and The Bower." -- publisher's description
    Note: Umschlagtitel
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  • 93
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    A movement in every direction : legacies of the Great Migration (2022)
    Baltimore, MD : Baltimore Museum of Art | Jackson, MS : Mississippi Museum of Art | New Haven and London : Baltimore Museum of Art and Mississippi Museum of Art, in association with Yale University Press
    Details
    ISBN: 9780300265736 , 0300265735
    Language: English
    Pages: 151 Seiten , 28 cm
    DDC: 305.896073075
    RVK:
    AP 99083
    RVK:
    LO 94037
    Keywords: Great Migration, ca. 1914-ca. 1970 Pictorial works ; Exhibitions ; African American art Exhibitions 21st century ; Art ; Exhibition catalogs ; Bildband ; Ausstellungskatalog Baltimore Museum of Art 2022-2023 ; Ausstellungskatalog Mississippi Museum of Art 2022 ; Ausstellungskatalog Brooklyn Museum 2023 ; Ausstellungskatalog California Afro-American Museum, Los Angeles, Calif. 2023-2024 ; Bildband ; Ausstellungskatalog Baltimore Museum of Art 2022-2023 ; Ausstellungskatalog Mississippi Museum of Art 2022 ; Ausstellungskatalog Brooklyn Museum 2023 ; Ausstellungskatalog California Afro-American Museum, Los Angeles, Calif. 2023-2024 ; USA ; Kunst ; Fotografie ; Schwarze ; USA ; Schwarze ; Migration ; Geschichte 1915-1970 ; Rezeption ; Kunst ; Geschichte 2021-2022
    Abstract: The Great Migration (1915-70) saw more than six million African Americans leave the South for destinations across the United States. This incredible dispersal of people across the country transformed nearly every aspect of Black life and culture. Offering a new perspective on this historical phenomenon, this incisive volume presents immersive photography of newly commissioned works of art by Akea, Mark Bradford, Zoë Charlton, Larry W. Cook, Torkwase Dyson, Theaster Gates Jr., Allison Janae Hamilton, Leslie Hewitt, Steffani Jemison, Robert Pruitt, Jamea Richmond-Edwards, and Carrie Mae Weems. The artists investigate their connections to the Deep South through familial stories of perseverance, self-determination, and self-reliance and consider how this history informs their working practices. Essays by Kiese Laymon, Jessica Lynne, Sharifa Rhodes-Pitts, and Willie Jamaal Wright explore how the Great Migration continues to reverberate today in the public and private spheres and examine migration as both a historical and a political consequence, as well as a possibility for reclaiming agency
    Note: Seite [172]: Published in conjunction with the exhibition "A Movement in Every Direction: Legacies of the Great Migration", presented at the Mississippi Museum of Art, April 9-September 11, 2022; the Baltimore Museum of Art, October 30, 2022-January 29, 2023; the Brooklyn Museum, March 3-June 25, 2023; and the California African American Museum, August 5, 2023-March 3, 2024 , Includes bibliographical references
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 94
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    A picture gallery of the soul (2022)
    Oakland, CA : University of California Press
    Details
    ISBN: 9780520388062
    Language: English
    Pages: 274 Seiten
    Edition: First edition
    DDC: 770.74/776579
    RVK:
    AP 99083
    RVK:
    AP 95740
    Keywords: African American photographers Exhibitions ; Bildband ; Ausstellungskatalog University of Minnesota 13.09.2022-10.12.2022 ; Biografie ; Bildband ; Ausstellungskatalog University of Minnesota 13.09.2022-10.12.2022 ; Biografie ; USA ; Fotografie ; Fotograf ; Person of Color ; Person of Color ; USA ; Schwarze ; Fotografie ; Schwarze ; Geschichte 1840-2020
    Abstract: Foreword / Deborah Willis -- Preface / Herman J. Milligan, Jr. -- Preface / Howard Oransky -- Mining the archive of black life and culture / Cheryl Finley -- A visual politics of black pleasure / crystal am nelson -- Why we wear a suit to do the work / Seph Rodney.
    Abstract: "A Picture Gallery of the Soul presents the work of more than one hundred Black American artists whose practice incorporates the photographic medium. Organized by the Katherine E. Nash Gallery at the University of Minnesota, this group exhibition samples a range of photographic expressions produced over three centuries, from traditional photography to mixed media and conceptual art. From the daguerreotypes made by Jules Lion in New Orleans in 1840 to the Instagram post of the Baltimore Uprising made by Devin Allen in 2015, photography has chronicled Black American life, and Black Americans have defined the possibilities of photography. Frederick Douglass recognized the quick, easy, and inexpensive reproducibility of photography and developed a theoretical framework for understanding its impact on public discourse, which he delivered as a series of four lectures during the Civil War. The subject of 160 photographic portraits and the most photographed American of the nineteenth century, Douglass anticipated that the history of American photography and the history of Black American culture and politics would be deeply intertwined. A Picture Gallery of the Soul honors the diverse visions of Blackness made manifest through the lens of photography. Published in association with the Katherine E. Nash Gallery. Exhibition dates: Katherine E. Nash Gallery: September 13-December 10, 2022"--
    Note: Titelblattrückseite: "This catalogue is published in conjunction with the exhibition "A Picture Gallery of the Soul", organized by Herman J. Milligan Jr. and Howard Oransky for the Katherine E. Nash Gallery at the University of Minnesota, Minneapolis, September 13-December 10, 2022" , Includes bibliographical references and index
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  • 95
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    Reshaping the field : arts of the African Diasporas on display (2022)
    Köln : Verlag der Buchhandlung Walther und Franz König | London : Afterall Books
    Details
    ISBN: 9783753302386 , 9781846382635 , 3753302384
    Language: English
    Pages: 267 Seiten , Illustrationen
    Series Statement: Exhibition histories
    DDC: 704.039604109045
    RVK:
    LO 91990
    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; USA ; Großbritannien ; Afrikaner ; Schwarze ; Künstler ; Kunstbetrieb ; Geschichte ; Künstler ; Person of Color ; Repräsentation ; Ausstellung ; Kunst ; Person of Color ; Kunstwissenschaft ; USA ; Großbritannien ; Schwarze ; Kunstausstellung ; Museum ; Kunstbetrieb ; Geschichte
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 96
    Online Resource
    Online Resource
    The Sociology of Slavery : Black Society in Jamaica, 1655-1838 (2022)
    Cambridge : Polity Press
    Details
    ISBN: 9781509552795
    Language: English
    Pages: 1 online resource (386 pages) , Illustrationen, Diagramme, Karten
    Parallel Title: Erscheint auch als Patterson, Orlando, 1940 - The sociology of slavery
    DDC: 306.362097292
    RVK:
    NN 1390
    Keywords: Electronic books ; Jamaika ; Schwarze ; Sklave ; Geschichte 1655-1838
    Abstract: Cover -- Half Title -- Dedication -- Copyright -- Contents -- Introduction to the 2022 Edition: Life and Scholarship in the Shadow of Slavery -- Preface -- I The Masters: An Overall View of Slavery -- II The Slave Plantation: Its Socio-Economic Structure -- III The Treatment of the Slaves in Law and Custom -- IV An Analysis of the Slave Population of Jamaica -- V The Tribal Origins of the Jamaican Slaves -- VI The Socialization and Personality Structure of the Slave -- VII Social Institutions of the Slaves: 1 Witchcraft, Sorcery and Religion -- VIII Social Institutions of the Slaves: 2 Economy, Recreation and Control -- IX The Mechanisms of Resistance to Slavery 260 -- X The Cultural and Social Development of Jamaica: 1655-1865 -- Appendix 1: Stephen Fuller's Account of the Number of Negroes imported and exported at Jamaica each year, 1702-1775 -- Appendix 2: Exports from Jamaica, 1768 -- Appendix 3: General Return from the Island of Jamaica, for Fifty-Three Years, ending 31st December 1836, abstracted from the Journals of the House Assembly -- Appendix 4: Output, Income and Expenditure in 1832 -- Appendix 5: Manuscripts and Official Publications Consulted -- Appendix 6: Europeans in West Africa -- Seventeenth to Eighteenth Centuries -- Appendix 7: Africa as known to Europeans in the Mid- Eighteenth Century -- Plate Credits -- Index -- Plates -- End User License Agreement.
    Note: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 97
    Book
    Book
    Alain Locke and the visual arts (2022)
    New Haven : Yale University Press | Cambridge, Mass. : Hutchins Center for African & African American Research, Harvard University
    Details
    ISBN: 9780300247268
    Language: English
    Pages: ix, 227 Seiten , Illustrationen , 26 cm
    Series Statement: Richard D. Cohen lectures on African & African American art
    DDC: 709.2
    Keywords: Locke, Alain ; Harlem Renaissance ; Art, Modern History and criticism ; Locke, Alain LeRoy 1886-1954 ; Harlem renaissance ; Kunst ; Ästhetik ; USA ; Schwarze ; Kunst ; Schwarze
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 98
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    Portraits of resistance : activating art during slavery (2022)
    New Heaven : Yale University Press
    Details
    ISBN: 0300257635 , 9780300257632
    Language: English
    Pages: x, 331 Seiten , Illustrationen , 26 cm
    DDC: 757.0973
    Keywords: Portrait painting, American ; Portraits, American ; Slaves Portraits ; Slavery in art ; Black people in art ; Portraits (peinture) - États-Unis ; Esclaves - États-Unis - Portraits ; Esclaves - Dans l'art ; Noirs - Dans l'art ; USA ; Schwarze ; Sklave ; Bildnismalerei ; Geschichte 1700-2012
    Abstract: This timely and eloquent book tells a new history of American art: how enslaved people mobilized portraiture for acts of defiance. Revisiting the origins of portrait painting in the United States, Jennifer Van Horn reveals how mythologies of whiteness and of nation building erased the aesthetic production of enslaved Americans of African descent and obscured the portrait's importance as a site of resistance. Moving from the wharves of colonial Rhode Island to antebellum Louisiana plantations to South Carolina townhouses during the Civil War, the book illuminates how enslaved people's relationships with portraits also shaped the trajectory of African American art post-emancipation. Van Horn asserts that Black creativity, subjecthood, viewership, and iconoclasm constituted instances of everyday rebellion against systemic oppression. Portraits of Resistance is not only a significant intervention in the fields of American art and history but also an important contribution to the reexamination of racial constructs on which American culture was built
    Note: Notes bibliographiques. Index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 99
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    Fictions of emancipation : Carpeaux's "Why born enslaved!" reconsidered (2022)
    New York : The Metropolitan Museum of Art | New Haven : Yale University Press
    Details
    ISBN: 9781588397447
    Language: English
    Pages: 139 Seiten , Illustrationen , 23 cm
    Edition: First printing
    Keywords: Ausstellungskatalog Metrotpolitan Museum of Art 10.03.2022-05.03.2023 ; Aufsatzsammlung ; Ausstellungskatalog Metrotpolitan Museum of Art 10.03.2022-05.03.2023 ; Aufsatzsammlung ; Carpeaux, Jean-Baptiste 1827-1875 Pourquoi naître esclave! ; Sklaverei ; Sklave ; Schwarze ; Kunst ; Geschichte 1700-2020
    Abstract: "This groundbreaking publication on Jean-Baptiste Carpeaux’s (1827–1875) bust Why Born Enslaved! examines the work in the context of transatlantic abolitionist movements and France’s colonialist fascination with Africa in the nineteenth century. Thoughtful essays by noted art historians and literary scholars, including Adrienne L. Childs, James Smalls, and Wendy S. Walters, unpack European artists’ engagement with the Black figure, simultaneously evoked as a changeable political symbol and a representation of exoticized beauty and desire. The authors compare Carpeaux’s sculpture to works by his contemporaries, such as Charles-Henri-Joseph Cordier, Edmonia Lewis, and Louis Simon Boizot, as well as to objects by twenty-first-century artists Kara Walker and Kehinde Wiley. In so doing, the book critically examines the portrayal of Black emancipation and personhood; the commodification of Black images to assert social capital; the role of sculpture in generating the sympathies of its audiences; and the relevance of Carpeaux’s sculpture to legacies of empire in the postcolonial present. It will also feature a chronology of events central to the nineteenth-century antislavery movement." -- Publisher's description
    Abstract: "Organized around a single object—the marble bust Why Born Enslaved! by French sculptor Jean-Baptiste Carpeaux—Fictions of Emancipation: Carpeaux Recast is the first exhibition at The Met to examine Western sculpture in relation to the histories of transatlantic slavery, colonialism, and empire. Created in the wake of American emancipation and some twenty years after the abolition of slavery in the French Atlantic, Why Born Enslaved! was shaped by the enduring popularity of antislavery imagery, the development of nineteenth-century ethnographic theories of racial difference, and France’s colonialist fascination with Africa. The exhibition will explore the sculpture’s place within these contexts. Featuring more than thirty-five works of art in sections unfolding around Carpeaux’s sculpture, Fictions of Emancipation will offer an in-depth look at portrayals of Black enslavement, emancipation, and personhood with an aim toward challenging the notion that representation in the wake of abolition constitutes a clear moral or political stance. Important works by Josiah Wedgwood, Frédéric Auguste Bartholdi, Charles Cordier, Edmonia Lewis, Louis-Simon Boizot, and others will show how Western artists of the nineteenth century engaged with the Black figure as a political symbol and site of exoticized beauty, while contemporary sculptures by Kara Walker and Kehinde Wiley will connect the dialogue around Carpeaux’s bust to current conversations about the legacies of slavery in the Western world. This exhibition was conceived in collaboration with guest curator Wendy S. Walters and enriched through conversations with numerous intellectual partners. It is one of many projects that the Museum is undertaking in an effort to reassess and broaden the narratives it presents about the past and present." -- Metropolitan Museum of Art website
    Note: "This catalogue is published in conjunction with Fictions of Emancipation: Carpeaux Recast, on view at The Metropolitan Museum of Art, New York, from March 10, 2022, through March 5, 2023." -- Title page verso
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 100
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    What is black art? : writings on African, Asian and Caribbean art in Britain, 1981-1989 (2022)
    Dublin : Penguin books
    Details
    ISBN: 9780141998213
    Language: English
    Pages: xxviii, 316 Seiten , 19 cm
    Series Statement: Penguin classics
    Series Statement: Art & design
    Parallel Title: Erscheint auch als
    DDC: 704.039604109048
    RVK:
    LO 50097
    Keywords: Art, Black History 20th century ; Artists, Black History 20th century ; Art, British 20th century ; Aufsatzsammlung ; Großbritannien ; Kunst ; Schwarze ; Geschichte 1981-1989
    URL: Inhaltsverzeichnis
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