ISBN:
9781137513182
Language:
English
Pages:
1 Online-Ressource (VII, 178 p)
Series Statement:
Springer eBook Collection
Series Statement:
Literature, Cultural and Media Studies
Parallel Title:
Erscheint auch als
Parallel Title:
Erscheint auch als
Parallel Title:
Erscheint auch als
Keywords:
Literature
;
Literature Philosophy
;
Literature, Modern 20th century
;
Literature, Modern 21st century
;
British literature
;
America Literatures
;
Literature
;
Literature Philosophy
;
Literature, Modern 20th century
;
Literature, Modern 21st century
;
British literature
;
America Literatures
Abstract:
Following on from the work of art historians and literary and cultural theorists, this book examines the ways in which varieties of the grotesque function in the plays of Philip Ridley, Mark O’Rowe, Enda Walsh, Suzan-Lori Parks and Tim Crouch. The term ‘grotesque’ has been frequently applied in commentaries on some of the most exciting contemporary drama, without much further elucidation. By producing visions of an alienated world, engendering simultaneous attraction and repulsion, and often triggering laughter that comes with a chill in the spine, the grotesque attacks both aesthetic and social conventions and requires a creative use of the imagination on the part of the spectators. The book argues that as such, the grotesque in the works of the selected playwrights solicits profound audience engagement with urgent ethical, social and political issues. The inevitable openness caused by the grotesque demonstrates the authors’ faith in the deliberative powers of their audience, which stands in contrast to the ready-made choices offered by overtly committed political theatre
Note:
Includes bibliographical references and index
DOI:
10.1057/978-1-137-51318-2
URL:
Volltext
(lizenzpflichtig)
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