ISBN:
9789004314986
Language:
English
Pages:
1 online resource (397 pages)
,
illustrations, photographs.
Series Statement:
Intersections Volume 43
Parallel Title:
Erscheint auch als
Parallel Title:
Erscheint auch als Identities, Intertextuality and Performance in Song Culture (2012 : Amsterdam) Identity, intertextuality, and performance in early modern song culture
DDC:
782.0094
Keywords:
Autograph albums History 16th century
;
Music Social aspects 16th century
;
History
;
Music Social aspects 17th century
;
History
;
Music Social aspects 18th century
;
History
;
Music Social aspects 19th century
;
History
;
Vocal music History and criticism 16th century
;
Vocal music History and criticism 17th century
;
Vocal music History and criticism 18th century
;
Vocal music History and criticism 19th century
;
Vocal music ; Europe ; 16th century ; History and criticism
;
Vocal music ; Europe ; 17th century ; History and criticism
;
Vocal music ; Europe ; 18th century ; History and criticism
;
Vocal music ; Europe ; 19th century ; History and criticism
;
Music ; Social aspects ; Europe ; History ; 16th century
;
Music ; Social aspects ; Europe ; History ; 17th century
;
Music ; Social aspects ; Europe ; History ; 18th century
;
Music ; Social aspects ; Europe ; History ; 19th century
;
Autograph albums ; Netherlands ; History ; 16th century
;
Electronic books
;
Konferenzschrift
;
Aufsatzsammlung
;
Konferenzschrift Identity, intertextuality, and performance in early modern song culture 17.10.2012-19.10.2012
;
Konferenzschrift
;
Aufsatzsammlung
;
Vokalmusik
;
Volkslied
;
Liederbuch
;
Geschichte 1450-1850
Abstract:
Contents -- Acknowledgements -- Notes on the Editors -- Notes on the Contributors -- List of Illustrations -- Chapter 1 Introduction -- Chapter 2 Local and Religious Identity in Swedish Popular Hymn Singing during the Seventeenth and Eighteenth Centuries -- Chapter 3 Performing Pietism in the Peatlands: Songs in the Manuscript Miscellany of a Village Schoolmaster in the Dutch Republic between 1750 and 1800 -- Chapter 4 Guilielmus Bolognino's Den Gheestelijcken Leeuwercker: The Collected Songs of a Counter-Reformation Champion -- Chapter 5 Songs and Identities: Handwritten Secular Songbooks in German-Speaking Areas of the Fifteenth and Sixteenth Centuries -- Chapter 6 'Social Networking is in Our Dna': Women's Alba Amicorum as Places to Build and Affirm Group Identities -- Chapter 7 The Many Shades of Love: Possessors and Inscribers of Sixteenth-Century Women's Alba -- Chapter 8 Exploring Love's Options: Song and Youth Culture in the Sixteenth Century Netherlands -- Chapter 9 Oppositional Political Identity in the Song Culture of the Vormärz and the 1848 Revolution in Germany -- Chapter 10 The Perils of Performance: From Political Songs to National Airs in Romantic-Era Wales (1790-1820) -- Chapter 11 Folksongs, Conflicts and Social Protest in Early Modern France -- chapter 12 "Fortune My Foe": The Circulation of an English Super-Tune -- Chapter 13 Samuel Pepys and the Making of Ballad Publics -- Chapter 14 Slave Orchestras and Rainbow Balls: Colonial Culture and Creolisation at the Cape of Good Hope, 1750-1838 -- Index Nominum
Note:
Includes bibliographical references at the end of each chapters and index. Description based on print version record
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