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  • BSZ  (21)
  • HeBIS  (7)
  • English  (22)
  • 2020-2024  (22)
  • 1940-1944
  • Durham : Duke University Press  (22)
  • Rassismus  (22)
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  • English  (22)
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Year
  • 1
    ISBN: 9781478025160 , 9781478020271
    Language: English
    Pages: 554 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Alvarez, Daniela Future/present
    Parallel Title: Erscheint auch als FUTURE/PRESENT
    Parallel Title: Erscheint auch als FUTURE/PRESENT
    RVK:
    Keywords: Racism and the arts History 21st century ; Arts Political aspects 21st century ; History ; Arts and society History 21st century ; Racial justice History 21st century ; Anti-racism History 21st century ; ART / American / General ; ART / American / Asian American & Pacific Islander ; United States Race relations 21st century ; History ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Abstract: "FUTURE/PRESENT brings together a vast collection of writers, artists, activists, and academics working at the forefront of today's most pressing struggles for cultural equity and racial justice in a demographically changing America. The volume builds upon five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism by centering people of color who are leading innovation at the nexus of arts production, community benefit, and social change. FUTURE/PRESENT includes a range of essays and criticism, visual and performance art, artist manifestos, interviews, poetry, and reflections on community practice. Throughout, contributors examine issues of placekeeping and belonging, migration and diasporas, the carceral state, renegotiating relationships with land, ancestral knowledge as radical futurity, and shifting paradigms of inequity. Foregrounding the powerful resilience of communities of color, FUTURE/PRESENT advances the role of artists as first responders to injustices, creative stewards in the cohesion and health of communities, and innovative strategists for equity. Selected contributors. adrienne maree brown, Dahlak Brathwaite, Jeff Chang, Tameca Cole, Ofelia Esparza, Antoine Hunter, Nobuko Miyamoto, Wendy Red Star, Spel, Jose Antonio Vargas, Carrie Mae Weems, Hinaleimoana Kwai Kong Wong-Kalu"--
    Description / Table of Contents: Cultural presence : placekeeping and belonging -- Dismantling borders, building bridges : migration and diasporas -- Creating a world without prisons : culture and the carceral state -- Embodied cartographies : renegotiating relationships with land -- Living our legacy : ancestral knowledge as radical futurity -- Currents beyond : artists shifting paradigms of inequity.
    Note: Includes bibliographical references
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  • 2
    ISBN: 9781478093718
    Language: English
    Pages: 1 Online-Ressource (568 p.)
    Parallel Title: Erscheint auch als Future/present
    RVK:
    Keywords: Anti-racism History 21st century ; Arts and society History 21st century ; Arts Political aspects 21st century ; History ; ART / American / General ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Abstract: FUTURE/PRESENT brings together a vast collection of writers, artists, activists, and academics working at the forefront of today's most pressing struggles for cultural equity and racial justice in a demographically changing America. The volume builds upon five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism by centering people of color who are leading innovation at the nexus of arts production, community benefit, and social change. FUTURE/PRESENT includes a range of essays and criticism, visual and performance art, artist manifestos, interviews, poetry, and reflections on community practice. Throughout, contributors examine issues of placekeeping and belonging, migration and diasporas, the carceral state, renegotiating relationships with land, ancestral knowledge as radical futurity, and shifting paradigms of inequity. Foregrounding the powerful resilience of communities of color, FUTURE/PRESENT advances the role of artists as first responders to injustices, creative stewards in the cohesion and health of communities, and innovative strategists for equity.Selected contributors. Dahlak Brathwaite, adrienne maree brown, Jeff Chang, Tameca Cole, Ofelia Esparza, Antoine Hunter, Nobuko Miyamoto, Wendy Red Star, Spel, Jose Antonio Vargas, Carrie Mae Weems, Hinaleimoana Kwai Kong Wong-Kalu
    Note: Frontmatter , CONTENTS , INTRODUCTION , The Call , vestibular mantra (or radical virtuosities for a brave new dance) , PART 1 / CULTURAL PRESENCE: PLACEKEEPING AND BELONGING , Introduction , Aqui Estoy , Beauty, Justice, and the Ritual of Performance , An Accumulation of Things That Refuse to Be Discarded , Counting Coup on the Compartmentalization of Indigenous-Made Rap Music , Cultural Resiliency in the Face of Crisis: Learning from New Orleans , Collectively Directing the Current , The New Eagle Creek Saloon , Notes from Technotopia 3.0: On the "Creative City" Gone Wrong-an Antigentrification Philosophical Tantrum, 2012 - 2016 , "Building Temples for Tomorrow": Cultural Workers as Construction Crews , Invasive Species , Sunny and 150 Years of Placekeeping in Little Tokyo , Local Fruit Still Life , Stage One: Establishing Community , Red 40 , More Nodes from the Performance Essay Los Giros De La Siguiente/the turns of the Next , PART 2 / DISMANTLING BORDERS, BUILDING BRIDGES: MIGRATION AND DIASPORAS , Introduction , Mano Poderosa , A Cosmos of Dis/Joints , Cross-Border Citizens , Indian Alley, Where Art Is Healing , Vessels: A Conversation , Fence , A Touch of Otherness , Harmattan Haze , Who Is the #EmergingUS? , Justice and Equity: We're Coming for It All , building bricks for communal healing , We Never Needed Documents to Thrive , prop·er , Alongside: On Chinese Students in the United States and the Fight for Black Lives , Love Spirals: Notes on Brown Feelings , PART 3 / CREATING A WORLD WITHOUT PRISONS: CULTURE AND THE CARCERAL STATE , Introduction , To Create in Prison , A Measure of Joy , There Is No Abolition or Liberation without Disability Justice , HOGAR , I Remember , Coming Home , Singing Our Way to Abolition , Standing in the Gap: Music as First Responder , Locked in a Dark Calm , As Crazy as the World Is, I Do Believe , Jumpsuit Project , The Bonds of Aloha: Connecting to Culture Can Free Us , The Nail That Sticks Out , Art Is a Trojan Horse: Reclaiming Our Narratives , Try/Step/Trip (Excerpt) , The Evanesced Series (2016 - ) , PART 4 / EMBODIED CARTOGRAPHIES: RENEGOTIATING RELATIONSHIPS WITH LAND , Introduction , Kiksuya , America Doesn't Exist , Between the Real and the Imagined: A Conversation with Lyla June and Tanaya Winder , Sopa de Ostión , Island Earth: Water, Wayfinding, and the Currents That Connect Us , ACCESS DENIED: Creating New Spatial Understandings , Essential Economy , Earth Mama II , We Are Part of This Land , Mauka House , Withholding an Image: Disciplinary Disobedience and Reciprocity in the Field , Thinking through Fragments: Speculative Archives, Contested Histories, and a Tale of the Palestine Archaeological Museum , Secrets That the Wind Carries Away , Ohiŋniyaŋ ded wati kte: This Place Will Always Be Home , Ballers , PART 5 / LIVING OUR LEGACY: ANCESTRAL KNOWLEDGE AS RADICAL FUTURITY , Introduction , These Roots Run Deep , The Future Is Ancient , Being in Oneness: Conversations with Nobuko Miyamoto, Kamau Ayubbi, and Asiyah Ayubbi , 1619 , Encircling the Circle: Blood Memory and Making the Village-a Conversation between Cleo Parker Robinson and Malik Robinson , Culture and Tradition: A Monument to Our Resilience , Español , Apsáalooke Feminist #4 , Mother's Words and Grandmother's Thoughts: Living the Right Way (a Conversation) , The AIM Song , Gullah/Geechee Sea Island Reflections of Futurity , For Paradise , What Is the New Basket That We're Going to Weave? , I ka wā ma mua, i ka wā ma hope: 'Ōiwi Orientations toward a Radical Futurity , The Art of Peer Pressure: Black Fire UVA! , PART 6 / CURRENTS BEYOND: ARTISTS SHIFTING PARADIGMS OF INEQUITY , Introduction , Bang Bang , The Cultural New Deal for Cultural and Racial Justice , We Begin by Listening , EMERGENYC: An Artistic Home for Emerging Artists , Listening through Dance , Scenes & Takes , Feminist Coalition and Queer Movements across Time: A Conversation between Alok Vaid-Menon and Urvashi Vaid , What Would Upski Think? , all organizing is science fiction , Rebirth Garments , A Call to Action , Huliau , SOVEREIGN , Flexing Hope Is a Practice , Azadi , AFTERWORD , emergence (after adrienne maree brown) , Acknowledgments , In English
    URL: Cover  (lizenzpflichtig)
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  • 3
    ISBN: 9781478027256 , 1478027258 , 9781478093718 , 1478093714
    Language: English
    Pages: 1 online resource (554 pages) , illustrations
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Future/present
    RVK:
    Keywords: Racism and the arts History 21st century ; Arts Political aspects 21st century ; History ; Arts and society History 21st century ; Racial justice History 21st century ; Anti-racism History 21st century ; ART / American / General ; ART / American / Asian American & Pacific Islander ; United States Race relations 21st century ; History ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Abstract: Cultural presence : placekeeping and belonging -- Dismantling borders, building bridges : migration and diasporas -- Creating a world without prisons : culture and the carceral state -- Embodied cartographies : renegotiating relationships with land -- Living our legacy : ancestral knowledge as radical futurity -- Currents beyond : artists shifting paradigms of inequity.
    Note: Includes bibliographical references and index. - Description based on print version record
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  • 4
    ISBN: 9781478093565
    Language: English
    Pages: 1 Online-Ressource (xi, 186 pages) , illustrations
    Additional Information: Rezensiert in Moreira de Andrade, Thaís [Rezension von: Castañeda, Michelle, 1987-, Disappearing rooms] 2024
    Series Statement: Dissident acts
    Parallel Title: Erscheint auch als Castañeda, Michelle, 1987 - Disappearing rooms
    Keywords: Emigration and immigration law ; Hispanic Americans Legal status, laws, etc ; Discrimination in justice administration ; Performative (Philosophy) ; SOCIAL SCIENCE / Ethnic Studies / American / Hispanic American Studies ; SOCIAL SCIENCE / Sociology / General ; USA ; Einwanderung ; Zuwanderungsrecht ; Abschiebungshaft ; Kriminalisierung ; Rassismus
    Abstract: In Disappearing Rooms Michelle Castañeda lays bare the criminalization of race enacted every day in US immigration courts and detention centers. She uses a performance studies perspective to show how the theatrical concept of mise-en-scène offers new insights about immigration law and the absurdist dynamics of carceral space. Castañeda draws upon her experiences in immigration trials as an interpreter and courtroom companion to analyze the scenography - lighting, staging, framing, gesture, speech, and choreography - of specific rooms within the immigration enforcement system. Castañeda’s ethnographies of proceedings in a “removal” office in New York City, a detention center courtroom in Texas, and an asylum office in the Northeast reveal the depersonalizing violence enacted in immigration law through its embodied, ritualistic, and affective components. She shows how the creative practices of detained and disappeared people living under acute duress imagine the abolition of detention and borders. Featuring original illustrations by artist-journalist Molly Crabapple, Disappearing Rooms shines a light into otherwise hidden spaces of law within the contemporary deportation regime. Duke University of Press Scholars of Color First Book Award Recipient
    Note: In English
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  • 5
    ISBN: 9781478019633 , 9781478016991
    Language: English
    Pages: xi, 186 Seiten , Illustrationen
    Additional Information: Rezensiert in Moreira de Andrade, Thaís [Rezension von: Castañeda, Michelle, 1987-, Disappearing rooms] 2024
    Series Statement: Dissident acts
    Parallel Title: Erscheint auch als Castañeda, Michelle, 1987- Disappearing rooms
    Parallel Title: Erscheint auch als Castañeda, Michelle, - 1987- Disappearing rooms
    Keywords: Emigration and immigration law ; Hispanic Americans Legal status, laws, etc ; Discrimination in justice administration ; Performative (Philosophy) ; SOCIAL SCIENCE / Ethnic Studies / American / Hispanic American Studies ; SOCIAL SCIENCE / Sociology / General ; USA ; Einwanderung ; Zuwanderungsrecht ; Abschiebungshaft ; Kriminalisierung ; Rassismus
    Abstract: "In Disappearing Rooms Michelle Castañeda lays bare the criminalization of race enacted every day in U.S. immigration courts and detention centers. She uses a performance studies perspective to show how the theatrical concept of mise-en-scéne offers new insights about immigration law and the absurdist dynamics of carceral space. Castañeda draws upon her experiences in immigration trials as an interpreter and courtroom companion to analyze the scenography-lighting, staging, framing, gesture, speech, and choreography-of specific rooms within the immigration enforcement system. Castañeda's ethnographies of proceedings in a "removal" office in New York City, a detention center courtroom in Texas, and an asylum office in the Northeast reveal the depersonalizing violence enacted in immigration law through its embodied, ritualistic, and affective components. She shows how the creative practices of detained and disappeared peoples living under acute duress imagine the abolition of detention and borders. Featuring original illustrations by artist-journalist, Molly Crabapple, Disappearing Rooms shines a light into otherwise hidden spaces of law within the contemporary deportation regime. Duke University of Press Scholars of Color First Book Award Recipient"--
    Description / Table of Contents: Removal room : disappearance and the practice of accompaniment -- The prison-courtroom : no-show justice in family detention -- Bring me the room : tragic recognition and the right not to tell your story.
    Note: Includes bibliographical references (159-176) and index
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  • 6
    ISBN: 9781478019282 , 9781478016632
    Language: English
    Pages: x, 190 Seiten , Illustrationen
    Series Statement: On decoloniality
    Parallel Title: Erscheint auch als Rexhepi, Piro, 1979 - White enclosures
    Parallel Title: Erscheint auch als Rexhepi, Piro, 1979 - White enclosures
    Keywords: White nationalism ; Muslims ; Romanies ; Racism ; Ethnology ; SOCIAL SCIENCE / Sociology / General ; HISTORY / Europe / General ; Balkan Peninsula Ethnic relations 21st century ; Balkan Peninsula Ethnic relations ; Political aspects ; Balkanhalbinsel ; Ethnischer Konflikt ; Roma ; Muslim ; Rassismus
    Abstract: "White Enclosures brings the Balkan Route into the global histories of race and coloniality that contribute to the ongoing georacial politics of a world white enclosure. Piro Rexhepi explores how the fear of the extinction of the white body has generated an entire economy of increasingly more sophisticated forms of surveillance, segregation, incarceration, and encampment of racialized bodies at the borderlands in Europe and the United States. Rexhepi focuses particularly around the borderlands of the Euro-Atlantic community. In these buffer zones that encircle the inner core of the transatlantic alliance, new politics of anti-mixing and race-making have consolidated neo-fascist, white supremacist regimes. For the racialized Roma and Muslim people living along the Balkan borderlands, the reemergence of whitening through purging is understood not as an exception of post-socialist neoliberal reforms, but as protracted colonial/modern constellations of geopolitical white supremacy"--
    Note: Literaturverzeichnis: Seite 161-179
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  • 7
    ISBN: 9781478023913
    Language: English
    Pages: 1 Online-Ressource (xi, 190 Seiten)
    Series Statement: On decoloniality
    Parallel Title: Erscheint auch als Rexhepi, Piro, 1979 - White enclosures
    Keywords: Electronic books ; Balkanhalbinsel ; Ethnischer Konflikt ; Roma ; Muslim ; Rassismus
    Abstract: Piro Rexhepi explores the overlapping postsocialist and postcolonial border regimes in the Balkans that are designed to protect whiteness and exclude Muslim, Roma, and migrant communities.
    Note: Description based on publisher supplied metadata and other sources
    URL: Cover  (lizenzpflichtig)
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  • 8
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478013907 , 9781478014843
    Language: English
    Pages: xi, 164 Seiten
    Parallel Title: Erscheint auch als Gray, Biko Mandela Black Life Matter
    DDC: 305.800973
    Keywords: Racism ; Racism Philosophy ; Black lives matter movement ; Racism in law enforcement ; Racism against Black people ; Police murders ; Murder victims ; Police brutality ; African Americans Social conditions ; SOCIAL SCIENCE / Black Studies (Global) ; RELIGION / Philosophy ; United States Race relations ; History ; USA ; Rassismus ; Person of Color
    Abstract: Four Black Lives -- Hands and Braids: Black Bodies as Mere Corporeal Matter -- "What I Do?": Black Flesh as Living Matter -- "I Am Irritated, I Really Am": Blackness as Affective Matter -- Black Life Matter.
    Abstract: "In Black Life Matter, Biko Mandela Gray offers a philosophical eulogy for Aiyana Stanley-Jones, Tamir Rice, Alton Sterling, and Sandra Bland that attests to their irreducible significance in the face of unremitting police brutality. Gray employs a theoretical method he calls "sitting with"-a philosophical practice of care that seeks to defend the dead and the living. He shows that the police that killed Stanley-Jones and Rice reduced them to their bodies in ways that turn black lives into tools that the state uses to justify its violence and existence. He outlines how Bland's arrest and death reveal the affective resonances of blackness, and he contends that Sterling's physical movement and speech before he was killed point to black flesh as unruly living matter that exceeds the constraints of the black body. These four black lives, Gray demonstrates, were more than the brutal violence enacted against them; they speak to a mode of life that cannot be fully captured by the brutal logics of antiblackness"--
    Note: Includes bibliographical references and index
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  • 9
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478022466
    Language: English
    Pages: 1 Online-Ressource (281 Seiten)
    Series Statement: ANIMA: critical race studies otherwise
    Parallel Title: Erscheint auch als Bow, Leslie, 1962 - Racist love
    DDC: 305.895073
    Keywords: Electronic books ; USA ; Asiaten ; Ethnische Beziehungen ; Rassismus
    Abstract: Leslie Bow traces the ways in which Asian Americans become objects of anxiety and desire, showing how attraction to Asianized objects and images functions as a source of anti-Asian bias and violence.
    Note: Description based on publisher supplied metadata and other sources
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 10
    ISBN: 9781478016106 , 9781478018742
    Language: English
    Pages: ix, 352 Seiten , Illustrationen
    DDC: 970.00497
    RVK:
    Keywords: Kolonialismus ; Rassismus ; Kapitalismus ; Gewalt ; Kollektives Gedächtnis ; Konferenzschrift 2019
    Note: Includes bibliographical references and index
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  • 11
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478022947
    Language: English
    Pages: 1 Online-Ressource (x, 234 Seiten)
    Parallel Title: Erscheint auch als Moore, Kelli, 1976 - Legal spectatorship
    DDC: 362.8292
    Keywords: Electronic books ; USA ; Häusliche Gewalt ; Unterdrückung ; Sklaverei ; Rassismus ; Intersektionalität ; Gerichtssaal ; Visuelle Medien ; Fotografie ; Beweis
    Abstract: Kelli Moore traces the political origins of the concept of domestic violence through visual culture in the United States, showing how it is rooted in the archive of slavery.
    Note: Description based on publisher supplied metadata and other sources
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  • 12
    ISBN: 9781478011880 , 9781478014027
    Language: English
    Pages: 300 Seiten
    Series Statement: Black outdoors
    Parallel Title: Erscheint auch als Beyond man
    Keywords: Religion Philosophy ; Racism Religious aspects ; Christianity ; Imperialism ; Decolonization ; Eurocentrism History ; Civilization, Western Christian influences ; Civilization, Modern Philosophy ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Religionsphilosophie ; Kolonialismus ; Rassismus ; Eurozentrismus
    Abstract: "Beyond Man offers models, methods, and new directions for the still nascent, long overdue conversation between philosophical studies of religion and critical studies of race and coloniality. The interdisciplinary contributors approach this work through philosophical, theological, historical, and aesthetic lenses. Euro-descended Christianity has historically defined itself by its Others while paradoxically claiming to represent and speak to humanity in its totality. The essays in Beyond Man disrupt the normative categories of religion and philosophy by rearranging presumptions about what constitutes philosophy of religion"--
    Note: Literaturangaben
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  • 13
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478011811 , 9781478010692
    Language: English
    Pages: ix, 382 Seiten , Illustrationen
    DDC: 305.8
    RVK:
    RVK:
    Keywords: Schwarze ; Rassismus ; Antirassismus
    Note: Literaturverzeichnis Seite 325-368
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  • 14
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478002574
    Language: English
    Pages: 1 Online-Ressource (707 pages)
    Series Statement: On Decoloniality
    Parallel Title: Erscheint auch als Mignolo, Walter D., 1941 - The politics of decolonial investigations
    DDC: 325/.3
    RVK:
    RVK:
    Keywords: Decolonization ; Postcolonialism ; Racism Political aspects ; Knowledge, Theory of Political aspects ; Civilization, Western ; Civilization, Modern ; Electronic books ; Electronic books ; Kolonialismus ; Entkolonialisierung ; Postkolonialismus ; Postkolonialismus ; Imperialismus ; Kolonialismus ; Nationalstaat ; Rassismus ; Islamfeindlichkeit ; Kulturkritik
    Abstract: Racism as we sense it today -- Islamophobia/Hispanophobia -- Dispensable and bare lives -- Decolonizing the nation-state -- The many faces of cosmo-polis -- Cosmopolitan and the decolonial option -- From "human" to "living" rights -- Decolonial reflections on hemispheric partitions -- Delinking, decoloniality, and de-Westernization -- The South of the North and the West of the East. -- Mariátegui and Gramsci in "Latin" America -- Sylvia Wynter : what does it mean to be human? -- Decoloniality and phenomenology -- The third nomos of the earth -- Epilogue: Yes, we can : border thinking, colonial epistemic/aesthesic differences and pluriversality.
    Abstract: "Walter D. Mignolo provides a sweeping examination of how coloniality has operated around the world in its myriad forms between the sixteenth and twenty-first centuries while calling for a decolonial politics that would delink from all forms of Western knowledge"--
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover  (lizenzpflichtig)
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  • 15
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478012573 , 1478012579
    Language: English
    Pages: 1 Online-Ressource (xiii, 221 pages) , illustrations
    Series Statement: Errantries
    Parallel Title: Erscheint auch als
    DDC: 305.896073
    RVK:
    RVK:
    Keywords: African Americans / Study and teaching ; African Americans / Social conditions ; Race / Philosophy ; African American feminists ; Cross-cultural studies ; Schwarze ; Musik ; Philosophie ; Kunst ; Rassismus ; Identität ; Schwarze ; Identität ; Rassismus ; Philosophie ; Kunst ; Musik
    Abstract: He Liked to Say That This Love Was the Result of a Clinical Error -- Curiosities (My Heart Makes My Head Swim) -- Footnotes (Books and Papers Scattered about the Floor) -- The Smallest Cell Remembers a Sound -- Consciousness (Feeling like, Feeling like This) -- Something That Exceeds All Efforts to Definitively Pin It Down -- No Place, Unknown, Undetermined -- Notes -- Black Ecologies. Coral Cities. Catch a Wave -- Charmaine's Wire -- Polycarbonate, Aluminum (Gold), and Lacquer -- Black Children -- Telephone Listing -- Failure (My Head Was Full of Misty Fumes of Doubt) -- The Kick Drum Is the Fault -- (Zong) Bad Made Measure -- I Got Life/Rebellion Invention Groove -- (I Entered the Lists) -- Dear Science
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 16
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478008859
    Language: English
    Pages: 1 Online-Ressource (x, 234 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Dávila, Arlene M., 1965 - Latinx art
    DDC: 700.98
    Keywords: Art, Latin American-Political aspects ; Electronic books ; USA ; Hispanos ; Künstler ; Kunst ; Kunstmarkt ; Kunsthandel ; Kulturelle Identität ; Rassismus
    Abstract: Arlene Dávila draws on numerous interviews with artists, dealers, and curators to explore how and why the contemporary international art market continues to overlook, devalue, and marginalize Latinx art and artists.
    URL: Volltext  (lizenzpflichtig)
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  • 17
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478004615
    Language: English
    Pages: 1 Online-Ressource (xxi, 296 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Green, Lesley Rock | Water | Life
    RVK:
    RVK:
    Keywords: Environmental sciences Political aspects ; Environmental policy ; Environmental justice ; Racism Environmental aspects ; Science and the humanities ; NATURE / Environmental Conservation & Protection ; decolonized science ; Südafrika ; Ökologie ; Gesellschaft ; Rassismus
    Abstract: Rock : Cape Town's natures: Hu-!gais, Heerengracht, HoerikwaggoTM -- Water : fracking the Karoo: /k[a̳]'ru:/ k[a̳]-ROO; from a Khoikhoi word, possibly garo -- "desert" -- Life : #ScienceMustFall and an ABC of Namaqualand plant medicine : on asking cosmopolitical questions -- Rock : resistance is fertile : on being sons and daughters of soil -- Life : what is it to be a baboon when "baboon!" is a national insult? -- Water : ocean regime shift -- Coda: Love in the time of chemistry : what scholarship will decolonials have needed to have decolonised the Anthropocene?
    Note: Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 18
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478008569 , 9781478009450
    Language: English
    Pages: x, 234 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Dávila, Arlene M., 1965 - Latinx art
    Parallel Title: Erscheint auch als Dávila, Arlene M., 1965 - Latinx Art
    DDC: 700.98
    Keywords: Art, Latin American Political aspects ; Museum exhibits Political aspects ; Hispanic American artists ; Anthropology Political aspects ; Ethnology Political aspects ; Cultural policy ; Hispanos ; Kunst ; Künstler ; Kunstmarkt ; Kunsthandel ; Kulturelle Identität ; Rassismus ; Lateinamerika ; USA
    Abstract: What is Latinx art? Lessons from Chicanx and diasporican artists -- Exhibiting Latinx art : on critics, curators, and going "beyond the formula" -- Nationalism and the currency of categories -- On markets and the need for cheerleaders -- Whitewashing at work, and some ways out.
    Note: Includes bibliographical references and index
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  • 19
    ISBN: 1478003693 , 9781478003694 , 1478003995 , 9781478003991
    Language: English
    Pages: xxi, 296 Seiten
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Entkolonialisierung ; Rassismus ; Wissenschaft ; Umweltschaden ; Südafrika
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  • 20
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478007050
    Language: English
    Pages: 1 Online-Ressource (xii, 352 Seiten)
    Series Statement: Theory in forms
    Series Statement: Theory in Forms Ser.
    Parallel Title: Erscheint auch als Thomas, Lynn M., 1967 - Beneath the surface
    DDC: 612.7927
    RVK:
    Keywords: Colorism ; Colorism-South Africa ; Hautfarbe ; Änderung ; Diskriminierung ; Kulturanthropologie ; Rassismus ; Ethnische Beziehungen ; Colorism-South Africa ; Electronic books ; Südafrika ; Electronic books
    Abstract: Lynn M. Thomas constructs a transnational history of skin lighteners in South Africa and beyond, theorizing skin and skin color as a site for antiracist struggle and lighteners as a technology of visibility that both challenges and entrenches racial and gender hierarchies.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 21
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478004615
    Language: English
    Pages: 1 online resource (321 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Green, Lesley Rock | Water | Life
    DDC: 363.70560968000001
    RVK:
    RVK:
    Keywords: Environmental justice-South Africa ; Electronic books. ; Südafrika ; Ökologie ; Gesellschaft ; Rassismus
    Abstract: Lesley Green examines the interwoven realities of inequality, racism, colonialism, and environmental destruction in South Africa, calling for environmental research and governance to transition to an ecopolitical approach that could address South Africa's history of racial oppression and environmental exploitation.
    Abstract: Cover -- Contents -- Foreword | Isabelle Stengers -- Acknowledgments -- Introduction: Different Questions, Different Answers -- Part I | Pasts Present -- 1 | Rock: Cape Town's Natures: ||Hu-!gais, Heerengracht, HoerikwaggoTM -- 2 | Water: Fracking the Karoo: /kə'ruː/ kə-ROO -- from a Khoe Word, Possibly Garo-"Desert -- Part II | Present Futures -- 3 | Life: #ScienceMustFall and an ABC of Namaqualand Plant Medicine: On Asking Cosmopolitical Questions -- 4 | Rock: "Resistance Is Fertile!": On Being Sons and Daughters of Soil -- Part III | Futures Imperfect -- 5 | Life: What Is It to Be a Baboon When "Baboon!" Is a National Insult? -- 6 | Water: Ocean Regime Shift -- Coda Composing Ecopolitics -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- X.
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 22
    ISBN: 9781478006428 , 9781478005384
    Language: English
    Pages: xii, 352 Seiten , Illustrationen
    Series Statement: Theory in forms
    Parallel Title: Erscheint auch als Thomas, Lynn M., 1967 - Beneath the surface
    Parallel Title: Erscheint auch als Thomas, Lynn M., 1967 - Beneath the surface
    DDC: 612.7/927
    Keywords: Colorism ; Human skin color Social aspects ; Human skin color Economic aspects ; Racism ; Race relations ; Hautfarbe ; Änderung ; Diskriminierung ; Kulturanthropologie ; Rassismus ; Ethnische Beziehungen ; Südafrika
    Abstract: Cosmetic practices and colonial crucibles -- Modern girls and racial respectability -- Local manufacturing and color consciousness -- Beauty queens and consumer capitalism -- Active ingredients and growing criticism -- Black consciousness and biomedical opposition.
    Abstract: "BENEATH THE SURFACE explores the use of skin lighteners within South Africa, and across Africa and the diaspora. While skin color has been a marker of difference from the precolonial era to the post-Apartheid, postcolonial present, Lynn Thomas emphasizes the varied ways in which differences in skin color, tone, and texture became tied to regimes of value in white-dominant societies. However, Thomas does not dismiss skin lighteners as merely the adherence to an imposed valuation of white skin; instead, she tracks the remarkable development of social and political formations that shaped the appeal of a social object that lightened skin. Thomas builds a framework for assessing objects as part of an aesthetic and technological infrastructure that works through and with consumer capitalism to generate new forms of aesthetic beauty and establish skin tone as a marker for respectability and modernity transnationally. Through showcasing these multivocal desires for lighter skin, Thomas reintroduces the context of black entrepreneurship and consumerism within both national and international markets and creates space for understanding skin lightening as a productive site for both political and aesthetic struggle against a global racial order."-- Provided by publisher
    Note: Includes bibliographical references and index
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