Anmerkung: Erschienen: 1 - 4

Anmerkung: Contents: v. 1 A-fuzz - v. 2 Gabler-Niewood - v. 3 Nightclubs-Zwingenberger , Includes bibliographical references and discography , Previous ed.: published in 2 v. London : Macmillan, 1988 , Erschienen: Vol. 1-3

Anmerkung: Teilw. mit Nebent.: Der grosse Muret-Sanders

Anmerkung: Wechselnde Hrsg. - Später hrsg. von Herbert Ernst Wiegand (1982-2018). - Ab Volume 46 "edited by Jeroen Darquennes and Patience Epps" , Verl.-Name ab 2010: De Gruyter Mouton , Text teilw. dt., teilw. engl., teilw. franz.

Anmerkung: Literaturverz. S. 287 - 302

Anmerkung: Hier auch später erschienene unveränderte Ausgaben

Anmerkung: Titel ist im Rahmen der Initiative Knowledge Unlatched frei zugänglich.

Anmerkung: "The term 'flow' refers to experiences where the musician moves into a consciousness in which time seems to be suspended and perception of reality is blurred by unconscious forces. An essential part of the jazz tradition, which often serves as the foundation of the musician's identity, flow is recognised within the greater jazz community as a critical factor in accomplished musicianship. Flow as a concept is so deeply embedded in the scene that these experiences are not generally discussed. It contributes to the musicians' work motivation, providing a vital level of satisfaction and accomplishment. The power of the experience, consciously or unconsciously, has given rise to the creation of heroic images, in which jazz musicians are seen as being bold, yet vulnerable, strong and masculine, but still capable of expressing emotions. In this discourse, musicians are pictured as people constantly putting themselves on the line, exposing themselves and their hearts to one another as well as to the audience. Heroic profiles are richly constructed within the jazz scene, and their incorporation into narratives of flow suggests that such images are inseparable from jazz. It is thus unclear how far the musicians are simply reporting personal experience as opposed to unconsciously perpetuating a profoundly internalised mythology. Drawing on eighteen interviews conducted with professional jazz musicians from around the world, Elina Hytönen examines the fundamentals of the phenomenon of flow in jazz that has led to this genre's popularity. Furthermore, she draws on how flow experiences are viewed and constructed by jazz musicians, the meanings they attach to it, and the quality of music that it inspires

Anmerkung: Hier auch später erschienene, unveränderte Nachdrucke.

Anmerkung: Literaturverz. S. [237] - 256 , Introduction ; Differences. The race of/in romanticism , Our variousness , The African queen , Resistances. Fictions of slave resistance and revolt: Robert Southey's Poems on the slave trade (1797) and Charlotte Smith's "The story of Henrietta" , Sable warriors and neglected tars: Edward Rushton's Atlantic politics , Being Jack Mansong: Ira Aldrich and Three-Fingered Jack , Crossings. Single mothers in romantic history and literature , Emma and Fatima Hamilton: two forms of attitude , In the face of difference: Molineaux, Crib, and the violence of the fancy

Anmerkung: Literaturangaben. - Hier auch später erschienene, unveränderte Nachdrucke

Anmerkung: Includes index

Anmerkung: Enth. Literaturverz. S. [195] - 199 and Index , Part I: Travel, exhibitions and photographyPacific phantasmagorias: Robert Louis Stevenson's Pacific photography , "Greater Britain": late imperial travel writing and the settler colonies , The South Seas Exhibit at the Chicago World's Fair, 1893 , Displaying an oceanic nation and society: the Kingdom of Hawai'i at nineteenth-century international exhibitions , Part II: Fiction and the Pacific ; "The White Lady and the Brown Woman": colonial masculinity and domesticity in Louis Beck's 'By Reef and Palm' (1894) , Who's who in "The Isle of Voices"? How Victorian Robert Louis Stevenson viewed Pacific Islanders' perceptions of Victorians and of themselves , At home in the empire: domesticity and masculine identity in 'Almayer's Folly' and "The Beach of Falesa?" , Isolation and variation on Doctor Moreau's Oceanic Island , Part III: Childhood and children ; Cooks and queens and dreams: the South Sea Islands as fairy islands of fancy , The South Seasin mid-Victorian children's imagination , Watermarks on 'The Coral Island': the Pacific Island missionary as children's hero , "Turned topsy-turvy": William Howitt, antipodean colonial space and Victorian children's literature

Anmerkung: Literaturverzeichnis: Seite 461-502

Anmerkung: Die Vorlage enthält insgesamt 9 Werke , Literaturverzeichnis: Seite 209 - 221

Anmerkung: Papers originally presented at an international conference on "Carnival, a people's art and taking back the streets," held in Toronto, July 30-August 3, 2008, to coincide with the Caribana Festival. Literaturangaben , Includes bibliographical references and index

Anmerkung: Literaturangaben

Anmerkung: Hier auch später erschienene, unveränderte Nachdrucke

Anmerkung: Hier auch später erschienene, unveränderte Nachdrucke

Anmerkung: Biogr. Index der Musiker S. 254 - 260. - Diskogr. S. 264 - 265. - Literaturverz. S. 266

Anmerkung: Includes bibliographical references and index

Anmerkung: Literatur- und Quellenverz. S. 121 - 130

Anmerkung: Includes bibliographical references (pages 225-226) and index

Anmerkung: $dDissertation$eMartin-Luther-Universität Halle-Wittenberg$f2013

Anmerkung: Previous ed.: 2008. - Formerly CIP Uk. - Includes bibliographical references

Anmerkung: Includes bibliographical references (pages 245-269), filmography (pages 271-273) and index

Anmerkung: Literaturverz. S. 259 - 281

Anmerkung: Includes bibliographical references and index

Anmerkung: Includes bibliographical references and index

Anmerkung: Includes bibliographical references (pages 231-244) and index , Lubbock or leave it , Lubbock or leave it , Joan Baez , From Roger and out into dang me/chug a lug , Midnight in Memphis with the wicked Pickett , Jackson C. Frank , What time has told me about Nick Drake's Five leaves left , The voice of the quiet one , That's it , New York Dolls , Warren Zevon , Chasing after vengeance , Steve Forbert, alive on arrival from Meridian to Manhattan , Ready for the house , Rickie Lee Jones , Metallica kills , I know someday you'll have a beautiful life , Leann Rimes blue , Third Eye Blind , Dap-dippin' independent tradition , Pilfering the past or postmodern punks? , Cinematic fantastic sampledic funky found sound sifting , Good time rollers , Joan Baez , From Roger and out into dang me/chug a lug , Midnight in Memphis with the wicked Pickett , Jackson C. Frank , What time has told me about Nick Drake's Five leaves left , The voice of the quiet one , That's it , New York Dolls , Warren Zevon , Chasing after vengeance , Steve Forbert, alive on arrival from Meridian to Manhattan , Ready for the house , Rickie Lee Jones , Metallica kills , I know someday you'll have a beautiful life , Leann Rimes blue , Third Eye Blind , Dap-dippin' independent tradition , Pilfering the past or postmodern punks? , Cinematic fantastic sampledic funky found sound sifting

Anmerkung: Includes index

Anmerkung: Includes bibliographical references, discographies, and index.

Anmerkung: Zusätzliches Online-Angebot unter DOI 10.3726/978-3-653-02623-8

Anmerkung: Literaturverz. S. 354 - 387

Anmerkung: Includes bibliographical references and index

Anmerkung: Includes bibliographical references (pages 301-317) and index

Anmerkung: Bibliogr. p. 175. - Discogr. p. 172 - 175. - Webliogr., 1 p.

Anmerkung: Text engl.

Anmerkung: Literaturverz. S. 218 - 233