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  • BSZ  (4)
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  • Online-Ressource  (4)
  • Englisch  (4)
  • Spanisch
  • 2015-2019  (4)
  • 2005-2009
  • 1965-1969
  • 1955-1959
  • 1910-1914
  • London : Palgrave Macmillan  (4)
  • Literature  (4)
  • Economics
  • Europa
  • Kunst
  • SOCIAL SCIENCE ; Discrimination & Race Relations
  • Komparatistik. Außereuropäische Sprachen/Literaturen  (4)
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  • Online-Ressource  (4)
  • Buch  (2)
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  • Englisch  (4)
  • Spanisch
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  • 2015-2019  (4)
  • 2005-2009
  • 1965-1969
  • 1955-1959
  • 1910-1914
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  • 1
    Online-Ressource
    Online-Ressource
    London : Palgrave Macmillan
    ISBN: 9781137518323
    Sprache: Englisch
    Seiten: Online-Ressource (XVII, 308 p. 2 illus, online resource)
    Serie: SpringerLink
    Serie: Bücher
    Serie: Springer eBook Collection
    Serie: Literature, Cultural and Media Studies
    Paralleltitel: Druckausg.
    Paralleltitel: Printed edition
    Paralleltitel: Erscheint auch als Tambling, Jeremy, 1948 - Histories of the devil
    RVK:
    Schlagwort(e): Literature ; Literature—History and criticism. ; Literature—Philosophy. ; Teufel ; Literatur
    Kurzfassung: This book is about representations of the devil in English and European literature. Tracing the fascination in literature, philosophy, and theology with the irreducible presence of what may be called evil, or comedy, or the carnivalesque, this book surveys the parts played by the devil in the texts derived from the Faustus legend, looks at Marlowe and Shakespeare, Rabelais, Milton, Blake, Hoffmann, Baudelaire, Goethe, Dostoevsky, Bulgakov, and Mann, historically, speculatively, and from the standpoint of critical theory. It asks: Is there a single meaning to be assigned to the idea of the diabolical? What value lies in thinking diabolically? Is it still the definition of a good poet to be of the devil's party, as Blake argued?
    Kurzfassung: Introduction: Literature and Manicheeism -- Chapter 1: ‘The Tempter or the Tempted, Who Sins Most?' -- Chapter 2: Medieval and Early Modern Devils: Names and Images -- Chapter 3: From Carnival to King Lear: Ships, Dogs, Fools, and the Picaro -- Chapter 4: Fallen Fire: Job, Milton, and Blake -- Chapter 5: Masks, Doubles, and Nihilism -- Chapter 6: Goethe: Faust and Modernity -- Chapter 7: Dostoevsky: Murder and Suicide -- Chapter 8: Bulgakov, Mann, Adorno, and Rushdie
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Online-Ressource
    Online-Ressource
    London : Palgrave Macmillan
    ISBN: 9781137578419
    Sprache: Englisch
    Seiten: Online-Ressource (VII, 134 p, online resource)
    Serie: SpringerLink
    Serie: Bücher
    Serie: Springer eBook Collection
    Serie: Literature, Cultural and Media Studies
    Paralleltitel: Erscheint auch als Bruhn, Jørgen, 1968 - The intermediality of narrative literature
    Paralleltitel: Printed edition
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    Schlagwort(e): Literature ; Literature, Modern 20th century ; Literature, Modern 21st century ; America Literatures ; Literature—Philosophy. ; USA ; Kurzgeschichte ; Roman ; Erzähltheorie ; Intermedialität
    Kurzfassung: This book argues that narrative literature very often, if not always, include significant amounts of what appears to be extra-literary material - in form and in content - and that we too often ignore this dimension of literature. It offers an up to date overview and discussion of intermedial theory, and it facilitates a much-needed dialogue between the burgeoning field of intermedial studies on the one side and the already well-developed methods of literary analysis on the other. The book aims at working these two fields together into a productive working method. It makes evident, in a methodologically succinct way, the necessity of approaching literature with an intermedial terminology by way of a relatively simple but never the less productive three-step analytic method. In four in-depth case studies of Anglophone texts ranging from Nabokov, Chandler and Tobias Wolff to Jennifer Egan, it demonstrates that medialities matter
    Kurzfassung: Acknowledgments -- 1. Introduction -- 2. What is Mediality, and (How) does it Matter? Theoretical Terms and Methodology -- 3. Speak, Memory? Vladimir Nabokov, “Spring in Fialta” -- 4. “This beats tapes, doesn’t it?” - Women, cathedrals, and other medialities in Raymond Carver’s “Cathedral” -- 5. “Great script, eh?” - Medialities, metafiction and non-meaning in Tobias Wolff’s “Bullet in the brain” -- 6. Between punk and PowerPoint: Authenticity versus medialities in Jennifer Egan’s A visit from the goon squad -- 7. Afterthoughts -- Bibliography -- Index.-
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 3
    Online-Ressource
    Online-Ressource
    London : Palgrave Macmillan
    ISBN: 9781137552372
    Sprache: Englisch
    Seiten: Online-Ressource (232 p, online resource)
    Serie: SpringerLink
    Serie: Bücher
    Serie: Springer eBook Collection
    Serie: Literature, Cultural and Media Studies
    Paralleltitel: Erscheint auch als Empathy and its limits
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    Schlagwort(e): Social history ; Social sciences ; Literature ; Communication ; Children's literature ; Emotions ; Historiography. ; Culture—Study and teaching. ; Einfühlung ; Einfühlung
    Kurzfassung: This volume extends the theoretical scope of the important concept of empathy by analysing not only the cultural contexts that foster the generating of empathy, but in focusing also on the limits of pro-social feelings and the mechanisms that lead to its blocking
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  • 4
    Online-Ressource
    Online-Ressource
    London : Palgrave Macmillan
    ISBN: 9781137549112
    Sprache: Englisch
    Seiten: Online-Ressource (XVII, 863 p. 3 illus, online resource)
    Serie: SpringerLink
    Serie: Bücher
    Serie: Springer eBook Collection
    Serie: Literature, Cultural and Media Studies
    Paralleltitel: Erscheint auch als The Palgrave handbook of literature and the city
    Paralleltitel: Printed edition
    RVK:
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    Schlagwort(e): Literature ; Cities and towns History ; Literature—History and criticism. ; Literatur ; Stadt ; Stadt ; Stadt ; Literatur
    Kurzfassung: This book is about the impact of literature upon cities world-wide, and cities upon literature. It examines why the city matters so much to contemporary critical theory, and why it has inspired so many forms of writing which have attempted to deal with its challenges to think about it and to represent it. Gathering together 40 contributors who look at different modes of writing and film-making in throughout the world, this handbook asks how the modern city has engendered so much theoretical consideration, and looks at cities and their literature from China to Peru, from New York to Paris, from London to Kinshasa. It looks at some of the ways in which modern cities - whether capitals, shanty-towns, industrial or ‘rust-belt’ - have forced themselves on people’s ways of thinking and writing
    Kurzfassung: Introduction and Acknowledgements -- Prologue: City-Theory and Writing in Paris and Chicago: Space, Gender, Ethnicity -- PART I. THE CITY IN THEORY -- Introduction -- 1. Modern Urban Theory and the Study of Literature; Jason Finch -- 2. Theorists of the Postmodern, Global, and Digital City; J. A. Smith -- 3. Walter Benjamin and The Arcades Project; Ben Moore -- 4. ‘How did the Everyday Manage to become so Interesting?’; Alfie Bown -- PART II. EUROPEAN CITIES -- Introduction -- 5. Dublin; Daniel Bristow -- 6. Medieval and Early Modern Cities: London, Paris, Florence, and Amsterdam; Jeremy Tambling -- 7. Modern London: 1820-2020; Jason Finch -- 8. Balzac: A Socio-Material Archaeology of Paris; Jonathan White -- 9. Berlin: Flesh and Stone, Space and Time; Ulrike Zitzlsperger -- 10. Petersburg on the Threshold; Paul Fung -- 11. St. Petersburg and Moscow in Twentieth-century Russian Literature; Isobel Palmer -- 12. Spain’s Literature of the City; Aitor Bikandi-Meijas and Paul Vita -- 13. Lisbon: What the Tourist Should Read; Daniel Bristow -- 14. Vienna; Jeremy Tambling -- 15. Venice: Impossible City; David Spurr -- PART III. NORTH AMERICAN CITIES -- Introduction -- 16. Merging Naturalism and the Unreal: An Approach to America’s Literary Cities; Markku Salmela -- 17. 'I would go to Toronto': The City in Contemporary Writing; Tom Ue -- 18. New York Fiction; Markku Salmela and Lieven Ameel -- PART IV: LATIN AMERICAN CITIES -- Introduction -- 19. The Repeating City: Urban Space in Hispanic Caribbean Literature; Elena Valdez -- 20. Mexico City; David William Foster -- 21. Cities, Territories, and Conflict: Narrative and the Colombian City in the Second Half of the Twentieth Century; Andrés Mesa -- 22. Peru: Words Under the Fog; Fernando Rivera -- 23. Brasília’s Literature; Sophia Beal -- 24. Rio’s Favelas: Mapping the Periphery; Leila Lehnen -- 25. The Case of Rio de Janeiro: Exploring Geographies of Resistance and Domination; Kátia da Costa Bezerra -- 26. São Paulo in Transit; Leila Lehnen -- 27. Santiago, Chile from the Mapocho River: Landscape, Border, and Waste; Claudia Darrigrandi Navarro -- 28. Buenos Aires; David William Foster -- PART V. AFRICAN CITIES -- Introduction -- 29. An Overview of African Cities and Writing; Alastair Niven -- 30. Cairo and Alexandria; Ahmed Elbeshlawy -- 31. Lagos in Nigerian Literature; Louis James -- 32. Kinshasa, Democratic Republic of Congo: Cowboys, Cosmonauts and Capitalism; Kaspar Loftin -- 33. What is the City in Africa?; Patrick Williams -- 34. South African Cities; Marita Wenzel -- PART VI. ASIAN CITIES -- Introduction -- 35. Istanbul; Valerie Kennedy -- 36. Beirut; Ghenwa Hayek -- 37. India and Its Cities Through the Eyes of Its Writers; Alastair Niven -- 38. Out of Place in Delhi: Some Vignettes of Loss; Stuti Khanna -- 39. Fictional and Cinematic Representations of the Journey of Bombay to Mumbai; Nilufer E. Bharucha -- 40. City and Country in Chinese Fiction: An Historical Survey; Leo Ou-fan Lee -- 41. A Cinematic Guide to Asian Cities: Taipei, Seoul, and the Cinema of Destruction; Louis Lo -- 42. A Megalopolis in Transit: Waterways as the Witness of Early Twentieth-Century Tokyo; Ikuho Amano -- 43. Australasian City Writing; Michael Hollington -- PART VII: URBAN THEMES -- Introduction and Epilogue -- 44. Realism and its revelations: City Perspectives in London and Paris; Sara Thornton -- 45. Conceptualising the Modernist City; Iain Bailey -- 46. Travel Writing and the City; Paul Smethurst -- 47. The Urban Connections of Crime Fiction; Stephen Knight -- 48. Cities Utopian, Dystopian and Apocalyptic; Lieven Ameel -- Further Reading --
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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