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  • GBV  (309)
  • BSZ  (256)
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  • History and criticism  (352)
  • Musicology  (352)
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  • 1
    Book
    Book
    Leiden : Brill
    ISBN: 9004048731
    Language: English
    Series Statement: Orientalia Rheno-traiectina vol. 22
    DDC: 781.7/54
    RVK:
    RVK:
    Keywords: Somanatha ; son of Mudgala ; Ragavibodha of Somanatha ; Carnatic music ; History and criticism ; Music ; India ; History and criticism ; Raga
    Note: Erschienen: 1 - 2
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  • 2
    ISBN: 9781800109537 , 9781800109520
    Language: English
    Pages: 1 Online-Ressource (xvi, 252 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Eastman/Rochester studies in ethnomusicology 13
    Parallel Title: Erscheint auch als Intimate entanglements in the ethnography of performance
    DDC: 780.89
    RVK:
    Keywords: Ethnomusicology ; Music Performance ; Social aspects ; Intimacy (Psychology) ; Africans Music ; History and criticism ; African Americans Music ; History and criticism ; Music History and criticism ; Music History and criticism ; Music and race ; African Americans ; Music ; Ethnomusicology ; Intimacy (Psychology) ; Music ; Music and race ; Criticism, interpretation, etc ; Africa ; United States
    Abstract: Foreword. Let It Get Into You / Deborah Kapchan -- Acknowledgements -- Introduction. On intimate entanglements / Sidra Lawrence -- Yusef's Breath : Jazz Love, Cross-Racial Identification, and Paying Dues / Tracy McMullen -- Three Reflections, with Epilogue / Steven Cornelius -- Modulating Flawed Bodies : Intimate Acoustemologies, Chronic Pain, and Ethnographic Pianism / Mark Lomanno -- Performing Desire : Race, Sex, and the Ethnographic Encounter / Sidra Lawrence -- Thick Descriptions / Catherine M. Appert -- Entering the Lives of Others : Entangled Intimacies, Trauma, and Performance / Ama Oforiwaa Aduonum -- Ethnomusicological Empathy : Excavating a Black Graduate Student's Heartland / Danielle Davis -- Ethnomusicological Becoming : Deep Listening as Erotics in the Field / Carol Muller -- Mirror Dancing in Congo : Reflections on Fieldwork as Blanche Neige / Lesley N. Braun -- ethnography and its double(s) : theorizing the personal with Jews in Ghana / Michelle Kisliuk.
    Abstract: "Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars"--
    Note: Includes bibliographical references and index
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  • 3
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190661991 , 9780190661984
    Language: English
    Pages: 1 Online-Ressource (xx, 541 Seiten)
    Series Statement: Oxford handbooks series
    Parallel Title: Erscheint auch als The Oxford handbook of music in China and the Chinese diaspora
    DDC: 780.951
    RVK:
    Keywords: Music History and criticism ; Chinese Music ; History and criticism ; Aufsatzsammlung ; Aufsatzsammlung ; China ; Musik
    Abstract: The Oxford Handbook of Music in China and the Chinese Diaspora illuminates new insights into Chinese music studies, musical genres, and contexts. This volume incorporates extensive scholarly insight from China, Taiwan, and the Chinese diaspora, and is arranged into three parts: the historical legacies of Chinese music, evolving practice and musical transformations, and prominent issues in Chinese music studies.
    Note: Includes bibliographical references and index , Description based on publisher supplied metadata and other sources
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  • 4
    Book
    Book
    New York, NY, United States of America : Oxford University Press
    ISBN: 9780190661960
    Language: English
    Pages: xx, 541 Seiten , Illustrationen, Diagramme, Notenbeispiele , 25.5 cm x 18 xm
    Series Statement: Oxford handbooks
    Parallel Title: Erscheint auch als The Oxford handbook of music in China and the Chinese diaspora
    DDC: 780.951
    RVK:
    Keywords: Music History and criticism ; Chinese Music ; History and criticism ; Aufsatzsammlung ; China ; Musik
    Note: Includes bibliographical references and index
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  • 5
    Book
    Book
    Cairo : The American University in Cairo Press
    ISBN: 9781649033048
    Language: English
    Pages: xxii, 318 Seiten , Illustrationen
    Series Statement: Refugees and migrants within the Middle East series
    DDC: 780.89/9274
    RVK:
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    Keywords: Palestinian Arabs Music ; History and criticism ; Palestinian Arabs Music ; Political aspects ; Music History and criticism ; Music History and criticism ; Expatriate musicians ; Expatriate musicians
    Abstract: "Palestinian Music in Exile is a historical and contemporary study of Palestinian musicianship in exile in the Middle East, spanning half a century in disparate and undocumented locations. The stories taking center stage show creatively divergent and revolutionary performance springing from conditions of colonialism, repression, and underdevelopment. What role does music play in the social spaces of Palestinian exile? How are the routes and roadblocks to musical success impacted by regional and international power structures? And how are questions of style, genre, or national tradition navigated by Palestinian musicians? Based on seven years of research in Europe and the Middle East, this timely and inspiring collection of musical ethnographies is the first oral history of contemporary Palestinian musicianship to appear in book form, and the only study to encompass such a broad range of experiences of the ghurba, or place of exile."--
    Description / Table of Contents: Strings Of The Street : Resistance Aesthetics Of A Nation In Movement Chapter -- Za'atar, Zeit, And Fairuz : Growing Up Palestinian In Kuwait : Reem Kelani's Musical Beginnings -- 'Nothing Stops Tradition' : Dialects Of Cultural Reinvention In Exile : Experiences Of Palestinian Instrumentalism In Bilad al-Sham -- Village Dreams In Urban Gaza : A Young Girl's Musical Intifada : Music And Land In A Palestinian Socialist Household -- Smashing The Pyramids : Encores Of Palestinian Radicalism In Egypt : Tamer Abu Ghazaleh, The Cairo Underground, And The Sabreen Influence -- 'An Even Tougher Act Of Resistance' : Instrumentalism In The Dakhil Saied Silbak And The Music Of Internal Displacement -- Ahla Ayām' : The Most Beautiful Days Tarab, al-Waṭan, And Gaza's New Generation Of Musicians -- Sumud And The City : Old And New Comradeship In Istanbul : Fares Anbar, Ahmed Haddad, and The Turkish Migrant Scene ; Conclusion : Where To?
    Note: Includes bibliographical references and index
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  • 6
    ISBN: 9783030987046 , 3030987043
    Language: English
    Pages: xxvii, 465 Seiten , Illustrationen , 22 cm
    Series Statement: Pop music, culture and identity
    Parallel Title: Erscheint auch als
    Angaben zur Quelle: volume 2
    RVK:
    Keywords: Popular music History and criticism ; Africans Music ; History and criticism
    Note: Includes bibliographical references and index
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  • 7
    ISBN: 9780231189187 , 9780231189194
    Language: English
    Pages: xiii, 275 Seiten , Illustrationen
    Series Statement: Leonard Hastings Schoff memorial lectures
    Parallel Title: Erscheint auch als O'Meally, Robert G., 1948- Antagonistic cooperation
    DDC: 781.650973
    RVK:
    Keywords: Jazz History and criticism ; African American art ; American literature African American authors ; History and criticism ; African Americans Social life and customs ; Music and literature ; Art and music ; Collage ; Lectures ; USA ; Schwarze ; Musik ; Jazz ; Kunst ; Literatur ; Geschichte 1900-2000 ; Modern Jazz ; Collage ; Fiktion ; USA ; Kunst ; Schwarze
    Abstract: This Music Demanded Action : Ellison, Armstrong, and the Imperatives of Jazz -- We Are All a Collage : Armstrong's Operatic Blues, Bearden's Black Odyssey, and Morrison's Jazz -- The "Open Corner" of Black Community and Creativity : From Romare Bearden to Duke Ellington and Toni Morrison -- Hare and Bear : The Racial Profiles of Satchmo's Smile -- The White Trombone and the Unruly Black Cosmopolitan Trumpet, or How Paris Blues Came to Be Unfinished.
    Abstract: "Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics. From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O'Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O'Meally's readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy"--
    Note: Includes index
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  • 8
    ISBN: 9783030978839 , 3030978834
    Language: English
    Pages: xxiii, 401 Seiten , Illustrationen , 22 cm
    Series Statement: Pop music, culture and identity
    Parallel Title: Erscheint auch als
    Angaben zur Quelle: volume 1
    DDC: 781.63096
    RVK:
    Keywords: Popular music History and criticism ; Africans Music ; History and criticism
    Note: Includes bibliographical references and index
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  • 9
    Online Resource
    Online Resource
    Oxford : Archaeopress Publishing Ltd
    ISBN: 9781789699333
    Language: English
    Pages: 1 Onliner-Ressource (viii, 200 Seiten) , Notenbeispiele, Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 780.9174927
    RVK:
    Keywords: Arabs Music ; History and criticism ; Songs, Arabic History and criticism ; Electronic books
    Abstract: Offering a comprehensive survey of the history and the development of Arab music and musical theory from its pre-Islamic roots until 1970, this book also offers a discussion of the major genres and forms practiced today, such as the Egyptian gil, the Algerian raï and Palestinian hip hop; it also touches upon musical instruments and folk music
    Note: Also issued in print: 2021 , Includes bibliographical references, discography and index , Zielgruppe: Specialized
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  • 10
    ISBN: 9783962332754 , 9783962332747
    Language: German
    Pages: 1 Online-Ressource (271 Seiten)
    Series Statement: Musikwissenschaftliche Schriften der Hochschule für Musik und Theater München 16
    Parallel Title: Erscheint auch als Jüdische Musik im süddeutschen Raum: Geschichte, Exil, Fortleben (Veranstaltung : 2019 : München) Jüdische Musik im süddeutschen Raum
    DDC: 780.899240434
    RVK:
    Keywords: Jews Congresses Music ; History and criticism ; Jews Music History and criticism 19th century ; Congresses ; Jews Music History and criticism 20th century ; Congresses ; Music Congresses History and criticism ; Electronic books ; Süddeutschland ; Juden ; Musik ; Geschichte
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  • 11
    Online Resource
    Online Resource
    Oxford : Oxford University Press USA - OSO
    ISBN: 9780197532997
    Language: English
    Pages: 1 online resource (645 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Frühauf, Tina, 1972 - Transcending dystopia
    DDC: 780.8992404309045
    RVK:
    Keywords: Jews-Germany-Music-History and criticism ; Music-Germany-20th century-History and criticism ; Jews Music ; History and criticism ; Music History and criticism 20th century ; Electronic books ; Deutschland ; Musiker ; Juden ; Musikleben ; Geschichte 1945-1989
    Abstract: Transcending Dystopia tells the story of the remarkable revival of Jewish music in postwar and Cold War Germany. Covering a wide spectrum of musical activities and geographies across the country, this book provides a panoramic view on how music contributed to transformations within and beyond Jewish communities after the Holocaust.
    Abstract: cover -- Transcending Dystopia -- Copyright -- Dedication -- Contents -- Acknowledgments -- Prologue: Moving Toward Silence -- On Transliteration and Translation, Spelling, and Names -- Abbreviations -- Introduction: Against All Odds-The Jewish Gemeinde as Sonic Community in an Age of Mobility -- Part 1 -- 1 In the Midst of Rubble: Rebuilding a Musical Life in Berlin -- 2 Out of the Depths: The Case of Munich and the South -- 3 Communal Encounters: Frankfurt am Main and the North -- 4 Remnants in the Soviet and French Zones and Beyond -- 5 Remembering the Holocaust: Mourning and Celebration -- 6 Disseminating Survival: Jews, Music, and the Media -- 7 The End of Dystopia? -- Part II -- 8 Returning and Leaving: Frankfurt in Flux -- 9 Rebuilding with or without Organ -- 10 Cantors on the Move -- 11 Regenerating a Choral Music Culture -- 12 Music in Social Life -- Part III -- 13 Dystopia under Communism: Communities in the Crossfire of Politics -- 14 Werner Sander and the Formation of the Leipziger Synagogalchor -- 15 Facing Cultural Stagnation: Musical Life after Sander -- 16 "Making Antifascist Politics Visible": Jewish Heritage Music and Cold War Politics -- 17 The Leipziger Synagogalchor in the Service of State Propaganda -- 18 Jewish Culture in Public Diplomacy, Memory Politics, and the Curious Case of Halle -- 19 Projecting Utopia: Jewish Heritage Music Abroad -- 20 The Politics of Commemoration and Reorientation -- Part IV -- 21 The Establishment of the Jüdische Gemeinde von Groß-​Berlin -- 22 The Anniversary Year of 1971 and the Dawn of Détente -- 23 The Rise of the Jüdische Gemeinde zu Berlin -- 24 Deterioration and Recovery: The Jüdische Gemeinde Berlin, Hauptstadt der DDR -- 25 Toward a New Communal Future: Parallel Sound Worlds and Rapprochement -- Notes -- Bibliography -- Index -- oso-9780197532973_BM.pdf.
    Note: Description based on publisher supplied metadata and other sources
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  • 12
    Book
    Book
    New York : Abrams Image
    ISBN: 9781419751431 , 1419751433
    Language: English
    Pages: 351 Seiten , 24 cm
    DDC: 782.421640973
    RVK:
    Keywords: Popular music History and criticism ; African Americans Music ; History and criticism ; MUSIC / History & Criticism ; Popular music ; African Americans ; Comptes rendus de musique ; USA ; Popmusik ; Afroamerikanische Musik ; Geschichte 1971-2021
    Abstract: "Focusing on the years 1971 to the present, Questlove finds the hidden connections in the American tapestry, whether investigating how the blaxploitation era reshaped Black identity or considering the way disco took an assembly-line approach to Black genius. And these critical inquiries are complemented by his own memories as a music fan, and the way his appetite for pop culture taught him about America. A history of the last half-century and an intimate conversation with one of music's most influential and original voices, Music Is History is a singular look at contemporary America"--
    Note: Includes discography (pages 324-333) and indexes , 1971: Stretched on history's wheel , 1972: Music is the message , 1973: Past is prologue, and protest , 1974 :Cool like that , 1975: The POV lane , 1976: Having two parties , 1977: Future to the back , 1978: Disco tech , 1979: An idea runs wild , 1980: Teach the children , 1981: Inside outside leave me alone , 1982: History by the numbers , 1983: Why does everybody have a bomb? , 1984: File under , 1985: Long for yesterday , 1986: And you don't stop , 1987: Greatness expectations , 1988: Taste! How low can you go? , 1989: Seeds of change , 1990: Return of the impressed , 1991: Furious styles , 1992: Echo park , 1993: X marks the spot , 1994: In the sun I feel as one , 1995: Present, tense , 1996: You've got me feeling emotions , 1997: Moving like you're standing still , 1998: Fair and unfair use , 1999: Things fall apart , 2000: Things come together , 2001: The bad minus , 2002-Present: Our twenty-first century.
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  • 13
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190461652
    Language: English
    Series Statement: Readers on American musicians series
    Parallel Title: Erscheint auch als The Mahalia Jackson reader
    DDC: 782.25/4092
    RVK:
    RVK:
    Keywords: Jackson, Mahalia ; African American gospel singers Biography ; Gospel singers Biography ; African Americans Music ; History and criticism ; Gospel music History and criticism
    Abstract: ""African American gospel singer Mahalia Jackson was just sixty years old when her heart finally gave out on January 27, 1972, as she lay alone in her sick bed at Little Company of Mary Hospital just south of Chicago. Obituaries faithfully recounted the best-known story lines of her unlikely career: how the power of her voice was rooted in her devout Baptist upbringing; her birth in 1911 and rise from dire poverty in Uptown New Orleans to international celebrity; a dedication to the black freedom struggle that further elevated her to the status of cultural and political symbol. Together, Jackson's voice, faith, prestige, and activism, made her at the time of her death, in the assessment of her friend Harry Belafonte, "the single most powerful black woman in the United States." Yet her reputation is also complex. Invoking the charisma of Martin and Malcolm, the persuasion of statesmen and despots, and the splendor of divas and diadems, Maceo Bowie's letter to the editor of the Chicago Defender seems to both celebrate and grapple with the substance of Jackson dynamism as a gospel singer and her consequence as an illustrious black public figure. In an editorial in the Defender following Jackson's death, E. Duke McNeil acknowledged Jackson's habitual acclaim as the "Queen of the gospel singers," while also observing: "You can almost say that Mahalia was the 'greatest' because she was the only gospel singer known everywhere." Indeed, for scholars of black gospel, the music itself is often hidden in plain sight. On the one hand, gospel voices are inescapable, audible not just within the music industry, where they have become a lingua franca for pop singers, but also in recurring representations of the black church, in the omnipresent sound of the black gospel choir, and in the personal histories of many black artists. On the other, in comparison with such genres as jazz, blues, country music, and hip hop, documentation of black gospel music, which has thrived in in-group settings, is relatively scant, leaving researchers with limited sources and largely reliant on oral history. Fortunately, the scope and coverage of Jackson's caereer produced a paper trail that enables us to study her personal and professional life while gaining insight into the black gospel field of which she was such an integral part. In compiling a wide swath of these sources on Jackson, The Mahalia Jackson Reader seeks to paint a fuller and more vivid picture of one of the most resonant musi ...
    Note: Includes bibliographical references and index
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  • 14
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197504673
    Language: English
    Pages: 1 Online Ressource (xx, 459 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als Sheleg, Asaf, 1974 - Theological stains
    DDC: 780.8992405694
    RVK:
    Keywords: Music History and criticism 20th century ; Music by Jewish composers History and criticism 20th century ; Jews Music ; History and criticism ; Zionism ; Zionism in literature ; Music ; Israel ; 20th century ; History and criticism ; Music by Jewish composers ; Israel ; 20th century ; History and criticism ; Jews ; Music ; History and criticism ; Zionism ; Zionism in literature ; Israel ; Kunstmusik ; Literatur ; Zionismus ; Juden ; Ethnische Identität ; Geschichte 1950-2000
    Abstract: In this in-depth study of Israeli art music in the second half of the twentieth century, author Assaf Shelleg explores how art music and modern Hebrew literature engaged with Zionism and competing diasporic Jewish histories that are not grounded in notions of territory.
    Note: Also issued in print: 2021. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on November 9, 2020)
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  • 15
    ISBN: 9780197504642
    Language: English
    Pages: xx, 459 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als Sheleg, Asaf, 1974 - Theological stains
    DDC: 780.89/92405694
    RVK:
    Keywords: Music History and criticism 20th century ; Music by Jewish composers History and criticism 20th century ; Jews Music ; History and criticism ; Zionism ; Zionism in literature
    Abstract: Introduction. Stains? -- Non-Biblical Tonalities -- Biblocentrism in Modern Hebrew Culture and its Operatic Undoing -- Horizontal Realizations : The Agency of Non-Western Jewish Musical Traditions in Art Music of the 1950s and '60s -- Broken Hebrewist Vessels -- Compositional Solutions (in the double sense of the word)
    Abstract: "Theological Stains traces the growth of art music in Israel from the mid twentieth century to the turn of the twenty-first. In a riveting and provocative account, Assaf Shelleg explores the theological grammar of Zionism and its impact on the art music written by emigrant and native composers grappling with biblical redemptive promises and diasporic patrimonies. Unveiling the network that bred territorial nationalism and Hebrew culture, Shelleg shows how this mechanism infiltrated composers' work as much as it triggered less desirable responses from composers who sought to realize to the non-territorial Diasporic options Zionism has renounced. In the process compositional aesthetics gets stained by the state's nationalization of the theological, by diasporism that refuses redemption, and by Jewish musical traditions that permeated inaudibly to compositions written throughout the second half of the twentieth century. Accompanying this rich and dramatic story are equivalent developments in modern Hebrew literature and poetry alongside vast and previously unstudied archival sources. The book is also lavishly illuminated with 135 music examples that render it an incisive guide to fundamental chapters in modern and late modern art music"--
    Note: Includes bibliographical references and index
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  • 16
    Online Resource
    Online Resource
    Chicago : University of Chicago Press
    ISBN: 9780226607474
    Language: English
    Pages: 1 Online-Ressource (x, 279 Seiten) , Illustrationen
    Series Statement: Chicago studies in ethnomusicology
    Parallel Title: Erscheint auch als Tucker, Joshua Making music indigenous
    DDC: 781.62/9832308529
    RVK:
    Keywords: Indians of South America Music History and criticism ; Indians of South America Social life and customs ; Popular music History and criticism ; Songs, Quechua History and criticism ; Indians of South America Social life andcustoms ; Indians of South America Music ; History and criticism ; Indians of South America Social life and customs ; MUSIC / General
    Abstract: When thinking of indigenous music, many people may imagine acoustic instruments and pastoral settings far removed from the whirl of modern life. But, in contemporary Peru, indigenous chimaycha music has become a wildly popular genre that is even heard in the nightclubs of Lima. In Making Music Indigenous, Joshua Tucker traces the history of this music and its key performers over fifty years to show that there is no single way to “sound indigenous.” The musicians Tucker follows make indigenous culture and identity visible in contemporary society by establishing a cultural and political presence for Peru’s indigenous peoples through activism, artisanship, and performance. This musical representation of indigeneity not only helps shape contemporary culture, it also provides a lens through which to reflect on the country’s past. Tucker argues that by following the musicians that have championed chimaycha music in its many forms, we can trace shifting meanings of indigeneity—and indeed, uncover the ways it is constructed, transformed, and ultimately recreated through music
    Abstract: Frontmatter -- Contents -- Prologue -- Introduction: Making Music Indigenous -- 1. Setting a Scene -- 2. Landscape, Performance, and Social Structure -- 3. Song and Sound -- 4. Tradition and Folklore -- 5. Broadcasting and Building Publics -- 6. Success and Sentiment -- 7. Wood and Work -- Epilogue -- Acknowledgments -- Online Resources -- Glossary -- Notes -- References -- Index
    Note: restricted access online access with authorization star , Mode of access: Internet via World Wide Web.
    URL: Cover
    URL: Cover
    URL: Cover
    URL: Cover
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  • 17
    Book
    Book
    London : Routledge, Taylor & Francis Group
    ISBN: 9781409426844
    Language: English
    Pages: xxii, 203 Seiten , Illustrationen, Notenbeispiele
    Series Statement: SOAS musicology series
    Series Statement: An Ashgate book
    DDC: 788.9/209667
    RVK:
    Keywords: Trumpet ; Ashanti (African people) Music ; History and criticism ; Trumpet ensembles History and criticism ; Aschanti ; Trompetenmusik
    Note: Literaturverzeichnis: Seite 191-199
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  • 18
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: SOAS musicology series
    Parallel Title: Erscheint auch als Turkic soundscapes
    DDC: 780.9174943
    RVK:
    Keywords: Music Europe, Western x History and criticism ; Music Middle East x History and criticism ; Turkic peoples Music ; History and criticism ; Music Turkish influences ; Electronic books
    Abstract: Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- List of figures -- List of tables -- List of musical examples -- Notes on contributors -- Acknowledgements -- Map of the Turkic-speaking world -- Foreword -- Foreword -- 1 Introduction: traditions and transformations in Turkic musical cultures -- Part I Cultural foundations in music of the twenty-first century -- 2 The concept of makam-based melody and its problematic in musical analysis -- 3 The pedagogical system of Azerbaijani master musician Bahram Mansurov (1911‒1985) -- 4 From popular tradition to pop diffusion: jahrī zikr among teenagers in present-day Kazakhstan -- Part II Turkic music in popular culture and mass media -- 5 Azerbaijani rap music and oral poetry between "the folk" and "the popular" -- 6 Mass music in Kazakhstan: the phenomenon and its interpretation -- 7 Musical images of Istanbul from Fatih Akin's films and stage performances -- Part III Cross-cultural encounters in the Turkic-speaking world and beyond -- 8 From the spiritual to the profane and back: religious melodies and folksongs of Turkic peoples -- 9 The Circumpontic Lezginka dance as a cultural phenomenon -- 10 The impact of Turkic musical culture on the music of Bulgaria -- Part IV Turkic music and national identities -- 11 Debating "national ownership" of musical instruments: the balalaika as a subject of ethnopolitical discourse -- 12 New music of the Crimean Tatars: history and current status -- 13 Ancient roots, modern nation-building: Kazakh spirituality and identity in the music of the Turan ensemble -- References -- Index.
    Note: Includes bibliographical references and index
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  • 19
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190634933
    Language: English
    Pages: 1 Online-Ressource (xvi, 472 Seiten)
    DDC: 782.254092
    RVK:
    RVK:
    Keywords: Jackson, Mahalia 1911-1972 ; African American gospel singers Biography ; United States ; Gospel singers Biography ; United States ; African Americans Music ; History and criticism ; Gospel music History and criticism ; Jackson, Mahalia 1911-1972 ; Afroamerikanische Musik ; Gospelsong ; USA
    Abstract: Drawing on and piecing together a trove of previously unexamined sources, this book is the first critical study of the renowned African American gospel singer Mahalia Jackson (1911–1972). Beginning with the history of Jackson’s family on a remote cotton plantation in the Central Louisiana parish of Pointe Coupée, the book follows their relocation to New Orleans, where Jackson was born, and Jackson’s own migration to Chicago during the Great Depression. The principal focus is her career in the decade following World War II, during which Jackson, building upon the groundwork of seminal Chicago gospel pioneers and the influential National Baptist Convention, earned a reputation as a dynamic church singer. Eventually, Jackson achieved unprecedented mass-mediated celebrity, breaking through in the late 1940s as an internationally recognized recording artist for Apollo and Columbia Records who also starred in her own radio and television programs. But the book is also a study of the black gospel field of which Jackson was a part. Over the course of the 1940s and 1950s, black gospel singing, both as musical worship and as pop-cultural spectacle, grew exponentially, with expanded visibility, commercial clout, and forms of prestige. Methodologically informed by a Bourdiean field analysis approach that develops a more granular, dynamic, and encompassing picture of post-war black gospel, the book persistently considers Jackson, however exceptional she may have been, in relation to her fellow gospel artists, raising fresh questions about Jackson, gospel music, and the reception of black vernacular culture.
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  • 20
    Book
    Book
    London ; New York :Routledge, Taylor & Francis Group,
    ISBN: 978-1-138-06240-5
    Language: English
    Pages: xxii, 255 Seiten : , Illustrationen, Notenbeispiele.
    Series Statement: SOAS musicology series
    Parallel Title: Erscheint auch als
    DDC: 780.917/4943
    RVK:
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    Keywords: Geschichte 1900- ; Turkic peoples Music ; History and criticism ; Music ; Music ; Music Turkish influences ; Musik. ; Kultur. ; Türkei. ; Kaukasus. ; Zentralasien. ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Musik ; Kultur ; Geschichte 1900-
    Note: Includes bibliographical references and index
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  • 21
    ISBN: 9780873488594 , 0873488598
    Language: English
    Pages: 186 Seiten , illustrations, portraits , 21 cm
    Edition: 10th printing,2018
    DDC: 781.65
    RVK:
    Keywords: Jazz History and criticism ; African Americans Music ; History and criticism ; African American musicians ; African American musicians ; African Americans ; Music ; Jazz ; Criticism, interpretation, etc
    Abstract: "You don't own your own product" : an introduction to the political economy of jazz -- Why let a little thing like death interfere with exploitation? -- "Selling records to colored people" : white contempt for black art -- If you're black, get back : double standards in the recording industry -- You don't have to be intellectually dishonest to defend the status quo in jazz, but it helps -- The "jazz tradition" : black music, white critic -- The Afro-American folk roots of innovation in jazz -- App. A. Mark Levine's contract with Catalyst Records -- App. B. Royalty payments to Mark Levine from United Artists Records.
    Abstract: "Black Music, White Business probes the principal contradiction in the jazz world: that between black artistry on the one hand and white ownership of the means of jazz distribution - the recording companies, booking agencies, festivals, nightclubs and magazines - on the other."--BOOK JACKET. "Drawing on a wide variety of sources as well as his own experiences, Frank Kofsky brings to light the exploitation to which jazz creators historically have been subjected and the racist contempt with which many industry executives view jazz."--Jacket
    Note: Includes bibliographical references and index
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  • 22
    Online Resource
    Online Resource
    Chicago : University of Chicago Press
    ISBN: 9780226451787
    Language: English
    Pages: 1 Online-Ressource (x, 360 Seiten) , 16 Illustrationen
    DDC: 781.64089/96073
    RVK:
    Keywords: African Americans Music ; History and criticism ; Minstrel music History and criticism ; Music and race History ; Popular music History and criticism 19th century ; Popular music History and criticism 20th century ; Schwarze ; Ethnische Identität ; Afroamerikanische Musik ; Mittelstand ; HISTORY / General
    Abstract: As the United States transitioned from a rural nation to an urbanized, industrial giant between the War of 1812 and the early twentieth century, ordinary people struggled over the question of what it meant to be American. As Brian Roberts shows in Blackface Nation, this struggle is especially evident in popular culture and the interplay between two specific strains of music: middle-class folk and blackface minstrelsy. The Hutchinson Family Singers, the Northeast’s most popular middle-class singing group during the mid-nineteenth century, is perhaps the best example of the first strain of music. The group’s songs expressed an American identity rooted in communal values, with lyrics focusing on abolition, women’s rights, and socialism. Blackface minstrelsy, on the other hand, emerged out of an audience-based coalition of Northern business elites, Southern slaveholders, and young, white, working-class men, for whom blackface expressed an identity rooted in individual self-expression, anti-intellectualism, and white superiority. Its performers embodied the love-crime version of racism, in which vast swaths of the white public adored African Americans who fit blackface stereotypes even as they used those stereotypes to rationalize white supremacy. By the early twentieth century, the blackface version of the American identity had become a part of America’s consumer culture while the Hutchinsons’ songs were increasingly regarded as old-fashioned. Blackface Nation elucidates the central irony in America’s musical history: much of the music that has been interpreted as black, authentic, and expressive was invented, performed, and enjoyed by people who believed strongly in white superiority. At the same time, the music often depicted as white, repressed, and boringly bourgeois was often socially and racially inclusive, committed to reform, and devoted to challenging the immoralities at the heart of America’s capitalist order
    Abstract: Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Carnival -- 2. The Vulgar Republic -- 3. Jim Crow’s Genuine Audience -- 4. Black Song -- 5. Meet the Hutchinsons -- 6. Love Crimes -- 7. The Middle-Class Moment -- 8. Culture Wars -- 9. Black America -- 10. Conclusion: Musical without End -- Notes -- Index
    Note: Mode of access: Internet via World Wide Web. , In English
    URL: Cover
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  • 23
    Book
    Book
    New York : Basic Civitas
    ISBN: 9780465094400
    Language: English
    Pages: xl, 243 Seiten , Illustration
    Edition: Second edition
    Parallel Title: Erscheint auch als
    DDC: 782.421649
    RVK:
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    Keywords: Rap ; Hip-Hop ; USA ; Rap (Music ; History and criticism ; Rap (Music) / History and criticism ; Rap (Music) / Texts ; USA ; Hip-Hop ; USA ; Rap
    Abstract: "Rap may be the most revolutionary development in poetry over the past forty years, yet its originality is hidden in plain sight. Often overshadowed by the beat, bluster, and hype surrounding the music, lyrics are the heart of hip hop. Book of Rhymes explores America's least-understood poets by unpacking their complex craft and according them the respect they deserve as lyricists. Examining the language and techniques of hip hop's most memorable artists, literary scholar Adam Bradley argues that a new world of rhythm and rhyme awaits us if we put aside preconceptions and encounter rap with new ears and new eyes. Updated to reflect nearly a decade of the genre's evolution, Book of Rhymes remains the definitive work on the poetry of hip hop"--Page 4 of cover
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  • 24
    ISBN: 9781315472096 , 9781315472065 , 9781315472089
    Language: English
    Pages: 1 Online-Ressource (433 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Issues in African American music
    DDC: 780.8996073
    RVK:
    Keywords: African Americans Music ; History and criticism ; African American musicians ; Music African American influences ; African Americans ; Music ; History and criticism ; African American musicians ; Music ; African American influences
    Abstract: pt. I. Interpreting music -- pt. II. Mass mediation -- pt. III. Gender -- pt. IV. Musical agency : African American music as resistance.
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  • 25
    Book
    Book
    Hildesheim ; Zürich ; New York : Olms
    ISBN: 9783487311791
    Language: German
    Pages: 335 Seiten , Notenbeispiele
    Edition: 2., überarbeitete Auflage
    Series Statement: Netiva 6
    Series Statement: Netiva
    Dissertation note: Dissertation Folkwang Universität der Künste 2004
    DDC: 781.76
    RVK:
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    Keywords: Geschichte 1800-1938 ; Jews Music ; History and criticism ; Organ music History and criticism ; Orgelmusik ; Judentum ; Synagoge ; Orgel ; Geistliche Musik ; Deutschland ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Synagoge ; Orgel ; Deutschland ; Geschichte 1800-1938 ; Judentum ; Geistliche Musik ; Orgelmusik ; Deutschland ; Geschichte 1800-1938
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  • 26
    ISBN: 9780190651305
    Language: English
    Pages: 1 Online-Ressource , Karten, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 780.89/96
    RVK:
    RVK:
    Keywords: Geschichte ; Musik ; Blacks Music ; History and criticism ; Africans Music ; History and criticism ; Diaspora ; Kollektives Gedächtnis ; Afroamerikanische Musik ; Migration ; Schwarze ; Soziale Funktion ; Musik ; Soziokultureller Wandel ; Musiker ; Afrika ; Afrika ; Schwarze ; Musik ; Diaspora ; Soziokultureller Wandel ; Geschichte ; Afroamerikanische Musik ; Musiker ; Migration ; Soziale Funktion ; Kollektives Gedächtnis
    Abstract: Powerful and embracive, "The Transformation of Black Music"explores the full spectrum of black musics over the past thousand years as Africans and their descendants have traveled around the globe making celebrated music both in their homelands and throughout the Diaspora. Authors Samuel A. Floyd, Melanie Zeck, and Guthrie Ramsey brilliantly discuss how the music has blossomed, permeated present traditions, and created new practices. As a companion to the ground-breaking The Power of Black Music, this text brilliantly situates emerging, morphing, and influential black musics in a broader framework of cultural, political, and social histories. Grappling with subjects frequently omitted from traditional musical texts, "The Transformation of Black Music" is guided by more than just the ideals of inclusivity and representation. This work covers overlooked topics that include classical musicians of African descent, and builds upon the contributions of esteemed predecessors in the field of black music study. Providing a sweeping list of figures rarely included in conventional music history and theory textbooks, the text elucidates the findings of ethnomusicologists, cultural historians, Americanists, Africanists, and anthropologists, and weaves these accounts into a powerful and informative narrative. Taking its readers on a journey - one that has never been attempted in a single volume alone - this book reflects the musical phenomena generated by forced African migration and collective memory, and considers the kinds of powerful stories that these musics were meant to tell. Filling in critical musical and historical gaps previously ignored, authors Floyd, Zeck, and Ramsey infuse an engaging musical dialogue with a deeper understanding of the interrelationships between black musical genres and mainstream music.
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 27
    ISBN: 9780415881821 , 9780415881838
    Language: English
    Pages: xiv, 418 Seiten , Illustrationen , 26 cm
    Parallel Title: Erscheint auch als Issues in African American music
    Parallel Title: Erscheint auch als Issues in African American music
    DDC: 780.89/96073
    RVK:
    Keywords: African Americans Music ; History and criticism ; African American musicians ; Music African American influences
    Abstract: The blues in transcultural contexts / Susan Oehler -- New bottle, old wine : whither jazz studies? / Travis Jackson -- Race erasure and the origin narrative in black popular music / Portia K. Maultsby -- African Americans engage the western art music tradition / Olly Wilson -- Crossing musical borders : agency and process in the gospel music industry / Mellonee V. Burnim -- Industrializing African American popular music / Reebee Garafolo -- The Motown legacy : homegrown sound, mass appeal / Charles Sykes -- Stax Records and the impulse toward integration / Robert Bowman -- Uptown sound, downtown bound : the Philadelphia International Records story / John A. Jackson -- "And the beat goes on" : SOLAR, the Sound Of Los Angeles Records / Scot Brown -- Tyscot Records : a merger of business and ministry / Tyron Cooper -- Voices of women in gospel : resisting representations / Mellonee V. Burnim -- Are all the choir directors gay? : the policing of black men's sexuality and identity in gendered gospel performance / Alisha Lola Jones -- Women in blues : transgressing boundaries / Daphne Harrison -- Jazz history remix : black women from "enter" to "center" / Sherrie Tucker -- The reception of blackness in "women's music" / Eileen M. Hayes -- African American women and the dynamics of gender, race, and genre in rock 'n' roll / Maureen Mahon -- "Ain't nuthin' but a she thing" : women in hip hop / Cheryl Keyes -- The Antebellum period : communal coherence and individual expression / Lawrence Levine -- The Civil Rights Movement : the musical foundation of movement culture / Bernice Johnson Reagon -- The post-civil rights period : the political dynamics of black life and culture / Mark Anthony Neal
    Note: Includes bibliographical references (pages 381-403) and index
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  • 28
    ISBN: 9781628462302
    Language: English
    Pages: xxii, 433 Seiten , Illustrationen , 25 cm
    Series Statement: American made music series
    Parallel Title: Erscheint auch als Kubik, Gerhard, 1934- author Jazz transatlantic
    Parallel Title: Erscheint auch als Kubik, Gerhard, 1934 - Jazz Transatlantic ; Volume I: The African Undercurrent in Twentieth-Century Jazz Culture
    Angaben zur Quelle: volume 1
    DDC: 781.6509
    RVK:
    Keywords: Jazz African influences ; Africans Music ; History and criticism ; Jazz musicains
    Abstract: Machine generated contents note: $t Jazz-The Word and Some Other Words -- $t Kikoongo in French-Speaking New Orleans (Early Nineteenth Century) -- $t Vodu-Vaudou-Voodoo-and Jazz's Spirituality -- $t Retention, Resilience, and Reinvention of African Instrumental Techniques in the United States -- $t Ragtime -- $t Jazz Legends, Facts and Fiction -- $t Hoodoo Affecting Jazz and Blues Musicians -- $t Swing -- $t The African Matrix in Jazz Harmonic Practices -- $t Summary and Conclusions -- $t Bibliography
    Note: Includes bibliographical references (pages 387-411) and index
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  • 29
    Musical Score
    Musical Score
    Basel : Basler Afrika Bibliographien
    ISBN: 3905758830 , 9783905758832
    Language: English
    Pages: xv, 188 Seiten , Illustrationen, Notenbeispiele , 25 cm
    Series Statement: Basel Southern Africa studies 11
    Series Statement: Basel Southern Africa studies
    DDC: 780/.96881
    RVK:
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    Keywords: Music History and criticism ; Music Social aspects ; Music ; Namibia ; Namibia ; Social aspects ; History and criticism ; Criticism, interpretation, etc ; Namibia Ethnie/Volk ; Ovambo (Volk) ; Musik ; Musikinstrumente ; Traditionelle Kultur ; Namibia Ethnic/national groups ; Music ; Musical instruments ; Traditional culture ; Namibia ; Ambo ; Musik ; Tanz ; Ausdruck
    Note: Includes bibliographical references (pages 177-181) and index
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  • 30
    Online Resource
    Online Resource
    Stellenbosch, South Africa : SUN MeDIA
    ISBN: 9781928357124 , 1928357121 , 1928357113 , 9781928357117
    Language: English
    Pages: 1 Online-Ressource (194 pages) , illustrations
    DDC: 306.48423
    RVK:
    Keywords: Popular music History and criticism ; Popular music Social aspects ; Music Social aspects ; Music Political aspects ; Afrikaners Music ; History and criticism ; Music ; Political aspects ; Music ; Social aspects ; Popular music ; Popular music ; Social aspects ; Criticism, interpretation, etc ; South Africa
    Abstract: Gramophones, "warm patriots" and radio wars -- "Local flavour", tensions, and the rise of Afrikaner nationalism -- WWII, the SABC, FAK, and Boeremusiek? -- The apartheid regime, rock 'n roll and Afrikaner youth -- New voices, changing politics and growing subversion -- Alternative Afrikaans music towards the end of apartheid -- Nostalgia, fear and profit in post-apartheid Afrikaans music.
    Abstract: "Investigates the interplay between popular music and the unfolding of Afrikaans culture politics from the start of the twentieth century to the present. It includes a search for the earliest recorded Afrikaans songs and documents subsequent phases of music development that reflect the agency of ordinary individuals - artists and listeners - against a background of fundamental societal and political change. Regards both the music mainstream and the alternative, and reveals, among other things, historical cases of compliance and resistance regarding the master narrative of Afrikaner nationalist ideology, the attempts by cultural entrepreneurs to establish authority over popular Afrikaans culture, class tension, lasting racial exclusivity, protest and censorship "--
    Note: Includes bibliographical references (pages [167]-179) and index
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  • 31
    Online Resource
    Online Resource
    Chicago, Illinois ; London, [England] : The University of Chicago Press
    ISBN: 9780226451787
    Language: English
    Pages: 1 online resource (371 pages)
    Parallel Title: Erscheint auch als Roberts, Brian, 1957- Blackface nation : race, reform, and identity in American popular music, 1812 - 1925
    DDC: 781.64089/96073
    RVK:
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    Keywords: Geschichte 1812-1925 ; African Americans Music ; History and criticism ; Popular music History and criticism 19th century ; Popular music History and criticism 20th century ; Minstrel music History and criticism ; Music and race History ; Mittelstand ; Unterhaltungsmusik ; Ethnische Identität ; Nationalismus ; Schwarze ; USA ; USA ; Schwarze ; Unterhaltungsmusik ; Mittelstand ; Ethnische Identität ; Nationalismus ; Geschichte 1812-1925
    Note: Includes index , Description based on print version record
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  • 32
    Book
    Book
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226451640 , 9780226451503
    Language: English
    Pages: x, 360 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.64089/96073
    RVK:
    RVK:
    Keywords: Geschichte 1900-2000 ; Geschichte 1800-1900 ; Geschichte 1812-1925 ; Geschichte ; Musik ; Schwarze. USA ; African Americans Music ; History and criticism ; Popular music History and criticism 19th century ; Popular music History and criticism 20th century ; Minstrel music History and criticism ; Music and race History ; Unterhaltungsmusik ; Schwarze ; Mittelstand ; Ethnische Identität ; Nationalismus ; USA ; USA ; USA ; Schwarze ; Unterhaltungsmusik ; Mittelstand ; Ethnische Identität ; Nationalismus ; Geschichte 1812-1925
    Note: Includes bibliographical references and index
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  • 33
    ISBN: 9782352841623
    Language: French
    Pages: 510 Seiten , Illustrationen
    RVK:
    Keywords: Blacks Latin America ; Music ; History and criticism ; Blacks West Indies ; Music ; History and criticism ; Popular music Latin America ; History and criticism ; Popular music West Indies ; History and criticism ; Lateinamerika ; Musik ; Schwarze ; Karibik ; Schwarze ; Musik
    URL: Cover
    URL: Cover
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  • 34
    Book
    Book
    Chicago : The University of Chicago Press
    ISBN: 9780226327068 , 022632723X , 9780226327235
    Language: English
    Pages: xvi, 319 Seiten , Illustrationen, Diagramm, Karte , 24 cm
    Series Statement: Chicago studies in ethnomusicology
    DDC: 781.62/927061
    RVK:
    Keywords: Music History and criticism ; Music History and criticism ; Arabs Music ; History and criticism ; Arabs Music ; History and criticism ; Music Spanish influences ; Urban ecology (Sociology) ; Ethnomusicology ; Andalusia (Spain) Civilization ; Islamic influences ; Algerien ; Marokko ; Araber ; al- Andalus ; Musik ; Revival
    Description / Table of Contents: Introduction -- Part I. The people of al-Andalus. Prologue: An istikhbår -- 1. An Andalusi archipelago -- 2. The Shaykh and the Mūlūʿ -- 3. Heavy and light : Andalusi music as genre -- Part II. Revival. Prologue: A photograph -- 4. Ambiguous revivals -- 5. Texts, authority, and possession -- 6. The associative movement -- 7. The politics of patrimony -- Conclusion: The lost
    Note: Literaturverzeichnis: Seite 277-298
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  • 35
    Book
    Book
    Lucca : Libreria musicale italiana
    ISBN: 9788870968378
    Language: English
    Pages: xii, 293 Seiten , Illustrationen , 24 cm
    Additional Material: 1 DVD
    DDC: 781
    RVK:
    Keywords: Folk music History and criticism ; Romanies Music ; History and criticism ; Romanies Rites and ceremonies ; Women, Romani Social life and customs ; Effeminacy ; Kosovo (Republic) Social life and customs ; Kosovo ; Roma ; Frau ; Fest ; Ritual ; Geschlechterrolle ; Musikpflege ; Musikanthropologie
    Note: Includes bibliographical references (pages 273-293)
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  • 36
    ISBN: 9780190497088 , 9780199844081
    Language: English
    Pages: 293 Seiten , Illustrationen, Notenbeispiele , 24 cm
    Series Statement: American musicspheres
    DDC: 782.3/6
    RVK:
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    RVK:
    Keywords: Jews Music ; History and criticism ; Judaism Liturgy ; Judentum ; Liturgie ; Moderne
    Note: Includes bibliographical references (pages 275-283) and index
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  • 37
    Book
    Book
    Middletown, Connecticut : Wesleyan University Press
    ISBN: 9780819575760 , 9780819575777
    Language: English
    Pages: 267 Seiten , 25 cm
    DDC: 809/.8896
    RVK:
    Keywords: Literature Black authors ; History and criticism ; Literature and technology ; Music and literature ; African diaspora in literature ; Race in literature ; Schwarze ; Literatur ; Technik ; Person of Color ; Literatur ; Musik ; Technologie ; Person of Color ; Literatur ; Science-Fiction ; Cyberpunk ; Künstliche Intelligenz
    Note: Includes bibliographical references (pages 247-256) and index
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  • 38
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190497071
    Language: English
    Pages: 1 Online-Ressource (293 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: American musicspheres
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.3/6
    RVK:
    RVK:
    RVK:
    Keywords: Juden ; Judentum ; Musik ; Jews Music ; History and criticism ; Judaism Liturgy ; Kirchengesang ; Judentum ; Neue Medien ; Moderne ; Geistliche Musik ; Liturgie ; Judentum ; Geistliche Musik ; Kirchengesang ; Liturgie ; Neue Medien ; Moderne
    Abstract: Singing God's Words is the first in-depth study of the experience and meaning of chanting or "reading" Torah among contemporary American Jews. This experience has been transformed dramatically in recent years by the impact of digital technology, feminism, the empowerment of lay people and a search for self-fulfillment through involvement with community. At a time when worshippers seek deeper spiritual experience, many Jews have found new meaning in the experience of reading Torah, an act that is broadly accessible to Jewish adults even as it requires intensive immersion with the text of the Bible in Hebrew. This book examines why and how growing numbers of American Jews in all denominations see the public chanting of Biblical texts during the synagogue service as one of the most authentic and personal expressions of their religious identity. Drawing on hundreds of interviews with men and women, both professionals and congregants, Jeffrey A. Summit describes how the reading of Torah embodies their understanding of historical religious practice, even as it is shaped by contemporary views of spiritual experience. Through this act, holiness becomes manifest at the intersection of Biblical chant, sacred text, the individual, and the community. - Jeffrey A. Summit is Research Professor in the Department of Music and Judaic Studies at Tufts University, where he also serves as rabbi and Neubauer Executive Director of Tufts Hillel. He is the author of The Lord's Song in a Strange Land: Music and Identity in Contemporary Jewish Worship (OUP). His CD Abayudaya: Music from the Jewish People of Uganda was nominated for a Grammy Award.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 39
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190244545
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    DDC: 781.62924
    RVK:
    Keywords: Sozialgeschichte ; Klezmer music History and criticism ; Jews Music ; History and criticism ; Musikleben ; Klezmer ; Aschkenasim ; Musik ; Musikalischer Stil ; Tanz ; Osteuropa ; Bibliografie ; Bibliografie ; Osteuropa ; Aschkenasim ; Klezmer ; Musikleben ; Sozialgeschichte ; Klezmer ; Musik ; Tanz ; Musikalischer Stil
    Abstract: 'Klezmer' is a comprehensive study of the musical structure and social history of klezmer music - the music of Jewish musicians' guild of Eastern Europe. Author Walter Zev Feldman includes major written sources, as well as interviews with European-born klezmorim, conducted over a period of more than thirty years. Including musical analysis, Feldman draws upon the foundational collections of the late Tsarist and early Soviet periods, plus rare klezmer and cantorial manuscripts
    Note: Previously issued in print: 2016
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 40
    Online Resource
    Online Resource
    Bielefeld : Transcript Verlag
    Language: German
    Pages: 1 Online-Ressource (369 pages)
    Series Statement: Histoire v. 88
    Parallel Title: Erscheint auch als Simmeth, Alexander Krautrock transnational : Die Neuerfindung der Popmusik in der BRD, 1968-1978
    DDC: 900
    RVK:
    Keywords: Rock music ; Popular music ; Criticism, interpretation, etc ; Germany (West) Popular music 1971-1980 History and criticism ; Germany (West) Rock music 1971-1980 History and criticism ; Germany (West) Popular music 1961-1970 ; History and criticism ; Germany (West) Rock music 1961-1970 ; History and criticism ; Germany (West)
    Abstract: Archive, Bibliotheken, Sammlungen Diskographie ; Namensregister ; Abbildungsverzeichnis
    Abstract: Cover. Krautrock transnational ; Inhalt ; Vorwort ; Erstes Kapitel: Rahmen ; Einleitung ; Konsum und Wandel ; Krautrock transnational ; Popmusik ; Authentizität ; Krautrock ; Zweites Kapitel: Ende der 1960er Jahre ; „Mama Düül und ihre Sauerkrautband spielt auf" ; Sozialisation und Lebensformen
    Abstract: Kommunikationsräume: Von Festivals und Clubs Popmedien und Rezeption in der Bundesrepublik ; Drittes Kapitel: 1970-1974 ; „Zuckerzeit" ; „Trips & Träume": Neue Wahrnehmungen ; Klang der Revolte? Krautrock und Politik ; Krautrock und die Musikindustrie
    Abstract: Popgeschichte ist dabei, sich als neues Forschungsfeld der Zeitgeschichte zu etablieren. Im Zuge dessen wird zunehmend auch Popmusik als zeitspezifische massenkulturelle Ausdrucksform und damit als Manifestation übergeordneter gesellschaftlicher Wandlungs
    Abstract: „So apart from everything we've ever heard": Im Vereinigten Königreich Viertes Kapitel: Ab 1975 ; „Landed" ; „Schwingungen": Instrumente und Tonstudios ; „The Teutonic Invasion": In den Vereinigten Staaten ; Nach 1978: Wirkung und Ausblick ; Anhang ; Literatur ; Quellen
    Note: Includes bibliographical references (pages 325-356) and index , In German
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  • 41
    ISBN: 9781438462042 , 9781438462035
    Language: English
    Pages: xii, 255 Seiten , 24 cm
    Series Statement: SUNY series in new political science
    DDC: 305.809/073
    RVK:
    Keywords: White supremacy movements Songs and music ; History and criticism ; Popular music Political aspects ; Popular music Social aspects ; Neo-Nazism ; Hate groups ; Einführung ; Einführung ; Rassismus ; Rechtsradikalismus ; Rockmusik ; Demokratie ; Soziale Funktion
    Abstract: Popular music plays a major role in mobilizing citizens, especially youth, to fight for political causes. Yet the presence of music in politics receives relatively little attention from scholars, politicians, and citizens. White power music is no exception, despite its role in recent high-profile hate crimes. Trendy Fascism is the first book to explore how contemporary white supremacists use popular music to teach hate and promote violence. Nancy S. Love focuses on how white power music supports "trendy fascism," a neo-fascist aesthetic politics. Unlike classical fascism, trendy fascism involves a hyper-modern cultural politics that exploits social media to create a global white supremacist community. Three case studies examine different facets of the white power music scene: racist skinhead, neo-Nazi folk, and goth/metal. Together these cases illustrate how music has replaced traditional forms of public discourse to become the primary medium for conveying white supremacist ideology today. Written from the interdisciplinary perspective on culture, economics, and politics best described as critical theory, this book is crucial reading for everyone concerned about the future of democracy. -- Provided by publisher
    Abstract: Mobilizing white power: music, culture, and politics -- Playing with hate: racist skinheads, Skrewdriver, and liberal tolerance -- Imaging a white nation: neo-nazi folk, family values, and Prussian Blue -- Building a church: Rahowa, heavy metal, and racial ecology -- Recycling white trash: aesthetics, music, and democracy
    Note: Includes bibliographical references (pages 215-245) and index
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  • 42
    Online Resource
    Online Resource
    Würzburg : Ergon Verlag Würzburg in Kommission | Istanbul : Orient-Institut Istanbul (Max Weber Stiftung) | Halle, Saale : Universitäts- und Landesbibliothek Sachsen-Anhalt
    ISBN: 9783956502071
    Language: English
    Pages: 1 Online-Ressource (187 Seiten) , Illustrationen
    Series Statement: Istanbuler Texte und Studien Band 35
    Series Statement: Istanbuler Texte und Studien
    Parallel Title: Erscheint auch als Yıldız, Burcu Experiencing Armenian music in Turkey
    DDC: 781.62919920561
    RVK:
    Keywords: Armenians Music ; History and criticism ; Music History and criticism ; Türkei ; Armenier ; Musik ; Armenien ; Türkei ; Musik
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  • 43
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190244514
    Language: English
    Pages: xxiv, 412 Seiten , Illustrationen, Notenbeispiele
    DDC: 781.62/924
    RVK:
    Keywords: Sozialgeschichte ; Juden ; Musik ; Klezmer music History and criticism ; Jews Music ; History and criticism ; Klezmer ; Musikalischer Stil ; Aschkenasim ; Tanz ; Musik ; Musikleben ; Osteuropa ; Bibliografie ; Bibliografie ; Bibliografie ; Osteuropa ; Aschkenasim ; Klezmer ; Musikleben ; Sozialgeschichte ; Klezmer ; Musik ; Tanz ; Musikalischer Stil
    Abstract: Klezmer: Music, History, and Memory is the first comprehensive study of the musical structure and social history of klezmer music, the music of the Jewish musicians' guild of Eastern Europe. Emerging in 16th century Prague, the klezmer became a central cultural feature of the largest transnational Jewish community of modern times - the Ashkenazim of Eastern Europe. Much of the musical and choreographic history of the Ashkenazim is embedded in the klezmer repertoire, which functioned as a kind of non-verbal communal memory. The complex of speech, dance, and musical gesture is deeply rooted in Jewish expressive culture, and reached its highest development in Eastern Europe. Klezmer: Music, History, and Memory reveals the artistic transformations of the liturgy of the Ashkenazic synagogue in klezmer wedding melodies, and presents the most extended study available in any language of the relationship of Jewish dance to the rich and varied klezmer music of Eastern Europe. Author Walter Zev Feldman expertly examines the major sources principally in Russian, Yiddish, Hebrew, and Romanian from the 16th to the 20th centuries, including interviews with authoritative European-born klezmorim conducted over a period of more than thirty years in America, Eastern Europe, and Israel. In its musical analysis, this book draws upon the foundational collections of the late Tsarist and early Soviet periods, plus rare cantorial and klezmer manuscripts from the late 18th to the early 20th centuries. - Walter Zev Feldman is a leading researcher in both Ottoman Turkish and Jewish music. During the 1970s he spearheaded the revival of klezmer music. His book, Music of the Ottoman Court (Berlin, 1996) is taught as a basic text world wide. He is also an authority on East European Jewish dance, forming part of his current research on the role of gesture in the performing arts.
    Note: Includes bibliographical references and index
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  • 44
    Book
    Book
    Farnham [u.a] : Routledge, Taylor & Francis Group
    ISBN: 9781138255579
    Language: English
    Pages: xiii, 289 Seiten , Illustrationen
    Edition: 1. issued in paperback
    Series Statement: Ashgate popular and folk music series
    Series Statement: An Ashgate book
    DDC: 781.630954/55
    RVK:
    Keywords: Bhangra (Music) History and criticism ; Popular music History and criticism ; South Asians Music ; Popular music Indic influences ; Bhangra (Music) ; History and criticism ; Popular music ; India ; Punjab ; History and criticism ; South Asians ; Foreign countries ; Music ; Popular music ; Indic influences ; Pandschab ; Bhangra ; Geschichte ; Westliche Welt ; Südasiaten ; Bhangra ; Verbreitung ; Westliche Welt ; Bhangra ; Wandel ; Popmusik
    Description / Table of Contents: Flows across the Chenab -- No mixing please! We are Indian -- Mann Panjab De : fabricating authenticity -- Naqqal, mimicry and the signifying monkey -- Global bazaar, local peddlers -- Desi Networks -- Cool guys, Desi Boyz and Panjabi Munde dance the bhangra -- Performing the Panjabi body -- Bhangra nation -- Who speaks for the Jat? : Vernacular cosmopolitanisms.
    Note: Literaturverzeichnis: Seite 261-281
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  • 45
    ISBN: 9781138275324
    Language: English
    Pages: xxxviii, 174 S.
    Edition: 2nd ed., First issued in paperback
    Series Statement: Music in nineteenth-century Britain
    DDC: 306.48409409034
    RVK:
    RVK:
    RVK:
    Keywords: Music Social aspects ; Concerts England ; London ; Concerts France ; Paris ; Concerts Austria ; Vienna ; Music Europe ; 19th century ; History and criticism ; Middle class Europe ; Music Social aspects ; Concerts England ; London ; Concerts France ; Paris ; Concerts Austria ; Vienna ; Music Europe ; 19th century ; History and criticism ; Middle class Europe ; London ; Sozialstruktur ; Konzertleben ; Geschichte 1830-1848 ; Paris ; Sozialstruktur ; Konzertleben ; Geschichte 1830-1848 ; Wien ; Sozialstruktur ; Konzertleben ; Geschichte 1830-1848 ; London ; Konzertleben ; Sozialstruktur ; Geschichte 1830-1848 ; Paris ; Konzertleben ; Sozialstruktur ; Geschichte 1830-1848 ; Wien ; Konzertleben ; Sozialstruktur ; Geschichte 1830-1848
    Note: Literaturangaben , Contents: The cultural explosion : an overview -- The high-status popular-music public -- The high-status classical music public -- The low-status concert public , First published 1975 by Croom Helm Ltd., First published by Ashgate Publishing
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  • 46
    ISBN: 9780810881594
    Language: English
    Pages: xxiv, 242 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Europea: Ethnomusicologies & Modernities
    DDC: 782.421640945/73
    RVK:
    Keywords: Songs, Neapolitan History and criticism ; Songs, Neapolitan History and criticism ; Songs, Neapolitan History and criticism ; Songs, Neapolitan History and criticism ; Music and transnationalism ; Dissemination of music ; Italian Americans Music ; History and criticism ; USA ; Rezeption ; Volkslied ; Neapel ; Geschichte
    Abstract: Echoes of Naples / Goffredo Plastino -- A Mediterranean triangle : Naples, Smyrna, Athens / Franco Fabbri -- The Neapolitan sound goes around : mechanical music instruments, talking machines, and Neapolitan song (1850-1925) / Anita Pesce -- The folk within : on some Neapolitan productions in early twentieth-century Italian-American records / Giuliana Fugazzotto -- New York City Neapolitan music from the Calandra Institute's Mark Pezzano Collection / Rosangela Briscese and Joseph Sciorra -- You can go home again and again : Santa Lucia Luntana, the film / Giorgio Bertellini -- Diasporic musings on veracity and uncertainties of "Core 'ngrato" / Joseph Sciorra -- Napoli in Buenos Aires : from canzonetta to tango canción / Ana Cara -- The good, the bad, and the ugly : transatlantic stereotypes 1880s-1950s / Paolo Prato -- Blues in the bay : the bluesology of James Senese and Raiz / Alessandro Buffa and Iain Chambers -- Afterword : Neapolitan postcards and metaphorical materiality : ontologies of intimacy / Philip V. Bohlman
    Note: Includes bibliographical references and index
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  • 47
    ISBN: 3476026817 , 9783476026811 , 3761823819 , 9783761823811
    Language: German
    Pages: 319 Seiten , Illustrationen, Faksimiles, Notenbeispiele , 24 cm, 647 g
    Additional Information: Rezensiert in Heymel, Michael, 1953- lehrreich, in: Zeitzeichen : evangelische Kommentare zu Religion und Gesellschaft 2017 Bd. 18, Heft 5, Seite 62-63
    Additional Information: Rezensiert in Heymel, Michael, 1953 - Lehrreich 2017
    Additional Information: Rezensiert in Kunze, Hagen, 1973 - Verständlich für eine breite Leserschaft 2017
    Additional Information: Rezensiert in Poetzsch, Ute Musik im Namen Luthers. Kulturtraditionen seit der Reformation 2018
    DDC: 781.7141
    RVK:
    Keywords: Luther, Martin ; Lutheran Church Hymns ; History and criticism ; Church music Lutheran Church ; Luthertum ; Kirchenmusik ; Lutherische Kirche ; Kirchenmusik ; Geschichte
    Abstract: Musik des Luthertums ist ein Kernstück westlicher Kultur. Zum Reformationsjubiläum 2017 erzählt Konrad Küster ihre Geschichte und stellt sie in einen europäischen Kontext. Der Autor schildert zunächst die Rolle der Kirchenmusik in Luthers Liturgie. Er berichtet von der Fortführung der reformatorischen Ideen durch Kantoren, Organisten und Amateure, aber auch von Traditionsbrüchen. Besonders berücksichtigt werden Schütz und Bach, aber auch die Zeit zwischen beiden Meistern, zu der erst die Alte-Musik-Bewegung der jüngeren Zeit Zugänge erschlossen hat. Das Buch stellt auch heraus, welche Bedeutung die Orgelkunst des Nordseeraums für das Luthertum hatte. Und immer wieder geht es um überraschend intensive Beziehungen der lutherischen zur italienischen Musik
    Description / Table of Contents: "Ein neues Lied wir heben an"? -- Diesseitspflichten und Jenseitsaussichten -- Musikprofis, Musikamateure -- "Lobet den Herren mit Saiten und Orgeln" -- "Florilegium Portense" -- Kirchenmusik und Glaubenspolitik -- "Lasset uns den Herren preisen" -- "Da sprach Jesus..." -- "Ich habe fleissig seyn müssen" -- Kirchenmusik zwischen Gottesdienst und Konzertleben
    Note: "Dieses Buch entstand in Verbindung mit der Evangelisch-Lutherischen Kirche in Norddeutschland. Evangelisch-Lutherische Kirche in Norddeutschland [aus Anlass von] 'Am Anfang war das Wort, Luther 2017, 500 Jahre Reformation" (ungezählte Seite 4) , Hier auch später erschienene, unveränderte Nachdrucke , Nachdrucke: 2. Auflage 2017
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  • 48
    ISBN: 9783034319515
    Language: English
    Pages: xxviii, 571 Seiten , Illustrationen, Karten , 23 cm
    Series Statement: Exile studies vol. 14
    Series Statement: Exil-Studien
    Uniform Title: Die verschwundenen Musiker
    DDC: 780.89/924094
    RVK:
    Keywords: Jews Music ; History and criticism ; Jewish musicians ; Jewish refugees ; Aufsatzsammlung ; Juden ; Musiker ; Exil ; Australien ; Geschichte 1933-2000 ; Australien ; Musikleben ; Juden ; Geschichte 1933-2000
    Note: Bibliografie: Seite 540-556. - Index
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  • 49
    ISBN: 9781469622699 , 1469622696
    Language: English
    Pages: xiv, 291 Seiten , illustrations, maps , 25 cm
    DDC: 780.89/9607307471
    RVK:
    Keywords: African Americans Music ; History and criticism ; Ragtime music History and criticism ; Ragtime music Social aspects 20th century ; History ; Music and race 20th century ; African American musicians
    Description / Table of Contents: A new musical rhythm was given to the people : rhythm and representation in black ManhattanDo all we could to get what we felt belonged to us by the laws of nature : selling real Negro melodies and marketing authentic black rhythms -- Appreciate the noble and the beautiful within us : ragging uplift with rhythmic transgressions -- The piano man was it! The man in charge : black nightclubs and ragtime identities in New York's Tenderloin -- To promote greater efficiency among its members : ragtime in Times Square and the Clef Club Inc -- Rhythm is something that is born in the Negro : black musical value and the consolidation of "Negro music" -- A new type of Negro musician : social dance and black musical value in prewar America.
    Note: Includes bibliographical references (pages 261-280) and index
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  • 50
    ISBN: 9783000500992
    Language: German
    Pages: 256 Seiten , Illustrationen , 21 cm
    Series Statement: Militärmusik im Diskurs Band 10
    Series Statement: Militärmusik im Diskurs
    DDC: 781.5/99094309041
    RVK:
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    Keywords: Military music Congresses History and criticism 20th century ; World War, 1914-1918 Congresses Songs and music ; History and criticism ; Konferenzschrift 2014 ; Konferenzschrift 2014 ; Militärmusik ; Erster Weltkrieg ; Bonn 〈2014〉
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  • 51
    Book
    Book
    Athens : Ohio Univ. Press
    ISBN: 9780896802940 , 9780896802957
    Language: English
    Pages: xv, 270 S. , Ill., Kt., Notenbeisp. , 23 cm
    Series Statement: Ohio University research in international studies 127
    Series Statement: Southeast Asia series
    DDC: 780.9598/13
    RVK:
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    Keywords: Music History and criticism ; Minangkabau (Indonesian people) Music ; History and criticism ; Talempong ; Minangkabau ; Gamelan ; Popmusik
    Abstract: Ethnicity, gongs, and pop songs -- Talempong and community -- Institutionalizing Minangkabau arts -- Reforming talempong -- Talempong in the marketplace -- Multiple ways of sounding Minangkabau
    Description / Table of Contents: Ethnicity, gongs, and pop songsTalempong and community -- Institutionalizing Minangkabau arts -- Reforming talempong -- Talempong in the marketplace -- Multiple ways of sounding Minangkabau.
    Note: Includes bibliographical references and index
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  • 52
    ISBN: 9780810888951 , 9780810888968
    Language: English
    Pages: 243 Seiten
    Series Statement: Europea: Ethnomusicologies and modernities 17
    Series Statement: Europea
    DDC: 780.89/9457
    RVK:
    RVK:
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    Keywords: Sami (European people) Music ; History and criticism ; Music History and criticism ; Music ; Sami (European people) ; Lappland ; Samen ; Musik ; Musikleben
    Description / Table of Contents: Sámi musical performance : an introduction -- Performing Sápmi -- Reconceptualizing time -- Voicing nature -- Transmitting culture -- Aspiring cosmopolitanism.
    Note: Bbibliography p. 223-235 and index p. 237-242
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  • 53
    ISBN: 9781419718182
    Language: English
    Pages: 239 pages , colour illustrations , 23 cm
    DDC: 782.421649
    RVK:
    Keywords: Rap (Music) History and criticism ; Rap musicians Criticism and interpretation ; Rap musicians Caricatures and cartoons ; Popular music History and criticism ; African Americans Music ; History and criticism ; USA ; Rap ; Geschichte 1979-2014
    Abstract: 1979 :"Rapper's delight" /The Sugarhill Gang --1980 :"The breaks" /Kurtis Blow --1981 :"Jazzy sensation" /Afrika Bambaataa and the Jazzy Five --1982 :"The message" /Grandmaster Flash and the Furious Five --1983 :"Sucker M.C.'s" /Run-DMC --1984 :"Friends" /Whodini --1985 :"La Di Da Di" /Doug E. Fresh and Slick Rick --1986 :"6 in the mornin'" /Ice-T --1987 :"Paid in full" /Eric B. and Rakim --1988 :"Straight outta Compton" /N.W.A --1989 :"Fight the power" /Public Enemy --1990 :"Bonita Applebum" /A Tribe Called Quest --1991 :"Mind playing tricks on me" /Geto Boys --1992 :"Nuthin' but a 'G' Thang" /Dr. Dre, featuring Snoop Dogg --1993 :"C.R.E.A.M." /Wu-Tang Clan --1994 :"Juicy" /The Notorious B.I.G. --1995 :"Dear Mama" /Tupac --1996 :"California love" /Tupac, featuring Dr. Dre and Roger Troutman --1997 :"Can't nobody hold me down" /Puff Daddy, featuring Mase --1998 :"Ruff Ryders' Anthem" /DMX --1999 :"My name is" /Eminem --2000 :"Big pimpin'" /Jay Z, featuring UGK --2001 :"Takeover" vs. "Ether" /Jay Z vs. Nas --2002 :"Grindin'" /The Clipse --2003 :"In Da Club" /50 Cent --2004 :"Still tippin'" /Mike Jones, featuring Slim Thug and Paul Wall --2005 :"Gold digger" /Kanye West, featuring Jamie Foxx --2006 :"Hustlin'" /Rick Ross --2007 :"International players anthem" /UGK, featuring Outkast --2008 :"A Milli" /Lil Wayne --2009 :"Best I ever had" /Drake --2010 :"Monster" /Kanye West featuring Rick Ross, Jay Z, Bon Iver, and Nicki Minaj --2011 :"Niggas in Paris" /Jay Z and Kanye West --2012 :"Same love" /Macklemore and Ryan Lewis --2013 :"Control" /Big Sean, featuring Kendrick Lamar and Jay Electronica --2014 :"Lifestyle" /Rich Gang, featuring Young Thug and Rich Homie Quan.
    Abstract: 1979 : "Rapper's delight" (The Sugarhill Gang) -- 1980 : "The breaks" (Kurtis Blow) -- 1981 : "Jazzy sensation" (Afrika Bambaataa and the Jazzy Five) -- 1982 : "The message" (Grandmaster Flash and the Furious Five) -- 1983 : "Sucker M.C.'s" (Run-DMC) -- 1984 : "Friends" (Whodini) -- 1985 : "La Di Da Di" (Doug E. Fresh and Slick Rick) -- 1986 : "6 in the mornin'" (Ice-T) -- 1987 : "Paid in full" (Eric B. and Rakim) -- 1988 : "Straight outta Compton" (N.W.A) -- 1989 : "Fight the power" (Public Enemy) -- 1990 : "Bonita Applebum" (A Tribe Called Quest) -- 1991 : "Mind playing tricks on me" (Geto Boys) -- 1992 : "Nuthin' but a 'G' Thang" (Dr. Dre, featuring Snoop Dogg) -- 1993 : "C.R.E.A.M." (Wu-Tang Clan) -- 1994 : "Juicy" (The Notorious B.I.G.) -- 1995 : "Dear Mama" (Tupac) -- 1996 : "California love" (Tupac, featuring Dr. Dre and Roger Troutman) -- 1997 : "Can't nobody hold me down" (Puff Daddy, featuring Mase) -- 1998 : "Ruff Ryders' Anthem" (DMX) -- 1999 : "My name is" (Eminem) -- 2000 : "Big pimpin'" (Jay Z, featuring UGK) -- 2001 : "Takeover" vs. "Ether" (Jay Z vs. Nas) -- 2002 : "Grindin'" (The Clipse) -- 2003 : "In Da Club" (50 Cent) -- 2004 : "Still tippin'" (Mike Jones, featuring Slim Thug and Paul Wall) -- 2005 : "Gold digger" (Kanye West, featuring Jamie Foxx) -- 2006 : "Hustlin'" (Rick Ross) -- 2007 : "International players anthem" (UGK, featuring Outkast) -- 2008 : "A Milli" (Lil Wayne) -- 2009 : "Best I ever had" (Drake) -- 2010 : "Monster" (Kanye West, featuring Rick Ross, Jay Z, Bon Iver, and Nicki Minaj) -- 2011 : "Niggas in Paris" (Jay Z and Kanye West) -- 2012 : "Same love" (Macklemore and Ryan Lewis) -- 2013 : "Control" (Big Sean, featuring Kendrick Lamar and Jay Electronica) -- 2014 : "Lifestyle" (Rich Gang, featuring Young Thug and Rich Homie Quan).
    Abstract: This book "takes readers from 1979, widely regarded as the moment rap became recognized as part of the cultural and musical landscape, and comes right up to the present, with Shea Serrano ... discussing, debating, and deconstructing the most important rap song year by year. Serrano also examines the most important moments that surround the history and culture of rap music--from artists' backgrounds to issues of race, the rise of hip-hop, and the struggles among its major players--both personal and professional"--Amazon.com
    Abstract: "The Rap Year Book takes readers on a journey that begins in 1979, widely regarded as the moment rap became recognized as part of the cultural and musical landscape, and comes right up to the present. Shea Serrano deftly pays homage to the most important song of each year. Serrano also examines the most important moments that surround the history and culture of rap music--from artists' backgrounds to issues of race, the rise of hip-hop, and the struggles among its major players--both personal and professional. Covering East Coast and West Coast, famous rapper feuds, chart toppers, and show stoppers, The Rap Year Book is an in-depth look at the most influential genre of music to come out of the last generation. Complete with infographics, lyric maps, hilarious and informative footnotes, portraits of the artists, and short essays by other prominent music writers, The Rap Year Book is both a narrative and illustrated guide to the most iconic and influential rap songs ever created." -- Publisher's description
    Note: Formerly CIP , Includes bibliographical references (pages 229-232) and index
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  • 54
    Book
    Book
    New York, NY [u.a.] : Oxford University Press
    ISBN: 9780199987733
    Language: English
    Pages: xviii, 254 S. , Ill., Kt. , 24 cm
    DDC: 782.421649
    RVK:
    Keywords: Music ; History and criticism ; Rap (Music) / History and criticism ; Music / Social aspects ; Rap ; Hip-Hop ; Musiksoziologie
    Description / Table of Contents: What is hip hop? What is rap? -- Hip hop's ground zero : the South Bronx and urban America -- Graffiti art and breaking -- Rap's African and African-American cultural roots -- Old school DJs and MCs -- The Golden Era -- Hardcore : "message rap" and "gangsta rap" -- Hardcore II : gangsta in the '90s and responses from within the rap community -- Hip hop culture and rap music in the second millennium -- Conclusion..
    Note: Includes bibliographical references (pages 229-238) and index
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  • 55
    ISBN: 9781472449535
    Language: English
    Pages: xviii, 248 S. , Ill., Notenbeisp.
    Additional Material: 1 DVD
    Series Statement: SOAS musicology series
    DDC: 780.94965
    RVK:
    RVK:
    RVK:
    Keywords: Music Social aspects ; Foreign workers, Albanian Songs and music ; History and criticism ; Albania Emigration and immigration ; Songs and music ; History and criticism ; Albanien Süd ; Volksmusik ; Migration
    Abstract: Introduction. Sound, space and mobility -- Vocal multipart practice in Albania -- Reading absences : approaching the field -- Migration and mobility in Albania -- Migration, emotions and creativity -- Migration in performance : village feasts and nostalgia -- "The deep wound" : memorialising migration -- Two absences : migration up to death -- Conclusion. Sound, space and mobility - lessons from the Albanian case
    Description / Table of Contents: Introduction. Sound, space and mobilityVocal multipart practice in Albania -- Reading absences : approaching the field -- Migration and mobility in Albania -- Migration, emotions and creativity -- Migration in performance : village feasts and nostalgia -- "The deep wound" : memorialising migration -- Two absences : migration up to death -- Conclusion. Sound, space and mobility - lessons from the Albanian case.
    Note: Includes bibliographical references and index
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  • 56
    ISBN: 9781137305244 , 113730524X , 9781349454808 , 134945480X , 9781137305251
    Language: English
    Pages: xiii, 187 Seiten , 23 cm
    Edition: First edition
    DDC: 305.896073
    RVK:
    Keywords: Hip-hop United States ; Subculture United States ; Counterculture United States ; American literature African American authors ; History and criticism ; Literature and society United States ; African Americans Intellectual life ; African Americans Race identity ; African American youth Social conditions ; African Americans Social conditions ; 1975- ; MUSIC Genres & Styles ; Rap & Hip Hop ; SOCIAL SCIENCE Ethnic Studies ; African American Studies ; SOCIAL SCIENCE Media Studies
    Abstract: "The underground is a multi-faceted concept in African American culture. Peterson explores a variety of 'underground' concepts at the intersections of African American literature and hip hop culture using Richard Wright, KRS-One, Thelonius Monk, and the tradition of the Underground Railroad, among other examples. This project makes meaningful connections across multiple iterations of Black concepts of the underground. Since socially conscious Hip Hop music inherits much of its socio-political and figurative significance from the Black underground it functions as a logical recurring subject matter for this study--situated at Black cultural and conceptual crossroads"--
    Note: Includes bibliographical references (pages 175-178) and index , Roots, rhymes, and rhizomes : an introduction to concepts of the underground in black culture , Verbal and spatial masks of the underground , The hip-hop underground and African American culture : the deep structure of black identity in American literature , Defining an underground at the intersections of hip-hop and African American culture , A cipher of the underground in black literary culture , Tears for the departed : see(k)ing a black visual underground in hip-hop and African American cultures , The depth of the hole : intertextuality and Tom Waits's "Way down in the hole" , Epilogue: The ironies underground : revolution, critical memory, and black nostalgia , Appendix: The timepiece hip-hop timeline
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  • 57
    ISBN: 9781315569482 , 9781409469148 , 9781409469155
    Language: English
    Pages: 1 Online-Ressource (XVI, 240 Seiten)
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als Black popular music in Britain since 1945
    DDC: 781.6408996041
    RVK:
    Keywords: Popular music History and criticism ; Great Britain ; Blacks Music ; History and criticism ; Great Britain ; Blacks Music ; History and criticism ; Great Britain ; Popular music History and criticism ; Great Britain ; MUSIC Instruction & Study ; Theory ; Blacks ; Popular music Great Britain ; Electronic books ; Electronic books Criticism, interpretation, etc ; Music ; Aufsatzsammlung ; Großbritannien ; Afroamerikanische Musik ; Geschichte 1948-2013
    Note: Includes bibliographical references, discography, and index. - Print version record
    URL: Volltext  (lizenzpflichtig)
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  • 58
    Book
    Book
    Oxford : Oxford University Press
    ISBN: 9780199354948 , 9780199354962
    Language: English
    Pages: xv, 280 S. , Notenbeisp. , 25 cm
    DDC: 780.89/924
    RVK:
    Keywords: Music History and criticism ; Music by Jewish composers History and criticism ; Jews Music ; History and criticism ; Israel ; Komponist ; Musik ; Geschichte
    Note: Includes bibliographical references
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  • 59
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199379064
    Language: English
    Pages: 1 online resource , illustrations (black and white).
    Series Statement: American musicspheres
    Parallel Title: Erscheint auch als
    DDC: 780.8992407471
    RVK:
    Keywords: Jews, Bukharan Music ; History and criticism ; Jews Music ; History and criticism ; Jewish musicians ; Music History and criticism ; New York, NY ; Buchara ; Juden ; Musikleben ; Religiöse Identität
    Abstract: 'Greeted with Smiles' explores the circumstances facing new American immigrants, using the music of the Bukharian Jews to gain entrance into their community and their culture. Author Evan Rapport investigates the transformation of Bukharian identity through an examination of corresponding changes in its music, focusing on three of these distinct but overlapping repertoires - maquom, Jewish religious music and popular music.
    Note: Includes bibliographical references, discography, and index. - Description based on online resource; title from home page (viewed on November 4, 2014)
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  • 60
    Book
    Book
    Philadelphia : Temple University Press
    ISBN: 9781439911365
    Language: English
    Pages: xiv, 222 pages , music , 24 cm
    DDC: 781.62/963986068
    RVK:
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    Keywords: Folk songs, Zulu History and criticism ; Zulu (African people) Music ; History and criticism ; Folk music History and criticism ; Südafrika ; Zulu ; Volksmusik ; Maskanda ; Politischer Wandel ; Sozialer Wandel
    Note: Includes bibliographical references and index
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  • 61
    ISBN: 9781472409669
    Language: English
    Pages: XII, 325 Seiten , 24 cm
    DDC: 306.484209415
    RVK:
    Keywords: Music ; Social aspects ; Ireland ; Music ; Ireland ; History and criticism ; Nationalism in music ; National characteristics, Irish
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  • 62
    ISBN: 9782875741653
    Language: French
    Pages: 318 S , Ill., Notenbeisp.
    Series Statement: Collection études de musicologie no. 4
    Series Statement: Collection "Études de musicologie"
    DDC: 784.68
    RVK:
    Keywords: War songs History and criticism ; World War, 1914-1918 Songs and music ; History and criticism ; Musik ; Musikwissenschaft ; Kunst ; Kultur ; Künstler ; Geschichte ; Frankreich Musik ; Musikwissenschaft ; Weltkrieg 1. (1914-1918) ; Kunst ; Kultur ; Künstler ; Geschichtlicher Überblick ; France Music ; Musicology ; World War 1 (1914-1918) ; Arts ; Culture ; Artists ; Historical surveys ; Kulturelle Veranstaltung Berufsgruppe ; Status und Rolle ; Lebensbedingungen ; Kunstwerk ; Patriotismus ; Verlag/Verlagswesen ; Angers ; Cultural events Occupational categories ; Status and role ; Living conditions ; Works of art ; Patriotism ; Publishing houses/industry ; Frankreich ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Frankreich ; Musikleben ; Erster Weltkrieg
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  • 63
    Book
    Book
    London [u.a.] : Routledge
    ISBN: 9780415517133 , 0415517133 , 9780415517171 , 0415517176
    Language: English
    Pages: VI, 282 S. , Ill. , 24 cm
    Edition: 4. ed.
    DDC: 781.64
    RVK:
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    Keywords: Popular music ; History and criticism ; Popular culture ; History ; 20th century ; Popmusik ; Unterhaltungsmusik ; Medienforschung ; Popmusik
    Note: Previous ed.: 2008. - Formerly CIP Uk. - Includes bibliographical references
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  • 64
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 9781107610828
    Language: English
    Pages: X, 219 S. , Ill. , 23 cm
    Edition: 1. paperback ed.
    DDC: 781.6509
    RVK:
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    Keywords: Jazz ; History and criticism ; Jazz musicians ; Jazzmusiker ; Berühmte Persönlichkeit
    Note: Literaturverz. S. 207 - 217
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  • 65
    ISBN: 9780199747641 , 9780199747658 , 0199747644 , 0199747652
    Language: English
    Pages: XII, 257 S , Ill., Kt , 24 cm
    Parallel Title: Online-Ausg. Dueck, Byron Musical intimacies and indigenous imaginaries
    DDC: 781.62/97007127
    RVK:
    Keywords: Indians of North America Music ; History and criticism ; Folk music History and criticism ; Indians of North America Social life and customs ; Music Social aspects ; Indians of North America Music ; History and criticism ; Manitoba ; Folk music History and criticism ; Manitoba ; Indians of North America Social life and customs ; Manitoba ; Music Social aspects ; Manitoba ; Folk music ; Indians of North America Music ; Indians of North America Social life and customs ; Music Social aspects ; Manitoba ; Criticism, interpretation, etc ; Manitoba ; Indianer ; Métis ; Musik ; Tanz ; Öffentlichkeit
    Abstract: Introduction : publicity, counterpublicity, antipublicity -- Public and intimate sociability in first nations and Métis fiddling -- "#1 on NCI" : country music and the aboriginal public -- "Your own heart will make its own music" : gospel singing, individuation, and the comforting community -- "We don't want to say no to anybody who wants to sing" : gospel music in coffee-house performance -- Antipublicity : family tradition and the aboriginal public -- Circulation controversies
    Description / Table of Contents: Introduction : publicity, counterpublicity, antipublicity -- Public and intimate sociability in first nations and Métis fiddling -- "#1 on NCI" : country music and the aboriginal public -- "Your own heart will make its own music" : gospel singing, individuation, and the comforting community -- "We don't want to say no to anybody who wants to sing" : gospel music in coffee-house performance -- Antipublicity : family tradition and the aboriginal public -- Circulation controversies.
    Note: Includes bibliographical references and index
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  • 66
    ISBN: 9781409449768
    Language: English
    Pages: XII, 239 S.
    Series Statement: SOAS musicology series
    Parallel Title: Erscheint auch als
    DDC: 782.42162/3961
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    Keywords: Folk music History and criticism ; Folk songs, Icelandic History and criticism ; Folk poetry, Icelandic Musical settings ; History and criticism ; Gender identity ; Geschlechterrolle ; Folk music ; Identitätsfindung ; Spiritualität ; Island ; Island ; Folk music ; Island ; Folk music ; Identitätsfindung ; Geschlechterrolle ; Spiritualität
    Note: Includes bibliographical references and index
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  • 67
    ISBN: 9781409466017
    Language: English
    Pages: XXVIII, 336 S. , Ill., Notenbeisp.
    Additional Material: CD (12 cm)
    Series Statement: SOAS musicology series
    DDC: 782.42162/9549
    RVK:
    Keywords: Musik ; Dāphā (Music) History and criticism ; Newar (Nepalese people) Music ; History and criticism ; Geistliche Musik ; Newār ; Gesang ; Bhaktapur ; Bhaktapur ; Newār ; Geistliche Musik ; Gesang
    Note: Includes bibliographical references and index
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  • 68
    ISBN: 9788322933954
    Language: Polish
    Pages: 157 S. , Ill., Notenbeisp.
    Series Statement: Musicologica Wratislaviensia 8
    Series Statement: Acta Universitatis Wratislaviensis 3514
    Series Statement: Musicologica Wratislaviensia
    RVK:
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    Keywords: Jews Music ; History and criticism ; Synagogue music History and criticism ; Aschkenasim ; Geistliche Musik
    Note: Literaturverz. S. [142] - 149 , Zsfassung in engl. Spr. u.d.T.: "Their voice goes out into all the earth ..." : music in the religious life of the Ashkenazi Jews
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  • 69
    ISBN: 9780253011060 , 9780253010988
    Language: English
    Pages: XIV, 215 S. , Ill., Notenbeisp. , 24 cm
    Series Statement: Public cultures of the Middle East and North Africa
    Parallel Title: Online-Ausg. u.d.T.: Palestinian music and song
    DDC: 780.899274
    RVK:
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    Keywords: Palestinian Arabs Music ; History and criticism ; Music History and criticism ; 20th century ; Palestine ; Music Political aspects ; Palestine ; Music History and criticism ; 20th century ; Palestine ; Music Political aspects ; Palestine ; Palestinian Arabs Music ; History and criticism ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Palästinenser ; Musik ; Identität ; Widerstand ; Musiksoziologie ; Geschichte
    Abstract: Introduction : do Palestinian musicians play music or politics? Moslih Kanaaneh -- Palestinian song, European revelation, and mission Rachel Beckles Willson -- A musical catastrophe : the direct impact of the Nakba on Palestinian musicians and musical life Nader Jalal and Issa Boulos interviewed by Heather Bursheh -- Negotiating the elements : Palestinian freedom songs from 1967 to 1987 Issa Boulos -- Identity, diaspora, and resistance in Palestinian hip-hop Randa Safieh -- Transgressing borders with Palestinian hip-hop Janne Louise Andersen -- Performing self : between tradition and modernity in the West Bank Sylvia Alajaji -- Realities for a singer in Palestine Reem Talhami interviewed by Heather Bursheh -- Performative politics : folklore and popular resistance during the first Palestinian intifada David A. McDonald -- Hamas's musical resistance practices : perceptions, production, and usage Michael Schulz and Carin Berg -- Palestinian music : between artistry and political resistance Stig-Magnus Thorsén -- The ghosts of resistance : dispatches from Palestinian art and music Yara El-Ghadban and Kiven Strohm
    Note: Formerly CIP. - Includes bibliographical references and index , Introduction : do Palestinian musicians play music or politics? , Palestinian song, European revelation, and mission , A musical catastrophe : the direct impact of the Nakba on Palestinian musicians and musical life , Negotiating the elements : Palestinian freedom songs from 1967 to 1987 , Identity, diaspora, and resistance in Palestinian hip-hop , Transgressing borders with Palestinian hip-hop , Performing self : between tradition and modernity in the West Bank , Realities for a singer in Palestine , Performative politics : folklore and popular resistance during the first Palestinian intifada , Hamas's musical resistance practices : perceptions, production, and usage , Palestinian music : between artistry and political resistance , The ghosts of resistance : dispatches from Palestinian art and music
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  • 70
    ISBN: 9780824060350
    Language: English
    Pages: 1 Online-Ressource (7929 pages)
    Series Statement: Garland reference library of the humanities 2.1169, 5.1191, 8.1193
    Series Statement: Music Online Reference
    Series Statement: The Garland encyclopedia of world music
    Parallel Title: Erscheint auch als The Garland encyclopedia of world music
    DDC: 780/.9
    RVK:
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    Keywords: World music Encyclopedias ; World music Encyclopedias ; World music Encyclopedias ; Folk music South America ; History and criticism ; Folk music Central America ; History and criticism ; Folk music Caribbean ; History and criticism ; Folk music Encyclopedias ; Music Encyclopedias ; Popular music Encyclopedias ; Wörterbuch ; Wörterbuch ; Musik ; Musikethnologie ; Weltmusik
    Note: Includes bibliographical references, discographies, filmographies, and indexes , Vols. 6-7, 10 published: New York : Routledge, 2002 , v. 1. Africa , v. 2. South America, Mexico, Central America, and the Caribbean , v. 3. The United States and Canada , v. 4. Southeast Asia , v. 5. South Asia : the Indian subcontinent , v. 6. The Middle East , v. 7. East Asia : China, Japan, and Korea , v. 8. Europe , v. 9. Australia and the Pacific Islands , v. 10. The world's music : general perspectives and reference tools
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  • 71
    ISBN: 9783931555887
    Language: German
    Pages: 401 Seiten , Illustrationen , 24 cm
    Edition: 3., erweiterte Auflage
    DDC: 781.66
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    Keywords: New wave music Germany ; History and criticism ; Punk rock music Germany ; History and criticism ; Rock music Germany ; History and criticism ; Neue deutsche Welle ; Punk Rock ; Geschichte
    Note: Literaturverzeichnis: Seiten 236-238 , Diskografie und Kassettografie: Seiten 240-397
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  • 72
    Book
    Book
    Bloomington ; Indianapolis : Indiana University Press
    ISBN: 9780253006677 , 9780253006684 , 9780253007025
    Language: English
    Pages: xx, 290 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Ethnomusicology multimedia
    DDC: 782.25096762
    RVK:
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    Keywords: Church music ; Logooli (African people) Music ; History and criticism ; Songs, Logooli History and criticism 20th century ; Geistliches Lied ; Kirchenlied ; Logoli ; Kirchenmusik ; Kenia ; Kenia ; Kirchenmusik ; Logoli ; Geistliches Lied ; Kirchenlied
    Abstract: This sensitive study is a historical, cultural, and musical exploration of Christian religious music among the Logooli of Western Kenya. It describes how new musical styles developed through contact with popular radio and other media from abroad and became markers of the Logooli identity and culture. Jean Ngoya Kidula narrates this history of a community through music and religious expression in local, national, and global settings.
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  • 73
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822354680 , 9780822354796 , 0822378280 , 1306077109 , 0822354683 , 0822354799 , 9780822378280 , 9781306077101
    Language: English
    Pages: Online-Ressource
    Edition: Knowledge unlatched pilot collection
    Series Statement: Knowledge Unlatched
    RVK:
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    Keywords: Music ; Politics ; History ; Palestine ; Music Political aspects ; Music Political aspects ; Music Political aspects ; Palestinian Arabs Music ; History and criticism ; Music Political aspects ; Palestinian Arabs Music ; History and criticism ; Palästinensische Autonomiegebiete ; Israel ; Israel ; Gazastreifen ; Westjordanland ; Nahostkonflikt ; Politisches Lied ; Politische Lyrik ; Musikwissenschaft ; Arabische Musik
    Abstract: David A. McDonald rethinks the conventional history of the Palestinian crisis through an ethnographic analysis of music and musicians, protest songs, and popular culture. Charting a historical narrative that stretches from the late-Ottoman period through the end of the second Palestinian intifada, McDonald examines the shifting politics of music in its capacity to both reflect and shape fundamental aspects of national identity. Drawing case studies from Palestinian communities in Israel, in exile, and under occupation, McDonald grapples with the theoretical and methodological challenges of tracing "resistance" in the popular imagination, attempting to reveal the nuanced ways in which Palestinians have confronted and opposed the traumas of foreign occupation. The first of its kind, this book offers an in-depth ethnomusicological analysis of the Israeli-Palestinian conflict, contributing a performative perspective to the larger scholarly conversation about one of the world's most contested humanitarian issues. This title was made Open Access by libraries from around the world through Knowledge Unlatched.--Provided by publisher
    Abstract: Nationalism, belonging, and the performativity of resistance -- Poets, singers, and songs : voices in the resistance movement (1917-1967) -- Al-Naksa and the emergence of political song (1967-1987) -- The Intifada and the generation of the Stones (1987-2000) -- Revivals and new arrivals: the al-Aqsa Intifada (2000-2010) -- "My songs can reach the whole nation" : Baladna and protest song in Jordan -- Imprisonment and exile : negotiating power and resistance in Palestinian protest song -- New directions and new modalities : Palestinian hip-hop in Israel -- "Carrying words like weapons" : DAM brings hip-hop to the West Bank
    Note: Im Rahmen von "Knowledge Unlatched" Open-Access-Publikation auf OAPEN. - Gesehen am 29.04.2014
    URL: Cover  (Thumbnail cover image)
    URL: Cover  (Thumbnail cover image)
    URL: Cover  (Thumbnail cover image)
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  • 74
    Book
    Book
    Princeton [u.a.] : Princeton University Press
    ISBN: 9780691150888
    Language: English
    Pages: 25 cm
    Parallel Title: Erscheint auch als Phillips, Damon J., 1968 - Shaping Jazz
    DDC: 781.6509
    RVK:
    Keywords: Kultursoziologie ; Kulturgeschichte ; Musik ; Musikproduktion ; Musikwirtschaft ; Jazz Social aspects ; Jazz History and criticism ; Jazz ; History and criticism ; Jazz ; Social aspects ; Jazz ; Gesellschaft
    Description / Table of Contents: Introduction : sociological congruence and the shaping of recorded jazzThe puzzle of geographical disconnectedness -- Further exploring the salience of geography -- Sociological congruence and the puzzle of early German jazz -- Sociological congruence and record company comparative advantage -- The sociological congruence of record company deception -- The sociological congruence of identity sequences and adoption narratives -- Pulling it together and stretching It beyond.
    Note: Includes bibliographical references and index
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  • 75
    ISBN: 9780822353652
    Language: English
    Pages: XLI, 300 Seiten, 1 ungezählte Seite , Illustrationen, Karten, Notenbeispiele , 23 cm
    Edition: 3rd edition, 30th anniversary edition with a new introduction
    DDC: 305.89/912
    RVK:
    RVK:
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    Keywords: Kaluli (Papua New Guinean people) Social life and customs ; Kaluli (Papua New Guinean people) Rites and ceremonies ; Kaluli (Papua New Guinean people) Music ; History and criticism ; Folk music History and criticism ; Folk songs, Kaluli History and criticism ; Birds Mythology ; Birds ; Kaluli ; Ethnologie ; Volkslied ; Brauchtum ; Musik ; Kaluli ; Ton ; Ethnologie ; Volkslied ; Papua-Neuguinea ; Kaluli-Sprache ; Brauch ; Vögel ; Mythologie
    Description / Table of Contents: Introduction to the third edition -- Preface to the second edition -- Introduction to the first edition -- The boy who became a muni bird -- To you they are birds, to me they are voices in the forest -- Weeping that moves women to song -- The poetics of loss and abandonment -- Song that moves men to tears -- In the form of a bird : Kaluli aesthetics -- Postscript, 1989 -- Appendix: Kaluli folk ornithology -- Glossary of Kaluli terms.
    Description / Table of Contents: Literaturverzeichnis: Seiten 284-291
    Note: Basiert auf einer Dissertation von 1979
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  • 76
    ISBN: 9780754662990
    Language: English
    Pages: XL, 277 S. , Ill., Notenbeisp. + 1 CD (12 cm)
    Series Statement: SOAS musicology series
    DDC: 782.3/6009567
    RVK:
    Keywords: Geschichte ; Sacred songs History and criticism ; Jews Music ; History and criticism ; Music History and criticism ; Songs, Hebrew History and criticism ; Tonträger ; Juden ; Ritual ; Geistliche Musik ; Fest ; Hymne ; Irak ; Verzeichnis ; CD ; Verzeichnis ; Verzeichnis ; Irak ; Juden ; Geistliche Musik ; Hymne ; Fest ; Ritual ; Geschichte ; Irak ; Juden ; Geistliche Musik ; Hymne ; Tonträger ; Irak ; Juden ; Geistliche Musik
    Note: CD-Beil. u.d.T.: More precious than pearls , Includes bibliographical references and index
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  • 77
    ISBN: 9781409426844
    Language: English
    Pages: XXII, 203 S. , Ill., Notenbeisp.
    Additional Material: CD (12 cm)
    Series Statement: SOAS musicology series
    DDC: 788.9/209667
    RVK:
    Keywords: Musik ; Trumpet ; Ashanti (African people) Music ; History and criticism ; Trumpet ensembles History and criticism
    Note: Includes bibliographical references and index
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  • 78
    Book
    Book
    New York, NY [u.a.] : Oxford Univ. Press
    ISBN: 9780195300949 , 9780199832781
    Language: English
    Pages: XXVII, 398 S. , Ill., graph. Darst.
    Series Statement: American musicspheres
    DDC: 781.62/91497
    RVK:
    Keywords: Geschichte ; Romanies Music ; History and criticism ; Folk music History and criticism ; Diaspora ; Volksmusik ; Kulturpolitik ; Zigeuner ; Musikleben ; Balkan ; Balkan ; Zigeuner ; Volksmusik ; Musikleben ; Kulturpolitik ; Diaspora ; Geschichte
    Note: Includes bibliographical references
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  • 79
    ISBN: 9781409424369
    Language: English
    Pages: XVI, 296 S. , Ill., Notenbeisp.
    Additional Material: 1 CD-ROM
    Series Statement: SOAS musicology series
    DDC: 782.42162/9925
    RVK:
    Keywords: Musik ; Folk music History and criticism ; Folk songs, Chinese History and criticism ; Taiwan aborigines Music ; History and criticism ; Amis (Taiwan people) Music ; Lied ; Ami ; Taiwan ; Taiwan ; Ami ; Lied
    Note: Includes bibliographical references, discography, and index
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  • 80
    Book
    Book
    Montréal : McGill-Queen's University Press
    ISBN: 0773539514 , 9780773539518
    Language: English
    Pages: XIV, 503 S. , Ill.
    Series Statement: McGill-Queen's native and northern series 66
    Series Statement: McGill-Queen's native and northern series
    DDC: 781.6297071
    RVK:
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    Keywords: Indians of North America Music ; History and criticism ; Indians of North America Music Social aspects ; Indians of North America Interviews ; Métis Music ; History and criticism ; Métis Music ; Social aspects ; Métis Interviews ; Music History and criticism ; Music Social aspects ; Aufsatzsammlung ; Interview ; Aufsatzsammlung ; Interview ; Kanada ; Indianer ; Eskimo ; Métis ; Musik ; Kanada ; Indianer ; Eskimo ; Métis ; Musiker
    Description / Table of Contents: Introduction / Beverley Diamond and Anna Hoefnagels -- Recent studies of First Nations, Inuit, and Métis music in Canada / Beverley Diamond -- Part one : innovating tradition. Continuity and innovation in the Dane-z̲aa dreamers' song and dance tradition : a forty-year perspective / Amber Ridington ; From tea dance to iTunes : recomposing Dane-z̲aa dreamers' songs / interview, Garry Oker with Amber Ridington ; Localizing intertribal traditions : the powwow as Mi'kmaw cultural expression / Janice Esther Tulk ; Contemporary Northern Plains powwow music : the twin influences of recording and competition / interview, Gabriel Desrosiers and Christopher Scales ; Aboriginal women and the powwow drum : restrictions, teachings, and challenges / Anna Hoefnagels -- Part two : teaching and transmission. The sound of what I hear on earth / Sadie Buck, with a preface by Beverley Diamond ; Reflecting on reflexivity : teaching and conducting research in an Inuit community / Mary Piercey ; Moose trails and buffalo tracks : Métis music and aboriginal education in Canada / Annette Chrétien ; One strong woman : finding her voice, finding her heritage / interview, Beverly Souliere with Anna Hoefnagels ; Learning about and supporting aboriginal music and culture : a personal journey / interview, Jimmy Dick with Anna Hoefnagels -- Part three : cultural interactions and negotiations. Intercultural collaboration / Russell Wallace ; Listening to the politics of aesthetics : contemporary encounters between First Nations/Inuit and early music traditions / Dylan Robinson ; Musical form as theatrical form in native Canadian stage plays : moving through the third space / Klisala Harrison ; Music and narrative in The unnatural and accidental women / interview excerpts, Marie Clements, Sophie Merasty, and Columpa Bobb with Klisala Harrison ; Music, religion, and healing in a Mi'kmaw community / interview, Walter Denny Jr. with Gordon E. Smith ; No heartaches in heaven : a response to aboriginal suicide / Byron Dueck ; Arnie Strynadka, "the Uke-Cree fiddler" / Marcia Ostashewski ; Bits and pieces of truth : storytelling, identity, and hip hop in Saskatchewan / Charity Marsh ; Why do the Innu sing popular music? Reflections on cultural assertion and identity movements in music / Véronique Audet ; Aboriginal popular music in Quebec : influences, issues, and rewards / interview, Florent Vollant with Véronique Audet ; Gilles Sioui : supporting and performing with aboriginal artists in Quebec / interview, Gilles Sioui with Véronique Audet and Donna Larivière.
    Note: Includes bibliographical references, discography and index
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  • 81
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822394884 , 082239488X
    Language: English
    Pages: 1 Online-Ressource (xxv, 289 Seiten) , Illustrationen, Karten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Suzano, Marcos ; Geschichte 1980-2000 ; Popular music Brazil ; History and criticism ; Sound Recording and reproducing ; Digital techniques ; Lokalkolorit ; Popmusiker ; Internationalität ; Popmusik ; Rio de Janeiro ; Electronic books ; Rio de Janeiro ; Popmusiker ; Popmusik ; Lokalkolorit ; Internationalität ; Geschichte 1980-2000
    Note: Includes bibliographical references and index , Marcos Suzano : a Carioca blade runner -- Lenine : pernambuco speaking to the world -- Pedro Luís and the wall : Tupy Astronauts -- Fernanda Abreu : garota carioca -- Paulinho Moska : difference and repetition -- On cannibals and chameleons -- Appendix 1: a note about interviews, with a list of interviews cited -- Appendix 2: introductory aspects of Marcos Suzano's pandeiro method
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 82
    Book
    Book
    Ann Arbor, MI : University of Michigan Press
    ISBN: 0472071807 , 0472051806 , 9780472071807 , 9780472051809
    Language: English
    Pages: VIII, 349 S. , Ill. , 24 cm
    Series Statement: Jazz perspectives
    Dissertation note: Zugl.: Göttingen, Univ., Diss., 2012
    DDC: 781.65092
    RVK:
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    Keywords: Armstrong, Louis ; Jazz musicians Biography ; Jazz History and criticism ; Autobiography ; Armstrong, Louis, 1901-1971 ; Jazz musicians ; United States ; Biography ; Jazz ; History and criticism ; Autobiography ; Autobiografie ; Hochschulschrift ; Armstrong, Louis 1901-1971
    Description / Table of Contents: "Music is my life and I love to play": Louis Armstrong's jazz autobiographics -- "I have always been a great observer" : New Orleans musicking -- " I done forgot the words": versioning autobiography -- "Diddat come outa mee?" writing scat and typing swing -- "A happy go lucky sort of type of fellow": the productive ambiguities of minstrel sounding -- "He didn't need black face to be funny": the double resonance of postcolonial performance -- "My mission is music": Armstrong's cultural politics -- "What do you know about that?": final thoughts on 'Laughin' Louie.
    Note: Includes discography (p. 325-326), bibliographical references (p. 327-333) and index
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  • 83
    Online Resource
    Online Resource
    Durham, N.C. : Duke University Press
    ISBN: 9780822395898 , 0822395894
    Language: English
    Pages: 1 online resource (xli, 300 p. , ill., map, music)
    Edition: 3rd ed.; thirtieth anniversary ed. with a new introduction.
    Parallel Title: Erscheint auch als
    DDC: 305.89/912
    RVK:
    RVK:
    RVK:
    Keywords: Kaluli (Papua New Guinean people) Social life and customs ; Kaluli (Papua New Guinean people) Rites and ceremonies ; Kaluli (Papua New Guinean people) Music ; History and criticism ; Folk music History and criticism ; Folk songs, Kaluli History and criticism ; Birds Mythology ; Birds ; Electronic books ; Forschungsbericht
    Note: Includes bibliographical references and index. - Description based on print version record
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  • 84
    Book
    Book
    New York [u.a.] : Routledge
    ISBN: 0415978076
    Language: English
    Pages: XXXI, 328 S.
    DDC: 780.9/05
    RVK:
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    Keywords: Popular music Political aspects ; September 11 Terrorist Attacks, 2001 Songs and music ; History and criticism ; War on Terrorism, 2001-2009 Songs and music ; History and criticism ; Aufsatzsammlung ; USA ; Elfter September ; Popmusik ; Politik
    Abstract: From the Publisher: Music in the Post 9/11 World is the first book to examine the crucial role that music has played in the world's reaction to the attacks of September 11, 2001. Several authors eloquently describe how the events of September 11 served as a direct catalyst for artistic expression and commentary. This is one dimension of music in the post-9/11 world. Others approach the topic from a different angle, demonstrating how political and military actions that were initiated in the wake of 9/11 profoundly altered the environment in which music was created and performed. Bills like the Patriot Act have indirectly affected popular music by discouraging the expression of dissent, while major media conglomerates-that control radio, TV, and newspapers-have self-censored the music that is heard over the airwaves and reviewed in the media
    Description / Table of Contents: American music and the mass media after 9/11. Pop goes to war, 2001-2004 : U.S. popular music after 9/11 / Reebee Garofalo ; "America : a tribute to heroes" : music, mourning, and the unified American community / Kip Pegley and Susan Fast ; The sounds of American and Canadian television news After 9/11 : entoning horror and grief, fear and anger / James Deaville ; Models of charity and spirit : Springsteen and 9/11 / Bryan Garman ; Double voices of musical censorship after 9/11 / Martin Scherzinger ; "Have you forgotten?" : Darryl Worley and the musical politics of Operation Iraqi Freedom / Peter Schmelz ; For alle Menschen? : classical music and remembrance after 9/11 / Peter Tregear -- A polyphony of voices : music and 9/11 beyond the U.S. Terror in an Andean key : peasant cosmopolitans interpret 9/11 / Jonathan Ritter ; Exploding myths in Morocco and Senegal : Sufis making music after 9/11 / Larry Blumenfeld ; Corridos of 9/11 : Mexican ballads in commemorative practice / John McDowell ; "I'll tell you why we hate you!" : Shaʿbān ʿAbd al-Raḥīm and Middle Eastern reactions to 9/11 / James Grippo ; 9/11 and the politics of music-making in Afghanistan / Veronica Doubleday
    Note: Literaturangaben. - Includes index
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  • 85
    ISBN: 9783643902542 , 3643902549
    Language: English
    Pages: 102 S. , Notenbeisp. , 21 cm
    Series Statement: MasteRResearch Bd. 4
    Series Statement: MasteRResearch
    DDC: 782.421592
    RVK:
    Keywords: Mingus, Charles Criticism and interpretation ; Civil rights movements Songs and music ; History and criticism ; Protest songs History and criticism 20th century ; Music Social aspects 20th century ; History ; Civil rights movements ; Mingus, Charles, 1922-1979 ; Criticism and interpretation ; Civil rights movements ; United States ; Songs and music ; Protest songs ; United States ; 20th century ; History and criticism ; Music ; Social aspects ; United States ; History ; 20th century ; Civil rights movements ; United States ; Mingus, Charles 1922-1979 ; Jazz ; USA ; Bürgerrechtsbewegung ; Protestsong ; Geschichte 1950-1970
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  • 86
    ISBN: 9781908279309 , 1908279303
    Language: English
    Pages: 446 Seiten , Illustrationen , 22 cm
    Edition: Revised and expanded edition
    DDC: 781.64609
    RVK:
    Keywords: Reggae music ; History and criticism ; Reggae musicians ; Interviews ; Reggae ; Oral history
    Note: Previous ed.: London: Bloomsbury, 2003. - Formerly CIP Uk. - Includes bibliographical references and index. - Boogie rock: sound system culture and jamaican R&B -- Celebration time: authentic ska -- Take it easy: cool rock steady -- Feel the rhythm: ribald early reggae -- Blood and fire: the prophetic sound of early roots -- Merry up: deejay, dub and other innovations -- Deejay's choice: the further ascent of the toaster -- None shall escape the judgement: the flyers and rockers styles -- Natty Dread taking over: the ultimate rise of roots reggae -- Oh lord: deejays and the international pinnacle of roots -- Nice up the dance: dub poetry and dancehall rub-a-dub -- Under mi sleng teng: bringing dancehall to the brink of digital -- Wear yu size: storytelling, slackness, gun talk, and ragga spirituality -- Lift up your head: rasta resurgence and hardcore heroes into the new millenium
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  • 87
    Book
    Book
    Lanham : The Scarecrow Press, Inc.
    ISBN: 9780810877863
    Language: English
    Pages: xxxiv, 277 Seiten , Illustrationen
    Series Statement: African American cultural theory and heritage
    Parallel Title: Erscheint auch als
    DDC: 780.92
    RVK:
    Keywords: Banfield, William C ; Banfield, William C. ; Geschichte 2000-2010 ; African-American composers Biography ; Composers Biography ; African Americans Music ; History and criticism ; Afroamerikanische Musik ; USA ; Aufsatzsammlung ; Autobiografie ; Aufsatzsammlung ; Autobiografie ; Aufsatzsammlung ; Autobiografie ; Aufsatzsammlung ; Autobiografie ; Banfield, William C. ; USA ; Afroamerikanische Musik ; Geschichte 2000-2010
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  • 88
    ISBN: 9780786463527 , 078646352X
    Language: English
    Pages: IX, 314 S. , 23 cm
    DDC: 781.621300922
    RVK:
    RVK:
    Keywords: Folk musicians ; Biography ; Folk music ; History and criticism ; Biografie ; Folk music ; Sänger ; Geschichte 1958-1970
    Note: Includes bibliographical references (p. 299-301), discographies and index. - The revivalists : behind the scenes -- The revivalists : the performers -- The political folk -- Groups and duos -- Other performers
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  • 89
    Online Resource
    Online Resource
    Farnham, Surrey, England ;Burlington, VT : Ashgate Pub
    ISBN: 9781283318891 , 1409427854 , 128331889X , 9781409427858
    Language: English
    Pages: Online-Ressource (1 online resource (xix, 211 p.)) , ill.
    Edition: Online-Ausg.
    Edition: 2013 Electronic reproduction; Available via World Wide Web
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Druckausg. The politics of post-9/11 music
    Parallel Title: Print version The Politics of Post-9/11 Music : Sound, Trauma, and the Music Industry in the Time of Terror
    DDC: 781.64097309051
    RVK:
    RVK:
    Keywords: Popular music Political aspects ; United States ; September 11 Terrorist Attacks, 2001 Songs and music ; History and criticism ; War on Terrorism, 2001-2009 Songs and music ; History and criticism ; Electronic books ; September 11 Terrorist Attacks, 2001 Songs and music ; History and criticism ; War on Terrorism, 2001-2009 Songs and music ; History and criticism ; Popular music History and criticism 2001-2010 ; September 11 Terrorist Attacks, 2001 Influence ; Popular music Social aspects ; Popular music Political aspects ; USA ; Attentat ; Elfter September ; Rezeption ; Musikwissenschaften ; Popmusik ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Attentat ; Elfter September ; Rezeption ; Popmusik ; Musikwirtschaft
    Abstract: Seeking to extend discussions of 9/11 music beyond the acts typically associated with the September 11th attacks - U2, Toby Keith, The Dixie Chicks, Bruce Springsteen - this collection interrogates the politics of a variety of post-9/11 music scenes. Contributors articulate the role that lesser-known contemporary musicians have played - or have refused to play - in constructing a politics of protest in direct response to the trauma inflicted that day. The Politics of Post- 9/11 Music encourages new conceptualizations of what constitutes "political music&quot
    Description / Table of Contents: Cover; Contents; General Editor's Preface; Notes on Contributors; Foreword; Acknowledgments; Introduction; Part I Electric Dreams: The Medium and the Message; 1 Rock, Enroll: Music and Militarization since 9/11; 2 Music, Terrorism, Response: The Conditioning Logic of Code and Networks; 3 Technostalgia and the Resurgence of Cassette Culture; Part II Hail to the Thief: Post-9/11 Experimental Music; 4 Why Protest Albums Can't Teach Dissent: The Emergent Complexity of Post-9/11 Protest; 7 Nine Inch Nails' Year Zero and the Biopolitics of Media Convergence
    Description / Table of Contents: 8 Casualties of War: Hip-Hop and the Old Racial Politics of the Post-9/11 Era9 That Was Now, This Is Then: Recycling Sixties Style in Post-9/11 Music; 10 A New Morning in Amerika: Conservative Politics and Punk Rock in the 2000s; 11 "Agony & Irony": Indie Culture's Sardonic Response to America's Post-9/11 Devolution; Part IV Idle American, American Idol: Mainstream Media and Ideology; 12 Post-Dixie Chicks Country: Carrie Underwood and the Negotiation of Feminist Country Identity; 13 Walking the Great Line: Underoath and Christian Fundamentalism in Punk Rock after 9/11
    Description / Table of Contents: 14 War Is Heavy Metal: Soundtracking the US War in IraqIndex;
    Note: Series information from general editor's preface. - Includes bibliographical references and index. - Description based on print version record , Series from dust jacket , Electronic reproduction; Available via World Wide Web
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  • 90
    Online Resource
    Online Resource
    New York, NY [u.a.] : Continuum
    ISBN: 9786613307736 , 1283307731 , 9781441149343 , 9781283307734
    Language: English
    Pages: Online-Ressource (XXXVI, 352 S.) , Ill
    Edition: Online-Ausg. 2011 Electronic reproduction; Available via World Wide Web
    Parallel Title: Print version Sonic Bodies
    Parallel Title: Druckausg. Henriques, Julian Sonic bodies
    DDC: 781.646097292
    RVK:
    Keywords: Reggae music History and criticism ; Dancehall (Music) History and criticism ; Dancehall (Music) ; Jamaica ; History and criticism ; Reggae ; Rezeption ; Hören ; Dance hall ; Rezeption ; Hören ; Jamaika ; Kultur ; Hören ; Jamaika ; Reggae ; Performance ; Audiotechnik ; Jamaika ; Dance hall ; Performance ; Audiotechnik
    Abstract: The reggae sound system has exerted a major influence on music and popular culture. Out on the streets of inner city Kingston, Jamaica, every night, sound systems stage dancehall sessions for the crowd to share the immediate, intensive and immersive visceral pleasures of sonic dominance. Sonic Bodies concentrates on the skilled performance of the crewmembers responsible for this signature sound of Jamaican music: the audio engineers designing, building and fine-tuning the hugely powerful "sets" of equipment; the selectors choosing the music tracks to play; and MCs(DJs) on the mic hyp
    Description / Table of Contents: Preface; Acknowledgements; Figures; Preamble: Thinking Through Sound; The time and place of sounding; Body of sound; Body of thought; The argument of Sonic Bodies; Introduction: Practising and Theorising Sounding; Chapter One; The Dancehall Scene; Jamaican auditory culture; Three wavebands of sounding; Three-fold relationships; Theoretical context; Chapter Two; Sound Systems; Instruments; Media; Techniques; Part One; The Audio Engineer and the Material Waveband; Chapter Three; Fine-tuning; Audio engineering; Manipulating; Monitoring; Evaluating; Chapter Four; Learning to Listen
    Description / Table of Contents: Learning to engineerApprenticeship tradition; A research methodology of listening; Sonic engineering; Part Two; The Selector and the Corporeal Waveband; Chapter Five; Juggling; The selector's role and function in the session; Skilled performance techniques; Chapter Six; Cut, Mix 'n' Rewind; Cut and splice; Mixing; Rewind and repetition; Part Three; The MC and the Sociocultural Waveband; Chapter Seven; Voicing; The MC's role in the session; Lyrical techniques; Performance tropes; Personality; Chapter Eight; Rhetoric and the Logic of Practice; An ancient art of communication; Ways of knowing
    Description / Table of Contents: SituatednessThe logic of practice; Measure and value; Chapter Nine; Conclusion: The Sonic Logos; Know-what and know-how; Sounding a critique; Logos as ratio, proportion and patterning; Triangulation; Last Word: Dubwise; Notes; Bibliography; Index;
    Note: Includes bibliographical references (p. 317-348) and index , Electronic reproduction; Available via World Wide Web
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  • 91
    ISBN: 9780199918331
    Language: English
    Pages: 1 online resource (viii, 461 p.) , ill., music.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Analytical and cross-cultural studies in world music
    DDC: 780.9
    RVK:
    Keywords: World music History and criticism ; World music Analysis, appreciation ; World music ; History and criticism ; World music ; Analysis, appreciation ; Aufsatzsammlung ; Aufsatzsammlung ; Weltmusik
    Abstract: This text presents intriguing explanations of extraordinary musical creations from diverse cultures across the world. It recounts the contexts in which the music is created and performed and then hones in on elucidating how the music works as sound in process.
    Note: Includes bibliographical references and index. - Description based on print version record
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  • 92
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781139058483
    Language: English
    Pages: Online-Ressource (1 online resource (356 p.)) , digital, PDF file(s).
    Edition: Online-Ausg.
    Parallel Title: Druckausg. Conway, David, 1950 - Jewry in music
    DDC: 780.89924
    RVK:
    Keywords: Jews Music ; History and criticism ; Jews in music ; Jews Music ; History and criticism ; Jews ; Music ; History and criticism ; Jews in music ; Jewish musicians ; History ; Jewish composers ; History ; Jews ; Music ; Judentum ; Musik ; Geschichte
    Abstract: David Conway analyses why and how Jews, virtually absent from Western art music until the end of the eighteenth century, came to be represented in all branches of the profession within fifty years as leading figures – not only as composers and performers, but as publishers, impresarios and critics. His study places this process in the context of dynamic economic, political, sociological and technological changes and also of developments in Jewish communities and the Jewish religion itself, in the major cultural centres of Western Europe. Beginning with a review of attitudes to Jews in the arts and an assessment of Jewish music and musical skills, in the age of the Enlightenment, Conway traces the story of growing Jewish involvement with music through the biographies of the famous, the neglected and the forgotten, leading to a new and radical contextualisation of Wagner's infamous 'Judaism in Music'.
    Note: Title from publishers bibliographic system (viewed on 18 Feb 2013)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 93
    ISBN: 9781409436652 , 9781409400516
    Language: English
    Pages: xiv, 266 Seiten , Illustrationen, Notenbeispiele , 24 cm
    Edition: First published ind paperback
    Series Statement: Ashgate popular and folk music series
    DDC: 781.64082/09046
    RVK:
    RVK:
    RVK:
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    Keywords: Popular music History and criticism 1961-1970 ; Popular music History and criticism 1961-1970 ; Women singers ; Women singers ; Sex role in music ; Femininity in music ; Girl groups (Musical groups) ; Popular music ; United States ; 1961-1970 ; History and criticism ; Popular music ; Great Britain ; 1961-1970 ; History and criticism ; Women singers ; United States ; Women singers ; Great Britain ; Sex role in music ; Femininity in music ; Girl groups (Musical groups) ; Aufsatzsammlung ; USA ; Großbritannien ; Popmusik ; Sängerin ; Geschichte 1960-1970 ; USA ; Großbritannien ; Popmusik ; Weiblichkeit ; Geschlechterrolle ; Geschichte 1960-1970
    Note: Formerly CIP Uk. - Includes bibliographical references (p. [239]-249) and index
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  • 94
    ISBN: 9783447061919
    Language: English
    Pages: XII, 163 S., S. [491] - 495 : Ill., Notenbeisp.)
    Additional Material: 1 CD-ROM (12 cm)
    Series Statement: [Jüdische Musik 9]
    Series Statement: Jüdische Musik
    DDC: 780
    RVK:
    Keywords: Bible ; Bible ; Bible ; Bible Accents and accentuation ; Cantillation ; Jewish chants History and criticism ; Jews Music ; History and criticism ; Synagogue music History and criticism ; Judaism Liturgy ; Hebrew language Accents and accentuation ; Music in the Bible ; CD-ROM ; CD-ROM ; Bibel Psalmen ; Bibel Sprichwörter ; Bibel Ijob ; Musik
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  • 95
    ISBN: 9780857451620 , 9781845455668
    Language: English
    Pages: xxiii, 296 Seiten , Illustrationen
    Edition: First paperback edition
    DDC: 781.650943
    RVK:
    Keywords: Berendt, Joachim-Ernst ; Geschichte 1945-2000 ; Jazz ; Deutschland ; Berendt, Joachim-Ernst 1922-2000 ; Jazz ; History and criticism ; Germany ; Jazz ; Social aspects ; History ; Germany ; Berendt, Joachim-Ernst / 1922-2000 ; Jazz / Germany / History and criticism ; Jazz / Social aspects / Germany / History ; Deutschland ; Jazz ; Geschichte 1945-2000 ; Berendt, Joachim-Ernst 1922-2000 ; Jazz
    Description / Table of Contents: Part I: Joachim-Ernst Berendt and the postwar legitimation of jazz. Jazz and the divide between serious and entertainment music -- Dance as escape? -- Jazz greetings to and from the East? -- Jazz, race, and colorblindness -- Part II: Europeanizing jazz. The blues of German jazz -- Emancipation and the dilemma of Volk-jazz -- Globe unity : free jazz meets European new music -- Emancipation from the jazz pope -- On the uses of European jazz -- Part III: Jazz meets the other. The Marco Polo of jazz -- The Goethe Institut's jazz ambassadors strike up -- Japanesing jazz, or, Kimono today, swing tomorrow -- Doing the bossa in Berlin -- The 1967 world-jazz encounters : an East-West jazz-divan? -- Finding the Blut und Boden in African roots..
    Note: Diskografie: Seite 244-258. - Literaturverzeichnis: Seite 259-285
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  • 96
    ISBN: 9789639540668
    Language: Hungarian
    Pages: 80 S. , Ill., Notenbeisp.
    Series Statement: Kamarakiállítások / Néprajzi Múzeum 17
    DDC: 306.09
    RVK:
    Keywords: Liszt, Franz Exhibitions ; Néprajzi Múzeum (Hungary) Exhibitions ; Romanies Exhibitions Music ; History and criticism ; Music Exhibitions History and criticism ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog 2011 ; Ausstellungskatalog ; Ausstellungskatalog ; Zigeunermusik
    Note: A Budapesten, 2011. márc. 18 - aug. 29. között rendezett kiállítás katalógusa , Literaturverz. S. 80 , Sprache der Zusammenfassung: Englisch , Zsfassung in engl. Sprache , Vorwort ung. und engl.
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  • 97
    ISBN: 9780199873593
    Language: English
    Pages: xxiii, 422 Seiten , Illustrationen, Notenbeispiele
    Series Statement: American musicspheres
    DDC: 780.89/951073
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Chinese Americans Music ; History and criticism ; Music History and criticism ; Chinese Americans Social life and customs ; Group identity ; Chinesen ; New York ; Musik ; Kulturpolitik
    Description / Table of Contents: The formation of a diasporic musical culture as a site of contradiction -- New York and the transpacific routes : music in the racialized history of Chinese American experience -- Music here and now : a diasporic soundscape in a global city -- From private realm to public display of multiculturalism : mapping the local geocultural processes of music production, consumption, and (re)presentations -- "Our goal is to be in sync with other areas of the world" : transnational media culture and popular music -- The poetics and politics of displacement : portraits of seven immigrant musicians -- The ambiguities of cultural politics in Asian/Chinese American music discourse.
    Note: Literaturverzeichnis: Seite 367-397. - Diskografie und Filmografie: Seite 399-402
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  • 98
    ISBN: 9780195650983 , 0195650980
    Language: English
    Pages: 28 cm
    RVK:
    Keywords: Music ; India ; Encyclopedias ; Music ; India ; History and criticism ; Wörterbuch ; Indien ; Musik ; Indien ; Musiker
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  • 99
    ISBN: 9781283297479 , 9781315602134
    Language: English
    Pages: 1 Online-Ressource (xii, 195 Seiten)
    Parallel Title: Erscheint auch als Hawkins, Stan Prince
    DDC: 781.66092
    RVK:
    Keywords: Prince ; Criticism and interpretation ; Rock music ; United States ; History and criticism ; Verzeichnis ; Prince Musiker 1958-2016
    Note: Description based on print version record
    URL: Volltext  (lizenzpflichtig)
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  • 100
    ISBN: 9780810872868
    Language: English
    Pages: X, 220 S., [11] Bl. , Ill.
    Series Statement: African American cultural theory and heritage
    Parallel Title: Erscheint auch als
    DDC: 780.89/96073
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Musik ; Schwarze. USA ; African Americans Music ; History and criticism ; Popular music History and criticism ; USA
    Note: Includes bibliographical references and index
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