Note: 7.1963/64 - 22.1995/96 inhaltliche Gliederung in Bd. 1: Museen u. Galerien, Bildende Künstler, Restauratoren, Sammler, Vereinigungen; Bd. 2: Kunst- und Antiquitätenhandlungen, Kunstverleger, Experten; ab 23.1997/98 in Bd. 1: Museen und öffentliche Galerien, Universitäten, Akademien, Schulen, Vereinigungen; Bd. 2: Kunst- und Antiquitätenhandel, Numismatik, Galerien, Auktionatoren, Restauratoren, Kunstverleger, Kunstzeitschriften, Antiquariate und Kunstbuchhandlungen; Bd. 3: Register; ab 33.2009 in Bd. 1: Museums and public galleries, universities, associations; Bd. 2: Antiques and numismatics, fairs, galleries, auctioneers, restorers, publishers, periodicals, booksellers; Bd. 3: Index , Hrsg. anfangs: Helmut Rauschenbusch , Ersch. anfangs alle 2 Jahre, später jährl.

Note: Bd. 1 als: Romanistik in Geschichte und Gegenwart ; 29, erschienen , Bd. 2 ohne Gesamtt , Beitr. teilw. dt., teilw. engl., teilw. span., teilw. portug

Note: Gekürzte Ausg. u.d.T.: Ronan, Colin: The shorter science and civilization in China

Note: Hrsg. anfangs: Helmut Rauschenbusch , 7.1963/64 - 22.1995/96 inhaltliche Gliederung in Bd. 1: Museen u. Galerien, Bildende Künstler, Restauratoren, Sammler, Vereinigungen; Bd. 2: Kunst- und Antiquitätenhandlungen, Kunstverleger, Experten; ab 23.1997/98 in Bd. 1: Museen und öffentliche Galerien, Universitäten, Akademien, Schulen, Vereinigungen; Bd. 2: Kunst- und Antiquitätenhandel, Numismatik, Galerien, Auktionatoren, Restauratoren, Kunstverleger, Kunstzeitschriften, Antiquariate und Kunstbuchhandlungen; Bd. 3: Register; ab 33.2009 in Bd. 1: Museums and public galleries, universities, associations; Bd. 2: Antiques and numismatics, fairs, galleries, auctioneers, restorers, publishers, periodicals, booksellers; Bd. 3: Index , Ersch. anfangs alle 2 Jahre, später jährl.

Note: Parallelsacht. ab 19.2005 , Ersch. 2x jährl.; 2020 nicht erschienen , Index 1/10.1987/96 in: 11.1997,1

Note: Vol. 1 (1987) - , Engl.

Note: Ungezählte Beilage 2011: Edición resumida , Ungezählte Beilage: Resumen ejecutivo

Note: In kyrill. Schr., russ

Note: Erscheint zehnmal jährlich; Vol. 59.2020/21 mit 8 Heften komplett , 42.2003/04,7 fälschlich als Jg. 43 bez.

Note: 7.1963/64 - 22.1995/96 inhaltliche Gliederung in Bd. 1: Museen u. Galerien, Bildende Künstler, Restauratoren, Sammler, Vereinigungen; Bd. 2: Kunst- und Antiquitätenhandlungen, Kunstverleger, Experten; ab 23.1997/98 in Bd. 1: Museen und öffentliche Galerien, Universitäten, Akademien, Schulen, Vereinigungen; Bd. 2: Kunst- und Antiquitätenhandel, Numismatik, Galerien, Auktionatoren, Restauratoren, Kunstverleger, Kunstzeitschriften, Antiquariate und Kunstbuchhandlungen; Bd. 3: Register; ab 33.2009 in Bd. 1: Museums and public galleries, universities, associations; Bd. 2: Antiques and numismatics, fairs, galleries, auctioneers, restorers, publishers, periodicals, booksellers; Bd. 3: Index , Hrsg. anfangs: Helmut Rauschenbusch , Ersch. anfangs alle 2 Jahre, später jährl.

Note: Anfangs darin: Who's who in the Middle East and North Africa , Ersch. jährl.

Note: Aus dem Chines. übers

Note: Parallelsacht. ab 19.2005 , Ersch. 2x jährl.; 2020 nicht erschienen , Index 1/10.1987/96 in: 11.1997,1

Note: Parallelsacht. ab 19.2005 , Ersch. 2x jährl.; 2020 nicht erschienen , Index 1/10.1987/96 in: 11.1997,1

Note: Anfangs darin: Who's who in the Middle East and North Africa , Ersch. jährl.

Note: Anfangs darin: Who's who in the Middle East and North Africa , Ersch. jährl.

Note: Includes bibliographical references and index

Note: Text englisch, italienisch und mongolisch (in kyrillischer Schrift)

Note: Literaturverzeichnis Seite [521] - 525

Note: Literaturverz. S. 251 - 262

Note: Text englisch, französisch, italienisch

Note: Includes bibliographical references (pages 995-1045) and index , Introduction :The idea of northwest coast native art , Interpreting cultural symbols of the People from the Shore , Ḥilth Hiitinkis : from the beach , From explorers to ethnographers, 1770-1870 , Thresholds of meaning : voice, time, and epistemology in the archaeological consideration of Northwest Coast art , Objects and knowledge : early accounts from ethnographers and their written records and collecting practices, ca. 1880-1930 , "That which was most important" : Louis Shotridge on Crest art and clan history , Anthropology of art : shifting paradigms and practices, 1870s-1950 , Going by the book : missionary perspectives , The dark years , Surrealists and the New York avant-garde, 1920-60 , Northwest Coast art and Canadian national identity, 1900-50 , Art/craft in the early twentieth century , Welfare politics, late salvage, and indigenous (in)visibility, 1930-60 , Form first, function follows : the use of formal analysis in Northwest Coast art history , Democratization and Northwest Coast art in the modern period : Native emissaries, non-native connoisseurship, and consumption , History and critique of the "renaissance" discourse , Starting from the beginning , Shifting theory, shifting publics : the anthropology of Northwest Coast art in the postwar era , Value added : the Northwest Coast art market since 1965 , "Where mere words failed" : Northwest Coast art and law , Art for whose sake? , "Fighting with property" : the double-edged character of ownership , Museums and Northwest Coast art , Collaborations : a historical perspective , Pushing boundaries, defying categories : Aboriginal media production on the Northwest Coast , Art claims in the age of Delgamuukw , Stop listening to our ancestors , NWC on the up- load : surfing for Northwest Coast art , The material and the immaterial across borders

Note: Includes bibliographical references (p. 319-323) , Settlers, administrators, researchers, and explorers : the history of collecting in the Bismarck Archipelago / Klaus-Jochen KrügerMy trips to Oceania / Bart Van Bussel , Bismarck Archipelago art and the avant-garde / Kevin Conru , Artistic traditions of the Bismarck Archipelago / Ingrid Heermann.

Note: Includes index

Note: Catalog of an exhibition held at the Padiglione Zimbabwe, Maria della Pietà, Calle della Pietà, Venice, Italy, June 1-Nov. 24, 2013, on the occasion of the 55th ed. of Esposizione internazionale d'arte La Biennale di Venezia

Note: Includes bibliographical references and index , Enth.10 Beitr

Note: Notes bibliogr. Bibliogr. p. 229-242. Index , Includes bibliographical references and index , The Yalálag Zapotecs -- Building Community and Connections in Los Angeles -- Community Life across Borders -- Yalálag Zapotec Identities in a Changing World -- Identities of the Second-Generation Yalálag Zapotecs -- Danzas Chuscas: Performing Status, Violence, and Gender in Oaxacalifornia -- Community and Culture in Transnational Perspective

Note: Catalog of an exhibition held at the 55th ed. of Esposizione internazionale d'arte La Biennale di Venezia, Querini Stampalia Foundation, Venice, Italy, Aug. 28-Oct. 27, 2013 , Text englisch, italienisch und koreanisch

Note: Includes bibliographical references (p. 196-203) and index

Note: Enth.: Accompanies the exhibition at The Queen's Gallery, Buckingham Palace, [Daten ermittelt:] 10 May 2013 to 06 October 2013

Note: Originally published: 2012. , Includes bibliographical references and index.

Note: Includes bibliographical references and index , Vol. 1 (2013) - Vol. 5 (2013)

Note: Includes bibliographical references (pages 229-248) and index

Note: Includes bibliographical references (S. [177] - 188) and index

Note: For use in college-level introductory human or cultural geography courses, as well as the equivalent advanced placement course in high school , Includes index , © Pearson Education Limited 2014

Note: Text in English and Italian

Note: Catalog of the collection , On t.p.: Imago mundi; Luciano Benetton collection , Contains index , Text in English, Italian and Romanian , Bound , Text englisch, italienisch und rumänisch

Note: Description based on publisher supplied metadata and other sources

Note: Includes bibliographical references (pages 177-199) and index

Note: Includes bibliographical references (p. 301-353) and index

Note: Literaturverz. S. 145 - 163

Note: "All authors were given the opportunity to scrutinize the translation and to update the contents and the bibliography of their contribution"--Foreword to the English ed. Includes bibliographical references and index. - Umschlagtitel: The encyclopedia of European migration and minorities

Note: Includes bibliographical references and index

Note: Erscheinungsjahr in Vorlageform:2013 , IntroductionThe equality of men and women , The ladies' complaint , A dissertation on the natural capacity of women for study and learning , Excerpts from the Correspondence , Excerpts from Eukleria , A physical and moral discourse concerning the equality of both sexes , Conversations concerning the education of ladies [excerpt]

Note: On t.p. EPW, Tata Institute of Social Sciences. - "Essays from Economic and political weekly"--Cover. - Includes bibliographical references

Note: Literaturangaben , 1.Writing African Modernism into Art History , 16.Modernism and Modernity in African Art , pt. II"Africa Has Always Been Modern"2.Local Transformations, Global Inspirations: The Visual Histories and Cultures of Mami Wata Arts in Africa , pt. IIIArt in Cosmopolitan Africa: The Nineteenth Century3.Loango Coast Ivories and the Legacies of Afro-Portuguese Arts , 4.Roots and Routes of African Photographic Practices: From Modern to Vernacular Photography in West and Central Africa (1850-1980) , 5.At Home in the World: Portrait Photography and Swahili Mercantile Aesthetics , 6.African Reimaginations: Presence, Absence, and New Way Architecture , pt. IVModernities and Cross-Cultural Encounters in Arts of the Early Twentieth Century7."One of the Best Tools for Learning": Rethinking the Role of 'Abduh's Fatwa in Egyptian Art History , 8.Congolese and Belgian Appropriations of the Colonial Era: The Commissioned Work of Tshelantende (Djilatendo) and Its Reception , 9.Warriors in Top Hats: Images of Modernity and Military Power on West African Coasts , pt. VColonialism, Modernism, and Art in Independent Nations10.Algerian Painters as Pioneers of Modernism , 11.Kofi Antubam, 1922-1964: A Modern Ghanaian Artist, Educator, and Writer , 12.Patron and Artist in the Shaping of Zimbabwean Art , 13."Being Modern": Identity Debates and Makerere's Art School in the 1960s , 14.The École des Arts and Exhibitionary Platforms in Postindependence Senegal , 15.From Iconoclasm to Heritage: The Osogbo Art Movement and the Dynamics of Modernism in Nigeria , 17.A Century of Painting in the Congo: Image, Memory, Experience, and Knowledge , pt. VIPerspectives on Arts of the African Diaspora18.Visual Expressivity in the Art of the Black Diaspora: Conjunctures and Disjunctures , pt. VIISyntheses in Art of the Late Twentieth Century19.Art and Social Dynamics in Côte d'lvoire: The Position of Vohou-Vohou , 20.Contemporary Contradictions: Bronzecasting in the Edo Kingdom of Benin , 21.Puppets as Witnesses and Perpetrators in Ubu and the Truth Commission , 22.Moroccan Art Museums and Memories of Modernity , pt. VIIIPrimitivism as Erasure23.The Enduring Power of Primitivism: Showcasing "the Other" in Twenty-First-Century France , pt. IXLocal Expression and Global Modernity: African Art of the Twenty-First Century24.Zwelethu Mthethwa's "Postdocumentary" Portraiture: Views from South Africa and Abroad , 25.Creative Diffusion: African Intersections in the Biennale Network , 26.Lacuna: Uganda in a Globalizing Cultural Field , 27.Painted Visions under Rebel Domination: A Cultural Center and Political Imagination in Northern Côte d'lvoire , 28.Postindependence Architecture through North Korean Modes: Namibian Commissions of the Mansudae Overseas Project , 29.Concrete Aspirations: Modern Art at the Roundabout in Ugep

Note: Text dt. und engl

Note: The many identities of Rubens's Man in Korean costume: New perspectives on old interpretations , Implicit understanding: Rubens and the representation of the Jesuit missions in Asia , Korean contacts with Europeans in Beijing, and European inspiration in early-modern Korean art , The place of the "exotic" in early-seventeenth-century Antwerp

Note: Ausstellung: Casa Daros, Rio de Janeiro, 23. März bis 8. September 2013. Ursprünglich ausgestellt im Daros Museum in Zürich in zwei Teilen vom 30. Oktober 2004 bis 9. Januar 2005 und 29. Januar bis 17. April 2005. - Text portugiesisch mit engl. und span. Übers