Note: 7.1963/64 - 22.1995/96 inhaltliche Gliederung in Bd. 1: Museen u. Galerien, Bildende Künstler, Restauratoren, Sammler, Vereinigungen; Bd. 2: Kunst- und Antiquitätenhandlungen, Kunstverleger, Experten; ab 23.1997/98 in Bd. 1: Museen und öffentliche Galerien, Universitäten, Akademien, Schulen, Vereinigungen; Bd. 2: Kunst- und Antiquitätenhandel, Numismatik, Galerien, Auktionatoren, Restauratoren, Kunstverleger, Kunstzeitschriften, Antiquariate und Kunstbuchhandlungen; Bd. 3: Register; ab 33.2009 in Bd. 1: Museums and public galleries, universities, associations; Bd. 2: Antiques and numismatics, fairs, galleries, auctioneers, restorers, publishers, periodicals, booksellers; Bd. 3: Index , Hrsg. anfangs: Helmut Rauschenbusch , Ersch. anfangs alle 2 Jahre, später jährl.

Note: Bd. 1 als: Romanistik in Geschichte und Gegenwart ; 29, erschienen , Bd. 2 ohne Gesamtt , Beitr. teilw. dt., teilw. engl., teilw. span., teilw. portug

Note: Gekürzte Ausg. u.d.T.: Ronan, Colin: The shorter science and civilization in China

Note: Hrsg. anfangs: Helmut Rauschenbusch , 7.1963/64 - 22.1995/96 inhaltliche Gliederung in Bd. 1: Museen u. Galerien, Bildende Künstler, Restauratoren, Sammler, Vereinigungen; Bd. 2: Kunst- und Antiquitätenhandlungen, Kunstverleger, Experten; ab 23.1997/98 in Bd. 1: Museen und öffentliche Galerien, Universitäten, Akademien, Schulen, Vereinigungen; Bd. 2: Kunst- und Antiquitätenhandel, Numismatik, Galerien, Auktionatoren, Restauratoren, Kunstverleger, Kunstzeitschriften, Antiquariate und Kunstbuchhandlungen; Bd. 3: Register; ab 33.2009 in Bd. 1: Museums and public galleries, universities, associations; Bd. 2: Antiques and numismatics, fairs, galleries, auctioneers, restorers, publishers, periodicals, booksellers; Bd. 3: Index , Ersch. anfangs alle 2 Jahre, später jährl.

Note: Parallelsacht. ab 19.2005 , Ersch. 2x jährl.; 2020 nicht erschienen , Index 1/10.1987/96 in: 11.1997,1

Note: Vol. 1 (1987) - , Engl.

Note: Ab 9.1995 als Schriftenreihe

Note: In kyrill. Schr., russ

Note: Erscheint zehnmal jährlich; Vol. 59.2020/21 mit 8 Heften komplett , 42.2003/04,7 fälschlich als Jg. 43 bez.

Note: 7.1963/64 - 22.1995/96 inhaltliche Gliederung in Bd. 1: Museen u. Galerien, Bildende Künstler, Restauratoren, Sammler, Vereinigungen; Bd. 2: Kunst- und Antiquitätenhandlungen, Kunstverleger, Experten; ab 23.1997/98 in Bd. 1: Museen und öffentliche Galerien, Universitäten, Akademien, Schulen, Vereinigungen; Bd. 2: Kunst- und Antiquitätenhandel, Numismatik, Galerien, Auktionatoren, Restauratoren, Kunstverleger, Kunstzeitschriften, Antiquariate und Kunstbuchhandlungen; Bd. 3: Register; ab 33.2009 in Bd. 1: Museums and public galleries, universities, associations; Bd. 2: Antiques and numismatics, fairs, galleries, auctioneers, restorers, publishers, periodicals, booksellers; Bd. 3: Index , Hrsg. anfangs: Helmut Rauschenbusch , Ersch. anfangs alle 2 Jahre, später jährl.

Note: Anfangs darin: Who's who in the Middle East and North Africa , Ersch. jährl.

Note: Ab 9.1995 als Schriftenreihe

Note: Aus dem Chines. übers

Note: Parallelsacht. ab 19.2005 , Ersch. 2x jährl.; 2020 nicht erschienen , Index 1/10.1987/96 in: 11.1997,1

Note: Parallelsacht. ab 19.2005 , Ersch. 2x jährl.; 2020 nicht erschienen , Index 1/10.1987/96 in: 11.1997,1

Note: Anfangs darin: Who's who in the Middle East and North Africa , Ersch. jährl.

Note: Anfangs darin: Who's who in the Middle East and North Africa , Ersch. jährl.

Note: Includes bibliographical references and index

Note: Text englisch, italienisch und mongolisch (in kyrillischer Schrift)

Note: Literaturverzeichnis Seite [521] - 525

Note: Literaturverz. S. 251 - 262

Note: Text englisch, französisch, italienisch

Note: Includes bibliographical references (pages 995-1045) and index , Introduction :The idea of northwest coast native art , Interpreting cultural symbols of the People from the Shore , Ḥilth Hiitinkis : from the beach , From explorers to ethnographers, 1770-1870 , Thresholds of meaning : voice, time, and epistemology in the archaeological consideration of Northwest Coast art , Objects and knowledge : early accounts from ethnographers and their written records and collecting practices, ca. 1880-1930 , "That which was most important" : Louis Shotridge on Crest art and clan history , Anthropology of art : shifting paradigms and practices, 1870s-1950 , Going by the book : missionary perspectives , The dark years , Surrealists and the New York avant-garde, 1920-60 , Northwest Coast art and Canadian national identity, 1900-50 , Art/craft in the early twentieth century , Welfare politics, late salvage, and indigenous (in)visibility, 1930-60 , Form first, function follows : the use of formal analysis in Northwest Coast art history , Democratization and Northwest Coast art in the modern period : Native emissaries, non-native connoisseurship, and consumption , History and critique of the "renaissance" discourse , Starting from the beginning , Shifting theory, shifting publics : the anthropology of Northwest Coast art in the postwar era , Value added : the Northwest Coast art market since 1965 , "Where mere words failed" : Northwest Coast art and law , Art for whose sake? , "Fighting with property" : the double-edged character of ownership , Museums and Northwest Coast art , Collaborations : a historical perspective , Pushing boundaries, defying categories : Aboriginal media production on the Northwest Coast , Art claims in the age of Delgamuukw , Stop listening to our ancestors , NWC on the up- load : surfing for Northwest Coast art , The material and the immaterial across borders

Note: Includes bibliographical references (p. 319-323) , Settlers, administrators, researchers, and explorers : the history of collecting in the Bismarck Archipelago / Klaus-Jochen KrügerMy trips to Oceania / Bart Van Bussel , Bismarck Archipelago art and the avant-garde / Kevin Conru , Artistic traditions of the Bismarck Archipelago / Ingrid Heermann.

Note: Includes index

Note: Catalog of an exhibition held at the Padiglione Zimbabwe, Maria della Pietà, Calle della Pietà, Venice, Italy, June 1-Nov. 24, 2013, on the occasion of the 55th ed. of Esposizione internazionale d'arte La Biennale di Venezia

Note: Includes bibliographical references and index , Enth.10 Beitr

Note: Notes bibliogr. Bibliogr. p. 229-242. Index , Includes bibliographical references and index , The Yalálag Zapotecs -- Building Community and Connections in Los Angeles -- Community Life across Borders -- Yalálag Zapotec Identities in a Changing World -- Identities of the Second-Generation Yalálag Zapotecs -- Danzas Chuscas: Performing Status, Violence, and Gender in Oaxacalifornia -- Community and Culture in Transnational Perspective

Note: Catalog of an exhibition held at the 55th ed. of Esposizione internazionale d'arte La Biennale di Venezia, Querini Stampalia Foundation, Venice, Italy, Aug. 28-Oct. 27, 2013 , Text englisch, italienisch und koreanisch

Note: Includes bibliographical references (p. 196-203) and index

Note: Enth.: Accompanies the exhibition at The Queen's Gallery, Buckingham Palace, [Daten ermittelt:] 10 May 2013 to 06 October 2013

Note: Originally published: 2012. , Includes bibliographical references and index.

Note: Includes bibliographical references and index , Vol. 1 (2013) - Vol. 5 (2013)

Note: Includes bibliographical references (pages 271-289) and index

Note: Includes bibliographical references (pages 229-248) and index

Note: Includes bibliographical references (S. [177] - 188) and index

Note: For use in college-level introductory human or cultural geography courses, as well as the equivalent advanced placement course in high school , Includes index , © Pearson Education Limited 2014

Note: Text in English and Italian

Note: Catalog of the collection , On t.p.: Imago mundi; Luciano Benetton collection , Contains index , Text in English, Italian and Romanian , Bound , Text englisch, italienisch und rumänisch

Note: Description based on publisher supplied metadata and other sources

Note: Includes bibliographical references (pages 177-199) and index

Note: Includes bibliographical references (p. 301-353) and index

Note: Literaturverz. S. 145 - 163

Note: "All authors were given the opportunity to scrutinize the translation and to update the contents and the bibliography of their contribution"--Foreword to the English ed. Includes bibliographical references and index. - Umschlagtitel: The encyclopedia of European migration and minorities

Note: Includes bibliographical references and index

Note: Erscheinungsjahr in Vorlageform:2013 , IntroductionThe equality of men and women , The ladies' complaint , A dissertation on the natural capacity of women for study and learning , Excerpts from the Correspondence , Excerpts from Eukleria , A physical and moral discourse concerning the equality of both sexes , Conversations concerning the education of ladies [excerpt]

Note: On t.p. EPW, Tata Institute of Social Sciences. - "Essays from Economic and political weekly"--Cover. - Includes bibliographical references

Note: Literaturangaben , 1.Writing African Modernism into Art History , 16.Modernism and Modernity in African Art , pt. II"Africa Has Always Been Modern"2.Local Transformations, Global Inspirations: The Visual Histories and Cultures of Mami Wata Arts in Africa , pt. IIIArt in Cosmopolitan Africa: The Nineteenth Century3.Loango Coast Ivories and the Legacies of Afro-Portuguese Arts , 4.Roots and Routes of African Photographic Practices: From Modern to Vernacular Photography in West and Central Africa (1850-1980) , 5.At Home in the World: Portrait Photography and Swahili Mercantile Aesthetics , 6.African Reimaginations: Presence, Absence, and New Way Architecture , pt. IVModernities and Cross-Cultural Encounters in Arts of the Early Twentieth Century7."One of the Best Tools for Learning": Rethinking the Role of 'Abduh's Fatwa in Egyptian Art History , 8.Congolese and Belgian Appropriations of the Colonial Era: The Commissioned Work of Tshelantende (Djilatendo) and Its Reception , 9.Warriors in Top Hats: Images of Modernity and Military Power on West African Coasts , pt. VColonialism, Modernism, and Art in Independent Nations10.Algerian Painters as Pioneers of Modernism , 11.Kofi Antubam, 1922-1964: A Modern Ghanaian Artist, Educator, and Writer , 12.Patron and Artist in the Shaping of Zimbabwean Art , 13."Being Modern": Identity Debates and Makerere's Art School in the 1960s , 14.The École des Arts and Exhibitionary Platforms in Postindependence Senegal , 15.From Iconoclasm to Heritage: The Osogbo Art Movement and the Dynamics of Modernism in Nigeria , 17.A Century of Painting in the Congo: Image, Memory, Experience, and Knowledge , pt. VIPerspectives on Arts of the African Diaspora18.Visual Expressivity in the Art of the Black Diaspora: Conjunctures and Disjunctures , pt. VIISyntheses in Art of the Late Twentieth Century19.Art and Social Dynamics in Côte d'lvoire: The Position of Vohou-Vohou , 20.Contemporary Contradictions: Bronzecasting in the Edo Kingdom of Benin , 21.Puppets as Witnesses and Perpetrators in Ubu and the Truth Commission , 22.Moroccan Art Museums and Memories of Modernity , pt. VIIIPrimitivism as Erasure23.The Enduring Power of Primitivism: Showcasing "the Other" in Twenty-First-Century France , pt. IXLocal Expression and Global Modernity: African Art of the Twenty-First Century24.Zwelethu Mthethwa's "Postdocumentary" Portraiture: Views from South Africa and Abroad , 25.Creative Diffusion: African Intersections in the Biennale Network , 26.Lacuna: Uganda in a Globalizing Cultural Field , 27.Painted Visions under Rebel Domination: A Cultural Center and Political Imagination in Northern Côte d'lvoire , 28.Postindependence Architecture through North Korean Modes: Namibian Commissions of the Mansudae Overseas Project , 29.Concrete Aspirations: Modern Art at the Roundabout in Ugep