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  • Regensburg UB  (1)
  • Winthrop-Young, Geoffrey  (1)
  • Luhmann, Niklas
  • Stanford, Calif. : Stanford University Press  (1)
  • Geschichte 1800-1900  (1)
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  • Stanford, Calif. : Stanford University Press  (1)
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  • 1
    Book
    Book
    Gramophone, film, typewriter (1999)
    Stanford, Calif. : Stanford University Press
    Details
    ISBN: 0804732329 , 0804732337 , 9780804732338
    Language: English
    Pages: XLI, 315 S. , Ill.
    Series Statement: Writing science
    Uniform Title: Grammophon, Film, Typewriter
    DDC: 302.2
    RVK:
    EC 2400
    Keywords: Geschichte 1900-2000 ; Geschichte 1800-1900 ; Geschichte ; Cinéma - Histoire ; Communicatie ; Communication - Histoire - 19e siècle ; Communication - Histoire - 20e siècle ; Communication et technologie ; Filmkunst ; Geluidsregistratie ; Machines à écrire - Histoire ; Machineschrijven ; Technische ontwikkeling ; Électrophones - Histoire ; Film ; Geschichte ; Kommunikation ; Communication and technology ; Communication History 19th century ; Communication History 20th century ; Geschichte ; Literatursoziologie ; Film ; Medientheorie ; Plattenspieler ; Schreibmaschine ; Massenmedien ; Deutschland ; Schreibmaschine ; Literatursoziologie ; Film ; Literatursoziologie ; Plattenspieler ; Literatursoziologie ; Deutschland ; Massenmedien ; Geschichte ; Plattenspieler ; Film ; Schreibmaschine ; Medientheorie ; Deutschland ; Massenmedien ; Geschichte ; Deutschland ; Massenmedien ; Geschichte
    Abstract: "Toward the end of the nineteenth century, the hegemony of the printed word was shattered by the arrival of media technologies that offered new ways of communicating and storing data. Previously, writing had operated by way of symbolic mediation, but phonography, photography, and cinematography stored physical effects of the real in the shape of sound waves and light. The entire question of referentiality had to be recast in light of these new media technologies. Part technological history of the emergent new media in the late nineteenth century, part theoretical discussion of the responses to these media - including texts by Rilke, Kafka, and Heidegger - Gramophone, Film, Typewriter analyzes this momentous shift using insights from the work of Foucault, Lacan, and McLuhan. It is a continuation as well as a detailed elaboration of the second part of the author's Discourse Networks, 1800/1900 (Stanford, 1990)." http://www.loc.gov/catdir/description/cam029/98037243.html.
    Note: Includes bibliographical references (p. 267-315)
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