ISBN:
9781417583669
,
1417583665
,
9780857712646
,
0857712640
,
1282528939
,
9781282528932
Sprache:
Englisch
Seiten:
XI, 252 S.
Ausgabe:
Electronic reproduction, Boulder, Colo : NetLibrary, 2005
Serie:
Cinema and Society
Serie:
EBSCOhost eBook Collection
Paralleltitel:
Druckausg. u.d.T. Butler, Margaret Film and community: Britain and France ; from La R̀egle du jeu to Room at the top
Schlagwort(e):
Motion pictures Great Britain
;
History
;
Motion pictures France
;
History
;
War Films Great Britain
;
War Films France
;
Motion pictures Great Britain
;
History
;
Motion pictures France
;
History
;
World War, 1939-1945 Motion pictures and the war
;
War Films Great Britain
;
War Films France
;
World War, 1939-1945 Motion pictures and the war
;
Motion pictures History
;
France
;
Motion pictures History
;
Great Britain
;
War films Great Britain
;
War films France
;
Guerre mondiale, 1939-1945 Cinéma et guerre
;
Guerre mondiale, 1939-1945 Grande-Bretagne
;
Guerre mondiale, 1939-1945 France
;
Cinéma Aspect social
;
Grande-Bretagne
;
Cinéma Aspect social
;
France
;
Motion pictures France
;
History
;
Motion pictures Great Britain
;
History
;
War Films France
;
War Films Great Britain
;
World War, 1939-1945 Motion pictures and the war
;
World War, 1939-1945 Great Britain
;
World War, 1939-1945 France
;
Motion pictures Social aspects
;
Great Britain
;
Motion pictures Social aspects
;
France
;
Electronic books
;
Electronic books
;
Großbritannien
;
Film
;
Geschichte
;
Frankreich
;
Film
;
Geschichte
Kurzfassung:
Britain and France and the concept of "community" -- Film industries at war : projecting "community" -- Countryside and city, Paysage et patrie at war -- Countryside, city, and region in post-war film -- Cinema of the return : acceptance and alienation -- Women in Britain : "returned" or renewed? -- "Liberation" and Les femmes françaises
Kurzfassung:
Relations between France and Britain have always been uneasy and ambivalent. But in cinema the WWII changed all that for a time. Although the two countries' wartime fortunes differed, post-war both were busy reintegrating returning servicemen and prisoners of war, and accomodating the changed aspirations of women. Margaret Butler examines these subjects and more in her comparative study of the cinemas of Britain and France during and after the war. Using the concept of continuity, she shows how cinema dealt directly with ideas of belonging and alienation, inclusion and exclusion, unity and div
Anmerkung:
Includes bibliographical references and index
,
Electronic reproduction, Boulder, Colo : NetLibrary, 2005
,
Electronic reproduction, Boulder, Colo : NetLibrary, 2005
URL:
Volltext
(Deutschlandweit zugänglich)
URL:
Volltext
(Deutschlandweit zugänglich)
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