ISBN:
9781405192415
,
9781405192422
Sprache:
Englisch
Seiten:
VI, 198 S.
DDC:
781.1/7
Schlagwort(e):
Gesellschaft
;
Musik
;
Music Social aspects
;
Music Philosophy and aesthetics
;
Gesellschaft
;
Musik
;
Gefühl
;
Musik
;
Gefühl
;
Musik
;
Gesellschaft
Beschreibung / Inhaltsverzeichnis:
Why Music Matters; Copyright; Contents; 1 Music as Intimate and Social, Private and Public; 2 Feeling and Flourishing; 2.1 Music, Affect, Emotion; 2.2 Emotions, Narrative Play, and Music; 2.3 Human Flourishing, Aesthetic Experience, and Music; 2.4 Musical Flourishing Beyond Contemplative Cultivation; Emotional resonances in popular music; Self-cultivation as bourgeois and ethnocentric?; Beyond contemplative aesthetic experiences; 2.5 Musical Aesthetics and Bodily Experience: Dancing; 2.6 Approaches to Music and Emotion in Everyday Life: Contributions and Limitations 2.7 Problems of Self-realization in Modern Life and Their Relation to Music2.8 Competitive Individualism and Status Competition Through Music; 2.9 Review: Music's Constrained Enrichment of Lives; 3 Love and Sex; 3.1 Sex and Love and Rock and Roll; 3.2 Two Approaches to Music, Sex, and Sexuality; 3.3 The Pop-Rock Divide and Rock's Sexual Politics; 3.4 Post-War Pop's Emotional Resources; 3.5 Sex and Love on the Dance Floor; 3.6 Critiques of Countercultural Sexual Freedom; 3.7 Sex and Love in Punk, Alternative Rock, and Metal; 3.8 Sexuality in Twenty-First-Century Pop 3.9 Black Music and Racialized Sexuality4 Sociability and Place; 4.1 Ways of Being Together: Forms of Publicness; 4.2 Celebrations of Musical Participation and Their Limitations; Christopher Small and musicking; Charles Keil: Engendered feeling; 4.3 That Syncing Feeling; 4.4 Ordinary Sociability I: Singing Together; 4.5 Ordinary Sociability II : Dancing Together; 4.6 Playing Together: Amateur Musicians; 4.7 Theorizing Positive Musical Sociality; Music, time, and micro-sociality; Music and fundamental human sociality; The capabilities approach 4.8 Spectres of Capitalist Modernity Revisited: Class and Inequality4.9 Uneven Musical Development; 4.10 Elements of Thriving Musical Places; 4.11 Quality of Working Life of Professional Musicians; 5 Commonality and Cosmopolitanism; 5.1 Mediated Commonali
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