ISBN:
0226471934
,
9780226471938
Language:
English
Pages:
1 Online-Ressource (x, 261 pages)
Parallel Title:
Erscheint auch als
Parallel Title:
Erscheint auch als
Parallel Title:
Erscheint auch als
Parallel Title:
Erscheint auch als
DDC:
302.23/44097309043
Keywords:
Geschichte 1930-1939
;
Radio broadcasting
;
SOCIAL SCIENCE / Media Studies
;
Radio broadcasting
;
Radio broadcasting / Social aspects
;
Radio
;
Populaire cultuur
;
Politieke aspecten
;
Sociale aspecten
;
Geschichte
;
Gesellschaft
;
Politik
;
Radio broadcasting History
;
Radio broadcasting Social aspects
;
Hörfunksendung
;
Kultur
;
USA
;
USA
;
USA
;
Hörfunksendung
;
Kultur
;
Geschichte 1930-1939
Note:
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002
,
Includes bibliographical references (pages 213-253) and index
,
Introduction: "The story of the century" -- 1. Radio's challenges: public intellectuals and the problem of mass culture. William Orton and the mass-consumption critique ; James Rorty and the mass-production critique ; African American intellectuals and the mass-production critique in action ; Related solutions ; Defenders of the faith -- 2. Radio's listeners: personalizing mass culture. The mass audience listens ; Consumer bargaining ; "When you can't find a friend, you've still got the radio" -- 3. Radio's democracy: the politics of the fireside. Roosevelt on the radio ; Radio democracy: the politics of intimacy ; Radio democracy: the politics of information ; Once and future ideals? -- 4. Radio's champions: strange gods? Radio stars ; Voices of the people ; Power ... corrupts? ; Limited amplitude -- 5. Radio's students: media studies and the possibilities of mass communication. Paul Lazarsfeld and social pragmatism's hope ; Herman Hettinger and commercial pragmatism's faith ; Theodor Adorno's critical theory: a considerably less charitable view -- 6. Radio's writers: a public voice in the modern world. Art of the air ; Public speech, public art, and mass communication ; Modernism on the air ; Muffled voices
,
Orson Welles's greatest breakthrough into the popular consciousness occurred in 1938, three years before Citizen Kane, when his War of the Worlds radio broadcast succeeded so spectacularly that terrified listeners believed they were hearing a genuine report of an alien invasion-a landmark in the history of radio's powerful relationship with its audience. In Radio's America, Bruce Lenthall documents the enormous impact radio had on the lives of Depression-era Americans and charts the formative years of our modern mass culture. Many Americans became alienated from their government and economy in
URL:
http://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226471938.001.0001/upso-9780226471914
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