ISBN:
0801433150
Sprache:
Englisch
Seiten:
224 S.
,
Ill.
Ausgabe:
1. publ. in the United States
DDC:
306.9/09/02
Schlagwort(e):
Église catholique - Doctrines - Histoire
;
Katholische Kirche
;
Catholic Church Doctrines
;
History
;
Geschichte 500-1500
;
Geschichte 800-1499
;
Geschichte 500-1530
;
Mort - Aspect religieux - Christianisme - Histoire des doctrines - 600-1500 (Moyen Âge)
;
Mort dans l'art
;
Christentum
;
Geschichte
;
Kirchengeschichte
;
Religion
;
Death in art
;
Death Religious aspects Middle Ages, 600-1500
;
Christianity
;
History of doctrines
;
Hölle
;
Tod
;
Himmel
;
Tod
;
Kultur
;
Kunst
;
Bestattung
;
Grabmal
;
Ritual
;
Grabmal
;
Europe - Histoire religieuse - 476-1492
;
Europa
;
Europe Church history 600-1500
;
Europa
;
Tod
;
Ritual
;
Geschichte 500-1500
;
Europa
;
Kultur
;
Tod
;
Geschichte 500-1530
;
Tod
;
Kunst
;
Geschichte 500-1530
;
Tod
;
Kultur
;
Geschichte 500-1500
;
Bestattung
;
Geschichte 800-1499
;
Himmel
;
Geschichte 800-1499
;
Hölle
;
Geschichte 800-1499
;
Grabmal
;
Geschichte 800-1499
;
Tod
;
Geschichte 800-1499
;
Grabmal
;
Geschichte 800-1499
Kurzfassung:
Medieval Death is an absorbing study of the social, theological, and cultural issues involved in death and dying in Europe from the end of the Roman Empire to the early sixteenth century. Drawing on both archaeological and art historical sources, Paul Binski examines pagan and Christian attitudes towards the dead, the aesthetics of death and the body, burial ritual and mortuary practice. The evidence is accumulated from a wide variety of medieval thinkers and images, including the macabre illustrations of the Dance of Death and other popular themes in art and literature, which reflect the medieval obsession with notions of humility, penitence, and the dangers of bodily corruption. The author discusses the impact of the Black Death on late medieval art and examines the development of the medieval tomb, showing the changing attitudes towards the commemoration of the dead between late antiquity and the late Middle Ages. In the final chapter the progress of the soul after death is studied through the powerful descriptions of heaven, hell, and purgatory in Dante and other writers and through portrayals of the Last Judgment and the Apocalypse in sculpture and large-scale painting. Drawing on archaeology, literature, and art history, Binski (history of art, Cambridge U.) examines pagan and Christian attitudes towards the dead, the aesthetics of death and the body, burial ritual, and mortuary practice from the end of the Roman Empire to the early 16th century. He finds an obsession with notions of humility, penitence, and the dangers of bodily corruption. Highly illustrated, including some color.
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