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  • 1
    Online-Ressource
    Online-Ressource
    Chicago : University of Chicago Press
    ISBN: 9780226569598
    Sprache: Englisch
    Seiten: 1 online resource (318 pages)
    Suppl.: Rezensiert in Pugh, Tison [Rezension von: Neal, Derek G., The Masculine Self in Late Medieval England] 2010
    Paralleltitel: Erscheint auch als
    Paralleltitel: Print version The Masculine Self in Late Medieval England
    DDC: 305.38/82100902
    RVK:
    Schlagwort(e): Masculinity History To 1500 ; Men Social life and customs ; England ; Social conditions ; 1066-1485 ; England ; Social life and customs ; 1066-1485 ; Masculinity ; England ; History ; To 1500 ; Men ; England ; Social life and customs ; Electronic books ; England Social conditions 1066-1485 ; England Social life and customs 1066-1485
    Kurzfassung: What did it mean to be a man in medieval England? Most would answer this question by alluding to the power and status men enjoyed in a patriarchal society, or they might refer to iconic images of chivalrous knights. While these popular ideas do have their roots in the history of the aristocracy, the experience of ordinary men was far more complicated. Marshalling a wide array of colorful evidence-including legal records, letters, medical sources, and the literature of the period-Derek G. Neal here plumbs the social and cultural significance of masculinity during the generations born between the Black Death and the Protestant Reformation. He discovers that social relations between men, founded on the ideals of honesty and self-restraint, were at least as important as their domination and control of women in defining their identities. By carefully exploring the social, physical, and psychological aspects of masculinity, The Masculine Self in Late Medieval England offers a uniquely comprehensive account of the exterior and interior lives of medieval men.
    Kurzfassung: Intro -- Contents -- Acknowledgments -- Note on Primary Sources -- Introduction -- 1 False Thieves and True Men -- Masculine Identity Formation in a Society of Stresses -- The Unknown Majority -- Manhood in the Towns -- Livelihood, Reputation, and Conflict -- False Thieves -- The Language of the Common Voice (and Fame) -- True Men -- Ideal and Reality -- The Legal Rhetoric of Masculinity -- 2 Husbands and Priests -- Husbandry (I): Pollers, Extorcioners, and Adulterers -- Substance -- Pollers and Extorcioners -- Polling, Cutting, and Loss of Substance -- Adulterers -- Husbandry (II): The Household from Inside -- Adulteresses -- Wives and Servants -- Priests versus Husbands, Priests as Husbands -- Clergy in English Society -- Conflict -- The Social Meaning of Celibacy -- The Rector and the Bailiff -- Clergymen and the Household -- Blaming the Friars -- Celibacy and Gender Identity: What Was the Real Problem? -- 3 Sex and Gender: the Meanings of the Male Body -- From Physiology to Personality -- Medieval Maleness: Form and Meaning -- Manliness and Attractiveness -- From Phallus to Penis (or Vice Versa?) -- Husbandly Sexuality -- An Incomplete Husband -- The Male Body in Action -- The Uses of Misrule -- Dress -- The Dangers of the Tongue -- 4 Toward the Private Self: Desire, Masculinity, and Middle English Romance -- History, Fiction, and Literature -- The Literary Subject -- The Romance of Masculinity -- All Her Fault -- The Dangers of Desire -- Narcissistic Masculinity and the Rape of Melior -- Mothers -- Lovers Invisible and Unspeakable -- Fathers Unknown and Forbidden -- The Father Unknown: Bevis of Hampton -- Better the Nightmare You Know: Lybeaus Desconus -- Father Forbidden, Father Created: Of Arthour and of Merlin -- Emplotted Desire: Sir Perceval of Galles -- Desire and Dread: Sir Gawain and the Green Knight.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 2
    Online-Ressource
    Online-Ressource
    Chicago : University of Chicago Press
    ISBN: 9780226023564 , 9780226023540
    Sprache: Englisch
    Seiten: 1 online resource (345 pages)
    Paralleltitel: Erscheint auch als Apter, Andrew H. The Pan-African nation
    DDC: 305.896
    RVK:
    RVK:
    RVK:
    Schlagwort(e): World Black and African Festival of Arts and Culture -- (2nd : -- 1977 : -- Lagos, Nigeria) ; Petroleum industry and trade -- Nigeria.. ; Revenue -- Nigeria.. ; Nigeria -- Cultural policy.. ; Africa -- Civilization ; Erdöl ; Erdölpolitik ; Öffentliche Einnahmen ; Boom ; Kultur ; Kulturpolitik ; Feier ; Africa ; Civilization ; Nigeria ; Cultural policy ; Petroleum industry and trade ; Nigeria ; Revenue ; Nigeria ; World Black and African Festival of Arts and Culture ; (2nd ; 1977 ; Lagos, Nigeria) ; Electronic books ; Nigeria ; Electronic books ; Konferenzschrift
    Kurzfassung: When Nigeria hosted the Second World Black and African Festival of Arts and Culture (FESTAC) in 1977, it celebrated a global vision of black nationhood and citizenship animated by the exuberance of its recent oil boom. Andrew Apter's The Pan-African Nation tells the full story of this cultural extravaganza, from Nigeria's spectacular rebirth as a rapidly developing petro-state to its dramatic demise when the boom went bust. According to Apter, FESTAC expanded the horizons of blackness in Nigeria to mirror the global circuits of its economy. By showcasing masks, dances, images, and souvenirs from its many diverse ethnic groups, Nigeria forged a new national culture. In the grandeur of this oil-fed confidence, the nation subsumed all black and African cultures within its empire of cultural signs and erased its colonial legacies from collective memory. As the oil economy collapsed, however, cultural signs became unstable, contributing to rampant violence and dissimulation. The Pan-African Nation unpacks FESTAC as a historically situated mirror of production in Nigeria. More broadly, it points towards a critique of the political economy of the sign in postcolonial Africa.
    Kurzfassung: Contents -- Acknowledgments -- Introduction -- La mise en scene -- 1 Rebirth of a Nation -- 2 Nigeria at Large -- The Spectacle of Culture -- 3 Producing the People -- 4 War Canoes and Their Magic -- 5 A Genealogy of the Durbar -- 6 The Mirror of Cultural Production -- La mise en abime -- 7 The Politics of Illusion -- 8 Death and the King's Henchmen -- Conclusion -- Notes -- References -- Index.
    Beschreibung / Inhaltsverzeichnis: Contents; Acknowledgments; Introduction; La mise en scene; The Spectacle of Culture; La mise en abime; Conclusion; Notes; References; Index;
    Anmerkung: Description based on publisher supplied metadata and other sources
    URL: Volltext  (lizenzpflichtig)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Online-Ressource
    Online-Ressource
    Chicago : University of Chicago Press
    ISBN: 9780226738703
    Sprache: Englisch
    Seiten: Online-Ressource (1 online resource (336 p.))
    Ausgabe: Online-Ausg.
    Serie: EBL-Schweitzer
    Paralleltitel: Erscheint auch als Schmid, David Natural born celebrities
    DDC: 306.7662094210904
    RVK:
    RVK:
    Schlagwort(e): Crime in popular culture ; Gay men ; Homosexuality ; Serial murderers ; Sex customs ; Fame ; Serial murders in mass media ; Serial murderers ; United States ; Public opinion ; Crime in popular culture ; United States ; Electronic books ; Electronic books ; USA ; Serienmörder ; Öffentlichkeit ; Berühmte Persönlichkeit
    Kurzfassung: Contents; Acknowledgements; Introduction: Idols of Destruction: Celebrity, Consumerism, andthe Serial Killer; Part One: A History of Serial Murder; One: The Victorian Killer as Media Star: Jack theRipper and H. H. Holmes; Two: Defining the Enemy Within: The FBI and SerialMurder; Part Two: Serial Murders in American Popular Culture; Three: Natural Born Celebrities: Serial Killers and theHollywood Star System; Four: Out of This World: Aliens, Devils, and SerialKillers in Television Crime Drama; Five: Next Door Monsters: The Dialectic of Normalityand Monstrosity in True-Crime Narratives
    Kurzfassung: Six: The Unbearable Straightness of Violence:Queering Serial Murder in True CrimeEpilogue: Serial Killing in America after 9/11; Notes; Works Cited; Index
    Kurzfassung: Jeffrey Dahmer. Ted Bundy. John Wayne Gacy. Over the past thirty years, serial killers have become iconic figures in America, the subject of made-for-TV movies and mass-market paperbacks alike. But why do we find such luridly transgressive and horrific individuals so fascinating? What compels us to look more closely at these figures when we really want to look away? Natural Born Celebrities considers how serial killers have become lionized in American culture and explores the consequences of their fame.David Schmid provides a historical account of how serial killers became famous and how that
    Anmerkung: Description based upon print version of record
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