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  • BSZ  (10)
  • KOBV  (6)
  • HeBIS  (3)
  • Regensburg UB
  • English  (14)
  • Arabic
  • 2015-2019  (14)
  • 2005-2009
  • 1995-1999
  • 1965-1969
  • 1955-1959
  • Durham : Duke University Press  (14)
  • Kunst  (14)
  • Ausstellungskatalog 2005
  • Bildband
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  • English  (14)
  • Arabic
Years
Year
  • 1
    ISBN: 9781478001409 , 9781478001003
    Language: English
    Pages: xx, 395 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Zorach, Rebecca, 1969 - Art for people's sake
    DDC: 700.89/96073
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    Keywords: AFRICOBRA (Group of artists) History ; Organization of Black American Culture History ; City planning Social aspects 20th century ; History ; Artists and community History 20th century ; Black Arts movement ; African American arts History 20th century ; Chicago (Ill.) Race relations 20th century ; History ; Chicago, Ill. ; Kunst ; Person of Color ; Schwarze ; Africobra ; Geschichte 1965-1975
    Abstract: Claiming space, being in public -- Cultural nationalism and community culture : on the beach, opportunity please knock, and the Affro-Arts Theater -- An experimental friendship -- The Black family -- Until the walls come down -- Superreal images and superreal people
    Note: Includes bibliographical references and index
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  • 2
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478002468 , 1478002468
    Language: English
    Pages: 1 Online-Ressource (xx, 395 pages) , illustrations
    Parallel Title: Erscheint auch als
    DDC: 700.89/96073
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    Keywords: AFRICOBRA (Group of artists) / History ; Organization of Black American Culture / History ; Africobra ; Geschichte 1965-1975 ; Black Arts movement / Illinois / Chicago ; African American arts / History / 20th century / Illinois / Chicago ; City planning / Social aspects / History / 20th century / Illinois / Chicago ; Artists and community / History / 20th century / Illinois / Chicago ; Öffentlicher Raum ; Schwarze ; Politik ; Kunst ; Person of Color ; Wandmalerei ; Chicago, Ill. ; Electronic books ; Chicago, Ill. ; Schwarze ; Kunst ; Politik ; Öffentlicher Raum ; Geschichte 1965-1975 ; Chicago, Ill. ; Kunst ; Person of Color ; Schwarze ; Africobra ; Geschichte 1965-1975 ; Chicago, Ill. ; Schwarze ; Wandmalerei ; Geschichte 1965-1975
    Abstract: Claiming space, being in public -- Cultural nationalism and community culture : on the beach, opportunity please knock, and the Affro-Arts Theater -- An experimental friendship -- The Black family -- Until the walls come down -- Superreal images and superreal people
    Note: Includes bibliographical references and index. - Description based on print version record
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  • 3
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478005582 , 1478005580
    Language: English
    Pages: 1 Online-Ressource (x, 269 pages) , illustrations, maps
    Parallel Title: Erscheint auch als
    DDC: 809/.93355609729
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    Keywords: Climatic changes / Effect of human beings on ; Climatic changes in literature ; Human ecology in art ; Caribbean literature / Themes, motives / 21st century ; Pacific Island literature / Themes, motives / 21st century ; Art, Caribbean / Themes, motives / 21st century ; Art, Pacific Island / Themes, motives / 21st century ; Postcolonialism in literature ; Postcolonialism and the arts ; Climatic changes / Social aspects / Caribbean Area ; Climatic changes / Social aspects / Islands of the Pacific ; Anthropozän ; Kunst ; Postkolonialismus ; Literatur ; Ozeanien ; Karibik ; Electronic books ; Karibik ; Ozeanien ; Anthropozän ; Literatur ; Kunst ; Postkolonialismus
    Abstract: Agriculture and empire : excavating plantation soil -- Planetarity and militarized radiations -- Accelerations : globalization and states of waste -- Oceanic futures : interspecies worldings -- An island is a world
    Note: Includes bibliographical references and index. - Description based on print version record
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  • 4
    ISBN: 9780822369431 , 9780822369288
    Language: English
    Pages: xix, 337 Seiten , Illustrationen, Karten
    Parallel Title: Erscheint auch als Welland, Sasha Su-Ling, 1969- author Experimental Beijing
    DDC: 709.51/0905
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    Keywords: Art, Chinese 21st century ; Art, Modern 21st century ; Artists 21st century ; Art ; Globalization in art ; China ; Geschlechterforschung ; Globalisierung ; Kunst ; China ; Peking ; Kunst ; Geschlechterforschung
    Abstract: Chinese contemporary art in the expanded field -- Art worldings -- Xianfeng Beijing -- Showcase Beijing -- Zones of encounter -- The besieged city -- The hinterlands of feminist art -- Feminist sightlines -- Red detachment -- Opening the Great Wall -- Camouflaged histories -- Recursive worldly fables
    Note: Literaturverzeichnis Seite [305] - 321
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  • 5
    ISBN: 9781478000358 , 9781478000280
    Language: English
    Pages: xii, 236 Seiten, 16 ungezählte Seiten , Illustrationen
    Series Statement: Perverse modernities
    Parallel Title: Erscheint auch als Gopinath, Gayatri, 1969 - Unruly visions
    DDC: 700/.453
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    Keywords: Homosexuality and art ; Aesthetics ; Queer theory ; Kunst ; Ästhetik ; Queer-Theorie
    Abstract: Introduction: archive, region, affect, aesthetics: an introduction to Unruly Visions -- Queer regions: imagining Kerala from the diaspora -- Queer disorientations, states of suspension -- Diaspora, indigeneity, queer critique -- Archive, affect, and the everyday -- Epilogue. crossed eyes: toward a queer-sighted vision
    Note: Includes bibliographical references and index
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  • 6
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478002581
    Language: English
    Pages: 1 Online-Ressource (xi, 206 Seiten) , Illustrationen
    Series Statement: Theory Q
    Series Statement: Theory Q Ser.
    Parallel Title: Erscheint auch als Best, Stephen Michael None like us
    DDC: 305.896073
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    Keywords: Blacks-Study and teaching ; Aesthetics, Black ; Blacks-Race identity ; Slavery History ; Study and teaching ; Aesthetics, Black ; Blacks Race identity ; Blacks Study and teaching ; Electronic books ; Schwarze ; Identität ; Rassismus ; Kunst ; Kultur ; Ästhetik ; Geschichtsschreibung
    Abstract: Stephen Best offers a bold reappraisal of the critical assumptions that undergird black studies' use of the slave past as an explanatory prism for understanding the black political present, thereby opening the circuits between past and present and charting a queer future for black study
    Abstract: Cover -- Contents -- Introduction. Unfit for History -- Part I  | On Thinking Like a Work of Art -- 1. My Beautiful Elimination -- 2. On Failing to Make the Past Present -- Part II  | A History of Discontinuity -- Interstice. A Gossamer Writing -- 3. The History of People Who Did Not Exist -- 4. Rumor in the Archive -- Acknowledgments -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Z -- Color Plates
    URL: Volltext  (lizenzpflichtig)
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  • 7
    Online Resource
    Online Resource
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9781478002581
    Language: English
    Pages: 1 Online-Ressource (208 p.) , 9 illustrations, incl 8 in color
    Edition: 2019
    Series Statement: Theory Q
    DDC: 305.896/073
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    Keywords: Schwarze ; Ethnische Identität ; Ästhetik ; Literatur ; Kunst ; USA ; Electronic books
    Abstract: It passes for an unassailable truth that the slave past provides an explanatory prism for understanding the black political present. In None Like Us Stephen Best reappraises what he calls “melancholy historicism”—a kind of crime scene investigation in which the forensic imagination is directed toward the recovery of a “we” at the point of “our” violent origin. Best argues that there is and can be no “we” following from such a time and place, that black identity is constituted in and through negation, taking inspiration from David Walker’s prayer that “none like us may ever live again until time shall be no more.” Best draws out the connections between a sense of impossible black sociality and strains of negativity that have operated under the sign of queer. In None Like Us the art of El Anatsui and Mark Bradford, the literature of Toni Morrison and Gwendolyn Brooks, even rumors in the archive, evidence an apocalyptic aesthetics, or self-eclipse, which opens the circuits between past and present and thus charts a queer future for black study.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020)
    URL: Cover
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  • 8
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822372622
    Language: English
    Pages: 1 Online-Ressource (280 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.76/60972983
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    Keywords: Aktivismus ; Aids ; LGBT ; Kunst ; Karneval ; Trinidad und Tobago ; Gays / Trinidad and Tobago ; Gays in popular culture / Trinidad and Tobago ; Blacks / Trinidad and Tobago ; Carnival / Social aspects / Trinidad and Tobago ; Calypso (Music) / Social aspects / Trinidad and Tobago ; AIDS activists / Trinidad and Tobago ; Trinidad and Tobago / Social life and customs ; AIDS activists ; Blacks ; Carnival / Social aspects ; Gays ; Gays in popular culture ; Manners and customs ; Trinidad and Tobago ; Electronic books ; Trinidad und Tobago ; LGBT ; Karneval ; Aids ; Aktivismus ; Kunst
    Note: Bevorzugte Informationsquelle Landingpage, da weder Titelblatt noch Impressum vorhanden (Duke University Press)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 9
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822370161 , 9780822370062
    Language: English
    Pages: xvii, 339 Seiten
    Series Statement: Consent not to be a single being [1]
    DDC: 305.896
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    Keywords: Schwarze ; Kunst ; USA
    Note: Literaturverzeichnis: Seite 317-328
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  • 10
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822371458 , 9780822358978
    Language: English
    Pages: XVI, 344 Seiten , Illustrationen, Porträts , 27 cm
    Series Statement: Art history publication initiative
    Parallel Title: Erscheint auch als Cahan, Susan Mounting frustration
    DDC: 704.03/9607300747471
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    Keywords: Geschichte 1960-1990 ; African American art Exhibitions 20th century ; History ; Racism in museum exhibits History 20th century ; Museum exhibits Social aspects 20th century ; History ; Museum exhibits Political aspects 20th century ; History ; Künstler ; Kunst ; Schwarze ; Kunstmuseum ; Kunstausstellung ; Kunstpolitik ; Rassismus ; USA ; Aufsatzsammlung ; New York ; Kunst ; Schwarze ; New York ; Ausstellung ; Museum ; Rassismus ; Geschichte 1900-2000
    Description / Table of Contents: Electronic refractions II at the Studio Museum in HarlemHarlem on my mind at the Metropolitan Museum of Art -- Contemporary Black artists in America at the Whitney Museum of American Art -- Romare Bearden : the prevalence of ritual and the sculpture of Richard Hunt at the Museum of Modern Art.
    Note: Includes bibliographical references (pages 319-333) and index
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  • 11
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822374893
    Language: English
    Pages: 1 Online-Ressource (xvi, 344 Seiten) , Illustrationen
    Series Statement: Art history publication initiative
    Parallel Title: Print version Cahan, Susan E Mounting Frustration : The Art Museum in the Age of Black Power
    Parallel Title: Erscheint auch als Cahan, Susan Mounting frustration
    DDC: 704.03960730
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    Keywords: Museum exhibits - Political aspects - New York (State) - New York - History - 20th century ; African American art ; New York (State) ; New York ; Exhibitions ; History ; 20th century ; Racism in museum exhibits ; New York (State) ; New York ; History ; 20th century ; Museum exhibits ; Social aspects ; New York (State) ; New York ; History ; 20th century ; Museum exhibits ; Political aspects ; New York (State) ; New York ; History ; 20th century ; Electronic books ; Electronic books ; Ausstellungskatalog ; Electronic books ; New York, NY ; Schwarze ; Kunst ; Black power ; Kunstmuseum ; Kunstausstellung ; Geschichte 1965-1975 ; Studio Museum in Harlem ; Metropolitan Museum of Art ; Whitney Museum of American Art ; The Museum of Modern Art
    Abstract: In Mounting Frustration Susan E. Cahan uncovers the moment when the civil rights movement reached New York City's elite art galleries. Focusing on three controversial exhibitions that integrated African American culture and art, Cahan shows how the art world's racial politics is far more complicated than overcoming past exclusions
    Abstract: Cover -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- 1. Electronic Refractions II at the Studio Museum in Harlem -- 2. Harlem on My Mind at the Metropolitan Museum of Art -- 3. Contemporary Black Artists in America at the Whitney Museum of American Art -- 4. Romare Bearden: The Prevalence of Ritual and The Sculpture of Richard Hunt at the Museum of Modern Art -- Epilogue -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z
    Note: Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 12
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822360551 , 9780822360711 , 9780822374602
    Language: English
    Pages: xv, 265 Seiten , Illustrationen
    Series Statement: Objects / histories
    Parallel Title: Erscheint auch als Biddle, Jennifer, 19XX - Remote avant-garde
    DDC: 704.03/991509429
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    Keywords: Artists, Aboriginal Australian ; Art, Aboriginal Australian ; Aboriginal Australians Government relations ; Aborigines ; Kunst ; Northern Territory
    Description / Table of Contents: Humanitarian imperialismTangentyere artists -- June Walkutjukurr Richards -- Rhonda Unrupa Dick -- Tjanpi desert weavers -- Warnayaka art : Yurlpa -- Yarrenyty Arltere artists -- Yiwarra Kuju : the canning stock route -- The Warburton arts project.
    Note: Includes bibliographical references and index
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  • 13
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822375128
    Language: English
    Pages: 1 Online-Ressource (xiv, 221 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Taylor, Diana, 1950 - Performance
    DDC: 700
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    Keywords: Performance art ; Performance art ; Political aspects ; Electronic books ; Electronic books ; USA ; Kunst ; Performativität ; Politik ; Geschichte ; Performance
    Note: Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
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  • 14
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822375906
    Language: English
    Pages: 1 Online-Resource (256 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: ART / Conceptual ; Arts and society ; Arts Experimental methods ; Speculation ; Zweifel ; Spekulation ; Kunst ; Aufsatzsammlung ; Aufsatzsammlung ; Kunst ; Zweifel ; Spekulation
    Abstract: Interdisciplinary in design and concept, Speculation, Now illuminates unexpected convergences between images, concepts, and language. Artwork is interspersed among essays that approach speculation and progressive change from surprising perspectives. A radical cartographer asks whether "the speculative" can be represented on a map. An ethnographer investigates religious possession in Islam to contemplate states between the divine and the seemingly human. A financial technologist queries understandings of speculation in financial markets. A multimedia artist and activist considers the relation between social change and assumptions about the conditions to be changed, and an architect posits purposeful neglect as political strategy. The book includes an extensive glossary with more than twenty short entries in which scholars contemplate such speculation-related notions as insurance, hallucination, prophecy, the paradox of beginnings, and states of half-knowledge. The book's artful, nonlinear design mirrors and reinforces the notion of contingency that animates it. By embracing speculation substantively, stylistically, seriously, and playfully, Speculation, Now reveals its subversive and critical potential.Artists and essayists include William Darity Jr., Filip De Boeck, Boris Groys, Hans Haacke, Darrick Hamilton, Laura Kurgan, Lin + Lam, Gary Lincoff, Lize Mogel, Christina Moon, Stefania Pandolfo, Satya Pemmaraju, Mary Poovey, Walid Raad, Sherene Schostak, Robert Sember, and Srdjan Jovanović Weiss.Published by Duke University Press and the Vera List Center for Art and Politics at The New School
    Note: In English
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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