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  • Frobenius-Institut  (6)
  • 2020-2024
  • 2005-2009  (6)
  • 2000-2004
  • Milan : 5 Continents  (6)
  • Kunst  (5)
  • Ritual und Zeremonie  (2)
  • Religion
Datasource
Material
Language
Years
Year
Subjects(RVK)
  • 1
    Book
    Book
    Milan : 5 Continents
    ISBN: 978-88-7439-348-0
    Language: English
    Pages: 137 Seiten , Illustrationen (teils farbig)
    Edition: First published in Italy in April 2009
    Series Statement: Visions of Africa
    Keywords: Afrika Mali ; Bambara ; Kunst ; Kunst, afrikanische ; Religiöse Kunst ; Folklore ; Ritual und Zeremonie ; Skulptur ; Skulptur, traditionelle ; Plastik
    Abstract: The Bamana (or Bambara) are members of the Mande culture, a large and powerful group of peoples in West Africa.The artistic tradition of the Bamana is rich, filled with pottery, sculptures, beautiful bokolanfini cloth, and wrought iron figures fashioned by blacksmiths. They also have extensive masking traditions, which are used as a form of social control and community education.This volume focuses on the aesthetic qualities of the masterpieces of Bamana religious art in Mali and resituates them in their social, aesthetic and cultural context.The emphasis is on pieces used in rites of passage (Ntomo, funerals), or by agricultural cooperatives (ton, démè), and initiation societies (Korè, Jo, Komo, Kono,Tyiwara, Namakoro).The pieces whose beauty is sublime to Western eyes are just as marvelous in the field, precisely because they stand at the crossroads of religion, aesthetics and politics. (Verlagsangaben)
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  • 2
    Book
    Book
    Milan : 5 Continents
    ISBN: 978-88-7439-404-3
    Language: English
    Pages: 139 Seiten , Illustrationen (teils farbig)
    Edition: First published in Italy in November 2009
    Series Statement: Visions of Africa
    Keywords: Demokratische Republik Kongo Kuba ; Skulptur ; Maske ; Kunst ; Kunst, afrikanische ; Traditionelle Kunst ; Bildband
    Abstract: This volume explores the intriguing sculpture and decorative art of the Kuba people of the Democratic Republic of Congo. Best known for their king figures (ndop), considered among the greatest sculptural achievements of Sub-Saharan Africa, the Kuba actually produced little freestanding sculpture. Instead, they focused on a variety of decorative works that indicated success and achievement, and initiation-related pieces such as masks.The first book dedicated exclusively to this subject, Kuba examines the tribe`s artistic development from the 17th century through the turbulent colonial and post-colonial periods. The authors also explore the impact of Kuba beliefs on their art and discuss the pervasive concerns that inform the tribe`s art making. With 50 beautifully reproduced examples and an engaging, informative text, Kuba is a fascinating introduction to African art. (Verlagsangaben)
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  • 3
    ISBN: 978-88-7439-513-2
    Language: English
    Pages: 303 S. , überw. Ill.
    Keywords: Afrika, Subsahara Maske ; Kult, afrikanisch ; Ritual und Zeremonie ; Sozialer Aspekt ; Identität ; Ausstellung ; Ausstellungskatalog
    Note: Exhibition catalogue, Tervuren (B), Royal museum for Central Africa, 2009-2010
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  • 4
    Book
    Book
    Milan : 5 Continents
    ISBN: 9788874393862 , 8874393865
    Language: English
    Pages: 169 S. , zahlr. Ill., Kt.
    Edition: 1. publ.
    Series Statement: Visions of Africa
    Parallel Title: Parallele Sprachausgabe
    DDC: 704.03963385
    RVK:
    Keywords: Art, Baule ; Sculpture, Baule ; Baule (African people) Material culture ; Baule ; Kunst ; Baule ; Kunst
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  • 5
    Book
    Book
    Milan : 5 Continents
    ISBN: 978-88-7439-401-2
    Language: English
    Pages: 157 Seiten , Illustrationen (teils farbig)
    Edition: First published in Italy in May 2008
    Series Statement: Visions of Africa
    Keywords: Gabun Maske ; Kunst ; Kunst, afrikanische ; Skulptur ; Bildband
    Abstract: Situated in the south-west of Gabon, the Punu are part of a group of people known essentially for their white masks. These objects, which continue to impress collectors and enthusiats of African art, had already fascinated Western artists at the start of the 20th century. The idealized realism of the face covered with white clay, the slightly narrowed eyes, the mouth with finely-edged red lips and the sophisticated head-dress composed of several locks of plaited hair are some of the stylistic features of these masks. The volume examines the context of ritual use of these important objects, which the Punu and related peoples would bring out for their dances. This study of the Punu traditions and their overlap with the history of other peoples in southern Gabon is also pursued though an examination of other, less well-known objects, such as the statues for magic uses, amulets, and musical instruments. (Umschlagtext)
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  • 6
    Book
    Book
    Milan : 5 Continents
    ISBN: 88-7439-293-1 , 978-88-7439-293-3
    Language: English
    Pages: 140 Seiten , Illustrationen (teils farbig)
    Series Statement: Visions of Africa
    Keywords: Afrika Angola ; Demokratische Republik Kongo ; Tshokwe ; Plastik ; Skulptur ; Skulptur, traditionelle ; Maske ; Kunst ; Kunst, afrikanische ; Bildband
    Abstract: This introduction to the sculpture of one of the best-known peoples in Angola and the Democratic Republic of Congo focuses exclusively on sculpture in the round. After situating the Chokwe in a temporal and spatial context, successive chapters look at figurines used in the divination ritual, statues related to the hamba possession cults, ancient traditional statuary (eighteenth and nineteenth centuries) known as the "homeland style", court objects reserved for the warrior aristocracy and the wooden masks associated with the chieftaincies and the initiation rites surrounding circumcision. Particular attention is paid to the precious figures of Chibinda Ilunga, the civilising hero of the origin myths, almost all of which came to Europe in the nineteenth century, as well as to stools, whose symbolism and function give insight into the Chokwe's religious beliefs and the hierarchical structure of the chieftaincies. Some fifteen field photographs, many previously unpublished prints from the archives of the ethnographic section of the Musée royal de l'Afrique centrale (Tervuren), illustrate the text. (Umschlagtext)
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