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  • Frobenius-Institut  (2)
  • Online Resource  (2)
  • AV-Medium
  • E-Resource
  • English  (2)
  • Canberra, ACT : Australian National University  (2)
  • Geschichte  (2)
  • economy
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  • Frobenius-Institut  (2)
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  • Online Resource  (2)
  • AV-Medium
  • E-Resource
  • Book  (1)
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  • 1
    ISBN: 978-1-921862-46-5 (PDF) , 978-1-921862-45-8 (ISBN der Printausgabe)
    Language: English
    Pages: 1 Online-Ressource (311 Seiten) , Illustrationen
    Series Statement: Monographs in Anthropology Series
    Keywords: Papua-Neuguinea Indonesien ; Ozeanien ; Melanesien ; Sepik ; Abelam ; Männlichkeit ; Geschichte ; Psychologie ; Spiritualität ; Ethnopsychologie ; Ethnographie ; Anthropologie, soziale ; Kulturanthropologie ; Ethnologe ; Aufsatzsammlung ; Tuzin, Donald F. [Leben und Werk]
    Abstract: In the Sepik Basin of Papua New Guinea, ritual culture was dominated by the Tambaran —a male tutelary spirit that acted as a social and intellectual guardian or patron to those under its aegis as they made their way through life. To Melanesian scholarship, the cultural and psychological anthropologist, Donald F. Tuzin, was something of a Tambaran, a figure whose brilliant and fine-grained ethnographic project in the Arapesh village of Ilahita was immensely influential within and beyond New Guinea anthropology. Tuzin died in 2007, at the age of 61. In his memory, the editors of this collection commissioned a set of original and thought provoking essays from eminent and accomplished anthropologists who knew and were influenced by his work. They are echoes of the Tambaran.The anthology begins with a biographical sketch of Tuzin`s life and scholarship. It is divided into four sections, each of which focuses loosely around one of his preoccupations. The first concerns warfare history, the male cult and changing masculinity, all in Melanesia. The second addresses the relationship between actor and structure. Here, the ethnographic focus momentarily shifts to the Caribbean before turning back to Papua New Guinea in essays that examine uncanny phenomena, narratives about childhood and messianic promises. The third part goes on to offer comparative and psychoanalytic perspectives on the subject in Fiji, Bali, the Amazon as well as Melanesia. Appropriately, the last section concludes with essays on Tuzin`s fieldwork style and his distinctive authorial voice. (Verlagsangaben)
    Description / Table of Contents: Preface -- Introduction -- Section One: History, Masculinity and Melanesia -- Section Two: Culture, the Agent and Tuzin`s Methodological Individualism -- Section Three: Comparativism, Psychoanalysis and the Subject -- Section Four: Style -- Donald F. Tuzin: A bibliography
    Note: Literaturverzeichnis von Donald F. Tuzin: Seite 310-317
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Canberra, ACT : Australian National University
    ISBN: 978-1-921666-43-8
    Language: English , Papuan (Other)
    Pages: 1 Online-Ressource (XVI, 254 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Monographs in Anthropology Series
    Keywords: Papua-Neuguinea Duna ; Musik ; Lied ; Trauer ; Liebe ; Soziales Leben ; Folklore ; Kulturwandel ; Identität ; Geschichte ; Orale Tradition ; Musikethnologie
    Abstract: The Duna live in a physical environment of steep slopes that are sometimes difficult to traverse. A stick of bamboo used as a prop goes a long way in assisting a struggling traveller. Similarly, the Duna live in a social and cultural environment of steep slopes, where the path on which they walk can be precarious and unpredictable. Songs, like the stick of bamboo, assist the Duna in picking their way over this terrain by providing a forum for them to process change as it is experienced, in relation to what is already known.This book is a musical ethnography of the Duna people of Papua New Guinea. A people who have experienced extraordinary social change in recent history, their musical traditions have also radically changed during this time. New forms of music have been introduced, while ancestral traditions have been altered or even abandoned. This study shows how, through musical creativity, Duna people maintain a connection with their past, and their identity, whilst simultaneously embracing the challenges of the present. (Verlagsangaben)
    Description / Table of Contents: Acknowledgments -- List of Figures -- Table of Examples -- Introduction -- Duna ancestral music -- Music and encounter -- Mourning and song -- Land and song -- Courting and song -- Creativity and preservation -- Conclusion -- Appendix 1 Musical examples -- Appendix 2 Kipu`s khene ipakana yakaya -- Appendix 3 Pronunciation guide. Notes -- Bibliography
    Note: Zusätzliche Audio-Datein online verfügbarLiteraturverzeichnis: Seite 235-254
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