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  • BVB  (2)
  • Bayreuth UB
  • 1995-1999  (2)
  • Berkeley : University of California Press
  • Cambridge : Cambridge University Press
  • London [u.a.] :Routledge,
  • Westport, Conn. [u.a.] : Praeger
  • Kunstgeschichte  (2)
Datenlieferant
Materialart
Sprache
Erscheinungszeitraum
  • 1995-1999  (2)
Jahr
Verfasser
  • 1
    Online-Ressource
    Online-Ressource
    Berkeley : University of California Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780520921580 , 0520921585 , 0585178356 , 9780585178356
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xvi, 241 pages) , Illustrations
    Serie: The S. Mark Taper Foundation imprint in Jewish studies
    DDC: 305.892/404/0902
    RVK:
    RVK:
    Schlagwort(e): Bible moralisée ; Judentum ; Juden ; Antijudaismus
    Kurzfassung: Around the year 1225, an illuminated Bible was made for the king of France. That work and a companion volume, the two earliest surviving manuscripts of the Bible moralise, are remarkable in a number of ways: they are massive in scope; they combine text and image to an unprecedented extent; and their illustrations, almost unique among medieval images in depicting contemporary figures and situations, comprise a vehement visual polemic against the Jews. In Images of Intolerance, Sara Lipton offers a nuanced and insightful reading of these extraordinary sources. Lipton investigates representations of Jews' economic activities, the depiction of Jews' scriptures in relation to Christian learning, the alleged association of Jews with heretics and other malefactors in Christian society, and their position in Christian eschatology. Jews are portrayed as threatening the purity of the Body of Christ, the integrity of the text of scripture, the faith, mores, and study habits of students, and the spiritual health of Christendom itself. Most interesting, however, is that the menacing themes in the Bible moralise are represented in text and images as aspects of Jewish "perfidy" that are rampant among Christians as well. This innovative interdisciplinary study brings new understanding to the nature and development of social intolerance, and to the role art can play in that development.
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Online-Ressource
    Online-Ressource
    Cambridge : Cambridge University Press
    ISBN: 9780511586088
    Sprache: Englisch
    Seiten: 1 online resource (x, 204 pages)
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 759.994
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Geschichte 1788-1998 ; Aboriginal Australians in art ; Painting, Australian ; Identity (Psychology) in art ; Malerei ; Weiße ; Aborigines ; Kunst ; Geschichte ; Australien ; Australien ; Kunst ; Weiße ; Aborigines ; Geschichte ; Australien ; Kunst ; Geschichte ; Geschichte 1788-1998 ; Australien ; Malerei ; Geschichte 1788-1998
    Kurzfassung: This book investigates how identities have been constructed in Australian art from 1788 onwards. Ian McLean shows that Australian art, and the writing of its history, has, since settlement, been in a dialogue (although often submerged) with Aboriginal art and culture; and that this dialogue is inextricably interwoven with the struggle to find an identity in the antipodes. Beginning with a discussion of how Australia was imagined by Europeans before colonisation, McLean traces the representation of indigeneity through the history of Australian art, and the concomitant invention of an Australian subjectivity. He argues that the colonising culture invested far more in indigenous aspects of the country and its inhabitants than it has been willing to admit. McLean considers artists and their work within a cultural context, and also provides a contemporary theoretical and critical context for his claims
    Beschreibung / Inhaltsverzeichnis: 1. Ocean and the Antipodes -- 2. Artful Killings -- 3. The Art of Settlement -- 4. The Bad Conscience of Impressionism -- 5. Aboriginalism and Australian Nationalism -- 6. The Aboriginal Renaissance -- 7. Aboriginality and Contemporary Australian Painting -- 8. Painting for a New Republic -- Postscript: The Wandering Islands
    Anmerkung: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    URL: Volltext  (URL des Erstveröffentlichers)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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