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  • HeBIS  (5)
  • Frobenius-Institut
  • 2015-2019  (5)
  • Durham : Duke University Press  (5)
  • Rassismus  (4)
  • Hochschulschrift
  • Political Science  (4)
  • English Studies  (1)
Datasource
Material
Language
Years
Year
Subjects(RVK)
  • 1
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822373230
    Language: English
    Pages: 1 online resource (241 pages)
    Additional Information: Rezensiert in Tshaka, R. S. [Rezension von: Mbembe, Achille, 1957-, Critique of Black reason] 2018
    Series Statement: a John Hope Franklin Center Book
    Series Statement: A John Hope Franklin Center Book Ser
    Parallel Title: Mbembe, Achille, 1957 - Critique of Black reason
    Parallel Title: Print version Mbembe, Achille Critique of Black Reason
    DDC: 305.8001
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    Keywords: Race awareness - Moral and ethical aspects ; Blacks Race identity ; Whites Race identity ; Race Philosophy ; Race Social aspects ; Slavery Moral and ethical aspects ; Racism ; Difference (Philosophy) ; Race awareness Moral and ethical aspects ; Electronic books ; Schwarze ; Rassismus ; Verschiedenheit ; Neoliberalismus ; Kapitalismus ; Sklaverei ; Kolonialismus ; Rassismus ; Differenz ; Postkolonialismus ; Politische Philosophie
    Abstract: Eminent critic Achille Mbembe reevaluates history and racism, offering a capacious genealogy of the category of Blackness-from the Atlantic slave trade to the present-to show how the conjoining of the biological fiction of race with definitions of Blackness have been and continue to be used to uphold oppression
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 2
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822360759 , 9780822360599
    Language: English
    Pages: xiii, 226 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Wekker, Gloria White Innocence
    Parallel Title: Erscheint auch als Wekker, Gloria, 1950 - White innocence
    DDC: 305.8009492
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    Keywords: Racism ; Sexual minorities ; Racism Netherlands ; Sexual minorities Netherlands ; Netherlands Race relations ; Netherlands Race relations ; Niederlande ; Rassismus ; Kolonialismus ; Geschichtsbild ; Niederlande ; Rassismus
    Note: Literaturverzeichnis: Seiten 193-214
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  • 3
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822374565
    Language: English
    Pages: 1 Online-Ressource (xiii, 226 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.8009492
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    Keywords: Geschichte ; SOCIAL SCIENCE / Anthropology / Cultural & Social ; Racism ; Sexual minorities - Netherlands ; Sexual minorities ; Racism ; Sexual minorities ; Racism ; Sexual minorities ; Rassismus ; Kolonialismus ; Niederlande ; Netherlands Race relations ; Niederlande ; Niederlande ; Rassismus ; Kolonialismus ; Geschichte
    Abstract: In White Innocence Gloria Wekker explores a central paradox of Dutch culture: the passionate denial of racial discrimination and colonial violence coexisting alongside aggressive racism and xenophobia. Accessing a cultural archive built over 400 years of Dutch colonial rule, Wekker fundamentally challenges Dutch racial exceptionalism by undermining the dominant narrative of the Netherlands as a "gentle" and "ethical" nation. Wekker analyzes the Dutch media's portrayal of black women and men, the failure to grasp race in the Dutch academy, contemporary conservative politics (including gay politicians espousing anti-immigrant rhetoric), and the controversy surrounding the folkloric character Black Pete, showing how the denial of racism and the expression of innocence safeguards white privilege. Wekker uncovers the postcolonial legacy of race and its role in shaping the white Dutch self, presenting the contested, persistent legacy of racism in the country
    Note: Bevorzugte Informationsquelle Landingpage (Duke University Press), da weder Titelblatt noch Impressum vorhanden
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 4
    ISBN: 9780822360087 , 9780822359760
    Language: English
    Pages: xiv, 226 Seiten , Illustrationen
    DDC: 305.89607307560904
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    Keywords: Geschichte 1960-2012 ; Schwarze ; Bürgerrecht ; Ethnische Beziehungen ; Rassismus ; North Carolina
    Note: References Seite 215-218
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  • 5
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822375326
    Language: English
    Pages: 1 Online-Ressource (xiv, 429 Seiten) , Illustrationen
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation University of Iowa 2000
    DDC: 782.42164/0811
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    Keywords: Crosby, Bing ; Vallée, Rudy ; Geschichte 1921-1940 ; Crooning ; Male singers ; Popular music History and criticism 1921-1930 ; Popular music History and criticism 1931-1940 ; Männlichkeit ; Schlagersänger ; Crooning ; Popmusik ; USA ; Hochschulschrift ; USA ; Popmusik ; Schlagersänger ; Männlichkeit ; Crooning ; Geschichte 1921-1940 ; Vallée, Rudy 1901-1986 ; Crosby, Bing 1903-1977
    Abstract: The crooner Rudy Vallée's soft, intimate, and sensual vocal delivery simultaneously captivated millions of adoring fans and drew harsh criticism from those threatened by his sensitive masculinity. Although Vallée and other crooners reflected the gender fluidity of late-1920s popular culture, their challenge to the Depression era's more conservative masculine norms led cultural authorities to stigmatize them as gender and sexual deviants. In Real Men Don't Sing Allison McCracken outlines crooning's history from its origins in minstrelsy through its development as the microphone sound most associated with white recording artists, band singers, and radio stars. She charts early crooners' rise and fall between 1925 and 1934, contrasting Rudy Vallée with Bing Crosby to demonstrate how attempts to contain crooners created and dictated standards of white masculinity for male singers. Unlike Vallée, Crosby survived the crooner backlash by adapting his voice and persona to adhere to white middle-class masculine norms. The effects of these norms are felt to this day, as critics continue to question the masculinity of youthful, romantic white male singers. Crooners, McCracken shows, not only were the first pop stars: their short-lived yet massive popularity fundamentally changed American culture
    Note: Bevorzugte Informationsquelle Landingpage (Duke University Press), da weder Titelblatt noch Impressum vorhanden
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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