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  • HeBIS  (6)
  • Frobenius-Institut
  • MARKK
  • English  (6)
  • Russian
  • 2010-2014  (5)
  • 1985-1989  (1)
  • Cambridge, UK : Cambridge University Press
  • General works  (5)
  • German Studies  (1)
Datasource
  • HeBIS  (6)
  • Frobenius-Institut
  • MARKK
  • BSZ  (1)
  • GBV  (1)
Material
Language
  • English  (6)
  • Russian
Years
Year
  • 1
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press | Cambridge, UK : Cambridge University Press
    ISBN: 9781107358270
    Language: English
    Pages: 1 Online-Ressource (xiii, 501 pages)
    DDC: 791.450973
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    Keywords: Fernsehserie ; USA
    Abstract: Something has happened in the world of television drama. For the last decade and a half America has assumed a dominant position. Novelists, screenwriters and journalists, who would once have had no interest in writing for television, indeed who often despised it, suddenly realised that it was where America could have a dialogue with itself. The new television drama was where writers could engage with the social and political realities of the time, interrogating the myths and values of a society moving into a new century. Familiar genres have been reinvented, from crime fiction to science fiction. This is a book as much about a changing America as about the television series which have addressed it, from The Sopranos and The Wire to The West Wing, Mad Men and Treme, in what has emerged as the second golden age of American television drama.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
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  • 2
    Online Resource
    Online Resource
    Suffolk : Boydell & Brewer | Cambridge, UK : Cambridge University Press
    ISBN: 9781571138347
    Language: English
    Pages: 1 Online-Ressource (xii, 205 pages)
    DDC: 830.9/0092
    RVK:
    Keywords: Geschichte 1990-2012 ; Deutsch ; Literatur ; Deutschland ; Stadt ; Segregation ; Film ; Deutschlandbild ; Deutschland
    Abstract: Accounts of how Germany has changed since unification often portray the Berlin Republic as a new Germany that has left the Nazi past and Cold War division behind and entered the new millennium as a peaceful, worldly, and cautiously proud nation. Closer inspection, however, reveals tensions between such views and the realities of a country that continues to struggle with racism, provincialism, and fear of the perceived Other. Mainstream media foster such fears by describing violence in ghetto schools, failed integration, and the loss of society's core values. The city emerges as a key site not only of ethnic and political tension but of social change. Maria Stehle illuminates these tensions and transformations by following the metaphor of the ghetto in literary works from the 1990s by Feridun Zaimoglu, in German ghettocentric films from the late 1990s and the early twenty-first century, and in hip-hop and rap music of the same periods. In their representations of ghettos, authors, filmmakers, musicians, and performers redefine and challenge provincialism and nationalism and employ transcultural frameworks for their diverging political agendas. By contextualizing these discussions within social and political developments, this study illuminates the complexities that define Germany today for scholars and students across the disciplines of German, European, cultural, urban, and media studies. Maria Stehle is Assistant Professor of German at the University of Tennessee, Knoxville.
    Note: Title from publisher's bibliographic system (viewed on 02 Oct 2015)
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  • 3
    Online Resource
    Online Resource
    Suffolk : Boydell & Brewer | Cambridge, UK : Cambridge University Press
    ISBN: 9781571138378
    Language: English
    Pages: 1 Online-Ressource (x, 225 pages)
    DDC: 830.9/3522
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    Keywords: Geschichte 1960-1980 ; Presse ; Mörderin ; Terroristin ; Berichterstattung ; Frauenbild ; Medien ; Weibliche Kriminelle ; Westdeutschland ; Deutschland
    Abstract: As the controversy surrounding the release of Uli Edel and Bernd Eichinger's 2008 feature film ‘The Baader Meinhof Complex’ demonstrates, West Germany's terrorist period, which reached its height in the ‘German autumn’ of 1977, is still a fascinating - and troubling - subject. One of the most provocative aspects, still today, is the high proportion of women involved in terrorism, most notoriously Ulrike Meinhof. That the film concentrates on the trajectory of Meinhof's life and mobilizes established and hence reassuring paradigms of femininity in its representation of her (as ‘mother’ and ‘hysterical woman’) suggests that the combination of women and violence is still threatening and that there is still mileage to be had from feminizing the discourse. The present study returns to the West German print media of the 1960s and 1970s and raises questions about the continuing preoccupation with this period. Looking at publications from the right-wing ‘Bild’ to the liberal ‘Der Spiegel’, it explores how violent women - not only terrorists but also others such as the convicted murderer and media femme fatale Vera Brühne - were represented in text and image. This is the first book to explore print-media representations of German terrorism from an explicitly gendered perspective, and one of very few books in English to address the period in Germany at all, despite steadily increasing interest in the UK and the US. Clare Bielby is Lecturer in German Studies at the University of Hull.
    Note: Title from publisher's bibliographic system (viewed on 02 Oct 2015)
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  • 4
    Online Resource
    Online Resource
    Johannesburg : Wits University Press | Cambridge, UK : Cambridge University Press
    ISBN: 9781868145935
    Language: English
    Pages: 1 Online-Ressource (xi, 476 pages)
    DDC: 002.09682
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    Keywords: Literatur ; Mündliche Literatur ; Buch ; Südafrika
    Abstract: This book explores the power of print and the politics of the book in South Africa from a range of disciplinary perspectives-historical, bibliographic, literary-critical, sociological, and cultural studies. The essays collected here, by leading international scholars, address a range of topics as varied as: the role of print cultures in contests over the nature of the colonial public sphere in the nineteenth century; orthography; iimbongi, orature and the canon; book- collecting and libraries; print and transnationalism; Indian Ocean cosmopolitanisms; books in war; how the fates of South African texts, locally and globally, have been affected by their material instantiations; photocomics and other ephemera; censorship, during and after apartheid; books about art and books as art; local academic publishing; and the challenge of 'book history' for literary and cultural criticism in contemporary South Africa.
    Note: Title from publisher's bibliographic system (viewed on 09 May 2018)
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  • 5
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press | Cambridge, UK : Cambridge University Press
    ISBN: 9780511846366
    Language: English
    Pages: 1 Online-Ressource (xii, 361 pages)
    Series Statement: Communication, society and politics
    DDC: 071/.3
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    Keywords: Massenmedien ; Nachrichtensendung ; Neue Medien ; Politische Berichterstattung ; Politische Kommunikation ; USA
    Abstract: The new media environment has challenged the role of professional journalists as the primary source of politically relevant information. After Broadcast News puts this challenge into historical context, arguing that it is the latest of several critical moments, driven by economic, political, cultural and technological changes, in which the relationship among citizens, political elites and the media has been contested. Out of these past moments, distinct 'media regimes' eventually emerged, each with its own seemingly natural rules and norms, and each the result of political struggle with clear winners and losers. The media regime in place for the latter half of the twentieth century has been dismantled, but a new regime has yet to emerge. Assuring this regime is a democratic one requires serious consideration of what was most beneficial and most problematic about past regimes and what is potentially most beneficial and most problematic about today's new information environment.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
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  • 6
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press | Cambridge, UK : Cambridge University Press
    ISBN: 9780511529672
    Language: English
    Pages: 1 Online-Ressource (ix, 415 pages)
    DDC: 509/.44
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    Keywords: Geschichte 1860-1939 ; Naturwissenschaften ; Frankreich
    Abstract: France has played a pivotal role in the development of modern science. Especially striking and controversial has been the way in which the state has organized scientific endeavor. After the 1880s reinvigorated university faculties played a key role in the growth of science in France, and many faculty scientists enjoyed close relations with industry, agriculture, the military, and politics. During the Third Republic the idea of governmental responsibility to support research became a dogma, due to the stimulus that science was perceived to give to the French economy. By 1939 a working mechanism of state funding for science, buttressed by a complex scientific ideology, had come into existence and provided the foundations for the development of a new structure of scientific research and education in the postwar era. From Knowledge to Power is the first full-scale treatment of this dramatic expansion of French science between 1860 and 1939.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
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