ISBN:
9783319409283
Language:
English
Pages:
1 online resource (273 pages)
Series Statement:
Palgrave Studies in Adaptation and Visual Culture
Parallel Title:
Erscheint auch als
DDC:
301
Keywords:
Motion pictures ; Ireland ; Criticism and interpretation
;
Electronic books
;
Electronic books
Abstract:
Contents -- Notes on Contributors -- LIST OF FIGURES -- Chapter 1: Introduction: Screening Modern Irish Fiction and Drama -- Adapting Modern Irish Literature -- The Greening of the Irish National Cinema -- Filming the Leviathans of the Written Word -- Contemporary Irish Fiction and Drama on the Screen -- Projecting the Nation in Print and on the Screen -- Notes -- References -- Chapter 2: Liam O'Flaherty's The Informer and the Aesthetics of Terror -- O'Flaherty's Cinematic Novel -- Subjective Uncertainty: Robison's The Informer -- The Fog of Civil War: Ford's The Informer
Abstract:
Internecine Unrest in Cleveland, 1968: Dassin's Uptight -- "Tell Me the Morality in That": Belfast, 1972 -- Notes -- References -- Chapter 3: Deconstructing Political Adaptations: Sean O'Casey's The Plough and the Stars -- Notes -- References -- Chapter 4: Genre and Charisma in Shaw's Major Barbara -- References -- Chapter 5: Lewin's Wilde: Aestheticism, Moralism, and Hollywood -- Part I: Moralistic Lewin -- Part II: Aesthetic Lewin -- References -- Chapter 6: "Wonderful and Incomparable Beauty": Adapting Period Aesthetic for The Importance of Being Earnest -- Asquith: Staging the Screening
Abstract:
The Gothic Dandy -- The Gothic Mother -- Location, Location, Location -- Love in the Afternoon (of Life) -- Scribbling Women -- Notes -- References -- Chapter 7: The Quiet Man: From Story to Film -- Notes -- References -- Chapter 8: The British New Wave Screens Ireland: Desmond Davis's The Girl with Green Eyes (1964) -- Notes -- References -- Chapter 9: John Huston's The Dead (1987) -- References -- Chapter 10: Sheridan's Supercrip: Daniel Day-Lewis and the Wonder of My Left Foot (1989) -- Record Players and Paintbrushes -- Raging Brown -- Cinematic Bodies/National Cinema -- Supercrip No More
Abstract:
References -- Chapter 11: Roddy Doyle's The Barrytown Trilogy and Filming Ireland's "New Picture" -- Ireland's New Marians -- The Snapper and Ireland's "Architecture of Containment" -- The Van: Beckett in Barrytown -- "This Is an Irish Chipper": The Limits of Openness -- Notes -- References -- Chapter 12: Popular Culture in 1960s Provincial Ireland: Neil Jordan's The Butcher Boy -- Note -- References -- Chapter 13: The Ritual of Memory in Friel's Dancing at Lughnasa -- Notes -- References -- Index
Note:
Includes bibliographical references at the end of each chapters and index. Description based on print version record
URL:
Volltext
(lizenzpflichtig)
Permalink
