ISBN:
9783643902726
Language:
English
Pages:
258 S.
,
Ill., Kt.
Series Statement:
KlangKulturStudien 8
Series Statement:
KlangKulturStudien
Dissertation note:
Zugl.: Berlin, Freie Univ., Habil.-Schr., 2011
DDC:
300
Keywords:
Music History and criticism
;
Music Social aspects
;
Folk music History and criticism
;
Music Religious aspects
;
Hinduism
;
Ethnology
;
Marginality, Social
;
Odisha (India) Social conditions
;
Hochschulschrift
;
Hochschulschrift
;
Hochschulschrift
;
Odisha
;
Landbevölkerung
;
Musikleben
;
Ritual
;
Odisha
;
Musik
;
Religion
;
Politik
Abstract:
Introduction. Music as culture, medium and religion -- The region. The Bora Sambar region ; Oral history ; The sacred landscape of the Bora Sambar region and the memory of resistance -- Religion, rituals, music. A boil ritual in Sargival Village ; Thea-phony : music and the goddess ; The village orchestra : Ganda Baja -- Dance and ritual as idioms of affinity and alliance. Dalkhai dance ; Tin sali yatra : a ritual of divine marriage ; Binjhal Biha -- Music, movement, death and ailment. The "guilt and expiation priest-musicians" ; The concept of sur : sound and liberation ; Itinerary non-Brahmin priest-musicians -- Music and the market. Baja bazaar : sacred music for sale ; The market of gods -- Music as religious instruction and cultural transfer. Sanchar ; Krishna guru parties ; Pala -- Possession and performance in western Odisha. Nag bacca : the snake children and their rituals ; Sobri Sobren lila ; Dand nacho -- From ritual to political music. Sambalpuri folklore ; Music, politics and ethnicity ; Music, modernisation and dalit power
Note:
Literaturverz. S. 223 - 240
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