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  • Würzburg UB  (6)
  • Moore, Allan F.  (5)
  • D'Andrade, Roy G.
  • Cambridge [u.a.] : Cambridge Univ. Press  (5)
  • Cambridge : Cambridge University Press  (1)
Datasource
Language
Years
Publisher
Subjects(RVK)
  • 1
    Book
    Book
    Cambridge [u.a.] : Cambridge Univ. Press
    ISBN: 052177120X
    Language: English
    Pages: IX, 270 S. , graph. Darst.
    Edition: 6. print.
    DDC: 781.64
    RVK:
    RVK:
    Keywords: Popmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik
    Note: Includes bibliographical references (p. 240-257), discography (p. 258-260) and index
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9780511482014
    Language: English
    Pages: 1 online resource (ix, 270 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.64
    RVK:
    RVK:
    Keywords: Popular music / Analysis, appreciation ; Popular music / History and criticism ; Musical analysis ; Popmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik
    Abstract: How do we know music? We perform it, we compose it, we sing it in the shower, we cook, sleep and dance to it. Eventually we think and write about it. This book represents the culmination of such shared processes. Each of these essays, written by leading writers on popular music, is analytical in some sense, but none of them treats analysis as an end in itself. The books presents a wide range of genres (rock, dance, TV soundtracks, country, pop, soul, easy listening, Turkish Arabesk) and deals with issues as broad as methodology, modernism, postmodernism, Marxism and communication. It aims to encourage listeners to think more seriously about the 'social' consequences of the music they spend time with and is the first collection of such essays to incorporate contextualisation in this way
    Description / Table of Contents: Popular music analysis : ten apothegms and four instances / Rob Walser -- From lyric to anti-lyric : analyzing the words in pop song / Dai Griffiths -- The sound is "out there" : score, sound design, and exoticism in The X-files / Robynn J. Stilwell -- Feel the beat come down : house music as rhetoric / Stan Hawkins -- The determining role of performance in the articulation of meaning : the case of "Try a little tenderness" / Rob Bowman -- Marxist music analysis without Adorno : popular music and urban geography / Adam Krims -- Jethro Tull and the case for modernism in mass culture / Allan F. Moore -- Pangs of history in late 1970s rock / John Covach -- Is anybody listening? / Chris Kennett -- Talk and text : popular music and ethnomusicology / Martin Stokes
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 3
    Musical Score
    Musical Score
    Cambridge [u.a.] : Cambridge Univ. Press
    ISBN: 0521001072 , 0521806356
    Language: English
    Pages: XVIII, 208 S. , Ill.
    Series Statement: Cambridge companions to music
    DDC: 781.643
    RVK:
    Keywords: Blues - États-Unis ; Blues - États-Unis - Analyse et appréciation ; Blues ; Gospel - États-Unis ; Gospel - États-Unis - Analyse et appréciation ; Gospels ; Blues (Music) History and criticism ; Gospel music History and criticism ; Gospelsong ; Blues ; Aufsatzsammlung ; Aufsatzsammlung ; Blues ; Gospelsong
    Abstract: From Robert Johnson to Aretha Franklin, Mahalia Jackson to John Lee Hooker, blues and gospel artists figure heavily in the mythology of 20th-century culture. This is an overview of blues and gospel music as an expression of 20th-century black US experience.
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  • 4
    Online Resource
    Online Resource
    Cambridge [u.a.] : Cambridge Univ. Press
    ISBN: 0521001072 , 0521806356
    Language: English
    Pages: 1 Online-Ressource (XVIII, 208 S.) , Ill.
    Series Statement: The companions to music
    Series Statement: Cambridge collections online
    DDC: 781.643
    RVK:
    Keywords: Blues - États-Unis ; Blues - États-Unis - Analyse et appréciation ; Blues ; Gospel - États-Unis ; Gospel - États-Unis - Analyse et appréciation ; Gospels ; Blues (Music) History and criticism ; Gospel music History and criticism ; Blues ; Gospelsong ; Aufsatzsammlung ; Aufsatzsammlung ; Blues ; Gospelsong
    Abstract: From Robert Johnson to Aretha Franklin, Mahalia Jackson to John Lee Hooker, blues and gospel artists figure heavily in the mythology of 20th-century culture. This is an overview of blues and gospel music as an expression of 20th-century black US experience.
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    Book
    Book
    Cambridge [u.a.] : Cambridge Univ. Press
    ISBN: 0521573815 , 0521574846
    Language: English
    Pages: XI, 98 S. , Noten
    Edition: 1. publ., reprint.
    Series Statement: Cambridge music handbooks
    DDC: 782.421660922
    RVK:
    Keywords: The Beatles ; The Beatles Sgt. Pepper's Lonely Hearts Club Band
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  • 6
    Book
    Book
    Cambridge [u.a.] : Cambridge Univ. Press
    ISBN: 0521453704 , 0521459761
    Language: English
    Pages: XIV, 272 S.: graph. Darst.
    Edition: 1. publ.
    DDC: 155.8
    RVK:
    RVK:
    Keywords: Antropologia cognitiva ; Antropologische aspecten ; Cognitie ; Cognition et culture ; Culturele antropologie ; Culturele verschillen ; Ethnopsychologie ; Etnopsicologia ; Cognition ; Cognition and culture ; Culture ; Ethnopsychology ; Psychologische Anthropologie ; Ethnopsychologie ; Kognition ; Kognitive Anthropologie ; Ethnopsychologie ; Kognitive Anthropologie ; Kognition ; Psychologische Anthropologie
    Abstract: Roy D'Andrade has written a lucid historical account of the growth and development of the field of cognitive anthropology. The origins of cognitive anthropology can be traced back to the late 1950s when anthropology was grappling with the problem of understanding native systems of categorization. This book starts with an evaluation of these formative years, portraying the way in which research evolved across more than thirty years to the present. It traces the way in which the early notions about semantics and taxonomies evolved into more sophisticated theories about prototypes, schemas, and connectionist networks, seen as the cognitive mechanisms underlying the organization of folk models and reasoning in ordinary life. This is followed by a review of the most recent research on the social distribution of cultural knowledge and the relation of cultural models to emotion, motivation, and action
    Abstract: The final section summarizes the general theoretical perspective of cognitive anthropology, which treats culture as particulate, socially distributed, variably internalized and embodied in physical structures - a view which opposes structuralist, interpretive, and post-modern conceptions of culture
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