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  • MPI Ethno. Forsch.  (3)
  • Würzburg UB
  • 2020-2024  (3)
  • 1980-1984
  • 1970-1974
  • [Erscheinungsort nicht ermittelbar] : Taylor & Francis  (3)
  • Musik
Datasource
  • MPI Ethno. Forsch.  (3)
  • Würzburg UB
  • HeBIS  (2)
Material
Language
Years
  • 2020-2024  (3)
  • 1980-1984
  • 1970-1974
Year
Author, Corporation
Subjects(RVK)
  • 1
    ISBN: 9781003108337 , 9781000400526 , 9781003108337 , 9780367622046 , 9780367622091
    Language: English
    Pages: 1 Online-Ressource (148 p.)
    Series Statement: SEMPRE Studies in The Psychology of Music
    RVK:
    Keywords: Higher & further education, tertiary education ; Teacher training ; Curriculum planning & development ; Professionalität ; Musik ; Musikstudium
    Abstract: This book addresses the need to rethink the concept and enactment of professionalism in music, and how such concepts underpin professional higher music education. There is an urgent imperative to enable the potential of professional musicians in our contemporary societies to be more fully realised, recognising both intense challenges that are currently threatening some traditional music practices, and significant scope for new practices to be imagined in response to deep veins of societal need. Professionalism encompasses the conduct, aims, values, responsibilities and ongoing development of a practising professional in the field. Professional higher music education engages both with providing future professionals with relevant education in particular craft skills, and with nurturing their visions for their work as artists in future societies. The major focus of the book is on performance traditions that have dominated professional higher education, notably western classical music
    Note: English
    URL: Volltext  (kostenfrei)
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis | The Hague : OAPEN FOUNDATION
    ISBN: 9780429060595
    Language: English
    Pages: 1 Online-Ressource (10 p.)
    Additional Information: Enthalten in The Global Politics of Jazz in the Twentieth Century
    DDC: 306.48425
    RVK:
    RVK:
    Keywords: Geschichte 1900-2000 ; Musik ; Jazz ; Politik ; Regional studies ; USA ; Arts ; Music ; Western Music Styles (Early & Classical) ; 20th Century Music ; Popular Music ; Jazz ; Humanities ; History ; Contemporary History 1945- ; The Cold War ; Media & Film Studies ; Popular Music ; History of Popular Music ; Politics & International Relations ; International Relations ; Foreign Policy ; International Relations Theory ; International Political Economy ; International Politics
    Abstract: From the mid-1950s to the late 1970s, jazz was harnessed as America’s "sonic weapon" to promote an image to the world of a free and democratic America. Dizzy Gillespie, Dave Brubeck, Duke Ellington and other well-known jazz musicians were sent around the world – including to an array of Communist countries – as "jazz ambassadors" in order to mitigate the negative image associated with domestic racial problems. While many non-Americans embraced the Americanism behind this jazz diplomacy without question, others criticized American domestic and foreign policies while still appreciating jazz – thus jazz, despite its popularity, also became a medium for expressing anti-Americanism. This book examines the development of jazz outside America, including across diverse historical periods and geographies – shedding light on the effectiveness of jazz as an instrument of state power within a global political context.
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis | The Hague : OAPEN FOUNDATION
    ISBN: 9780429060595
    Language: English
    Pages: 1 Online-Ressource (208 p.)
    DDC: 306.48425
    RVK:
    RVK:
    Keywords: Geschichte 1900-2000 ; Musik ; Jazz ; Politik ; The arts ; Humanities ; Politics & government ; USA ; Arts ; humanities ; politics ; international relations
    Abstract: From the mid-1950s to the late 1970s, jazz was harnessed as America’s "sonic weapon" to promote an image to the world of a free and democratic America. Dizzy Gillespie, Dave Brubeck, Duke Ellington and other well-known jazz musicians were sent around the world – including to an array of Communist countries – as "jazz ambassadors" in order to mitigate the negative image associated with domestic racial problems. While many non-Americans embraced the Americanism behind this jazz diplomacy without question, others criticized American domestic and foreign policies while still appreciating jazz – thus jazz, despite its popularity, also became a medium for expressing anti-Americanism. This book examines the development of jazz outside America, including across diverse historical periods and geographies – shedding light on the effectiveness of jazz as an instrument of state power within a global political context.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
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