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  • HeBIS  (18)
  • Würzburg UB  (1)
  • GRASSI Mus. Leipzig
  • Online Resource  (19)
  • English  (19)
  • 2010-2014  (19)
  • Film  (19)
  • Electronic books ; local
  • General works  (19)
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Language
Years
Year
  • 1
    Online Resource
    Online Resource
    Durham : Duke University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780822376804
    Language: English
    Pages: 1 Online-Ressource (x, 470 Seiten) , Illustrationen
    DDC: 302.230973
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    Keywords: Sexualität ; Massenmedien ; Film ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Electronic books. ; Aufsatzsammlung
    Abstract: Sex Scene suggests that what we have come to understand as the sexual revolution of the late 1960s and early 1970s was actually a media revolution. In lively essays, the contributors examine a range of mass media-film and television, recorded sound, and publishing-that provide evidence of the circulation of sex in the public sphere, from the mainstream to the fringe. They discuss art films such as I am Curious (Yellow), mainstream movies including Midnight Cowboy, sexploitation films such as Mantis in Lace, the emergence of erotic film festivals and of gay pornography, the use of multimedia in sex education, and the sexual innuendo of The Love Boat. Scholars of cultural studies, history, and media studies, the contributors bring shared concerns to their diverse topics. They highlight the increasingly fluid divide between public and private, the rise of consumer and therapeutic cultures, and the relationship between identity politics and individual rights. The provocative surveys and case studies in this nuanced cultural history reframe the "sexual revolution" as the mass sexualization of our mediated world.Contributors. Joseph Lam Duong, Jeffrey Escoffier, Kevin M. Flanagan, Elena Gorfinkel, Raymond J. Haberski Jr., Joan Hawkins, Kevin Heffernan, Eithne Johnson, Arthur Knight, Elana Levine, Christie Milliken, Eric Schaefer, Jeffrey Sconce, Jacob Smith, Leigh Ann Wheeler, Linda Williams.
    Note: Literaturverzeichnis: Seite 435-450 , Description based on publisher supplied metadata and other sources
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: eDuke
    URL: JSTOR
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  • 2
    Online Resource
    Online Resource
    Jefferson, North Carolina : McFarland & Company, Inc., Publishers | Ann Arbor, Michigan : Proquest
    ISBN: 9781476615141
    Language: English
    Pages: 1 Online-Ressource (viii, 207 Seiten)
    DDC: 305.2
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    Keywords: Geschichte 2000-2013 ; Film ; Fernsehserie ; Erwachsener ; USA ; Aufsatzsammlung
    Note: Includes bibliographical references and index , Description based on print version record
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  • 3
    Online Resource
    Online Resource
    Waterloo : Wilfrid Laurier University Press | [Ann Arbor, Michigan] : [ProQuest]
    ISBN: 9781554589159
    Language: English
    Pages: 1 Online-Ressource (364 pages)
    DDC: 302.23
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    Keywords: Film ; Literatur ; Kollektives Gedächtnis ; Erinnerung
    Note: Description based on publisher supplied metadata and other sources
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  • 4
    Online Resource
    Online Resource
    New York : Columbia University Press
    ISBN: 9780231535786
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 302.23/43
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    Keywords: Geschichte 1950-2010 ; Motion picture audiences ; Technology in motion pictures ; Cinematography Technological innovations ; Digital cinematography ; Technische Innovation ; Film ; Kino ; Rezeption ; Filmtechnik ; USA ; USA ; Film ; Technische Innovation ; Rezeption ; Geschichte 1950-2010 ; Filmtechnik ; Kino ; Geschichte 1950-2010
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 5
    Online Resource
    Online Resource
    New York : Columbia University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780231526975
    Language: English
    Pages: 1 Online-Ressource (327 pages)
    DDC: 303.6
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    Keywords: Film ; Fernsehen ; Folter ; Politische Verfolgung ; Gewalt ; Dokumentarfilm ; Fernsehsendung ; Aufsatzsammlung
    Abstract: Since the terrorist attacks of September 11, 2001, scenes of brutality and torture have appeared in mainstream comedies, dramatic narratives, and action films, for little other reason than to titillate and delight. In these films, torture is devoid of any redeeming qualities. It is represented as an exercise in brutal senselessness carried out by authoritarian regimes and institutions. Before 9/11, films outside of the horror/slasher genre that addressed torture depicted the practice in a variety of forms. In most cases, torture was cast as the act of a desperate and often depraved individual, and the viewer was more likely to identify with the victim rather than the torturer. This volume follows the significant shift in the representation of torture over the past decade, specifically in documentary, action, and political films, and it compares the development of this trend in films from the United States, Europe, China, Latin America, South Africa, and the Middle East. Featuring essays by sociologists, psychologists, historians, journalists, and specialists in film and cultural studies, this collection addresses the representation of torture in film and television from multiple angles and disciplines, connecting its aesthetics and practices to the dynamic of state terror and political domination.
    Note: Description based on publisher supplied metadata and other sources
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  • 6
    Online Resource
    Online Resource
    New York : Columbia Univ. Press
    ISBN: 9780231153584 , 9780231153591 , 9780231526975 (Sekundärausgabe)
    Language: English
    Pages: VIII, 315 S.
    Edition: Online-Ausg. New York, NY JSTOR Online-Ressource ISBN 9780231526975
    Edition: [Online-Ausg.]
    DDC: 303.6
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    Keywords: Film ; Fernsehen ; Folter ; Politische Verfolgung ; Gewalt ; Dokumentarfilm ; Fernsehsendung ; Aufsatzsammlung ; Online-Publikation ; Aufsatzsammlung
    Note: Online-Ausg.:
    URL: Cover
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  • 7
    Online Resource
    Online Resource
    Canton : Visible Ink Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9781578593767
    Language: English
    Pages: 1 Online-Ressource
    Edition: 2nd edition
    DDC: 398.24/54
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    Keywords: Werwolf ; Film ; Horrorfilm ; Verzeichnis
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  • 8
    Online Resource
    Online Resource
    Durham : Duke University Press | Baltimore, Md. : Project MUSE
    ISBN: 9780822395331
    Language: English
    Pages: 1 Online-Ressource
    DDC: 305.50982
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    Keywords: Geschichte 1920-1946 ; Film ; Hörfunk ; Argentinien ; Electronic books ; Electronic books. ; History. ; Electronic books ; Electronic books ; Electronic books
    Abstract: Major change came to Argentina during the first decades of the twentieth century. Following the mass influx of European immigrants to the country during the beginning of the century, a truly national culture was produced through mass media, facilitating the assimilation of immigrants and their descendants. New forms of media emerged, such as radio and cinema, as did new forms of entertainment, such as tango songs, films, and radio theater. Yet despite the unifying effect of popular culture, the nation remained divided, and, if anything, more so in 1950 than in 1910. This book argues that the key to understanding this paradox lies in a reassessment of the mass culture of the 1920s and 1930s. With a focus on film and radio in and around Buenos Aires, the locus of production as well as much of the market consumption, Karush shows how integration and class fractures occurred simultaneously in a short span of the country's history. He brings together the usually separated subjects of radio and cinema to show how they can combine to gauge a larger cultural and political environment and shed light on class distinctions. The book contributes to an ongoing discussion of the relationship between power and mass culture. It will be of interest to scholars of cultural history and urban studies and those interested in Latin American history and culture.
    Note: Includes bibliographical references (p. [251]-268) and index , Description based on print version record
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 9
    Online Resource
    Online Resource
    Amsterdam : Amsterdam Univ. Press
    ISBN: 9789089644268 , 9089644261 , 9789048516322 (Sekundärausgabe) , 9789048516339 (Sekundärausgabe)
    Language: English
    Pages: 272 S. , Ill., map
    Edition: Online-Ausg. [The Hague] OAPEN Online-Ressource ISBN 9789048516322 pdf
    Edition: ISBN 9789048516339 ePub
    Edition: [Online-Ausg.]
    DDC: 303.375
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    Keywords: Geschichte 1933-1945 ; Massenkultur ; Großveranstaltung ; Propaganda ; Drittes Reich ; Stadt ; Geräusch ; Unterhaltungsindustrie ; Massenmedien ; Nationalsozialismus ; Hörfunk ; Film ; Audiotechnik ; Deutschland ; Düsseldorf ; Online-Publikation ; Electronic books
    Abstract: Following the formation of the German National Socialist Party in the 1920s, various forms of sound (popular music, voice, noise and silence) and media technology (radio and loudspeaker systems) were configured as useful to the party's political programme. Focusing on the urban "soundscape" of Düsseldorf, the author makes a persuasive case for investigating such sound events and technological devices in their specific contexts of production and reception. Nazi Soundscapes identifies strategies for controlling space and reworking identity patterns, but also the ongoing difficulties in manipulating mediated sounds and the spaces of listening reception, whether in the home, workplace, the cinema, public rituals or with wartime siren systems. The study revises visualist notions of social control, and reveals the disciplinary functions of listening (as eavesdropping) as well as the sonic dimensions to exclusion and violence during Nazism. An essential title for everyone interested in the links between German political culture, audiovisual media and urban history, Nazi Soundscapes provides a fascinating analysis of the cultural significance of sound between the 1920s and early 1940s. Click "http://soundclips.humanities.uva.nl/"〉here for the sound clips discussed in the book.
    Note: Literaturverz. S. 217 - 253 , Online-Ausg.:
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 10
    Online Resource
    Online Resource
    Amsterdam : Amsterdam University Press
    ISBN: 9789048515059 , 904851505X
    Language: English
    Pages: 1 Online-Ressource (332 Seiten) , Illustrations
    Series Statement: The key debates ; 3
    DDC: 302.2343
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    Keywords: Motion picture audiences ; PSYCHOLOGY Social Psychology ; PERFORMING ARTS Film & Video ; General ; The arts ; Film, TV and radio ; Films, cinema ; Film theory and criticism ; Motion picture audiences ; Motion pictures ; Film
    Abstract: "This timely volume engages with one of the most important shifts in recent film studies: the turn away from text-based analysis towards the viewer. Historically, this marks a return to early interest in the effect of film on the audience by psychoanalysts and psychologists, which was overtaken by concern with the 'effects' of film, linked to calls for censorship and moral panics rather than to understanding the mental and behavioral world of the spectator. Early cinema history has revealed the diversity of film-viewing habits, while traditional 'box office' studies, which treated the audience initially as a homogeneous market, have been replaced by the study of individual consumers and their motivations. Latterly, there has been a marked turn towards more sophisticated economic and sociological analysis of attendance data. And as the film experience fragments across multiple formats, the perceptual and cognitive experience of the individual viewer (who is also an auditor) has become increasingly accessible. With contributions from Gregory Waller, John Sedgwick and Martin Barker, this work spans the spectrum of contemporary audience studies, revealing work being done on local, non-theatrical and live digital transmission audiences, and on the relative attraction of large-scale, domestic and mobile platforms."--Publisher's website.
    Note: Includes bibliographical references (pages 279-298) and indexes
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  • 11
    ISBN: 9780472071043 , 9780472051045
    Language: English
    Pages: 1 Online-Ressource
    DDC: 305.4209182/109034
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    Keywords: Geschichte 1870-1970 ; Women / History ; Photography of women / History ; Feminism / History ; Women. Feminism ; Frau ; Geschichte ; Women History ; Photography of women History ; Feminism History ; Fotografie ; Frau ; Film ; Fotografie ; Film ; Frau ; Geschichte 1870-1970
    Note: English
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 12
    Online Resource
    Online Resource
    New York : Peter Lang Inc. | Bern : Peter Lang International Academic Publishers
    ISBN: 9781453900550
    Language: English
    Pages: 1 Online-Ressource
    Edition: 1st, New ed.
    Series Statement: Framing Film 8
    DDC: 302.23/43
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    Keywords: Interkulturalität ; Film ; Multikulturelle Gesellschaft
    Abstract: To date, no text exists that focuses exclusively on the concept of postcolonial film as a framework for identifying films produced within and outside of various formerly colonized nations, nor is there a scholarly text that addresses pedagogical issues about and frameworks for teaching such films. This book borrows from and respects various forms of categorization – intercultural, global, third, and accented – while simultaneously seeking to make manifest an alternate space of signification. What feels like a mainstream approach is pedagogically necessary in terms of access, both financial and physical, to the films discussed herein, given that this text proposes models for teaching these works at the university and secondary levels. The focus of this work is therefore twofold: to provide the methodology to read and teach postcolonial film, and also to provide analyses in which scholars and teachers can explore the ways that the films examined herein work to further and complicate our understanding of «postcolonial» as a fraught and evolving theoretical stance.
    Abstract: «Intercultural cinema has entered the mainstream, and we can neither celebrate it as resistant nor dismiss it as complicit. If a movie you see at the cineplex is an international co-production, its director is a Western person of color, and part of its proceeds go toward charity, does that make it a ‘good’ movie? Through impressive case studies and close viewings, Heffelfinger and Wright show that intercultural cinema’s power relations take place not only within the films but also in the complex materiality of production, reception, and cultural impact.» (Laura Marks, Associate Professor and Dena Wosk University Professor in Art and Culture Studies, School for the Contemporary Arts, Simon Fraser University)...
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  • 13
    Online Resource
    Online Resource
    Frankfurt am Main : Campus-Verlag | Grünwald : Preselect.media
    ISBN: 9783593410449
    Language: English
    Pages: 1 Online-Ressource (320 Seiten)
    Dissertation note: Dissertation Humboldt-Universität Berlin 2009
    DDC: 823.9109355
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    Keywords: Geschichte 1885-2000 ; Roman ; Film ; Kolonialismus ; Postkolonialismus ; Männlichkeit ; Englisch ; Kolonialliteratur ; Postkoloniale Literatur ; Mann ; Literatur ; Fotografie ; Kolonialismus ; Postkolonialismus ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Electronic books ; Fotografie ; Film
    URL: Cover
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  • 14
    ISBN: 9780803211261 , 9780803234451 (Sekundärausgabe)
    Language: English
    Pages: 359 p.
    Edition: Online-Ausg. Online-Ressource ISBN 9780803234451
    Edition: [Online-Ausg.]
    DDC: 302.23089 22
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    Keywords: Indianer ; Film ; Filmregisseur ; Filmschauspieler ; Indianerfilm ; USA
    Abstract: In this deeply engaging account, Michelle H. Raheja offers the first book-length study of the Indigenous actors, directors, and spectators who helped shape Hollywood's representation of Indigenous peoples. Since the era of silent films, Hollywood movies and visual culture generally have provided the primary representational field on which Indigenous images have been displayed to non-Native audiences. These films have been highly influential in shaping perceptions of Indigenous peoples as, for example, a dying race or as inherently unable or unwilling to adapt to change. However, films with Ind...
    Note: Description based upon print version of record , Online-Ausg.:
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  • 15
    Online Resource
    Online Resource
    Princeton : Princeton University Press
    ISBN: 1282692283 , 140083662X , 9781282692282 , 9781400836628
    Language: English
    Pages: 1 Online-Ressource (277 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 791.43/655
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    Keywords: Film noir ; History and criticism ; Fine Arts ; ART / Film & Video ; PERFORMING ARTS / Film & Video / Reference ; SOCIAL SCIENCE / Media Studies ; Cities and towns ; City and town life ; Film noir ; Motion pictures ; Film ; Stadt ; Film noir History and criticism ; Cities and towns in motion pictures ; City and town life in motion pictures ; Anti-Utopie ; Film ; Urbanität ; Stadt ; Aufsatzsammlung ; Film ; Stadt ; Urbanität ; Anti-Utopie
    Note: Includes bibliographical references and index , Introduction: imaging the modern city, darkly / Gyan Prakash -- Modernism and urban dystopia. The phantasm of the Apocalypse : Metropolis and Weimar modernity / Anton Kaes -- Sounds like hell : dystopian urban noise / James Donald -- Tlatelolco : Mexico City's urban dystopia / Ruben Gallo -- The aesthetics of the dark city. A regional geography of film noir : urban cystopias on- and off-screen / Mark Shiel -- Oh no, there goes Tokyo : recreational apocalypse and the city in postwar Japanese popular culture / William M. Tsutsui -- Postsocialist urban dystopia? / Li Zhang -- Friction, collision, and the grotesque : the dystopic fragments of Bombay cinema / Ranjani Mazumdar -- Imaging urban crisis. Topographies of distress : Tokyo, c. 1930 / David Ambaras -- Living in dystopia : past, present and future in contemporary African cities / Jennifer Robinson -- Imaging urban breakdown : Delhi in the 1990s / Ravi Sundaram , Dystopic imagery has figured prominently in modern depictions of the urban landscape. The city is often portrayed as a terrifying world of darkness, crisis, and catastrophe. Noir Urbanisms traces the history of the modern city through its critical representations in art, cinema, print journalism, literature, sociology, and architecture. It focuses on visual forms of dystopic representation--because the history of the modern city is inseparable from the production and circulation of images--and examines their strengths and limits as urban criticism. Contributors explore dystopic images of the m
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  • 16
    Online Resource
    Online Resource
    Philadelphia PA : Temple University Press
    ISBN: 9781566399463 , 9781592137879 (Sekundärausgabe)
    Language: English
    Pages: 280 p.
    Edition: Online-Ausg. Online-Ressource ISBN 9781592137879
    Edition: [Online-Ausg.]
    DDC: 302.23430973
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    Keywords: Film ; Jugend ; USA
    Abstract: Teenagers and Teenpics tells the story of two signature developments in the 1950s: the decline of the classical Hollywood cinema and the emergence of that strange new creature, the American teenager. Hollywood's discovery of the teenage moviegoer initiated a progressive ""juvenilization"" of film content that is today the operative reality of the American motion picture industry.The juvenilization of the American movies is best revealed in the development of the 1950s ""teenpic,"" a picture targeted at teenagers even to the exclusion of their elders. In a wry and readable style, Doherty define...
    Note: Description based upon print version of record , Online-Ausg.:
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  • 17
    Online Resource
    Online Resource
    New York : Columbia University Press
    ISBN: 9780231520782
    Language: English
    Pages: 1 Online-Ressource (xxiii, 289 Seiten) , Illustrationen
    DDC: 306.0951
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    Keywords: Film ; Sozialer Wandel ; Globalisierung ; China
    URL: Cover
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  • 18
    ISBN: 1441679472 , 1848851227 , 9781441679475 , 9781848851221
    Language: English
    Pages: 1 Online-Ressource (xvi, 374 p. [17] p. of plates)
    Series Statement: Cinema and society
    DDC: 302.23430941
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    Keywords: Geschichte 1930-1939 ; SOCIAL SCIENCE / Media Studies ; Motion picture actors and actresses ; Motion picture audiences ; Motion pictures / Social aspects ; Film ; Gesellschaft ; Motion pictures Social aspects ; Motion picture audiences ; Motion picture actors and actresses ; Film ; Gesellschaft ; Großbritannien ; Großbritannien ; Electronic books ; Großbritannien ; Gesellschaft ; Film ; Geschichte 1930-1939
    Note: Includes new introduction. - Originally published: London: Routledge & Kegan Paul,1984 , Includes bibliographical references and index , Going to the pictures -- The dream merchants -- 'The devil's camera' -- 'Our movie-made children' -- The aims and principles of censorship -- Censorship in operation: domestic policy -- Censorship in operation: foreign policy -- Censorship in operation: imperial policy -- Stars -- Gracie Fields: consensus personified -- George Formby: The road from Wigan Pier -- Jessie Matthews: the dancing divinity -- The romantic adventurer: Robert Donat and Leslie Howard -- Putting Britain on the screen -- Visions of the past--messages for the present -- Images of peace and war -- Class and consensus: lower down -- Class and consensus: higher up
    URL: Volltext  (lizenzpflichtig)
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  • 19
    Online Resource
    Online Resource
    Philadelphia : Temple University Press
    ISBN: 9781566394956
    Language: English
    Pages: Online-Ressource (273 p.)
    Series Statement: Culture And The Moving Image
    Series Statement: Culture and the Moving Image Ser
    Parallel Title: Print version Hollywood's New Deal
    DDC: 302.23/43/0973
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    Keywords: Motion pictures ; Economic aspects ; United States ; Motion pictures ; Political aspects ; United States ; New Deal, 1933-1939 ; Electronic books ; Electronic books ; Film ; Electronic books
    Abstract: A ground-breaking exploration of the entertainment industry's role in promoting New Deal ideology in the thirties
    Description / Table of Contents: Contents; Acknowledgments; Introduction; 1. The New Deal and the Media; 2. Hollywood and Washington; 3. Cinema and the New Deal; 4. The Film Industry in the Thirties; 5. The Paramount Case; Conclusion; Notes; Index;
    Note: Description based upon print version of record
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