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  • KOBV  (10)
  • Würzburg UB
  • MPI Ethno. Forsch.
  • Image  (10)
  • 2020-2024  (10)
  • New Haven : Yale University Press  (10)
  • Berlin : Kinderbuchverlag
Datasource
Material
Language
Years
Year
Author, Corporation
Publisher
Keywords
Subjects(RVK)
  • 1
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    Beauty born of struggle : the art of black Washington (2023)
    Washington : National Gallery of Art | New Haven : Yale University Press
    Details
    ISBN: 9780300267105
    Language: English
    Pages: 356 Seiten , Illustrationen , 29 cm
    Series Statement: Studies in the history of art 83
    Series Statement: Symposium papers 60
    Series Statement: Studies in the history of art
    RVK:
    LO 96250
    Keywords: Snowden, Sylvia - 1942- ; Stovall, Lou - 1937- ; Thomas, Alma - 1891-1978 ; Donaldson, Jeff - 1932-2004 ; Porter, James A. (James Amos) - 1905-1970 ; Burwell, Lilian Thomas - 1927- ; Coleman, Floyd W - 1939- ; Driskell, David C - 1931-2020 ; Gilliam, Sam - 1933-2022 ; Morrison, Keith - 1942- ; Puryear, Martin - 1941- ; Howard University - United States ; The Phillips Collection - United States ; African American Art - United States ; Konferenzschrift National Gallery of Art, Washington, DC ; Konferenzschrift National Gallery of Art, Washington, DC ; Washington, DC ; Schwarze ; Kunst ; Ästhetik ; Geschichte 1920-
    Abstract: In a twentieth century during which modern art largely abandoned beauty as its imperative, a group of Black artists from Washington, DC, made beauty the center of their art making. This book highlights these influential artists, including David C. Driskell, Sam Gilliam, Lois Mailou Jones, and Alma Thomas, in the context of what Jeffrey C. Stewart describes as the Washington Black Renaissance. Vibrant histories of key District institutions and the city's communities of educators, critics, and collectors animate a nuanced consideration of the evolution of an aesthetic dialectic from the 1920s up to the present day. The fifteen essays in the volume are grounded by voices from a live artist panel at the National Gallery of Art in 2017, which included Lilian Thomas Burwell, Floyd Coleman, David C. Driskell, Sam Gilliam, Keith Morrison, Martin Puryear, Sylvia Snowden, and Lou Stovall
    Note: Titelblattrückseite: This volume includes proceedings of the symposium "The African American Art World in Twentieth-Century Washington, DC", organized by the Center for Advanced Study in the Visual Arts, National gallery of Art, and sponsored by the Wyeth Foundation for American Art and the Arthur Vining Davis Foundations. The symposium was held March 16-17, 2017, in Washington , Includes bibliography and index , English
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 2
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    After the Nazis : the story of culture in West Germany (2023)
    New Haven : Yale University Press
    Details
    ISBN: 9780300259247
    Language: English
    Pages: xvii, 517 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen
    Parallel Title: Erscheint auch als Kater, Michael H., 1937 - After the Nazis
    Parallel Title: Erscheint auch als Kater, Michael H., 1937 - After the Nazis
    Parallel Title: Erscheint auch als Kater, Michael H., 1937 - After the Nazis
    DDC: 306.094309045
    RVK:
    NQ 6160
    RVK:
    LK 10357
    Keywords: 20. Jahrhundert (1900 bis 1999 n. Chr.) ; Europäische Geschichte ; Geschichte allgemein und Weltgeschichte ; HISTORY / Europe / Germany ; HISTORY / Modern / 20th Century ; HISTORY / Social History ; History ; Sozial- und Kulturgeschichte ; Deutschland ; Westdeutschland ; Sozialgeschichte ; Kultur ; Geschichte 1900-1999 ; Westdeutschland ; Künste ; Gesellschaft ; Geschichte 1945-1990
    Abstract: "After World War II a mood of despair and impotence pervaded the arts in West Germany. The culture and institutions of the Third Reich were abruptly dismissed, yet there was no immediate return to the Weimar period's progressive ideals. In this moment of cultural stasis, how could West Germany's artists free themselves from their experiences of Nazism? Moving from 1945 to reunification, Michael H. Kater explores West German culture as it emerged from the darkness of the Third Reich. Examining periods of denial and complacency as well as attempts to reckon with the past, he shows how all postwar culture was touched by the vestiges of National Socialism. From the literature of Günter Grass to the happenings of Joseph Beuys and Karlheinz Stockhausen's innovations in electronic music, Kater shows how it was only through the reinvigoration of the cultural scene that West Germany could contend with its past - and eventually allow democracy to reemerge"--
    Abstract: A wide-ranging, insightful history of culture in West Germany-from literature, film, and music to theater and the visual arts
    URL: Cover  (lizenzpflichtig)
    URL: Inhaltsverzeichnis
    URL: Cover  (lizenzpflichtig)
    URL: Inhaltsverzeichnis
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  • 3
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    Black modernisms in the transatlantic world (2023)
    Washington : National Gallery of Art | New Haven : Yale University Press
    Details
    ISBN: 9780300269772 , 0300269773
    Language: English
    Pages: vii, 255 Seiten , Illustrationen , 26 cm
    Series Statement: Seminar papers / Center for Advanced Study in the Visual Arts 4
    RVK:
    LH 60220
    Keywords: Artists, Black Congresses ; Artists, Black Congresses Themes, motives ; African American artists Congresses ; Black people in art Congresses ; Art, Modern Congresses Themes, motives ; Aufsatzsammlung ; Aufsatzsammlung ; Kunstsoziologie ; Schwarze ; Künstler ; Künstlerin
    Abstract: Illustrated essays that broaden our understanding of modernism by centering Black artists and experiences, with a contribution featuring the work of Venice Biennale Golden Lion winner Simone Leigh. In this volume, ten leading scholars examine the contradictions of modernity and Black agency that continue to define the Western art world. Illustrated essays explore the work of artists such as Roy DeCarava, Ben Enwonwu, James Hampton, Norman Lewis, Nancy Elizabeth Prophet, Augusta Savage, and Carrie Mae Weems, always with an eye toward reframing our understanding of Black artistic producers. The interdisciplinary avenues of inquiry remake the boundaries of modernist art - its notions time and again focused on the singular white male European or American artist - with another set of imperatives, ethics, and histories, broadening our understanding of the past and present of modernism. -- Yale UP website
    Description / Table of Contents: Introduction: a troubled conjuncture / Huey Copeland and Steven Nelson -- Simone Leigh: acts of transformation / Steven Nelson -- Leave no mark: Blackness and inscription in the inquisitorial archive / Matthew Francis Rarey -- Bare feet, or, the ambivalence of emancipation: Camille Pissarro and the Caribbean / C. C. Mckee -- On European modernism and Black being / Simon Gikandi -- Nancy Elizabeth Prophet and Augusta Savage: Sculptural habits of Black modernism / Kellie Jones -- Numinous affect in Black Atlantic modernisms / Sylvester Okwunodu Ogbechie -- Darkness and the unvisible: Norman Lewis, Roy Decarava, and postwar abstraction / Kobena Mercer -- At the threshold of withholding: Stanley Brouwn's modernist repetitions / Adrienne Edwards -- Spaces in the shadows: archives and architectures in the work of Carrie Mae Weems / Mabel O. Wilson.
    Note: Studies in the history of art Symposiums 2018 and 2019, Washington, D.C , Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 4
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    Called to the camera : Black American studio photographers (2023)
    New Orleans : New Orleans Museum of Art | New Haven : Yale University Press
    Details
    ISBN: 9780300267389 , 030026738X , 9780300267389
    Language: English
    Pages: 226 Seiten
    DDC: 770
    RVK:
    AP 99083
    RVK:
    AP 95740
    Keywords: Bildband ; Ausstellungskatalog New Orleans Museum of Art 15.09.2022-08.01.2023 ; Bildband ; Ausstellungskatalog New Orleans Museum of Art 15.09.2022-08.01.2023 ; USA ; Porträtfotografie ; Fotostudio ; Person of Color ; Geschichte 1860- ; USA ; Schwarze ; Fotostudio ; Fotografie ; Geschichte
    Note: Gegenüber Titelseite: "Called to the Camera: Black American Studio Photographers" ... exhibition dates: New Orleans Museum of Art, September 15, 2022-January 8, 2023
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  • 5
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    Betty Friedan : magnificent disrupter (2023)
    New Haven : Yale University Press
    Details
    ISBN: 9780300220025
    Language: English
    Pages: 366 Seiten , Illustrationen , 22 cm
    Series Statement: Jewish lives
    Parallel Title: Erscheint auch als Shteir, Rachel Betty Friedan
    DDC: 305.42
    Keywords: Friedan, Betty ; Friedan, Betty ; Feminists / United States / Biography ; Women social reformers / United States / Biography ; Jewish women / United States / Biography ; Biography ; Biographies ; Biografie ; Biografie ; Biografie ; Friedan, Betty 1921-2006
    Abstract: A new portrait of Betty Friedan, the author and activist acclaimed as the mother of second-wave feminism. The feminist writer and activist Betty Friedan (1921-2006), pathbreaking author of The Feminine Mystique, was powerful and polarizing. In this biography, the first in more than twenty years, Rachel Shteir draws on Friedan's papers and on interviews with family, colleagues, and friends to create a nuanced portrait
    Description / Table of Contents: 1. A prophet in Peoria -- 2. "Split at the root" -- 3. "My roots are in my moving" -- 4. "It was almost as good as having a baby" -- 5. "The problem that had no name" -- 6. The "NAACP for women" -- 7. "Our revolution is unique" -- 8. Sexual politics and the women's strike for equality -- 9. "I've been more of a Jewish mother to the movement than I have to my own children" -- 10. "It changed my life" -- 11. Her second stages -- 12. "Here I am! This is me! This is how I am!" -- 13. Life so far -- Epilogue: "Not your grandfather's patriarchy
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  • 6
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    Multiplicity : Blackness in contemporary American collage (2023)
    Nashville, TN : Frist Art Museum | New Haven : Yale University Press
    Details
    ISBN: 9780300272963
    Language: English
    Pages: 263 Seiten
    DDC: 702.81/20973
    RVK:
    LO 96720
    Keywords: African American collage Exhibitions 21st century ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; USA ; Collage ; Person of Color ; Geschichte 1960- ; USA ; Schwarze ; Collage ; Geschichte 1980-2023
    Abstract: "The first major catalogue of contemporary Black American collage, Multiplicity: Blackness in Contemporary American Art brings together over sixty-five works of art by fifty artists that reflect the breadth and complexity of Black identity. Rather than casting their work solely in terms of a racial discourse that often portrays African Americans as a monolith, these artists employ collage to convey the intersecting facets of their lived experiences that combine to make whole individuals. Building on a technique that has roots in European and American traditions-used by canonical figures from Picasso and Hannah Höch to Robert Rauschenberg and Romare Bearden-the artists have assembled pieces of paper, photographs, fabrics, and other often salvaged materials to create unified compositions that express the endless possibilities of Black-constructed narratives despite the fragmentation of our times. As artist Deborah Roberts asserts, "With collage, I can create a more expansive and inclusive view of the Black cultural experience." In addition to eight scholarly essays, the book features 140 color images of work by artists including McArthur Binion, Mark Bradford, Zoë Charlton, Tomashi Jackson, Arthur Jafa, Rashid Johnson, Yashua Klos, Kerry James Marshall, Wangechi Mutu, Lovie Olivia, Ebony Patterson, Howardena Pindell, Jamea Richmond-Edwards, Deborah Roberts, Tschabalala Self, Devan Shimoyama, David Shrobe, Lorna Simpson, Nyugen Smith, Paul Anthony Smith, Mickalene Thomas, Kara Walker, and others. Short biographies written by honor students at Fisk University accompany each artist's entry, concluding a comprehensive and inclusive look at collage today"--
    Description / Table of Contents: Hurston's Law, or a Philosophy of Display / Richard J. Powell, PhD -- Cultural Legacies and the Transformation of the Cubist Collage Aesthetic by Romare Bearden, Jacob Lawrence, and Other African American Artists / Patricia Hills -- Changing Currents and Charting New Courses: Collage and Visioning of Black Histories and Memories / Rebecca VanDiver, PhD -- Pon tu mano con la mía: Rhizomatic Pathways and Collage / María Elena Ortiz -- Meditations on the Multivalence of Black Womanhood / Valerie Cassel Oliver -- Minor Figures, Continuous Tension / Tiffany E. Barber, PhD -- also also also and and and: Digital Stitches and the Collage as Glitch / Anita N. Bateman, PhD.
    Note: Seite [264]: Published in conjunction with the exhibition "Multiplicity: Blackness in Contemporary American Collage", organized by the Frist Art Museum, Nashville ... Exhibition itinerary: Frist Art Museum, September 15-December 31, 2023; Museum of Fine Arts Houston, February 18-May 12, 2024; The Philipps collection, July 6-September 22, 2024 , Includes bibliographical references
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 7
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    Black artists in America : from civil rights to the bicentennial (2023)
    Memphis, Tennessee : Dixon Gallery and Gardens | New Haven : Yale University Press
    Details
    ISBN: 9780300273465
    Language: English
    Pages: 143 Seiten , Illustrationen , 29 cm
    RVK:
    LO 94000
    Keywords: Porter, James A Exhibitions ; Simpson, Merton D Exhibitions ; African American art Exhibitions 20th century ; ART / American / African American & Black ; ART / American / General ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; USA ; Kunst ; Schwarze ; Geschichte 1950-1980
    Abstract: "Black Artists in America: From Civil Rights to the Bicentennial explores African American art during the turbulence of the 1950s, 1960s, and 1970s. The catalogue considers the various ways in which African American artists responded to growing civil unrest, challenging the cultural, environmental, political, racial, and social issues of the era. In the 1960s, Black artists who came of age during World War II and the increasing civil rights activity of the 1950s continued to challenge inequities in the art world. They created works that celebrated their racial identity, communicated with Black audiences, and participated in the struggle for political, economic, and social equality. The establishment of artist collectives such as Spiral and museums devoted to Black art, including the Studio Museum in Harlem, alongside the emergence of art historians and critics like David Driskell and Linda Goode Bryant, marked early steps to bring Black art into broader artistic discourse. In addition to 140 full-color images of approximately seventy paintings, sculptures, and works on paper from public and private collections across the country, the catalogue features in-depth essays, including original research on artists James Porter and Merton Simpson"--
    Description / Table of Contents: Black Artists in America : 1960s-1970s / Celeste-Marie Bernier -- "The American Negro Artist Looks at Africa" : The Art Historian James A. Porter and African Diaspora Art Histories / Earnestine Jenkins -- A Masterful Eye : Merton D. Simpson, Artist and Connoisseur / Alaina Simone.
    Note: Seite [144]: This publication was produced in conjuntion with the exhibition "Black Artists in America: From Civil Rights to the Bicentennial", on view at the Dixon Gallery and Gardens, Memphis, October 22, 2023-January 14, 2024, and the Crocker Art Museum, Sacramento, February 4-May 19, 2024 , Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 8
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    Fictions of emancipation : Carpeaux's "Why born enslaved!" reconsidered (2022)
    New York : The Metropolitan Museum of Art | New Haven : Yale University Press
    Details
    ISBN: 9781588397447
    Language: English
    Pages: 139 Seiten , Illustrationen , 23 cm
    Edition: First printing
    Keywords: Ausstellungskatalog Metrotpolitan Museum of Art 10.03.2022-05.03.2023 ; Aufsatzsammlung ; Ausstellungskatalog Metrotpolitan Museum of Art 10.03.2022-05.03.2023 ; Aufsatzsammlung ; Carpeaux, Jean-Baptiste 1827-1875 Pourquoi naître esclave! ; Sklaverei ; Sklave ; Schwarze ; Kunst ; Geschichte 1700-2020
    Abstract: "This groundbreaking publication on Jean-Baptiste Carpeaux’s (1827–1875) bust Why Born Enslaved! examines the work in the context of transatlantic abolitionist movements and France’s colonialist fascination with Africa in the nineteenth century. Thoughtful essays by noted art historians and literary scholars, including Adrienne L. Childs, James Smalls, and Wendy S. Walters, unpack European artists’ engagement with the Black figure, simultaneously evoked as a changeable political symbol and a representation of exoticized beauty and desire. The authors compare Carpeaux’s sculpture to works by his contemporaries, such as Charles-Henri-Joseph Cordier, Edmonia Lewis, and Louis Simon Boizot, as well as to objects by twenty-first-century artists Kara Walker and Kehinde Wiley. In so doing, the book critically examines the portrayal of Black emancipation and personhood; the commodification of Black images to assert social capital; the role of sculpture in generating the sympathies of its audiences; and the relevance of Carpeaux’s sculpture to legacies of empire in the postcolonial present. It will also feature a chronology of events central to the nineteenth-century antislavery movement." -- Publisher's description
    Abstract: "Organized around a single object—the marble bust Why Born Enslaved! by French sculptor Jean-Baptiste Carpeaux—Fictions of Emancipation: Carpeaux Recast is the first exhibition at The Met to examine Western sculpture in relation to the histories of transatlantic slavery, colonialism, and empire. Created in the wake of American emancipation and some twenty years after the abolition of slavery in the French Atlantic, Why Born Enslaved! was shaped by the enduring popularity of antislavery imagery, the development of nineteenth-century ethnographic theories of racial difference, and France’s colonialist fascination with Africa. The exhibition will explore the sculpture’s place within these contexts. Featuring more than thirty-five works of art in sections unfolding around Carpeaux’s sculpture, Fictions of Emancipation will offer an in-depth look at portrayals of Black enslavement, emancipation, and personhood with an aim toward challenging the notion that representation in the wake of abolition constitutes a clear moral or political stance. Important works by Josiah Wedgwood, Frédéric Auguste Bartholdi, Charles Cordier, Edmonia Lewis, Louis-Simon Boizot, and others will show how Western artists of the nineteenth century engaged with the Black figure as a political symbol and site of exoticized beauty, while contemporary sculptures by Kara Walker and Kehinde Wiley will connect the dialogue around Carpeaux’s bust to current conversations about the legacies of slavery in the Western world. This exhibition was conceived in collaboration with guest curator Wendy S. Walters and enriched through conversations with numerous intellectual partners. It is one of many projects that the Museum is undertaking in an effort to reassess and broaden the narratives it presents about the past and present." -- Metropolitan Museum of Art website
    Note: "This catalogue is published in conjunction with Fictions of Emancipation: Carpeaux Recast, on view at The Metropolitan Museum of Art, New York, from March 10, 2022, through March 5, 2023." -- Title page verso
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 9
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    The polymath : a cultural history from Leonardo da Vinci to Susan Sontag (2020)
    New Haven : Yale University Press
    Details
    ISBN: 9780300250022
    Language: English
    Pages: xi, 327 Seiten,12 ungezählte Seiten Bildtafeln , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als Burke, Peter The Polymath
    DDC: 305.5520922
    RVK:
    AK 16500
    RVK:
    NF 1210
    RVK:
    NU 4700
    RVK:
    NU 4800
    Keywords: Intellectuals History ; Learning and scholarship History ; Knowledge, Theory of History ; Polyhistor ; Neuzeit ; Wissenschaftstheorie ; Polyhistor ; Geschichte 1400 - 2000
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 10
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    Marking time : objects, people, and their lives, 1500-1800 (2020)
    New Haven : Yale Center for British Art | New Haven : Yale University Press
    Details
    ISBN: 9780300254105
    Language: English
    Pages: 518 Seiten
    DDC: 304.2/370941
    Keywords: Time perception Exhibitions ; Time and art Exhibitions ; Bildband ; Ausstellungskatalog Yale Center for British Art 29.10.2020-28.02.2021 ; Bildband ; Ausstellungskatalog Yale Center for British Art 29.10.2020-28.02.2021 ; Alltagskultur ; Alltagsgegenstand ; Kunsthandwerk ; Geschichte 1500-1800 ; Großbritannien ; Sachkultur ; Geschichte 1500-1800
    Abstract: Running Like Clockwork? Objects and "Early Modern" Time / Glenn Adamson -- Past Times: Temporalities in Early Modern England / Keith Wrightson -- Anglo-American Artisanal Time: Cumulative, Partially Invisible, Nonlinear, and Episodic / Edward S. Cooke, Jr. -- Marking Transatlantic Time: Britain and the Caribbean / Justin M. Brown -- Time, Measurement, and Authority/ Angela McShane -- Narrative Time and the View from the Nineteenth Century / Gavriella Levy Haskell -- Stopping Time: The Material Culture of Death and Commemoration / Nathan Flis -- Catalogue / all essays by Edward Town -- Epilogue: John H. Bryan Jr.: A Collector's Magical Kingdom / Jenny Saunt.
    Note: "This publication accompanies the exhibition Marking Time: Objects, People, and Their Lives, 1500-1800, organized by the Yale Center for British Art, on view October 29, 2020-February 28, 2021" , Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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