Note: Erschienen: 1 - 2

Note: 2. Parallelsacht. ab 10.2002

Note: 1.1974 auch als International ed. bez. , Urh. anfangs: South African Department of Information; bis 15.1989/90: Department of Foreign Affairs; bis [3.Ser.] 4.1997: South African Communication Service , Anfangs teils ohne Zählung; 11 in d. Zählung übersprungen , Ersch. 1991/92 - 1993 als engl.-sprachige, gekürzte Ausg.

Note: Vol. 1 (1987) - , Engl.

Note: Ersch. unregelmäßig

Note: Engl. Zusatz ab 2013 , In 6.1954: Otto Quelle-Heft; ungezählte Beil.: Rundbrief Geographie , Ab 1957 wird d. Zählung d. Vorg. übernommen u. fortgeführt; 4x jährl.

Note: Erscheint zehnmal jährlich; Vol. 59.2020/21 mit 8 Heften komplett , 42.2003/04,7 fälschlich als Jg. 43 bez.

Note: Ersch. jährl.

Note: 7.1963/64 - 22.1995/96 inhaltliche Gliederung in Bd. 1: Museen u. Galerien, Bildende Künstler, Restauratoren, Sammler, Vereinigungen; Bd. 2: Kunst- und Antiquitätenhandlungen, Kunstverleger, Experten; ab 23.1997/98 in Bd. 1: Museen und öffentliche Galerien, Universitäten, Akademien, Schulen, Vereinigungen; Bd. 2: Kunst- und Antiquitätenhandel, Numismatik, Galerien, Auktionatoren, Restauratoren, Kunstverleger, Kunstzeitschriften, Antiquariate und Kunstbuchhandlungen; Bd. 3: Register; ab 33.2009 in Bd. 1: Museums and public galleries, universities, associations; Bd. 2: Antiques and numismatics, fairs, galleries, auctioneers, restorers, publishers, periodicals, booksellers; Bd. 3: Index , Hrsg. anfangs: Helmut Rauschenbusch , Ersch. anfangs alle 2 Jahre, später jährl.

Note: Repr.: Nendeln : Kraus , Bd. 10 auf dem Haupttitelbl. als 10.1940/42 bez.

Note: ISSN-Portal 1398-313X: NIAS report series , Ab 1.1991 als Schriftenreihe

Note: 1.1974 auch als International ed. bez , Urh. anfangs: South African Department of Information; bis 15.1989/90: Department of Foreign Affairs; bis [3.Ser.] 4.1997: South African Communication Service , Anfangs teils ohne Zählung; 11 in d. Zählung übersprungen , Ersch. 1991/92 - 1993 als engl.-sprachige, gekürzte Ausg.

Note: Bis 20.1999 als Zeitschr. ersch.

Note: Ab 9.1995 als Schriftenreihe

Note: Anfangs hrsg. vom Nationaal Centrum voor de Plastische Kunsten van de XVIde en XVIIde Eeuw

Note: In kyrill. Schr

Note: Erscheint viermal jährlich , Repr. : New York, NY : AMS Press , 2. Urh. ab 46.1987

Note: Anfangs hrsg. von C. E. Bosworth ... - Indices teilw. engl. und franz

Note: Mikrofilm-Ausg.#Ann Arbor, Mich. : Univ. Microfilms International , Index 1/24.1966/77 in: 24.1977; 1/30.1966/80 in: 30.1980; 31/36.1981/83 in: 36.1983; Index weiter regelmäßig für je 3 Jahre; 1/60.1966/95 in: 60.1995; 1/70.1966/2000 in: 70.2000

Note: Mikrofilm-Ausg.#Ann Arbor, Mich. : Univ. Microfilms International , Index 1/24.1966/77 in: 24.1977; 1/30.1966/80 in: 30.1980; 31/36.1981/83 in: 36.1983; Index weiter regelmäßig für je 3 Jahre; 1/60.1966/95 in: 60.1995; 1/70.1966/2000 in: 70.2000

Note: Repr.: Amsterdam : Swets & Zeitlinger , Beteil. Körp. anfangs: Geographische Gesellschaft Bern; teils: Verband der Schweizer Geographen , Ersch. vierteljährl.; ab 2015 published on demand , Texte anfangs dt., franz. oder ital., ab 54.1999 dt., engl. oder franz

Note: Ab No. 2 Text auf Deutsch, Abstracts auf Englisch

Note: Anfangs darin: Who's who in the Middle East and North Africa , Ersch. jährl.

Note: Anfangs darin: Who's who in the Middle East and North Africa , Ersch. jährl.

Note: Anfangs teils ohne Zählung

Note: Hrsg. anfangs: Helmut Rauschenbusch , Ersch. anfangs alle 2 Jahre, später jährl.

Note: Anfangs ohne Zählung

Note: Repr.: Amsterdam : Swets & Zeitlinger , Beteil. Körp. anfangs: Geographische Gesellschaft Bern; teils: Verband der Schweizer Geographen , Ersch. vierteljährl.; ab 2015 published on demand , Texte anfangs dt., franz. oder ital., ab 54.1999 dt., engl. oder franz

Note: Gesehen am 04.07.2014

Note: Erschienen: Bd. [1] (1981) bis Bd. [3] (1981)

Note: Parallelsacht. ab 19.2005 , Ersch. 2x jährl.; 2020 nicht erschienen , Index 1/10.1987/96 in: 11.1997,1

Note: Parallelsacht. ab 19.2005 , Ersch. 2x jährl.; 2020 nicht erschienen , Index 1/10.1987/96 in: 11.1997,1

Note: Includes bibliographical references and index

Note: Description based on publisher supplied metadata and other sources

Note: Frontmatter , CONTENTS , INTRODUCTION , The Call , vestibular mantra (or radical virtuosities for a brave new dance) , PART 1 / CULTURAL PRESENCE: PLACEKEEPING AND BELONGING , Introduction , Aqui Estoy , Beauty, Justice, and the Ritual of Performance , An Accumulation of Things That Refuse to Be Discarded , Counting Coup on the Compartmentalization of Indigenous-Made Rap Music , Cultural Resiliency in the Face of Crisis: Learning from New Orleans , Collectively Directing the Current , The New Eagle Creek Saloon , Notes from Technotopia 3.0: On the "Creative City" Gone Wrong-an Antigentrification Philosophical Tantrum, 2012 - 2016 , "Building Temples for Tomorrow": Cultural Workers as Construction Crews , Invasive Species , Sunny and 150 Years of Placekeeping in Little Tokyo , Local Fruit Still Life , Stage One: Establishing Community , Red 40 , More Nodes from the Performance Essay Los Giros De La Siguiente/the turns of the Next , PART 2 / DISMANTLING BORDERS, BUILDING BRIDGES: MIGRATION AND DIASPORAS , Introduction , Mano Poderosa , A Cosmos of Dis/Joints , Cross-Border Citizens , Indian Alley, Where Art Is Healing , Vessels: A Conversation , Fence , A Touch of Otherness , Harmattan Haze , Who Is the #EmergingUS? , Justice and Equity: We're Coming for It All , building bricks for communal healing , We Never Needed Documents to Thrive , prop·er , Alongside: On Chinese Students in the United States and the Fight for Black Lives , Love Spirals: Notes on Brown Feelings , PART 3 / CREATING A WORLD WITHOUT PRISONS: CULTURE AND THE CARCERAL STATE , Introduction , To Create in Prison , A Measure of Joy , There Is No Abolition or Liberation without Disability Justice , HOGAR , I Remember , Coming Home , Singing Our Way to Abolition , Standing in the Gap: Music as First Responder , Locked in a Dark Calm , As Crazy as the World Is, I Do Believe , Jumpsuit Project , The Bonds of Aloha: Connecting to Culture Can Free Us , The Nail That Sticks Out , Art Is a Trojan Horse: Reclaiming Our Narratives , Try/Step/Trip (Excerpt) , The Evanesced Series (2016 - ) , PART 4 / EMBODIED CARTOGRAPHIES: RENEGOTIATING RELATIONSHIPS WITH LAND , Introduction , Kiksuya , America Doesn't Exist , Between the Real and the Imagined: A Conversation with Lyla June and Tanaya Winder , Sopa de Ostión , Island Earth: Water, Wayfinding, and the Currents That Connect Us , ACCESS DENIED: Creating New Spatial Understandings , Essential Economy , Earth Mama II , We Are Part of This Land , Mauka House , Withholding an Image: Disciplinary Disobedience and Reciprocity in the Field , Thinking through Fragments: Speculative Archives, Contested Histories, and a Tale of the Palestine Archaeological Museum , Secrets That the Wind Carries Away , Ohiŋniyaŋ ded wati kte: This Place Will Always Be Home , Ballers , PART 5 / LIVING OUR LEGACY: ANCESTRAL KNOWLEDGE AS RADICAL FUTURITY , Introduction , These Roots Run Deep , The Future Is Ancient , Being in Oneness: Conversations with Nobuko Miyamoto, Kamau Ayubbi, and Asiyah Ayubbi , 1619 , Encircling the Circle: Blood Memory and Making the Village-a Conversation between Cleo Parker Robinson and Malik Robinson , Culture and Tradition: A Monument to Our Resilience , Español , Apsáalooke Feminist #4 , Mother's Words and Grandmother's Thoughts: Living the Right Way (a Conversation) , The AIM Song , Gullah/Geechee Sea Island Reflections of Futurity , For Paradise , What Is the New Basket That We're Going to Weave? , I ka wā ma mua, i ka wā ma hope: 'Ōiwi Orientations toward a Radical Futurity , The Art of Peer Pressure: Black Fire UVA! , PART 6 / CURRENTS BEYOND: ARTISTS SHIFTING PARADIGMS OF INEQUITY , Introduction , Bang Bang , The Cultural New Deal for Cultural and Racial Justice , We Begin by Listening , EMERGENYC: An Artistic Home for Emerging Artists , Listening through Dance , Scenes & Takes , Feminist Coalition and Queer Movements across Time: A Conversation between Alok Vaid-Menon and Urvashi Vaid , What Would Upski Think? , all organizing is science fiction , Rebirth Garments , A Call to Action , Huliau , SOVEREIGN , Flexing Hope Is a Practice , Azadi , AFTERWORD , emergence (after adrienne maree brown) , Acknowledgments , In English

Note: Literaturverzeichnis: Seite 269-312

Note: Includes bibliographical references and index

Note: Literaturangaben

Note: Description based on publisher supplied metadata and other sources

Note: Includes bibliographical references

Note: Includes bibliographical references and index

Note: Description based on publisher supplied metadata and other sources

Note: Letters to the Botanist David Fairchild, 1922–1924, from Southwest China , Journey from the Xifan Kingdom of Muli to Mt. Konkaling in 1928

Note: Includes bibliographical references and index , Literaturverzeichnis: Seite 178-183

Note: "First published on the occasion of the exhibition 'Entangled pasts, 1768-now: art colonialism and change', Royal Academy of Arts, London, 3 February - 28 April 2024"

Note: Includes bibliographical references and index

Note: Description based on publisher supplied metadata and other sources

Note: Published on the occasion of the new presentation of the Ethiopian collection at the Ikonenmuseum in Frankfurt/Main in June 2023

Note: Includes bibliographical references and index

Note: Seite [264]: Published in conjunction with the exhibition "Multiplicity: Blackness in Contemporary American Collage", organized by the Frist Art Museum, Nashville ... Exhibition itinerary: Frist Art Museum, September 15-December 31, 2023; Museum of Fine Arts Houston, February 18-May 12, 2024; The Philipps collection, July 6-September 22, 2024 , Includes bibliographical references

Note: Seite [144]: This publication was produced in conjuntion with the exhibition "Black Artists in America: From Civil Rights to the Bicentennial", on view at the Dixon Gallery and Gardens, Memphis, October 22, 2023-January 14, 2024, and the Crocker Art Museum, Sacramento, February 4-May 19, 2024 , Includes bibliographical references and index

Note: Bibliographie (Seite 234 - 243)

Note: Ausstellungsdaten der Dresdner Ausstellung im Internet ermittelt: "Kaleidoscope of (Hi)stories. Ukrainian Art 1912–2023", 06/05/2023—10/09/2023 , Seite 134: This book is published to accompany the eponymous exhibition in Museum de Fundatie Zwolle from October 14, 2023 to January 28, 2024

Note: Includes bibliographical references and index , Quellen- und Literaturverzeichnis: Seite 249-261. - Register

Note: Titelblattrückseite: This volume includes proceedings of the symposium "The African American Art World in Twentieth-Century Washington, DC", organized by the Center for Advanced Study in the Visual Arts, National gallery of Art, and sponsored by the Wyeth Foundation for American Art and the Arthur Vining Davis Foundations. The symposium was held March 16-17, 2017, in Washington , Includes bibliography and index , English