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  • Bayreuth UB  (2)
  • Würzburg UB  (1)
  • Frobenius-Institut
  • MFK München
  • English  (2)
  • Italian
  • 2015-2019  (2)
  • 1975-1979
  • 2016  (2)
  • Chicago ; London : University of Chicago Press  (2)
  • Aufsatzsammlung  (1)
  • USA  (1)
  • Musicology  (2)
  • Ancient Studies
Datasource
Material
Language
  • English  (2)
  • Italian
Years
  • 2015-2019  (2)
  • 1975-1979
Year
  • 2016  (2)
Author, Corporation
Subjects(RVK)
  • Musicology  (2)
  • Ancient Studies
  • 1
    Book
    Book
    Chicago ; London : University of Chicago Press
    ISBN: 9780226180762
    Language: English
    Pages: XII, 256 Seiten, 12 ungezählte Seiten Bildtafeln , Illustrationen
    DDC: 785.32195165
    RVK:
    Keywords: Davis, Miles ; Davis, Miles ; Jazz History and criticism 1961-1970 ; Jazz History and criticism 1971-1980 ; Jazz musicians Biography ; Avantgarde ; Elektronische Musik ; Rock-Jazz ; Quintett ; USA ; Biografie ; Biografie ; Biografie ; Davis, Miles 1926-1991 Bitches Brew ; Quintett ; Elektronische Musik ; Avantgarde ; Rock-Jazz
    Abstract: Miles Davis's Bitches Brew is one of the most iconic albums in American music, the preeminent landmark and fertile seedbed of jazz-fusion. Fans have been fortunate in the past few years to gain access to Davis's live recordings from this time, when he was working with an ensemble that has come to be known as the Lost Quintet. In this book, jazz historian and musician Bob Gluck explores the performances of this revolutionary group-Davis's first electric band-to illuminate the thinking of one of our rarest geniuses and, by extension, the extraordinary transition in American music that he and his fellow players ushered in. Gluck listens deeply to the uneasy tension between this group's driving rhythmic groove and the sonic and structural openness, surprise, and experimentation they were always pushing toward. There he hears-and outlines-a fascinating web of musical interconnection that brings Davis's funk-inflected sensibilities into conversation with the avant-garde worlds that players like Ornette Coleman and John Coltrane were developing. Going on to analyze the little-known experimental groups Circle and the Revolutionary Ensemble, Gluck traces deep resonances across a commercial gap between the celebrity Miles Davis and his less famous but profoundly innovative peers. The result is a deeply attuned look at a pivotal moment when once-disparate worlds of American music came together in explosively creative combinations. - Bob Gluck is a pianist, composer, and jazz historian, as well as associate professor of music and director of the Electronic Music Studio at the State University of New York, Albany. He is the author of You'll Know When You Get There: Herbie Hancock and the Mwandishi Band, also published by the University of Chicago Press. (Klappentext)
    Note: Includes bibliographical references and index
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  • 2
    AV-Medium
    AV-Medium
    Chicago ; London : University of Chicago Press
    ISBN: 9780226158082 , 9780226236032
    Language: English
    Pages: XXXI, 496 Seiten , Illustrationen
    Additional Material: 1 CD (12 cm)
    Series Statement: Chicago Studies in Ethnomusicology
    DDC: 781.6509
    RVK:
    Keywords: Globalisierung ; Weltmusik ; Ethnische Identität ; Jazz ; Aufsatzsammlung ; CD ; Aufsatzsammlung ; CD ; Aufsatzsammlung ; CD ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; CD ; Aufsatzsammlung ; Jazz ; Weltmusik ; Globalisierung ; Ethnische Identität
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