ISBN:
978-0-511-55797-2
,
978-0-521-44084-4 /Hb.
Language:
English
Pages:
XIV, 213 Seiten
,
Illustrationen
Edition:
First published, paperback reissue
Series Statement:
Cambridge Studies in Social and Cultural Anthropology 92
Keywords:
Indien Süd-Indien
;
Tamil Nadu
;
Ländliches Gebiet
;
Armut
;
Film
;
Popular Culture
;
Sozialer Aspekt
;
Madurai 〈Stadt, Tamil Nadu〉
Abstract:
This study of the Indian cinema is concerned particularly with cinema-goers in Madurai, a city in Tamil Nadu, South India. Sara Dickey reviews the history of Tamil film, explains the structure of the industry, and presents the perspective of the filmmakers. However, the core of the book is an analysis of the films themselves and the place they have in the lives of poor people, who organize fan clubs, discuss the films and the actors, and in various ways relate these fantasy worlds to their own lives. Dickey argues that the effect of these films is ultimately conservative, for they glorify poverty while holding out the hope of a better future. Her rich ethnography makes an interesting contribution to the study of film in India and, more generally, to the understanding of popular culture in an Indian city. (Verlagsangaben)
Description / Table of Contents:
List of illustrations -- Acknowledgements -- Note on transliteration -- Part I -- 1. Introduction -- 2. Lives in Madurai -- 3. Activities and attitudes -- Part II -- 4. History of Tamil cinema -- 5. Films -- 6. Film themes -- Part III -- 7. Filmmakers -- 8. Audiences -- 9. Fan clubs and politics -- 10. Conclusions -- Appendix -- Notes -- List of references -- Index
Note:
Literaturverzeichnis: Seite 195-202
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