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  • MPI Ethno. Forsch.  (12)
  • BSZ  (8)
  • Würzburg UB
  • Frobenius-Institut
  • Online Resource  (15)
  • Undetermined  (15)
  • Danish
  • 2015-2019  (15)
  • 1975-1979
  • 1950-1954
  • 1940-1944
  • Philosophy  (6)
  • Political Science  (3)
  • English Studies  (2)
  • Musicology  (2)
  • Slavic Studies  (1)
  • Economics  (1)
  • Art History
Datasource
Material
Language
Years
Year
Subjects(RVK)
  • 1
    ISBN: 9781501345524
    Language: Undetermined
    Pages: 1 Online-Ressource (224 p.)
    DDC: 338.4/778
    RVK:
    Keywords: Music industry ; Gender studies: women
    Abstract: Gender inequality is universally understood to be a continued problem in the music industry. This open access book presents research that uses an industry-based approach to examine why this gender imbalance has proven so hard to shift, and explores strategies that are being adopted to try and bring about meaningful change in terms of women and gender diverse people establishing ongoing careers in music. The book focuses on three key areas: music education; case studies that explore practices in the music industry; and activist spaces. Sitting at the intersection between musical production, the creative industries and gender politics, this volume brings together research that considers the gender politics of the music industry itself. It takes a global approach to these issues, and incorporates a range of genres and theoretical approaches. At a time when more attention than ever is being paid to gender and music, this volume presents cutting edge research that contributes to current debates and offers insights into possible solutions for the future. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by Knowledge Unlatched
    Note: English
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  • 2
    ISBN: 9783839449899 , 9783837649895
    Language: Undetermined
    Pages: 1 Online-Ressource (236 p.)
    Series Statement: Edition Moderne Postmoderne
    DDC: 111.85
    RVK:
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    Keywords: Original ; Originalität ; Kopie ; Fälschung ; Artefakt ; Ästhetik ; Urheberschaft ; Neuheit ; Kunst ; Kunsttheorie ; Philosophie ; Kunstgeschichte ; Museumswissenschaft ; Originality ; Copy ; Fake ; Artifact ; Aesthetics ; Authorship ; Newness ; Art ; Theory of Art ; Philosophy ; Art History ; Museology ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTN Philosophy: aesthetics ; thema EDItEUR::A The Arts::AB The arts: general topics::ABA Theory of art ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; Electronic books
    Abstract: Um den Begriff des Originals gibt es heftige Debatten. Können Fälschungen ebenso gut sein wie Originale? Wann sind Kopien vielleicht sogar besser? Und ist die Zeit des Originals nicht überhaupt vorbei? Dabei tritt die Frage, was ein Original eigentlich sei, oft in den Hintergrund. Doris Reisinger stellt die These auf: Der Begriff des Originals ist nicht nur nicht obsolet, er hat auch nicht notwendig mit Neuheit, Urheberschaft oder ästhetischem Wert zu tun - das Problem des Originalbegriffs besteht schlicht darin, dass seine komplexe Struktur verkannt wird. Vor diesem Ausgangspunkt erarbeitet sie einen Explikationsvorschlag, der die Beantwortung einer ganzen Reihe von Fragen dieser klassischen philosophischen Debatte erlaubt
    Note: German
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  • 3
    Online Resource
    Online Resource
    London : Routledge | London : Taylor & Francis Group
    ISBN: 9781315146348 , 9781351379946
    Language: Undetermined
    Pages: 1 online resource
    DDC: 306.44
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    Keywords: Englisch ; Witz ; Humor ; Sprache ; Social Media
    Abstract: chapter Introduction -- chapter 1 The language of jokes: several years on -- chapter 2 The language of jokes goes global -- chapter 3 The language of jokes and gender -- chapter 4 The language of jokes online.
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 4
    ISBN: 9783839438282
    Language: Undetermined
    Pages: 1 Online-Ressource
    Parallel Title: Volkert, Daniel, 1980 - Parteien und Migranten
    Parallel Title: Available in another form
    DDC: 324.2170869120944
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    Keywords: Soziologie ; Integration ; Politik ; Politikwissenschaft ; Frankreich ; Berlin ; Partizipation ; Diversity ; Einwanderung ; SPD ; Teilhabe ; Participation ; Paris ; Partei ; Politics ; Sociology ; Politische Soziologie ; Political Sociology ; Politische Parteien ; Political Parties ; Political Science ; Immigration ; Vielfalt ; France ; Party ; Inkorporation ; Parti Socialiste ; Incorporation ; Hochschulschrift ; Sozialdemokratische Partei Deutschlands ; Parti Socialiste ; Einwanderer ; Integration
    Abstract: Parteien bemühen sich seit geraumer Zeit verstärkt um Menschen mit Migrationshintergrund - als Wähler_innen, Parteimitglieder oder politisches Personal. Wann und warum kam es zu dieser Öffnung? Welche Widerstände gehen damit bis heute einher? Lassen sich vergleichbare Phänomene in unterschiedlichen Migrationsgesellschaften und Städten feststellen - oder dominieren die Unterschiede?Am Beispiel der Sozialdemokratischen Partei in Deutschland und der französischen Parti socialiste geht Daniel Volkert diesen Fragen erstmals nach. Seine Studie legt die Unterschiede und Gemeinsamkeiten in der Art der Inkorporation offen, die durch eine feinteilige Analyse der nationalen, lokalen und parteispezifischen Rahmenbedingungen nachvollziehbar gemacht werden.
    Abstract: For the first time, this book provides insight into the inclusion of people with migrant backgrounds into the party politics of the German Social Democratic Party (SPD) and the French Socialist Party.
    URL: Volltext  (lizenzpflichtig)
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  • 5
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Amsterdam University Press | The Hague : Oapen Foundation
    ISBN: 9789462984035
    Language: Undetermined
    Pages: 1 Online-Ressource
    DDC: 950
    RVK:
    Abstract: From the 1920s on, popular music in Southeast Asia was a mass-audience phenomenon that drew new connections between indigenous musical styles and contemporary genres from elsewhere to create new, hybrid forms. This book presents a cultural history of modern Southeast Asia from the vantage point of popular music, considering not just singers and musicians but their fans as well, showing how the music was intrinsically bound up with modern life and the societal changes that came with it. Reaching new audiences across national borders, popular music of the period helped push social change, and at times served as a medium for expressions of social or political discontent.
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  • 6
    Online Resource
    Online Resource
    Freiburg : Verlag Karl Alber
    ISBN: 9783495817698
    Language: Undetermined
    Pages: 1 Online-Ressource
    Series Statement: Scientia & Religio 14
    Parallel Title: Die Gabe
    DDC: 248.6
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    Keywords: Philosophie ; Religionsphilosophie ; Gabe ; Geben ; Empfangen ; Konferenzschrift 2013 ; Gabe ; Theologie ; Philosophie
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 7
    ISBN: 9783495818251
    Language: Undetermined
    Pages: 1 Online-Ressource
    Parallel Title: Der Andere in der Geschichte - Sozialphilosophie im Zeichen des Krieges
    DDC: 301.01
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    Keywords: Philosophie ; Philosophiegeschichte ; Sozialphilosophie ; Levinas ; Emmanuel ; Kommentar ; Aufsatzsammlung ; Lévinas, Emmanuel 1906-1995 Totalité et infini
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 8
    ISBN: 9783837633771 , 9783839433775 , 9783732833771
    Language: Undetermined
    Pages: 1 Online-Ressource (1 electronic resource (352 p.))
    Edition: 1. Auflage
    DDC: 300
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    Keywords: Communities. Classes. Races ; Communities. Classes. Races ; Produktionsgenossenschaft ; Alternative Wirtschaft ; Solidarische Ökonomie ; Verbrauch ; Kritik ; Offenheit ; Abfallvermeidung ; Wiederverwendung
    Abstract: Across the world, more and more DIY initiatives are cropping up, in which a diversity of matters and problems are being collectively dealt with. In these collaborative contexts – located away from the market and the state - an understanding of living together and urbanity based around democracy is tested out, and at the same time, ecologically and socially responsible solutions are being sought for fundamental forms of provision of food, of energy, and for making all manner of technology accessible. In the process, fascinating new forms of collective production, repairing and swapping arise which challenge the industrial logic of the 20th century, even turn them on their head. This book is dedicated to the visionary power of these promising innovative practices, and at the same time, provides a societal categorisation of the new `laboratories' of societal transformation. With photographs by Falk Messerschmidt.Weltweit entstehen immer mehr Initiativen des Selbermachens, in denen eine Vielfalt von Anliegen und Problemen kollektiv bearbeitet werden. In diesen – jenseits von Markt und Staat angesiedelten – kollaborativen Zusammenhängen wird ein basisdemokratisch orientiertes Verständnis von Zusammenleben und Urbanität erprobt und zugleich nach ökologisch und sozial sinnvollen Lösungen für grundlegende Formen der Versorgung mit Nahrungsmitteln, Energie sowie für alle zugängliche Technik gesucht. Dabei entstehen faszinierende neue Formen des gemeinsamen Produzierens, Reparierens und Tauschens von Dingen, die die industrielle Logik des 20. Jahrhunderts herausfordern und sogar auf den Kopf stellen. Das Buch widmet sich der visionären Kraft dieser vielversprechenden innovativen Praxis und bietet zugleich eine gesellschaftliche Einordnung der neuen »Labore« gesellschaftlicher Transformation
    Abstract: Across the world, more and more DIY initiatives are cropping up, in which a diversity of matters and problems are being collectively dealt with. In these collaborative contexts – located away from the market and the state - an understanding of living together and urbanity based around democracy is tested out, and at the same time, ecologically and socially responsible solutions are being sought for fundamental forms of provision of food, of energy, and for making all manner of technology accessible. In the process, fascinating new forms of collective production, repairing and swapping arise which challenge the industrial logic of the 20th century, even turn them on their head. This book is dedicated to the visionary power of these promising innovative practices, and at the same time, provides a societal categorisation of the new `laboratories' of societal transformation. With photographs by Falk Messerschmidt
    Note: Literaturangaben , open access , German
    URL: Volltext  (Description of rights in Directory of Open Access Books (DOAB): Attribution Non-commercial No Derivatives (CC by-nc-nd))
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 9
    Online Resource
    Online Resource
    Ithaca : Cornell University Press
    ISBN: 9781501706981 , 9780801437694 , 9781501706974 , 9781501707209
    Language: Undetermined
    Pages: 1 Online-Ressource (272 p.)
    RVK:
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    Keywords: European history
    Abstract: During the Russian Revolution and Civil War, amateur theater groups sprang up in cities across the country. Workers, peasants, students, soldiers, and sailors provided entertainment ranging from improvisations to gymnastics and from propaganda sketches to the plays of Chekhov. In Revolutionary Acts, Lynn Mally reconstructs the history of the amateur stage in Soviet Russia from 1917 to the height of the Stalinist purges. Her book illustrates in fascinating detail how Soviet culture was transformed during the new regime's first two decades in power. Of all the arts, theater had a special appeal for mass audiences in Russia, and with the coming of the revolution it took on an important role in the dissemination of the new socialist culture. Mally's analysis of amateur theater as a space where performers, their audiences, and the political authorities came into contact enables her to explore whether this culture emerged spontaneously "from below" or was imposed by the revolutionary elite. She shows that by the late 1920s, Soviet leaders had come to distrust the initiatives of the lower classes, and the amateur theaters fell increasingly under the guidance of artistic professionals. Within a few years, state agencies intervened to homogenize repertoire and performance style, and with the institutionalization of Socialist Realist principles, only those works in a unified Soviet canon were presented
    Note: English
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  • 10
    ISBN: 9783839433614 , 9783837633610
    Language: Undetermined
    Pages: 1 Online-Ressource (114 p.)
    Series Statement: Sozialtheorie
    DDC: 170
    RVK:
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    Keywords: Social & political philosophy ; Ethics & moral philosophy ; Ethik ; Moral ; Toleranz ; Weltethos ; Vertrauen ; Lügen ; Zusammenleben ; Gesellschaft ; Zivilgesellschaft ; Sozialphilosophie ; Politische Philosophie ; Soziologische Theorie ; Philosophie ; Ethics ; Tolerance ; Global Ethic ; Trust ; Coexistence ; Society ; Civil Society ; Social Philosophy ; Political Philosophy ; Sociological Theory ; Philosophy ; Aufsatzsammlung
    Abstract: Auch wenn der Mensch ein zur Selbstbestimmung fähiges Wesen ist, kann er nicht vollkommen autark leben. Als soziales Wesen ist er auf seine Mitmenschen angewiesen und muss sich mit den komplexen Fragen des Zusammenlebens auseinandersetzen. Brisant wird es immer dann, wenn unterschiedliche Lebensentwürfe und Lebensgestaltungen aufeinanderprallen, die sich nicht ohne weiteres miteinander vereinbaren lassen. In diesem zweiten Band der Vadian Lectures beleuchten Heinz Kleger, Alois Riklin, Martin Hartmann und Ludwig Hasler die verschiedenen Facetten menschlicher Koexistenz
    Note: German
    URL: Volltext  (lizenzpflichtig)
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  • 11
    Online Resource
    Online Resource
    London : Bloomsbury Academic
    ISBN: 9781474274685 , 9781474274678 , 9781474274661
    Language: Undetermined
    Pages: 1 Online-Ressource (288 p.)
    Series Statement: Environmental Cultures
    DDC: 810.9/36
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    Keywords: Literature & literary studies ; Literary theory
    Abstract: This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. Drawing on the latest debates in ecocritical theory and sustainability studies, Literature as Cultural Ecology: Sustainable Texts outlines a new approach to the reading of literary texts. Hubert Zapf considers the ways in which literature operates as a form of cultural ecology, using language, imagination and critique to challenge and transform cultural narratives of humanity's relationship to nature. In this way, the book demonstrates the important role that literature plays in creating a more sustainable way of life. Applying this approach to works by writers such as Emily Dickinson, Edgar Allan Poe, Herman Melville, William Faulkner, Toni Morrison, Zakes Mda, and Amitav Ghosh, Literature as Cultural Ecology is an essential contribution to the contemporary environmental humanities
    Note: English
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  • 12
    ISBN: 9783839427965 , 9783837627961
    Language: Undetermined
    Pages: 1 Online-Ressource (262 p.)
    Series Statement: Edition Moderne Postmoderne
    RVK:
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    Keywords: Philosophy: aesthetics ; Social & political philosophy ; Theory of art ; Kunst ; Handlung ; Intentionalität ; Ästhetik ; Produktionsästhetik ; Rezeptionsästhetik ; Poetik ; Sozialphilosophie ; Kunsttheorie ; Kunstwissenschaft ; Philosophie ; Art ; Agency ; Intentionality ; Aesthetics ; Aesthetics of Production ; Aesthetics of Reception ; Poetics ; Social Philosophy ; Theory of Art ; Fine Arts ; Philosophy ; Electronic books
    Abstract: Ist Kunst eine Form des Handelns? Und wenn ja, in welchem Sinne? Handlungen werden häufig als praktische Verkörperung von Intentionen aufgefasst. Die Beiträge des Bandes zeigen: Von der kunstphilosophischen Tradition her lässt sich die Frage nach Kunst und Handlung sowohl mit Blick auf die Hervorbringung von Kunst als auch mit Blick auf ihre Erfahrung stellen. Kunst im Rahmen einer Poetik aufzufassen bedeutet allerdings, sie als eine Handlung zu bestimmen, der bestimmte Ziele zu eigen sind
    Note: German
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  • 13
    Online Resource
    Online Resource
    [S.I.] : Amsterdam University Press
    ISBN: 9789089647160
    Language: Undetermined
    Pages: 1 Online-Ressource
    Edition: Online-Ausg. [The Hague] OAPEN Online-Ressource [Online-Ausg.]
    DDC: 304.6
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    Keywords: Politik ; Kartografie
    Abstract: Issue Mapping for an Ageing Europe is a seminal guide to mapping social and political issues with digital methods. The issue at stake concerns the imminent crisis of an ageing Europe and its impact on the contemporary welfare state. The book brings together three leading approaches to issue mapping: Bruno Latour's social cartography, Ulrich Beck's risk cartography and Jeremy Crampton's critical neo-cartography. These modes of inquiry are put into practice with digital methods for mapping the ageing agenda, including debates surrounding so-called 'old age', cultural philosophies of ageing, itinerant care workers, not to mention European anti-ageing cuisine. Issue Mapping for an Ageing Europe addresses an urgent social issue with new media research tools.
    Note: Online-Ausg.:
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  • 14
    ISBN: 9783839428122 , 9783837628128
    Language: Undetermined
    Pages: 1 Online-Ressource (250 p.)
    Series Statement: Edition panta rei
    RVK:
    Keywords: Philosophy ; Ethics & moral philosophy ; Social & political philosophy ; Technik ; Macht ; Autonomie ; Kontrolle ; Ethik ; Akteur-Netzwerk-Theorie ; Foucault ; Dialektik ; Philosophie ; Technikphilosophie ; Politische Philosophie ; Technology ; Power ; Autonomy ; Control ; Ethics ; Actor-network-theory ; Dialectics ; Philosophy ; Philosophy of Technology ; Political Philosophy
    Abstract: Inwieweit sind unsere Handlungsvollzüge und ihre Ordnungen durch Technik bedingt? Nachdem Christoph Hubig die Ermöglichungsfunktion der Technik freigelegt (Band I) und eine Moral für den Umgang mit technischen Möglichkeiten entwickelt hat (Band II), entwirft er nun in diesem (eigenständig lesbaren) Band III in kritischer Auseinandersetzung mit Foucault und der Akteur-Netzwerk-Theorie ein technikadäquates Machtkonzept. Jenseits eines »Technikdeterminismus« oder der Behauptung einer eigendynamischen Technikevolution steht dabei der Unterschied zwischen einer Strukturdynamik und einer Netzdynamik im Vordergrund. Zudem werden die Erträge dieser Modellierung für die Frage eines Wandels von Autonomie und (ethischer) Kontrolle geltend gemacht
    Note: German
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  • 15
    Online Resource
    Online Resource
    s.l. : Universitätsverlag Göttingen
    ISBN: 9783863952327
    Language: Undetermined
    Pages: 1 Online-Ressource
    RVK:
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    Abstract: In the course of the so-called ‘economic and financial crisis’ from 2008 onwards, there has been a fierce debate about the role and purpose of the European Union. It was led in politics and the media just as in academia. The economic usefulness of the Euro has been discussed, and the political implications of a fostered European unification. Most often, the state of Europeanization has been presented as being without alternatives: no Europe without Greece; no Euro without Greece; no way back to the nation state in its old form. As a result, the debate on Europe was largely narrowed down to the very questions of the immediate crisis, namely economics and fi nance. Only a few voices held that the crisis in fact was one of politics, not of economics. And only late did politicians mention again that Europe is more than the EU. Alternative views of Europe, however, were scarce and often presented full of consequences. It thus came without much surprise that the lacking imaginative power of politicians as well as intellectuals was criticized. The idea for this volume sprang from that situation. The editors invited scholars from various disciplines to present them with ways of imagining Europe that go beyond the rather limited view of EU institutions. How was, how is Europe imagined? Which memories are evoked, which visions explicated? Which counter-narratives to prominent discourses are there?
    Abstract: In the course of the so-called ‘economic and financial crisis’ from 2008 onwards, there has been a fierce debate about the role and purpose of the European Union. It was led in politics and the media just as in academia. The economic usefulness of the Euro has been discussed, and the political implications of a fostered European unification. Most often, the state of Europeanization has been presented as being without alternatives: no Europe without Greece; no Euro without Greece; no way back to the nation state in its old form. As a result, the debate on Europe was largely narrowed down to the very questions of the immediate crisis, namely economics and fi nance. Only a few voices held that the crisis in fact was one of politics, not of economics. And only late did politicians mention again that Europe is more than the EU. Alternative views of Europe, however, were scarce and often presented full of consequences. It thus came without much surprise that the lacking imaginative power of politicians as well as intellectuals was criticized. The idea for this volume sprang from that situation. The editors invited scholars from various disciplines to present them with ways of imagining Europe that go beyond the rather limited view of EU institutions. How was, how is Europe imagined? Which memories are evoked, which visions explicated? Which counter-narratives to prominent discourses are there?
    Note: German^English
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