Note: Literaturangaben , 1.Writing African Modernism into Art History , 16.Modernism and Modernity in African Art , pt. II"Africa Has Always Been Modern"2.Local Transformations, Global Inspirations: The Visual Histories and Cultures of Mami Wata Arts in Africa , pt. IIIArt in Cosmopolitan Africa: The Nineteenth Century3.Loango Coast Ivories and the Legacies of Afro-Portuguese Arts , 4.Roots and Routes of African Photographic Practices: From Modern to Vernacular Photography in West and Central Africa (1850-1980) , 5.At Home in the World: Portrait Photography and Swahili Mercantile Aesthetics , 6.African Reimaginations: Presence, Absence, and New Way Architecture , pt. IVModernities and Cross-Cultural Encounters in Arts of the Early Twentieth Century7."One of the Best Tools for Learning": Rethinking the Role of 'Abduh's Fatwa in Egyptian Art History , 8.Congolese and Belgian Appropriations of the Colonial Era: The Commissioned Work of Tshelantende (Djilatendo) and Its Reception , 9.Warriors in Top Hats: Images of Modernity and Military Power on West African Coasts , pt. VColonialism, Modernism, and Art in Independent Nations10.Algerian Painters as Pioneers of Modernism , 11.Kofi Antubam, 1922-1964: A Modern Ghanaian Artist, Educator, and Writer , 12.Patron and Artist in the Shaping of Zimbabwean Art , 13."Being Modern": Identity Debates and Makerere's Art School in the 1960s , 14.The École des Arts and Exhibitionary Platforms in Postindependence Senegal , 15.From Iconoclasm to Heritage: The Osogbo Art Movement and the Dynamics of Modernism in Nigeria , 17.A Century of Painting in the Congo: Image, Memory, Experience, and Knowledge , pt. VIPerspectives on Arts of the African Diaspora18.Visual Expressivity in the Art of the Black Diaspora: Conjunctures and Disjunctures , pt. VIISyntheses in Art of the Late Twentieth Century19.Art and Social Dynamics in Côte d'lvoire: The Position of Vohou-Vohou , 20.Contemporary Contradictions: Bronzecasting in the Edo Kingdom of Benin , 21.Puppets as Witnesses and Perpetrators in Ubu and the Truth Commission , 22.Moroccan Art Museums and Memories of Modernity , pt. VIIIPrimitivism as Erasure23.The Enduring Power of Primitivism: Showcasing "the Other" in Twenty-First-Century France , pt. IXLocal Expression and Global Modernity: African Art of the Twenty-First Century24.Zwelethu Mthethwa's "Postdocumentary" Portraiture: Views from South Africa and Abroad , 25.Creative Diffusion: African Intersections in the Biennale Network , 26.Lacuna: Uganda in a Globalizing Cultural Field , 27.Painted Visions under Rebel Domination: A Cultural Center and Political Imagination in Northern Côte d'lvoire , 28.Postindependence Architecture through North Korean Modes: Namibian Commissions of the Mansudae Overseas Project , 29.Concrete Aspirations: Modern Art at the Roundabout in Ugep

Note: Introduction: the work of interviews , Talking to people about art , Ghostly stories: interviews with artists in Dakar and the productive space around absence , Can the artist speak?: Hamid Kachmar's subversive redemptive art of resistance , Photography, narrative inventions, and (cross) cultural representations , Narrating the artist: Seyni Camara and the multiple constructions of the artistic persona , Interview: Akinbode Akinbiyi , Interweaving narratives of art and activism: Sandra Kriel's heroic women , Politics of narrative at the African burial ground in New York City: the final monument , Who owns the past?: constructing an art history of a Malian masquerade , Framing practices: artists' voices and the power of self-representation , Undisciplined knowledge

Note: Preface / Maria-Katharina LangI. The collector and the collections / Maria-Katharina Lang , II. Mongolian Buddhism : identity, practice, and politics / Lhagvademchig Jadamba , III. Tsakli, thangkas, prints, amulets and manuscripts / Olaf Czaja , IV. Types of votive plaque (tshatsha) in the Leder collections / Béla Kelényi , V. A Maitreya (tshatsha) in the Leder collections / Béla Kelényi , VI. The Tsam figurines in Leder's collections : a reunion / Maria-Katharina Lang , VII. The Khüree-Tsam and its relations with the Tsam figures of the Leder collections / Krisztina Teleki , VIII. Cagān Öwgön : the White Old Man in the Leder collections : the textual and iconographic tradition of the cult of the White Old Man among the Mongols / Ágnes Birtalan , IX. The depictions of the Five Personal Protective Deities in the Leder collections / Béla Kelényi , X. Equestrian warrior deities in the Leder collections : some aspects of the Mongolian war god / Ágnes Birtalan , XI. Various depictions of Zanabazar / Maria-Katharina Lang , XII. Different types of prayer flag in the Leder collections / Béla Kelényi , XIII. The stronghold of good luck : a unique representation connecting to the cult of prayer flag / Béla Kelényi.